Mixed Race Studies

Blackberries and Redbones: Critical Articulations of Black Hair/ Body Politics in Africana Communities

Hampton Press
July 2010
484 pages
Paper ISBN: 978-1-57273-881-2
Cloth ISBN: 978-1-57273-880-5

Edited by

Regina E. Spellers, President and CEO
Eagles Soar Consulting, LLC

Kimberly R. Moffitt, Assistant Professor of American Studies
University of Maryland, Baltimore County

This book features engaging scholarly essays, poems and creative writings that all examine the meanings of the Black anatomy in our changing global world. The body, including its hair, is said to be read like a text where readers draw center interpretations based on signs, symbols, and culture. Each chapter in the volume interrogates that notion by addressing the question, “As a text, how are Black bodies and Black hair read and understood in life, art, popular culture, mass media, or cross-cultural interactions?” Utilizing a critical perspective, each contributor articulates how relationships between physical appearance, genetic structure, and political ideologies impact the creativity, expression, and everyday lived experiences of Blackness. In this interdisciplinary volume, discussions are made more complex and move beyond the “straight versus kinky hair” and “light skin versus dark skin” paradigm. Instead efforts are made to emphasize the material consequences associated with the ways in which the Black body is read and (mis)understood. The aptness of this work lies in its ability to provide a meaningful and creative space to analyze body politics—highlighting the complexities surrounding these issues within, between, and outside Africana communities. The book provides a unique opportunity to both celebrate and scrutinize the presentation of Blackness in everyday life, while also encouraging readers to forge ahead with a deeper understanding of these ever-important issues.

Table of Contents

• Foreword, Haki R. Madhubuti
• Introduction, Regina E. Spellers and Kimberly R. Moffitt
• SECTION ONE: Hair/Body Politics as Expression of the Life Cycle
  • The Big Girl’s Chair: A Rhetorical Analysis of How Motions for Kids Markets Relaxers to African American Girls, Shauntae Brown White
  • Pretty Color ’n Good Hair: Creole Women of New Orleans and the Politics of Identity, Yaba Amgborale Blay
  • Invisible Dread: From Twisted: The Dreadlocks Chronicles, Bert Ashe
  • Social Constructions of a Black Woman’s Hair: Critical Reflections of a Graying Sistah, Brenda J. Allen
  • What it Feels Like for a (Black Gay HIV+) Boy, Chris Bell
• SECTION TWO: Hair/Body as Power
  • Dominican Dance Floor, Kiini Ibura Salaam
  • Covering Up Fat Upper Arms, Mary L. O’Neal
  • Cimmarronas, Ciguapas, and Senoras: Hair, Beauty, and National Identity in the Dominican Republic, Ana-Maurine Lara
  • Of Wigs and Weaves, Locks and Fades: A Personal Political Hair Story, Neal A. Lester
  • “Scatter the Pigeons”: Baldness and the Performance of Hyper-Black Masculinity, E. Patrick Johnson
• SECTION THREE: Hair/Body in Art and Popular Culture
  • From Air Jordan to Jumpman: The Black Male Body as Commodity, Ingrid Banks
  • Cool Pose on Wheels: An Exploration of the Disabled Black Male in Film, Kimberly R. Moffitt
  • Decoding the Meaning of Tattoos: Cluster Criticism and the Case of Tupac Shakur’s Body Art, Carlos D. Morrison, Josette R. Hutton, and Ulysses Williams, Jr.
  • Blacks in White Marble: Interracial Female Subjects in Mid-Nineteenth-Century Neoclassicism, Charmaine Nelson
  • Changing Hair/Changing Race: Black Authenticity, Colorblindness, and Hairy Post-ethnic Costumes in “Mixing Nia”, Ralina L. Joseph
  • “I’m Real” (Black) When I Wanna Be: Examining J. Lo’s Racial ASSets, Sika Alaine Dagbovie and Zine Magubane
• SECTION FOUR: Celebrations, Innovations, and Applications of Hair/Body Politics
  • Diaspora in My Hair: A Poetic Narrative of My Experience in Europe, Nadège Tanite Clitandre
  • Broken Mirrors and Reflections of One’s Self: Blackness, Indianness, and Hybridity, Hershini Bhana Young
  • Sun Kissed or Sun Cursed?: Exploring Color Consciousness and Black Women’s Tanning Experiences, Regina E. Spellers
  • African Men in the United States: Stories of Race, Gender, Sexuality, and Power, Hameed S. (Herukhuti) Williams
  • Weaving Messages of Self-Esteem: Empowering Mothers and Daughters through Hair Braiding, Tracey Y. Lewis-Elligan
• SECTION FIVE: Contradictions, Complications, and Complexities of Hair/Body Politics
  • Divas to the Dance Floor Please!: A Neo-Black Feminist Readin(g) of Cool Pose, D. Nebi Hilliard
  • Coming Out Natural: Dreaded Desire, Sex Roles, and Cornrows, L. H. Stallings
  • “I am More than a Victim”: The Slave Woman Stereotype in Antebellum Narratives by Black Men, Ellesia A. Blaque
  • Two Warring Ideals, One Dark Body: Hegemony, Duality, and Temporality of the Black Body in African-American Religion, Stephen C. Finley
  • The Snake that Bit Medusa: One (Phenotypically) White Woman’s Dreads, Kabira Z. Cadogan
• Author Index
• Subject Index

Arts and Mixedness [eConference]

Runnymede Trust
2010-07-09

Runnymede is currently hosting an online debate on mixed-race identity and the arts.

There is a comment from columnist and broadcaster Yasmin Alibhai-Brown: Mixed-Race Britain: Where Next?

Playwright and poet Sabrina Mahfouz also writes about her thoughts on mixed-race identity: A Reflection on Mixedness. 

There are also contributions from noted arts practitioners Patricia Cumper – director of the Talawa theatre company, Jane Earl – Director of the Rich Mix Arts Centre, and Jennifer Williams – Founding Director of the British American Arts Association in our live discussion thread.

They discussed issues of cultural representation in art, the role of funding bodies and policy, the need for specific ‘mixed’ representation and the benefits / dangers of defining mixedness, race or art. Read and contribute to the discussion thread live now.

Discussion thread started by Nina Kelly on 2010-07-09 at 09:43Z.

Read the entire thread here.

A Reflection on Mixedness

Runnymede Trust
July 2010

Sabrina Mahfouz, Poet, Writer and Playwright

On the 27 May Runnymede and the Arts Council held a joint seminar in which they invited a group of arts practioners and policy makers to come and debate the nature of ‘Arts and Mixedness’; as well as what—if anything—the Arts Council should be doing to encourage, fund or facilitate engagement with people racialised as mixed.  Several of the participants subsequently provided reflections on the meeting and on the subject of mixedness and the arts.

The following submission was kindly provided by the writer, playwright and poet Sabrina Mahfouz.

‘Mixedness’ in it’s definition is so complex that it is often shied away from or regarded as being catered for via more specific diversity categories. I think the arts are somewhere to explore the possibility that this is not enough. In a Britain where ‘mixedness’ will one day be the majority minority (if it isn’t already) the arts should be reflecting this in its content, commissioning and – perhaps most importantly, in its casting (without it being a box-ticking exercise). Mixedness of course goes further than race – social class, religion and sexuality are some of the most obvious factors and for the moment it seems that discussion and awareness are much more important than policy and targets…

Read the entire article here.

Lone Mothers of Mixed Racial and Ethnic Children: Then and Now

Runnymede Trust
June 2010

Chamion Caballero, Senior Research Fellow
Families & Social Capital Research Group
London South Bank University

Rosalind Edwards, Professor in Social Policy
Families & Social Capital Research Group
London South Bank University

Information from the UK Census indicates that parents of children from mixed racial or ethnic backgrounds constitute one of the highest lone parent groups in the country. Like all other groups of lone parent families, these are overwhelmingly headed by mothers.

In this research report Dr. Chamion Caballero and Prof. Rosalind Edwards, of the London South Bank University, pulls together data from interviews with mothers of mixed-race children whose fathers are absent. Some of the anecdotal evidence is from those who brought up their children decades ago, and this is compared with the experiences of women doing the same today.

The report explores the specific racisms, prejudices and stereotypes that this group of women and children have been faced with – both then and now – and where, if anywhere, they have been able to turn for support.

To read the report, login or register for free here.

Mixed Race Britain: Where Next?

Runnymede Trust
2010-07-09

Yasmin Alibhai-Brown, Independent Journalist

My two books on mixed race Britons, Colour of Love (1992) and Mixed Feelings (2001) were among the first non-academic explorations of racial mixing in Britain. In the nine years between the two publications, awareness had grown of the fast rising number of mixed heritage families in Britain (some going back three generations) but recognition of multiple identities was yet to come. Public policies, community politics and, arguably, mixed race people and couples themselves, still worked within established mono-racial categories. Black activists forcefully argued that mixed raced people could only be black because that is how society saw them. They, in fact, appropriated the old one drop rule applied during the days of slavery. It wasn’t right in the bad old days and certainly made no sense in the late 20th century. Now that mixed race Britons are set to overtake most other ‘ethnic minority’ groups, the hope must be that old classifications and disagreements will give way to the newer, more pertinent, voices of those who are themselves biracial or even tri-racial and we will find fresh language, modernised concepts and better understanding of human desire and multifarious identities. This hasn’t happened yet. We are in a lacuna at present- in the UK and the US too…

Read the entire article here.