Mixed Race Studies

Racing to Justice: Transforming Our Conceptions of Self and Other to Build an Inclusive Society

Indiana University Press
2012-08-16
336 pages
6 x 9
Cloth ISBN: 978-0-253-00629-5

john a. powell, Professor of Law; Director Haas Diversity Research Center
University of California, Berkeley

Foreword by:

David R. Roediger, Kendrick Babcock Professor of History and African American Studies
University of Illinois

Renowned social justice advocate john a. powell persuasively argues that we have not achieved a post-racial society and that there is much work to do to redeem the American promise of inclusive democracy. Culled from a decade of writing about social justice and spirituality, these meditations on race, identity, and social policy provide an outline for laying claim to our shared humanity and a way toward healing ourselves and securing our future. Racing to Justice challenges us to replace attitudes and institutions that promote and perpetuate social suffering with those that foster relationships and a way of being that transcends disconnection and separation.

Table of Contents

• Acknowledgments
• Introduction: Moving Beyond the Isolated Self
• I. Race and Racialization
  • 1. Post-Racialism or Targeted Universalism?
  • 2. The Colorblind Multiracial Dilemma: Racial Categories Reconsidered
  • 3. The Racing of American Society: Race Functioning as a Verb Before Signifying as a Noun
• II. White Privilege
  • 4. Whites Will Be Whites: The Failure to Interrogate Racial Privilege
  • 5. White Innocence and the Courts: Jurisprudential Devices that Obscure Privilege
• III. The Racialized Self
  • 6. Dreaming of a Self Beyond Whiteness and Isolation
  • 7. The Multiple Self: Implications for Law and Social Justice
• IV. Engagement
  • 8. Lessons from Suffering: How Social Justice Informs Spirituality
• Afterword
• References
• Index

Imoinda’s Shade: Marriage and the African Woman in Eighteenth-Century British Literature, 1759–1808

Ohio State University Press
May 2012
289 paes
6×9
Cloth ISBN: 978-0-8142-1185-4
CD-ROM ISBN: 978-0-8142-9286-0

Lyndon J. Dominique, Assistant Professor of English
Lehigh University, Bethlehem, Pennsylvania

As the eighteenth century is entirely bereft of narratives written by African women, one might assume that these women had little to no impact on British literature and the national psyche of the period. Yet these kinds of assumptions are belied by the influence of one prominent African woman featured in the period’s literary texts.

Imoinda’s Shade examines the ways in which British writers utilize the most popular African female figure in eighteenth-century fiction and drama to foreground the African woman’s concerns and interests as well as those of a British nation grappling with the problems of slavery and abolition. Imoinda, the fictional phenomenon initially conceived by Aphra Behn and subsequently popularized by Thomas Southerne, has an influence that extends well beyond the Oroonoko novella and drama that established her as a formidable presence during the late Restoration period. This influence is palpably discerned in the characterizations of African women drawn up in novels and dramas written by late-eighteenth-century British writers. Through its examinations of the textual instances from 1759–1808 when Imoinda and her involvement in the Oroonoko marriage plot are being transformed and embellished for politicized ends, Imoinda’s Shade demonstrates how this period’s fictional African women were deliberately constructed by progressive eighteenth-century writers to popularize issues of rape, gynecological rebellion, and miscegenation. Moreover, it shows how these specific African female concerns influence British antislavery, abolitionist, and post-slavery discourse in heretofore unheralded, unusual, and sometimes radical ways.

Contents

• Illustrations
• Acknowledgements
• Indroduction: Imoinda, Marriage, Slavery
• Part One. Imoinda’s Original Shades: African Women in British Antislavery Literature
  • Chapter 1. Altering Oroonoko and Imoinda in Mid-Eighteenth-Century British Drama
  • Chapter 2. Amelioration, African Women, and The Soft, Strategic Voice of Paternal Tyranny in The Grateful Negro
  • Chapter 3. “Between the saints and the rebels”: Imoinda and the Resurrection of the Black African Heroine
• Part Two. Imoinda’s Shade Extends: Abolition and Interracial Marriage in England
  • Chapter 4. Creoles, Closure, and Cubba’s Comedy of Pain: Abolition and the Politics of Homecoming in Eighteenth-Century British Farce
  • Chapter 5. “‘What!’ cried the delighted mulatto, ‘are we going to prosecu massa?’”: Adeline Mowbray’s Distinguished Complexion of Abolition
  • Chapter 6. “An unportioned girl of my complexion can . . . be a dangerous object.” Abolition and the Mulatto Heiress in England
• Afterword
• Bibliography
• Index

Ambivalent examples: The multiple Creole subjects of Spanish American nineteenth-century narrative

University of Pennsylvania
2006
371 pages
Publication Number: AAT 3225427
ISBN: 9780542797194

Elisabeth L. Austin

This dissertation proposes a paradigm for 19th-century Spanish American Creole subjectivity that considers it to be a multiple, unstable construct rather than a coherent or constant entity. From this premise I explore exemplarity as a rhetorical mode that seeks to engage its reader’s subjectivity, and I posit that exemplary narrative becomes not only a site of subjectivity construction for the Creole reader but also a place for negotiating the problematics of the liberal order at the end of the 19th century. I maintain that reading exemplary narrative as an articulation of multiple Creole subjectivity allows us to study the contradictions and indeterminate pedagogy of many of these texts, and therefore to better analyze the ambivalence and problems they describe. My project investigates the work of four authors: Eugenio Cambaceres (Argentina), José Martí (Cuba), Clorinda Matto de Turner (Peru), and Juana Manuela Gorriti (Argentina). Cambaceres’s four novels—Potpourri: silbidos de un vago (1882), Música sentimental (1884), Sin rumbo (1885), and En la sangre (1887)—establish a social critique that culminates in the invention of a Creole national subject, depicted as a father figure for the future mestiza America, who is ultimately rendered non-viable within these narratives. Martí’s only novel, Lucía Jerez (1885), articulates a profound gender anxiety that threatens Martí’s ideal “natural man” and problematizes his dreams of solidarity and miscegenation as part of a future American identity. Matto’s Aves sin nido (1889) argues for liberal political intervention on behalf of Peruvian Indians while it simultaneously launches a critique of liberal ideology as an insufficient instrument of such change. Finally, I read Gorriti’s cookbook, Cocina ecléctica (1890), as a text that exemplifies multiple Creole subjectivity and negotiates authority and gender within irreducibly plural models of feminine subjectivity. These narratives profess pedagogical pretensions that are questioned and at times undermined within the texts themselves, and my dissertation argues that such contradictions illustrate rather than resolve the crises of Creole ideology and subjectivity brought about by the failure of Spanish American liberalism at the end of the 19th century.

TABLE OF CONTENTS

• Introduction: The Creole as Problematic Subject(ivity)
• 1. (De)Constructing Creole America: Fractured Nineteenth-Century Power and Politics
• 2. Creole Fictions: Hybridity and Indeterminacy in Nineteenth-Century Spanish American Literature
• 3. The Ethics of Criollismo: National Subjectivity in Eugenio Cambaceres
• 4. Monstrous Progeny: Gender Trouble and Fragile Virility in Jose Marti’s Lucía Jerez
• 5. Bastardized Faith and Unanswered Prayers: Impotent Readership in Clorinda Matto de Turner’s Aves sin nido
• Conclusion: Creole Subjectivities Inside Out: Writing Culture and Authority in Juana Manuela Gorriti’s Cocina ecléctica
• Works Cited

Purchase the dissertation here.