Mixed Race Studies

Jesse Williams Discusses Biracial Privileges and Social Justice: ‘Black Americans Are Not Angry. They Are Hurting’

The Root
2015-10-02

Diana Ozemebhoya Eromosele

It has always been a pet peeve of mine when biracial people seem to ignore their white side and act as if the world perceives them as black through and through. I always felt that in their determination to identify solely and sternly as black, they were missing out on an opportunity to share some of the insight they may have about how white people feel and think about race relations. That they might be missing out on an opportunity to act as a conduit between both racial groups.

In an interview with The Guardian, Grey’s Anatomy star Jesse Williams does a fantastic job of articulating the privileges and insights that being biracial affords him, and how he uses that knowledge to inform his work as an activist in working-class black communities. Williams’ mom is white, and his dad is black.

“I have access to rooms and information. I am white and I am also black. I am invisible man in a lot of these scenarios,” Williams said, referring to the Ralph Ellison classic. “I know how white people talk about black people. I know how black people talk about white folks. I know I am there and everyone speaks honestly around me.”…

Read the entire article here.

Controversial Hire Won’t Serve as Dartmouth’s Native American Program Director

Valley News
White River Junction, Vermont
2015-10-02

Rob Wolfe, Valley News Staff Writer

Susan Taffe Reed stepped down as director of Dartmouth’s Native American Program. (Dartmouth College – Eli Burakian)

Hanover — Dartmouth College officials said Thursday that the school’s new Native American Program director has left that position in response to controversy over her representation of her ancestry and tribal affiliation.

“Susan Taffe Reed will no longer serve as the director of the Native American Program,” college spokeswoman Diana Lawrence said in an email Thursday. “Unfortunately, the distraction around her appointment prevents her from effectively serving in this role. It does not prevent her from contributing to Dartmouth in other ways, and we are currently exploring opportunities with her.”

She remains an employee of the college, according to Lawrence.

Taffe Reed, who says she is of Native American descent, is president of the Eastern Delaware Nations, a nonprofit group not recognized by federal or state authorities that says it represents Delawares who remained in their ancestral lands of Northeastern Pennsylvania — a claim that the federally recognized Delaware Tribe contests…

Read the entire article here.

‘One Drop of Love’

The Sophian: The Independent Newspaper of Smith College
Northampton, Massachusetts
2015-09-24

Eliza Going, Contributing Writer

Fanshen Cox DiGiovanni performed her well-known one-woman play challenging the construct of race, “One Drop of Love,” on Sept. 18 and 19 in the Hallie Flanagan Studio Theatre. In this show, she not only tells the story of her own experiences with race as a multicultural woman, but she also gives a taste of many different incidents experienced by people of varying ages, backgrounds and cultural identities through the ups and downs of their most intimate relationships.

The play is presented in two formats. In one, DiGiovanni plays a variety of different characters talking conversationally about their experience with race; in the other, she jumps through U.S. history as a census taker. A projector lights up a simple white screen with the year and race section of the corresponding census…

Tying the census into the play introduces a political component that connects the stories of racial injustice to a tangible account of the government’s inattention toward racial or cultural identity. Only in 2010 [2000] did it become possible to check more than one box on the census. “I’m glad she connected the personal and the political in this way because, to me, they’re inextricably linked, and one can’t talk about one without the other,” Elizabeth Haas ’17 said…

Read the entire review here.

These are the beautiful, complex Blaxicans of Los Angeles

Fusion
2015-09-24

Jorge Rivas, National Affairs Correspondent

Back when Walter Thompson-Hernandez was in graduate school, his friends and family would give him blank stares as he explained what he was studying.

Finally, in an effort to make his work more accessible, he started an Instagram account dedicated to his research: @BlaxicansOfLA.

Thompson-Hernandez, who grew up in Los Angeles, identifies as Blaxican—his mother is Mexican, and his father is black.

“The term Blaxican is really is an example of the reinvention of language that exist in the U.S,” said Thompson-Hernandez, now a researcher at the University of Southern California who studies the impacts of interracial mixing between African Americans and Latinos in South Los Angeles…

Read the entire article here.

Incidents in the Life of a Slave Girl, Written by Herself

Thayer and Eldridge
1861

Harriet Ann Jacobs (1813-1897)

Edited by Lydia Maria Child (1802-1880)

Read the entire book here or here.

Obama and hip-hop: a breakup song

The Washington Post
2015-09-25

Erik Nielson, Assistant Professor of Liberal Arts
University of Richmond

Travis L. Gosa, Assistant Professor of Africana Studies
Cornell University, Ithaca, New York

Erik Nielson is an assistant professor of liberal arts at the University of Richmond. Travis L. Gosa is an assistant professor of Africana studies at Cornell University. Their book, “The Hip Hop & Obama Reader,” will be published in October.

In 2008, Barack Obama flipped the script on more than three decades of conventional wisdom when he openly embraced hip-hop — a genre typically viewed as politically radioactive because of its frequently controversial themes and anti-establishment ethos — in his campaign. Equally remarkable was the extent to which hip-hop artists and activists, often highly skeptical of national politicians, embraced him in return. As a result, for the first time it appeared we were witnessing a burgeoning relationship between hip-hop and national politics.

As we approach the 2016 election, however, this relationship is all but gone. Ironically, Obama — often called the first “hip-hop president” — largely is to blame.

This is especially disappointing in light of Obama’s 2008 run for office, when he encouraged artists such as Jay Z and Sean “Diddy” Combs to campaign for him, referenced rap music in his interviews and speeches, played rap at his events and openly contemplated a space for hip-hop in an Obama White House. In one of the lasting images of the campaign, Obama stood in front of an audience in Raleigh, N.C., and referenced Jay Z’s 2003 track “Dirt Off Your Shoulder” to raucous applause. In that moment, voters had every reason to believe that hip-hop indeed would have a seat at the table in an Obama administration…

Read the entire article here.