Science in support of racial mixture: Charles-Augustin Vandermonde’s Enlightenment program for improving the health and beauty of the human species

Posted in Articles, Europe, Health/Medicine/Genetics, History, Media Archive on 2013-12-26 13:44Z by Steven

Science in support of racial mixture: Charles-Augustin Vandermonde’s Enlightenment program for improving the health and beauty of the human species

Endeavor
Available online 2013-12-25 (Corrected Proof)
DOI: 10.1016/j.endeavour.2013.11.001

Clara Pinto-Correia
Instituto de Investigação Científica Bento da Rocha Cabral, Lisboa, Portugal
Centro de Estudos de História e Filosofia das Ciências, Évora, Portugal

João Lourenço Monteiro
Departamento de Ciências Sociais Aplicadas
Universidade Nova de Lisboa, Portugal

In 1756, while he was regent of the Faculté de Médecine in Paris, Charles-Augustin Vandermonde published his Essai sur la Manière de Perfectionner l’Espèce Humaine. This treatise was situated within the French-led medical movement of meliorism, meant to increase public health by boosting the medical arrangement of marriages from all strata of society. What made Vandermonde different from his colleagues is that he was not just looking for a way to improve the health of society: he was also proposing a series of measures meant to increase the beauty of humankind. And, for the first time in the history of European medicine, he advocated mixed-race couplings as a means to obtain the best results. This latter development is so unexpected in the global setting of the Enlightenment that we could arguably hail Vandermonde as the founding father of what Michel Foucault later called ‘biopolitique’.

Read or purchase the article here.

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Memoirs of Elleanor Eldridge

Posted in Autobiography, Books, History, Law, Media Archive, Monographs, United States, Women on 2013-12-26 04:01Z by Steven

Memoirs of Elleanor Eldridge

West Virginia University Press
December 2013
160 pages
Cloth ISBN: 978-1-935978-24-4
Paperback ISBN: 978-1-935978-23-7
ePub ISBN: 978-1-935978-25-1
PDF ISBN: 978-1-938228-64-3

Original Text by Frances Harriet Whipple (1805-1878) with Elleanor Eldridge (1794-1862)

Edited by:

Joycelyn K. Moody, Sue E. Denman Distinguished Chair in American Literature and Professor of English
University of Texas, San Antonio

Elleanor Eldridge, born of African and US indigenous descent in 1794, operated a lucrative domestic services business in nineteenth century Providence, Rhode Island. In defiance of her gender and racial background, she purchased land and built rental property from the wealth she gained as a business owner. In the 1830s, Eldridge was defrauded of her property by a white lender. In a series of common court cases as defendant and plaintiff, she managed to recover it through the Rhode Island judicial system. In order to raise funds to carry out this litigation, her memoir, which includes statements from employers endorsing her respectable character, was published in 1838. Frances Harriet Whipple, an aspiring white writer in Rhode Island, narrated and co-authored Eldridge’s story, expressing a proto-feminist outrage at the male “extortioners” who caused Eldridge’s loss and distress.

With the rarity of Eldridge’s material achievements aside, Memoirs of Elleanor Eldridge forms an exceptional antebellum biography, chronicling Eldridge’s life from her birth. Because of Eldridge’s exceptional life as a freeborn woman of color entrepreneur, it constitutes a counter-narrative to slave narratives of early 19th-century New England, changing the literary landscape of conventional American Renaissance studies and interpretations of American Transcendentalism.

With an introduction by Joycelyn K. Moody, this new edition contextualizes the extraordinary life of Elleanor Eldridge—from her acquisition of wealth and property to the publication of her biography and her legal struggles to regain stolen property. Because of her mixed-race identity, relative wealth, local and regional renown, and her efficacy in establishing a collective of white women patrons, this biography challenges typical African and indigenous women’s literary production of the early national period and resituates Elleanor Eldridge as an important cultural and historical figure of the nineteenth century.

Read the original text from 1838 here.

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De Blasio’s Daughter Reveals Substance Abuse

Posted in Articles, Media Archive, Politics/Public Policy, United States on 2013-12-26 01:44Z by Steven

De Blasio’s Daughter Reveals Substance Abuse

The New York Times
2013-12-24

Javier C. Hernandez and Michael M. Grynbaum


Chiara de Blasio, right, with her parents in September. Michael Appleton for The New York Times

Days before her father’s inauguration, the 19-year-old daughter of Mayor-elect Bill de Blasio disclosed a history of drug and alcohol abuse that his campaign had taken pains to shield throughout a candidacy that relied heavily on the image of a happy and tight-knit family from Brooklyn.

In a carefully crafted video distributed on Tuesday by her father’s staff, Chiara de Blasio spoke in candid terms about a battle with depression throughout her adolescence that led to drinking and drug use, habits that worsened when she was attending college in California last year.

“It didn’t start out as like a huge thing for me, but then it became a really huge thing for me,” Ms. de Blasio said in the five-minute video, in which she sat alone on screen, accompanied by soft piano music…

…Such is the celebrity of Mr. de Blasio’s children that Ms. de Blasio’s announcement on Tuesday was met with a statement from the director of the Office of National Drug Control Policy at the White House, who praised her “tremendous bravery in speaking out about her recovery.”…

…Hank Sheinkopf, a political consultant, said the city had elected a family when it chose Mr. de Blasio in November, and that New Yorkers should expect his wife and children to continue to play a prominent role…

Read the entire article here.

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Surprising New Face in Arabic Music

Posted in Articles, Arts, Media Archive, United States on 2013-12-25 12:47Z by Steven

Surprising New Face in Arabic Music

The New York Times
2013-12-03

Linsay Crouse

Jennifer Grout Sings Umm Kulthum Hits on ‘Arabs Got Talent’

The Arab world has an unlikely new star: an American who sings — but barely speaks — Arabic. Not only that, her genre is traditional Arab music.

Plucking her oud, an Arabic version of the lute, and singing with the undulating emotion of Umm Kulthum, the Arab world’s legendary diva, the 23-year-old Jennifer Grout has become a sensation across the Middle East as a contestant on the reality show “Arabs Got Talent.”

She will appear in the finals in Beirut, Lebanon, on Saturday, competing for viewer votes against an array of Arab performers, many of whom would be at home on a Western stage: comedians, hip-hop dancers and jugglers. The only performer of classical Arab music will be an American of European stock…

… “So many times I’ve heard the comment ‘It’s “Arabs Got Talent” — go back to America,’ ” Ms. Grout said in a recent phone interview from Marrakesh, Morocco, where she lives. “It’s like I’m starting an invasion, when really I just love singing Arabic music and desperately wanted a chance to perform it for an audience that would appreciate it.”

Her flair in doing so has also incited a wave of incredulity about her ethnicity: Ms. Grout, who is from Cambridge, Mass., describes her background as English, Scottish and Native American…

Read the entire article here.

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‘A Dreadful Deceit’ argues against a ‘racial’ past

Posted in Articles, Book/Video Reviews, History, Media Archive, United States on 2013-12-23 18:44Z by Steven

‘A Dreadful Deceit’ argues against a ‘racial’ past

The Los Angeles Times
2013-12-20

Robin D.G. Kelley, Distinguished Professor of History
University of California, Los Angeles

Jacqueline Jones in ‘A Dreadful Deceit’ aims to debunk the ‘myth of race’ and the ‘American creation story’ but for the most part is unconvincing in her argument.

Jacqueline Jones, A Dreadful Deceit: The Myth of Race from the Colonial Era to Obama’s America (New York: Basic Books, 2013).

Four years ago, Atty. Gen. Eric Holder called us a “nation of cowards” for refusing to confront our racial past. Jacqueline Jones’A Dreadful Deceit” dismisses the very idea that our past is “racial.”

What Holder identifies as our national burden, Jones calls the “American creation story”: the narrative that slavery was born of racial prejudice and that the election of a black president marked a triumph over the long shadow of race. Her objective is to debunk the “myth of race,” to relieve Americans of the specious belief that “race is real and that race matters.”

Jones is not the first. Franz Boas, W.E.B. DuBois and Ashley Montagu are among a veritable sea of scholars who have shown that “race” has no scientific basis. It is a socially created means of classifying and ranking humans based on any number of criteria. It is about power, not biology…

…”A Dreadful Deceit’s” insistence that race is not a factor leads Jones to ignore racism’s role in creating economic inequality. Today’s workforce, she asserts, is “defined less by skin color and history than by shared powerlessness within a global economy.” But if truly “shared,” how do we explain the widening wealth gap between whites and blacks or that the world’s cheap apparel is made in the global South by a non-white, super-exploited labor force?

Jones generally treats “race” (a means of classifying difference) as a proxy for “racism” (a hierarchical system of subjugation based on race). The point is not that race explains everything but that racism is built into the very structure of the economy. Race may be a myth, but racism survives

Read the entire review here.

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Miscegenetic Melville: Race and Reconstruction in Clarel

Posted in Articles, Literary/Artistic Criticism, Media Archive, United States on 2013-12-23 18:30Z by Steven

Miscegenetic Melville: Race and Reconstruction in Clarel

Zach Hutchins, Assistant Professor of English
Colorado State University

ELH
Volume 80, Number 4, Winter 2013
pages 1173-1203
DOI: 10.1353/elh.2013.0039

This essay investigates Herman Melville’s views on Reconstruction and racism in Clarel, the national epic published in the centennial year of 1876. In Clarel, Melville points toward miscegenation as the solution to problems of ethnic conflict festering since the Civil War, the key to rebuilding a nation torn apart by the economic exploitation and lingering racism of Reconstruction. Miscegenation is an ideal Melville pointed to somewhat naïvely in his earlier prose, but Clarel is Melville’s most sustained narrative commentary on race published after Benito Cereno and reflects a more sober assessment of racial realities and possibilities in the United States.

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From Aesthetics to Allegory: Raphaël Confiant, the Creole Novel, and Interdisciplinary Translation

Posted in Articles, Caribbean/Latin America, Literary/Artistic Criticism, Media Archive on 2013-12-23 17:47Z by Steven
From Aesthetics to Allegory: Raphaël Confiant, the Creole Novel, and Interdisciplinary Translation

Small Axe
Volume 17, Number 3, November 2013 (No. 42)
pages 89-99

Justin Izzo, Assistant Professor of French Studies
Brown University

This essay examines the roles played by ethnographic writing and translation in Raphaël Confiant’s 1994 L’allée des soupirs. This novel fictionalizes the 1959 riots in Martinique while simultaneously creating characters who debate the relative merits of modes of expression capable of capturing the linguistic, cultural, and racial hybridity of créolité in literature. Confiant translates into fictional terms important precepts on Caribbean literary production set out in Eloge de la créolité, which Confiant wrote with Patrick Chamoiseau and Jean Bernabé. By transforming the aesthetic problems taken up in Eloge into a thoroughly creolized novel that deals with the hybridized messiness of everyday life, Confiant presents a text that ethnographically allegorizes its own conditions of production. This allegorization mobilizes a process the essay calls “interdisciplinary translation,” which relies on an ongoing process of conversion between ethnographic and literary modes of representation.

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Race in a Bottle: The Story of BiDil and Racialized Medicine in a Post-Genomic Age by Jonathan Kahn (review)

Posted in Articles, Book/Video Reviews, Health/Medicine/Genetics, Media Archive, United States on 2013-12-23 17:34Z by Steven

Race in a Bottle: The Story of BiDil and Racialized Medicine in a Post-Genomic Age by Jonathan Kahn (review)

Bulletin of the History of Medicine
Volume 87, Number 4, Winter 2013
pages 708-709
DOI: 10.1353/bhm.2013.0067

Anne Pollock, Assistant Professor of Science, Technology and Culture
Georgia Institute of Technology, Atlanta, Georgia

Jonatha Kahn, Race in a Bottle: The Story of BiDil and Racialized Medicine in a Post-Genomic Age. New York: Columbia University Press, 2013. xi + 311 pp. Ill. (978-0-231-16298-2).

When BiDil was approved by the U.S. Food and Drug Administration in 2005 for heart failure in black patients, it became the first ever drug to receive a racial indication. Race in a Bottle is likely to be the most in-depth book that will ever be written about BiDil’s controversial regulatory approval. Its author, Jonathan Kahn, has followed the case of BiDil’s approval at least as closely as anyone else, probably including those most directly involved (the clinicians, the pharmaceutical company, the FDA). Ever since he first heard about BiDil in 2002 (p. 4), Kahn has pursued the story doggedly. He became part of BiDil’s story through the articles he wrote about it, starting with a 2003 piece in Perspectives in Biology and Medicine, which debunked the statistic that blacks were twice as likely as whites to die of heart failure. These articles were read by regulators, among others, and in 2005 Kahn testified against BiDil’s race-specific indication at the FDA hearings on the drug (p. 94). Kahn notes that material in this book has previously been published in sixteen different journal articles and book chapters (pp. ix–x); Race in a Bottle is the definitive compilation of that body of work.

Regulatory processes are at the center of Kahn’s account. According to Kahn, “Race enters biomedicine through many pathways. Foremost among these are federal initiatives that shape the production and use of racial categories in biomedical research” (p. 25). Kahn carefully traces the ways in which the terrain of BiDil was laid by mandates at the FDA and NIH to use OMB categories and, especially, by patent law. This regulatory focus is not inevitable as a way to approach how race enters biomedicine: we might start with lived experience in a structurally racist society, or with clinical encounters, or with social movements mobilized against health disparities, or elsewhere. But Kahn’s passion is for regulation, and this is where his expertise is on display.

Race in a Bottle is at its most effective in debunking two things: BiDil’s racialized indication and racialized medicine as a path toward pharmacogenomics. As Kahn fastidiously shows, the vasodilating drug combination that would become BiDil (isosorbide dinitrate and hydralazine) was originally conceived of as a treatment for anyone with heart failure, not just blacks, and it was commercial imperatives—specifically circumventing the fact that the patent on the drug without the racial indication was about to expire—rather than persuasive scientific evidence that led the pharmaceutical company to seek approval for it as a drug for blacks. Kahn also persuasively debunks the notion that racialized medicine is a step toward pharmacogenomics. Although many BiDil proponents argued that race was a “crude surrogate” but nevertheless useful “in the meantime” until more was known about the genetics of drug response (p. 157), Kahn shows that even when there are genetic tests available to indicate drug response (as in warfarin, the “poster child for pharmacogenomics” [p. 165]), “far from withering away, race is persisting and even proliferating as genetic information increases” (p. 168).

Race in a Bottle is less convincing as a window into “racialized medicine in a post-genomic age.” Situating BiDil in a “post-genomic age” is misleading. In Kahn’s own account, BiDil emerged from statistical signals in clinical trial data, not from genetic research. Related claims of racial differences in heart failure foregrounded pathophysiology, not genetics. BiDil’s FDA indication is for “self-identified black patients,” an explicitly social category rather than a genetic one. Yet the book opens by describing the White House ceremony on the occasion of the completion of the Human Genome Project (p. 1). This narrative choice is emblematic of a preoccupation with genetics in the account as a whole, and shows the intractable appeal of analyzing race in terms of genetics, even for those explicitly critiquing genetic understandings of race. Even if some (but not all) BiDil proponents simply slide the drug into a genetic frame, why should critique of BiDil do so?

Finally, because of the explicitness of its racialization, BiDil has become an obvious icon of racialized medicine, but it is actually not clear that BiDil is…

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Is Race a Fiction?

Posted in Anthropology, Canada, Identity Development/Psychology, Interviews, Media Archive, Videos on 2013-12-23 11:59Z by Steven

Is Race a Fiction?

Ideas with Paul Kennedy
CBC Radio-Canada
2013-12-04

Paul Kennedy, Host

Blood ties you to family, country and race. Should it? Watch a live panel discussion with Lawrence Hill, Priscila Uppal, Hayden King and Karina Vernon moderated by Ideas host Paul Kennedy.

What happens to personal identity when race is removed as a marker of who you are? What happens when we use the term “culture” to replace the idea of race?” The panelists explore these questions and more.

Panelists:

  • Lawrence Hill: Blood: The Stuff of Life is Lawrence Hill’s ninth book. His earlier works include the novels Some Great Thing and, and the memoir Black Berry, Sweet Juice: On Being Black and White in Canada.
  • Hayden King is an Anishinaabe writer, student, teacher, researcher at Ryerson University, McMaster University and Beausoleil First Nation.
  • Priscila Uppal is a poet, novelist, playwright and York University Professor in the Department of English.
  • Karina Vernon is an Assistant Professor at the University of Toronto and co-founder and editor of Commodore Books, the first black literary press in western Canada.

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NYC Mayor-Elect’s Family Reflects Rise of Intermarriage

Posted in Articles, Census/Demographics, Media Archive, Social Science, United States on 2013-12-22 03:48Z by Steven

NYC Mayor-Elect’s Family Reflects Rise of Intermarriage

Voice of America
2013-12-17

Carolyn Weaver

In 1959, only four percent of Americans approved of interracial marriage. Today, 87 percent do, according to a Gallup poll. President Barack Obama was born to such a marriage, and census figures show that the fastest growing demographic under 18 is children of mixed race.

When New York City’s new mayor-elect, Bill de Blasio, a white man married to an African American woman, takes office January 1 with his wife and their two children at his side, his family will mirror this new American landscape.

It hardly could be more different from 1958, when people who married across racial lines were subject to arrest in 22 U.S. states. Mildred Jeter and Richard Loving wed that year in Washington, D.C. Mildred was African American and Richard was white. Six weeks after, when they returned to their home state of Virginia, police broke down the door of their house in the middle of the night…

Read the entire article here.

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