Mixed Race Studies

Methods of Racial Analysis

Science Magazine
Volume 63, Number 1621 (1926-01-22)
pages 75-81
DOI: 10.1126/science.63.1621.75

E. A. Hooton

Significance of the Term “Race”

The term “race” as applied to man is commonly employed with no accurate and well-defined meaning. One often sees references to the “white race,” the “Jewish race,” the “Latin race,” the “Irish race.” Such indiscriminate use of the word “race” implies a confusion of criteria. To speak of the “white” race is to assume that race is a matter of skin pigmentation; to refer to the “Jewish race” is to differentiate race on a basis of religion; a “Latin race” implies a linguistic criterion, and finally any reference to an “Irish race” must mean a race characterized either by geographical position or, failling that, temperament. Such confusions of usage are usually confined to the non-anthropological writing public. All anthropologists agree that the criteria of race are physical characters. The tests of racial distinction are the morphological and metrical variations of such bodily characters as hair, skin, nose, eyes, stature—differences in shape and proportions of the head, the trunk and the limbs.

Although there exists among anthropologists this general agreement as to the physical basis of race, there is no such unanimity of opinion with respect to the further implications of a classification of mankind on the score of bodily attributes.

One school of anthropologists is disposed to deny that there are any cultural or psychological correlates of race. For these the somatological variations whereby race is determined are of little significance, except as convenient characters for classificatory purposes. They regard them principally and ultimately as effects of environment, though perhaps immediately heritable. Pigmentation may be dismissed by such as a result of climate, stature as a consequence of nutrition, head-form as a manifestation of individual variation or a by-product of separately inherited size-factors. Logically, such anthropologists refuse to recognize that language, material culture, mental capacity or social organization stand in any biological, mathematical or rational relationship to races as determined by these plastic and transitory’ physical characters.   For them race is a congeries of environmentally determined bodily features, significant principally because it effects differences in outward appearance which arouse the prejudice of the ignorant…

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The Mystery of Samba: Popular Music and National Identity in Brazil

University of North Carolina Press
February 1999
168 pages
6.125 x 9.25, notes, bibl., index
Paper ISBN  978-0-8078-4766-4

Hermano Vianna

Edited and translated by

John Charles Chasteen, Associate Professor of History
University of North Carolina, Chapel Hill

Samba is Brazil’s “national rhythm,” the foremost symbol of its culture and nationhood. To the outsider, samba and the famous pre-Lenten carnival of which it is the centerpiece seem to showcase the country’s African heritage. Within Brazil, however, samba symbolizes the racial and cultural mixture that, since the 1930s, most Brazilians have come to believe defines their unique national identity.

But how did Brazil become “the Kingdom of Samba” only a few decades after abolishing slavery in 1888? Typically, samba is represented as having changed spontaneously, mysteriously, from a “repressed” music of the marginal and impoverished to a national symbol cherished by all Brazilians. Here, however, Hermano Vianna shows that the nationalization of samba actually rested on a long history of relations between different social groups–poor and rich, weak and powerful–often working at cross-purposes to one another.

A fascinating exploration of the “invention of tradition,” The Mystery of Samba is an excellent introduction to Brazil’s ongoing conversation on race, popular culture, and national identity.

Table of Contents

• Translator’s Preface
• Author’s Preface to the U.S. Edition
• Acknowledgments
• 1. The Encounter
• 2. The Mystery
• 3. Popular Music and the Brazilian Elite
• 4. The Unity of the Nation
• 5. Race Mixture
• 6. Gilberto Freyre
• 7. The Modern Samba
• 8. Samba of My Native Land
• 9. Nowhere at All
• 10. Conclusions
• Notes
• Index

The African Presence in Brazil: Slavery, Resistance, Miscegenation and Strategic Popularization of Afro-Brazilian Music Culture

Kalamazoo College
2004
69 pages

Danielle Dubois Flax

This thesis intends to investigate the history of slavery in Brazil, its effects on the demographic, psychological and political reality of Afro-Brazilians, and most essentially: how representations of Afro-Brazilian music and culture that were de-valorized, persecuted and outlawed for such extended periods of time became appropriated by the powerful, white Brazilian communities and subsequently became the quasi-official symbols of Brazilian culture. This research also focuses on Samba as one of these appropriated cultural symbols that, as the focus of Hermano Vianna’s book, The Mystery of Samba, made an “unexplained leap from infamous outcast to (virtually official) national emblem, a transformation conventionally mentioned only in passing…”(12).

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Multicultural ‘obsession’ drives new Parliamentary Poet Laureate

The Globe and Mail
Toronto, Canada
2011-12-21

Jane Taber, Senior Political Writer

Fred Wah is a little more familiar with the outside of Parliament than the inside, having from time to time protested on its sweeping lawn as part of the Writers’ Union of Canada.

But that’s about to change. Tuesday, the award-winning scribe was appointed the country’s new Parliamentary Poet Laureate. As such, the 72-year-old Saskatchewan-born Vancouverite is not required to be reciting poetry on the floor of the Commons or the Senate, but is hoping to at some point unleash his pen on the country’s political institutions…

…Although he sees his appointment as “a symbolic gesture,” he’s got some ideas about what he wants to do, including the “possibility of developing some educational aspects” into the post. “I think there is a great need to get some our poetry and some of our Canadian literature into our schools,” he said.

Characterizing himself as a “Heinz 57,” Mr. Wah’s father was half-Chinese, his mother Swedish and he grew up “in my father’s Chinese-Canadian restaurant.” That has helped to fuel his “obsession” to the issue of race and multiculturalism. “And I’m very interested in the whole notion of hybridity and how we negotiate that in our culture,” he added.

He points to his book of short prose fiction, Diamond Grill, as a example of that. In it, he looks at family and identity. He is also proud of his 1985 book of poetry, Waiting for Saskatchewan, for which he won the Governor-General’s Literary Award…

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Irish and ‘brown’ – Mixed ‘race’ Irish women’s identity and the problem of belonging

Women’s Movement: Migrant Women Transforming Ireland
Selection of papers from a conference held in
Trinity College Dublin, Ireland
2003-03-20 through 2003-03-21
pages 86-90

Angeline Morrison
Falmouth College of Arts

People are beginning to talk about the ‘invisibility’ of Whiteness. I am referring in particular to Richard Dyer’s project to ‘make Whiteness strange’, to hold it up for inspection and to question the tacit association of ‘Whiteness’ with ‘the human condition’ (Dyer 1997) I want to talk about another kind of Whiteness that has almost total invisibility—this is the Whiteness of the Mixed Race subject. I use the term ‘Mixed Race’ mindfully, aware that the term is contested and that some find its reference to the unscientific non-sense of ‘Race’ offensive (Harker 2000). For now, I want to define ‘Mixed Race’ people as the offspring of one White and one non-White parent. Such people have, inscribed on their bodies, evidence of migration somewhere along the line. Such people have, also, traditionally had problems at the tricky task of belonging. Although visually combining a phenotypic mixture of both White and Black features, the Mixed Race subject in a White, racialised society has, overwhelmingly, tended to be read by that society as, simply, ‘Black’. I am interested in also considering the Whiteness of the Mixed Race subject, particularly since this is something that both Black and White racialised societies alike – and by ‘racialised’ I mean operating according to what Jayne O. Ifekwunigwe has referred to as the ‘popular folk concept’ of ‘race’–have tended to deny. (Ifekwunigwe 2001:42).

So, the Mixed Race subject as I define her here, inhabits Blackness and Whiteness equally–but in a racialised society, she inhabits Whiteness invisibly. Her whiteness is like a deep stratum; present and felt, but rendered invisible by society. Whilst scholars have written about the cultural or behavioural Whiteness of Mixed Race subjects, I am so far unaware of any work that specifically foregrounds or makes visible the actual, lived, and (usually) ignored Whiteness that the brown-skinned subject of Mixed Race may claim as a birthright, should she so desire…

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