Mixed Race Studies

‘Race Unmasked’ explores science’s racial past, present

Science News: Magazine of the Society for Science & The Public
2014-11-30
Magazine Issue: Volume 186, Number 12, December 13, 2014

Bryan Bello, Editorial Assistant

Race Unmasked: Biology and Race in the 20th Century. Michael Yudell. Columbia University Press, $40

It’s 1921 and the American Museum of Natural History in New York City is packed with visitors eager to learn about the hot science of eugenics. AMNH staff dubs its conference and exhibit “the most important scientific meeting ever held in the museum.” In his new book, Yudell, a historian of public health, argues that the complicated interaction of science and race visible in the eugenics movement is still playing out. “Thinking in the natural sciences has influenced the continued evolution of racist ideology in the United States,” he writes.

An inversion also holds true: Racist ideology has shaped — and continues to sway — the evolution of science. The result is a constant trade-off of influence between popular culture and science.

Yudell dissects key moments in innovation. For example, Mendelian genetics arose and was appropriated by eugenicists to falsely link complex personal attributes to heredity.  In addition, by midcentury, leading anthropologists accepted Africa as the birthplace of the genus Homo, but then several researchers spun off theories positing that different races are Homo sapiens subspecies…

Read the entire article here.

Rose Parade 2015: Woman to ride float 60 years after she was denied because of African-American heritage

Pasadena Star-News
Pasadena, California
2014-12-27

Sarah Favot, Pasadena Star-News

Joan Williams, 82, of Pasadena, holding a portrait of herself wearing a crown from when she was selected as “Miss Crown City” by her colleagues in City Hall in 1958 and was supposed to ride on the city-sponsored Rose Parade float. When city officials found out she was black, they took that honor away saying, the city couldn’t afford a float that year. Now nearly 60 years later, Williams will ride on the opening banner float during the 2015 Rose Parade. Walt Mancini/Staff Photographer

PASADENA >> Nearly 60 years after she was promised a seat on a Rose Parade float, only to have that honor taken away when city officials found out she was African-American, Joan Williams will be seated at the head of the Rose Parade on New Year’s Day as it cruises down Colorado Boulevard.

Williams, 82, was named “Miss Crown City” in 1957, an honor bestowed upon one City Hall employee who would ride on a city-sponsored float during the Rose Parade on Jan. 1, 1958. The honor was like the Rose Queen title — Miss Crown City would attend numerous events leading up to the parade, representing the city.

Williams, then 27 years old and a mother of two young children, was thrilled.

“I was young and it was exciting,” Williams said.

A couple of months later, however, she experienced a grave disappointment, according to Jet Magazine.

Source: Jet Magazine

“For when word spread that light-complexioned Mrs. Williams was a Negro, fellow employees in the municipal office where she works as an accountant-clerk suddenly stopped speaking to her,” the magazine reported in January 1959. “And Mrs. Williams did not ride on a float, because the City of Pasadena neglected to include one in its own parade. Too many others were already entered, explained an official,” the article continued.

Williams said she never bought that reasoning. If the city didn’t have enough money, it wouldn’t have named a Miss Crown City months before the parade, she said. The city had even paid for a portrait of Williams in a gown, corsage and tiara.

Williams attended a city employees picnic at Brookside Park where a photographer from Jet wanted to take her picture with the mayor at the time. The mayor refused, she said.

“It was one of the first times, as an adult, I began to grow up and realize what racism is,” she said…

Read the entire article here.

Ophelia DeVore-Mitchell, 92, Dies; Redefined Beauty

The New York Times
2014-03-13

Margalit Fox

Ophelia DeVore-Mitchell Credit MARBL/Emory University, via Associated Press

Ophelia DeVore-Mitchell, a former model, agent, charm-school director and newspaper publisher who almost single-handedly opened the modeling profession to African-Americans, and in so doing expanded public understanding of what American beauty looks like, died on Feb. 28 in Manhattan. She was 92.

Her death was announced on March 6 on the floor of the House of Representatives by Sanford D. Bishop Jr., Democrat of Georgia. At her death, Mrs. DeVore-Mitchell was the publisher emeritus of The Columbus Times, a black newspaper in Columbus, Ga., which she ran from the 1970s until her retirement about five years ago.

Long before the phrase “Black is beautiful” gained currency in the 1960s, Mrs. DeVore-Mitchell was preaching that ethos by example.

In New York in the 1940s — an age when modeling schools, and modeling jobs, were overwhelmingly closed to blacks — she helped start the Grace del Marco Modeling Agency and later founded the Ophelia DeVore School of Self-Development and Modeling. The enterprises, which served minorities, endured for six decades…

…“Black has always been beautiful,” Mrs. DeVore-Mitchell once said. “But you had to hide it to be a model.”

In the late 1930s, when Mrs. DeVore-Mitchell began her career as one of the first black models in the United States, she found work partly by hiding her own heritage. But in her case, the hiding was done entirely through inadvertence.

Emma Ophelia DeVore was born on Aug. 12, 1921, in Edgefield, S.C., one of 10 children of John Walter DeVore, a building contractor, and the former Mary Emma Strother, a schoolteacher.

As a girl, Mrs. DeVore-Mitchell, whose family was of African, Cherokee, French and German descent, was educated in segregated Southern schools; she received additional instruction “in dancing, piano and all the other things in the arts that parents gave you to make you a lady,” as she told Ebony magazine in 2012…

…A beauty with wide-set eyes, Ophelia DeVore had begun modeling casually as a teenager. A few years later, seeking professional training, she enrolled in the Vogue School of Modeling in New York.

It was only toward the end of her studies there, when the school refused admission to another black candidate, that she realized it had mistaken her, with her light skin, for white.

“I didn’t know that they didn’t know,” Mrs. DeVore-Mitchell said in the Ebony interview. “I thought they knew what I was.”…

Read the entire obituary here.

WATCH: Jesse Williams of ‘Grey’s Anatomy’ on Race

Heavy
2014-12-22

Paul Farrell, Breaking News Editor

Actor Jesse Williams appears in a viral video that was published on December 17. The Grey’s Anatomy star take aim at racism and double standards in America, including public housing discrimination, specifically in Chicago.

The star goes on to discuss the logic behind the argument that Michael Brown robbed a store and therefore deserved to be shot, versus the argument about whether corrupt Goldman Sachs bankers also deserve violence.

Williams is mixed-race, the son of an African-American father and a Swedish-American mother. In the video, he states, “Half of my family is white.” He also says, “I’m as white as you can get as a black person.”…

Read the entire article here.

Multiracial College Students and Institutions of Higher Education

Engaged Learning Collection
2013-04-15
Paper 20
18 pages

Jacqueline V. Ross
Southern Methodist University, Dallas, Texas

The multiracial student population is one of the fastest growing populations in the United States. The growth in students of two or more racial backgrounds is grounds for recognizing and acceptance of campuses of higher education. The purpose of this study was to look at the experiences of multiracial students and what it means for institutions of higher education through an integrated communication framework (theorists, year; theorist, year; theorist, year). This study employed a phenomenological approach and used a semi-structured interview style with 10 self-identified multiracial students from Southern Methodist University (SMU). SMU is a middle sized, private, conservative, liberal arts, Greek life driven and predominately White institution in the South.

The primary research questions was: what does the increase of the multiracial student population mean for institutions of higher education in regards to student inclusion, exclusion, academic success, social life, retention and future alumni relations. In particular to students at a middle sized, private, conservative, liberal arts, Greek life driven and predominately White institution in the South.

Overall four key findings emerged: (1) Students felt like SMU had not recognized their multiracial backgrounds, (2) students flourished when they had a supportive group or community, (3) there is ignorance on SMU’s campus of racial diversity within single individuals, and (4) the climate of SMU’s campus contributed to being excluded from the general student population or from one of their own racial groups.

This study found that students had positive and negative experiences in relations to being multiracial. These experiences have shaped them an in turn have affected their academic success, social life, retention and future alumni relations. Because of these findings, institutions of higher education must proactively support multiracial students and help to change campus climates for more inclusion and acceptance of multiracial students.

Read the entire article here.

Outspoken about Ferguson, Jesse Williams may be this generation’s Harry Belafonte

The Washington Post
2014-08-20

Soraya Nadia McDonald

Harry Belafonte, left. (NBC via AP) Jesse Williams, right. (Christian Alminana/AP)

There are many ways to get celebrity activism wrong when it comes to a situation like the one that has emerged in Ferguson, Mo.

Appearing to be uninformed is a huge no-no, as is calling for a plan when you don’t have one — sorry Nelly. But if one can offer fiery rhetoric absent sanctimony and full of razor-sharp opinions, well, people take notice.

Enter Jesse Williams, the actor who plays the hunky Dr. Jackson Avery on ABC’s “Grey’s Anatomy.” Williams appeared on CNN’s “State of the Union” Sunday. Clad in a hoodie, he may have looked like Facebook founder Mark Zuckerberg, but once he opened his mouth, he sounded like Harry Belafonte.

Yes, radical, Occupy Wall Street protester-supporting, Fidel Castro-befriending, Colin Powell and Condoleezza Rice-shunning Harry Belafonte.

“Police have been beating the hell out of black people for a very, very, very long time, before the advent of the video camera,” said Williams, who also spoke out after the deaths of Trayvon Martin and Jordan Davis. “And despite the advent of the video camera, there’s still an incredible trend of police brutality and killing in the street.”

So far, Williams, 33, seems best suited to continue the legacy of black Hollywood activism associated with Belafonte. In his memoir, “My Song,” Belafonte wrote, “I wasn’t an artist who’d become an activist. I was an activist who’d become an artist.”…

Read the entire article here.

Who’s Passing for Who?

Genius
2014-12-22 (Originally written in 1956)

Langston Hughes (1902-1967)

In this short story, written in 1956, Hughes plays with the idea of race as a social construct. Considering the American “one-drop rule,” which meant if you had at least 1/33 African ancestry you were black, the narrator is puzzled by whether a couple in Harlem that he meets is a white couple passing as a black couple passing for white or a black couple who can pass for white. The joke is on the narrator.

One of the great difficulties about being a member of a minority race is that so many kindhearted, well-meaning bores gather around to help. Usually, to tell the truth, they have nothing to help with, except their company–which is often appallingly dull.

Some members of the Negro race seem very well able to put up with it, though, in these uplifting years. Such was Caleb Johnson, colored social worker, who was always dragging around with him some nondescript white person or two, inviting them to dinner, showing them Harlem, ending up at the Savoy–much to the displeasure of whatever friends of his might be out that evening for fun, not sociology.

Friends are friends and, unfortunately, overearnest uplifters are uplifters–no matter what color they may be. If it were the white race that was ground down instead of Negroes, Caleb Johnson would be one of the first to offer Nordics the sympathy of his utterly inane society, under the impression that somehow he would be doing them a great deal of good.

You see, Caleb, and his white friends, too, were all bores. Or so we, who lived in Harlem’s literary bohemia during the “Negro Renaissance” thought. We literary ones considered ourselves too broad-minded to be bothered with questions of color. We liked people of any race who smoked incessantly, drank liberally, wore complexion and morality as loose garments, and made fun of anyone who didn’t do likewise. We snubbed and high-hatted any Negro or white luckless enough not to understand Gertrude Stein, Ulysses, Man Ray, the theremin, Jean Toomer, or George Anthell. By the end of the 1920’s Caleb was just catching up to Dos Passos. He thought H.G. Wells good….

Read the entire short story here.

Meet Afro-Latina Trailblazer, Crystal Roman, Founder of The Black Latina Movement

Boriqua Chicks: A Fresh, Urban, Afro-Latina Perspective
2014-11-19

Crystal Shaniece Roman, CEO & Founder of The Black Latina Movement, LLC has used her personal experience with identity to fuel several creative projects that recognize and celebrate Black Latinas. From theatrical productions to a web series, blog, and speaking engagements, she uses her acting and production talents to challenge stereotypes and create a space for Black Latinas on stage and in film.

Check out our recent conversation below!

I read that your parents are Puerto Rican: your mom Black and your dad white. How was your experience growing up?

My dad is what can be considered a White Latino. Both his parents were born and raised in Puerto Rico. My mom is a Black Latina, 2 times over in the sense that her father is Jamaican and her mom (my grandma) is an Afro-Puerto Rican, hence me saying a Black Latina twice over. Growing up was a blend of both worlds. My mom and dad made sure I was fully emerged in both cultures. There were occasional incidents of internalized racism from both sides of the family concerning hair, skin tone, etc., here and there, but my mom was quick to “set anyone straight” about that kind of nonsense around me, if and when it did occur. Other outright experiences often came from the world, outsiders.

When did you first begin identifying as a Black Latina? What inspired you to embrace this identification?

I knew I was a Black Latina from youth, but I hadn’t articulated it, in that way or used the term until 2008. Once I started to use it I felt so empowered and proud to have a title/label that I approved for myself, instead of using ones that were given to me. I was always taught to embrace myself, but I realized often times—especially in my industry—that many people were not familiar or comfortable with a “mixed” person. Moreover, those in positions of power wanted what is to be considered a “typical” look of a Black woman or Latina for most roles. So I was pushed to educate (myself) more on my identity, howl embrace it and how others like myself do as well…

Read the entire interview here.

Brazil’s hidden slavery past uncovered at Valongo Wharf

BBC News
2014-12-24

Julia Carneiro
BBC Brasil, Rio de Janeiro

Rio de Janeiro is a city looking to the future. Major development work is underway in the city’s historic port area as it prepares to host the Olympics in 2016.

But the construction effort to make all that happen has unexpectedly shone a light on a dark side of Rio: its past as the largest entry point for African slaves in the Americas.

In 2011, excavation work uncovered the site of Valongo Wharf, where almost a million African slaves disembarked before the slave trade was declared illegal in Brazil in 1831.

The wharf and the complex surrounding it were constructed in 1779 as part of an effort to move what was regarded as an unsightly trade to an area far from the city centre…

…Anthropologist Milton Guran, who co-ordinates the bid to have Valongo recognised as a Unesco World Heritage site, thinks preservation is especially important because “we had successive attempts to erase this history”.

“Slavery finally started being perceived as something heinous and the Empire sought to obliterate that mark,” he says…

…The impact of slavery on Brazilian society can be seen to this day. Over half of Brazil’s population is black or mixed race, but its elite remains largely white…

Read the entire article here.

Sleeping with the enemy

Sick Chickens: A blog for enthusiasts of American history and politics
2014-12-23

James Owen Heath, PhD Candidate
University of Warwick, Coventry, United Kingdom

I have never been struck by the intelligence of Jon Stewart’s remarks in the past but I have to agree with him that it is indeed possible to be outraged by the execution of two NYPD officers and also deeply concerned by police treatment of black Americans, simply because the two are not mutually exclusive. New York Mayor Bill de Blasio may have committed political suicide by making remarks which suggest sympathy or even solidarity with black Americans as a result of insensitive policing, but this does not suggest that he has betrayed his city’s police force. The very idea that his remarks incited a deeply disturbed man to go out and execute two police officers before taking his own life is just absurd.

This debate is simply illustrative of the dogmatic attitudes which exist at each end of the political spectrum, and how these continue to dominate US politics without any sensible middle ground being in view. But the real reason for the appalling manner in which de Blasio has been scapegoated is quite evident in the photo above…

Read the entire article here.