Mixed Race Studies

Passing and the Fictions of Identity

Duke University Press
1996
312 pages
6 illustrations
Cloth ISBN: 978-0-8223-1755-5
Paperback ISBN: 978-0-8223-1764-7

Edited by

Elaine K. Ginsberg, Professor of English (Retired)
West Virginia University

Passing refers to the process whereby a person of one race, gender, nationality, or sexual orientation adopts the guise of another. Historically, this has often involved black slaves passing as white in order to gain their freedom. More generally, it has served as a way for women and people of color to access male or white privilege. In their examination of this practice of crossing boundaries, the contributors to this volume offer a unique perspective for studying the construction and meaning of personal and cultural identities.

These essays consider a wide range of texts and moments from colonial times to the present that raise significant questions about the political motivations inherent in the origins and maintenance of identity categories and boundaries. Through discussions of such literary works as Running a Thousand Miles for Freedom, The Autobiography of an Ex–Coloured Man, Uncle Tom’s Cabin, The Hidden Hand, Black Like Me, and Giovanni’s Room, the authors examine issues of power and privilege and ways in which passing might challenge the often rigid structures of identity politics. Their interrogation of the semiotics of behavior, dress, language, and the body itself contributes significantly to an understanding of national, racial, gender, and sexual identity in American literature and culture.

Contextualizing and building on the theoretical work of such scholars as Judith Butler, Diana Fuss, Marjorie Garber, and Henry Louis Gates Jr., Passing and the Fictions of Identity will be of value to students and scholars working in the areas of race, gender, and identity theory, as well as U.S. history and literature.

Contributors. Martha Cutter, Katharine Nicholson Ings, Samira Kawash, Adrian Piper, Valerie Rohy, Marion Rust, Julia Stern, Gayle Wald, Ellen M. Weinauer, Elizabeth Young

Distancing the Proximate Other: Hybridity and Maud Diver’s Candles in the Wind

Twentieth Century Literature
Volume 50, Number 2 (Summer, 2004)
pages 107-140

Loretta M. Mijares

The half-caste out here falls between two stools, that’s the truth.
—Maud Diver, Candles in the Wind

Miscegenation has long been recognized as one of the recurrent tropes of colonial discourse, and recent work has convincingly demonstrated that it was often enlisted in efforts to justify more authoritarian colonial rule. Critics such as Nancy Paxton and Jenny Sharpe have drawn attention to the ubiquitous theme of interracial romance and marriage in domestic fiction written by the British in India, a body of literature previously relegated to the genre of romance and dismissed as what Margaret Stieg calls “sub-literature” (3). While critics have begun to recognize that the focus of this large body of fiction on domestic arrangements expresses anxiety about interracial liaisons and miscegenation, few pay adequate attention either to the historical reality of the Eurasian community in existence during the periods they analyze or to the Eurasian characters in these works of fiction and their particular ideological function. The tendency of literary critics discussing miscegenation to categorize Eurasians and “natives” as equal threats in the domestic sphere is itself evidence of the success of this body of fiction’s strategic response to historical Eurasians: the disconcertingly familiar Eurasian is converted in fiction from proximate other to distant other, thereby relocating the anxiety generated by both the uncanniness of the Eurasian and the material threat this population posed to smooth colonial rule…

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