Mixed Race Studies

They Called Me ‘Coffee with Milk’ as a Kid

Zócalo Public Square
2015-11-19

Maya Soetoro-Ng (Photo by Kenna Reed)

Peace Educator Maya Soetoro-Ng Wants America to Make Room for Complexity

Maya Soetoro-Ng is the director of community outreach and global learning for the Matsunaga Institute for Peace and Conflict Resolution at the University of Hawaii at Manoa. For many years, she taught high school classes in social studies and English and undergraduate and graduate courses in multicultural education, social studies methods, and peace education. She is also the half-sister of President Barack Obama. Before participating in a discussion on what Hawaii can teach America about race, she talked about sharing the Nuyorican poets with her students, her pet peeve, and the hardest part of peace to practice…

Read the interview here.

When Louisiana Creoles Arrived in Texas, Were They Black or White?

Zócalo Public Square
2015-12-15

Tyina Steptoe, Assistant Professor of History
University of Arizona

Tyina Steptoe’s book, Houston Bound: Culture and Color in a Jim Crow City, was published by the University of California Press in 2015.

Mixed-Race Migrants Came to Houston for Jobs and Ended Up Challenging Definitions of Race

Actor Taye Diggs recently raised eyebrows by declaring that he hopes his young son—who has a white mother of Portuguese descent—identifies as “mixed” instead of black. Diggs, who is African-American, also included President Barack Obama in his statement. “Everybody refers to him as the first black president. I’m not saying it’s wrong. I’m just saying that it’s interesting. It would be great if it didn’t matter and that people could call him mixed. We’re still choosing to make that decision, and that’s when I think you get into some dangerous waters.”

So, who is “black” in America? To answer this question, I think it helps to look at the history of Houston, the city where I grew up and a place that has grappled with the black-white color line in a different way than we’ve conventionally come to understand race in America. A sizable population of people in Houston through the 20th century has identified as “Creole”—and many never really identified as black or white.

The Creoles who came to live in Houston were descendants of a free, mixed-race population that appeared in colonial Louisiana in the 18th century. The first generation typically had French or Spanish fathers and African mothers. Coerced sexual relationships, complex negotiations, and outright rape led to the creation of this population. Some white men freed their mixed-race offspring, who became known as gens de couleur libre (free people of color). Free people of color formed a separate racial group in colonial Louisiana. Since they were free, they were not lumped into the same category as black slaves. But they also did not have the same legal status as white people. Free people of color, then, were neither white nor black. Following the end of slavery in 1865, they called themselves Creoles of color, a name that future generations continued to use to identify themselves as a group…

Read the entire article here.

Houston Bound: Culture and Color in a Jim Crow City

University of California Press
November 2015
320 pages
Hardback ISBN: 9780520282575
Paperback ISBN: 9780520282582

Tyina Steptoe, Assistant Professor of History
University of Arizona

Beginning after World War I and continuing throughout the twentieth century, Houston was transformed from a black-and-white frontier town into one of the most ethnically and racially diverse urban areas in the United States. Houston Bound draws on social and cultural history to show how, despite Anglo attempts to fix racial categories through Jim Crow laws, converging migrations—particularly those of Mexicans and Creoles—complicated ideas of blackness and whiteness and introduced different understandings about race. This migration history is also a story about music and sound, tracing the emergence of Houston’s blues and jazz scenes in the 1920s as well as the hybrid forms of these genres—like zydeco and Tejano soul—that arose when migrants forged shared social space and carved out new communities and politics. Houston’s location on the Gulf Coast, poised between the American South and the West, yields a particularly rich examination of how the histories of colonization, slavery, and segregation produced divergent ways of thinking about race.

This interdisciplinary book provides both an innovative historiography about migration and immigration in the twentieth century and a critical examination of a city located in the former Confederacy.

Under the Sky of My Africa: Alexander Pushkin and Blackness

Northwestern University Press
May 2006
488 pages
6 1/8 x 9 1/4
Paper ISBN: ISBN 978-0-8101-1971-0

Edited by:

Catharine Theimer Nepomnyashchy (1951-2015), Ann Whitney Olin Professor of Russian Literature and Culture
Barnard College
Columbia University, New York, New York

Nicole Svobodny, Assistant Dean, College of Arts & Sciences; Senior Lecturer, International & Area Studies
Washington University in St. Louis, St. Louis, Missouri

Ludmilla A. Trigo

Foreword by:

Henry Louis Gates Jr., Alphonse Fletcher University Professor; Director of the Hutchins Center for African and African American Research
Harvard University

Roughly in the year 1705, a young African boy, acquired from the seraglio of the Turkish sultan, was transported to Russia as a gift to Peter the Great. This child, later known as Abram Petrovich Gannibal, was to become Peter’s godson and to live to a ripe old age, having attained the rank of general and the status of Russian nobility. More important, he was to become the great-grandfather of Russia’s greatest national poet, Alexander Pushkin. It is the contention of the editors of this book, borne out by the essays in the collection, that Pushkin’s African ancestry has played the role of a “wild card” of sorts as a formative element in Russian cultural mythology; and that the ways in which Gannibal’s legacy has been included in or excluded from Pushkin’s biography over the last two hundred years can serve as a shifting marker of Russia’s self-definition.

The first single volume in English on this rich topic, Under the Sky of My Africa addresses the wide variety of interests implicated in the question of Pushkin’s blackness-race studies, politics, American studies, music, mythopoetic criticism, mainstream Pushkin studies. In essays that are by turns biographical, iconographical, cultural, and sociological in focus, the authors-representing a broad range of disciplines and perspectives-take us from the complex attitudes toward race in Russia during Pushkin’s era to the surge of racism in late Soviet and post-Soviet contemporary Russia. In sum, Under the Sky of My Africa provides a wealth of basic material on the subject as well as a series of provocative readings and interpretations that will influence future considerations of Pushkin and race in Russian culture.