Mixed Race Studies

The Cry of Black Rage in African American Literature from Frederick Douglass to Richard Wright

Edwin Mellen Press
2013
176 pages
ISBN10: 0-7734-4077-1; ISBN13: 978-0-7734-4077-7

Steven Troy Moore, Assistant Professor of Language and Literature
Abilene Christian University, Abilene Texas

This book examines the contrasting experiences of black rage that is exhibited in the writings of male and female African American authors. It boldly captures the compelling theme of the white silence and the black rage that battled each other from the early days of slavery up to the pre-Civil Rights Movement. It exposes the birth of black rage and the African American experience through such writers as Frederick Douglass and Harriet Ann Jacobs. Next, it gives a painful glimpse into the complicated experience of the biracial in the post-Reconstruction era through the eyes of Charles Chesnutt and Nella Larsen. Finally, this study concludes with an astounding view of the modern state of black rage through the controversial writings of Richard Wright and Ann Petry. Currently, many studies present a one-dimensional analysis of black rage; however, this book provides a comprehensive examination of this phenomenon. From the viewpoint of African American authors, it traces the gender differences of black rage that span one hundred years and includes valuable insights from such brilliant scholars as bell hooks, Cornel West, Barbara Christian, Martha J. Cutter, Deborah E. McDowell, and James Baldwin.

Table of Contents

• Foreword by Maureen Honey
• Preface
• Acknowledgements
• “Get Over It”
• Chapter 1: Examining a Century of Silence and Rage in African American Literature, 1865-1946
  • Introduction
  • Literature Review
  • The Duality of Frederick Douglass and Harriet Ann Jacobs
  • The Biracial Worlds of Charles Chesnutt and Nella Larsen
  • Richard Wright’s Explosive Rage
• Chapter 2: Silent Trees: Personal Reflections on Silence and Rage
  • The Silence
  • Silence and Rage
  • Mark
  • Blackness: Silence and Identity
  • Words from bell hooks, Martin Luther King Jr., and Malcolm X
• Chapter 3: Witnessing the Birth of Black Rage in Frederick Douglass’s Narrative of the Life of Frederick Douglass, an American Slave (1845) and Harriet Ann Jacob’s Incidents in the Life of a Slave Girl (1861)
  • The Enduring Pain of Slavery
  • The Autobiographical Rage of Frederick Douglass
  • Impotent Rage
  • Black Female Rage in Jacob’s Incidents in the Life of a Slave Girl
  • The Slave Girl and the Sexual Predator
  • The Female Slave’s Alternative Retribution
  • Lasting Blow: The Lingering Influences of Slavery
• Chapter 4: The Phenomenon of Biracial Rage in Charles Chesnutt’s The House Behind the Cedars (1900) and Nella Larsen’s Quicksand (1928) and Passing (1929)
  • The Biracial Identity
  • The White Mask in The House Behind Cedars Chesnutt’s Biracial Female
  • Black Female Rage in Nella Larsen’s Quicksand A Place to Belong: Location and Helga’s Biracial Identity
  • The Biracial Female in Passing Differed Rage
• Chapter 5: Exploring the Explosive Urban Rage in Richard Wright’s Native Son (1940) and Ann Petry’s The Street (1946)
  • Brutal Clarity
  • “Like a Red-Hot Iron”: Bigger Thomas’s Burning Rage
  • The White Cat and the Black Rat
  • Native Son’s Perpetuating Rage
  • The Furious Hell of Ann Petry’s The Street
  • The White Heaven: Petry’s Contrasting Spaces
  • The White Ideal and the Black Other
  • Blackness and Claustrophobic Spaces
  • Explosive Black Female Rage
• Bibliography
• Index

The Alienist and Other Stories of Nineteenth-Century Brazil

Hackett Publishing Company
March 2013
ca. 152 pages
Cloth ISBN: 1-60384-853-3; 978-1-60384-853-4
Paper ISBN: 1-60384-852-5; 978-1-60384-852-7
Examination ISBN: 1-60384-852-5; 978-1-60384-852-7

Joaquim Maria Machado de Assis (1839-1908)

Edited by:

John Charles Chasteen, Patterson Distinguished Term Professor of History
University of North Carolina, Chapel Hill

Accompanied by a thorough introduction to “Brazil’s Machado, Machado’s Brazil”, these vibrant new translations of eight of Machado de Assis’s best-known short stories bring nineteenth-century Brazilian society and culture to life for modern readers.

TABLE OF CONTENTS

• Introduction.
• 1. To Be Twenty Years Old!
• 2. The Education of a Poser.
• 3. The Looking Glass.
• 4. Chapter on Hats.
• 5. A Singular Occurrence.
• 6. Terpsichore.
• 7. Father Against Mother.
• 8. The Alienist.

The Juggler’s Children: A Journey into Family, Legend and the Genes that Bind Us

Random House Canada
2013-03-26
400 pages
Hardcover ISBN: 9780679314592
eBook ISBN: 9780307372154

Carolyn Abraham

Carolyn Abraham explores the stunning power and ethical pitfalls of using genetic tests to answer questions of genealogy—by cracking the genome of her own family.

Recently, tens of thousands of people have been drawn to mail-order DNA tests to learn about their family roots. Abraham investigates whether this burgeoning new science can help solve 2 mysteries that have haunted her multi-racial family for more than a century. Both hinge on her enigmatic great-grandfathers—a hero who died young and a scoundrel who disappeared. Can the DNA they left behind reveal their stories from beyond the grave?

Armed with DNA kits, Abraham criss-crosses the globe, taking cells from relatives and strangers, a genetic journey that turns up far more than she bargained for—ugly truths and moral quandaries. With lively writing and a compelling personal narrative, The Juggler’s Children tackles profound questions around the genetics of identity, race and humanity, and tells a big story about our small world, with vivid proof that genes bind us all to the branches of one family tree.

Theories of Race and Ethnicity: Contemporary Debates and Perspectives

Cambridge University Press
January 2015
Paperback ISBN: 9780521154260

Edited by:

Karim Murji, Senior Lecturer in Sociology
The Open University, United Kingdom

John Solomos, Professor of Sociology
University of Warwick, United Kingdom

How have research agendas on race and ethnic relations changed over the past two decades and what new developments have emerged? Theories of Race and Ethnicity provides a comprehensive and cutting-edge collection of theoretically grounded and empirically informed essays. It covers a range of key issues in race and ethnicity studies, such as genetics and race, post-race debates, racial eliminativism and the legacy of Barack Obama, and mixed race identities. The contributions are by leading writers on a range of perspectives employed in studying ethnicity and race, including critical race feminism, critical rationalism, psychoanalysis, performativity, whiteness studies and sexuality. Written in an authoritative yet accessible style, this volume is suitable for researchers and advanced students, offering scholars a survey of the state of the art in the literature, and students an overview of the field.

• A unique set of views on race and ethnicity by writers committed to advancing scholarship
• Covers some of the latest issues and debates in the field, including genetics, post-race eliminativism and mixed race identities from a range of perspectives
• Opening and closing editorial chapters provide a route map of shifts in the field of race and ethnicity studies, and return to some recurring debates to demonstrate how the field changes and has continuing and persisting questions in theorising race and ethnicity

Table of Contents

• 1. Introduction: situating the present Karim Murji and John Solomos
• Part I. Debates: Introduction to Part I
  • 2. Race and the science of difference in the age of genomics Sandra Soo-Jin Lee
  • 3. Colour-blind egalitarianism as the new racial norm Charles A. Gallagher
  • 4. Getting over the Obama hope hangover: the new racism in ‘post-racial’ America Eduardo Bonilla-Silva (with Victor E. Ray)
  • 5. Does a recognition of mixed race move us toward post-race? Miri Song
  • 6. Acting ‘as’ and acting ‘as if’: two approaches to the politics of race and migration Leah Bassel
  • 7. Can race be eradicated? The post-racial problematic Brett St Louis
• Part II. Perspectives: Introduction to Part II
  • 8. Superseding race in sociology: the perspective of critical rationalism Michael Banton
  • 9. Critical race feminism Adrien K. Wing
  • 10. Performativity and ‘raced’ bodies Shirley Tate
  • 11. Racism: psychoanalytic and psycho-social approaches Simon Clarke
  • 12. The sociology of whiteness: beyond good and evil white people Matthew W. Hughey
  • 13. (Sexual) whiteness and national identity: race, class and sexuality in colour-blind France Éric Fassin
  • 14. Racial comparisons, relational racisms: some thoughts on method David Theo Goldberg
• 15. Conclusion: back to the future Karim Murji and John Solomos

Finding Samuel Lowe: China, Jamaica, Harlem

HarperCollins
2015-04-14
288 pages
Trimsize: 6 in (w) x 9 in (h) x 1.004 in (d)
Hardcover ISBN: 9780062331632; ISBN 10: 0062331639
eBook ISBN: 9780062331656; ISBN 10: 0062331655

Paula Williams Madison

Spanning four generations and moving between New York, Jamaica, and China, a powerful memoir that is a universal story of one woman’s search for her maternal grandfather and the key to her self-identity.

Thanks to her spiteful, jealous Jamaican mother, Nell Vera Lowe was cut off from her Chinese father, Samuel, when she was just a baby, after he announced he was taking a Chinese bride. By the time Nell was old enough to travel to her father’s shop in St. Anne’s Bay, he’d taken his family back to China, never learning what became of his eldest daughter. Bereft, Nell left Jamaica for New York to start a new life. But her Asian features set her apart from her Harlem neighbors and even her own children—a difference that contributed to her feeling of loneliness and loss which she instilled in her only daughter, Paula.

Years later, with a successful corporate career behind her and the arrival of her only grandchild raising questions about family and legacy, Paula decided to search for Samuel Lowe’s descendants in China. With the support of her brothers and the help of encouraging strangers, Paula eventually pieced together the full story of her grandfather’s life, following his story from China to Jamaica and back, and connecting with 300 surprised relatives who were overjoyed to meet her.

Finding Samuel Lowe is a remarkable journey about one woman’s path to self-discovery. It is a story about love and devotion that transcends time and race, and a beautiful reflection of the power of family and the interconnectedness of our world.

Finding Samuel Lowe includes a 16-page black-and-white photo insert and photos in the text.

Racial Ambiguity in Asian American Culture

Rutgers University Press
2015-05-12
256 pages
6 x 9
Cloth ISBN: 978-0-8135-7070-9
Paper ISBN: 978-0-8135-7069-3
Web PDF ISBN: 978-0-8135-7071-6
epub ISBN: 978-0-8135-7537-7

Jennifer Ann Ho, Associate Professor of English and Comparative Literature
University of North Carolina, Chapel Hill

The sheer diversity of the Asian American populace makes them an ambiguous racial category. Indeed, the 2010 U.S. Census lists twenty-four Asian-ethnic groups, lumping together under one heading people with dramatically different historical backgrounds and cultures. In Racial Ambiguity in Asian American Culture, Jennifer Ann Ho shines a light on the hybrid and indeterminate aspects of race, revealing ambiguity to be paramount to a more nuanced understanding both of race and of what it means to be Asian American.

Exploring a variety of subjects and cultural artifacts, Ho reveals how Asian American subjects evince a deep racial ambiguity that unmoors the concept of race from any fixed or finite understanding. For example, the book examines the racial ambiguity of Japanese American Nisei Yoshiko Nakamura deLeon, who during World War II underwent an abrupt transition from being an enemy alien to an assimilating American, via the Mixed Marriage Policy of 1942. It looks at the blogs of Korean, Taiwanese, and Vietnamese Americans who were adopted as children by white American families and have conflicted feelings about their “honorary white” status. And it discusses Tiger Woods, the most famous mixed-race Asian American, whose description of himself as “Cablinasian”—reflecting his background as Black, Asian, Caucasian, and Native American—perfectly captures the ambiguity of racial classifications.

Race is an abstraction that we treat as concrete, a construct that reflects only our desires, fears, and anxieties. Jennifer Ho demonstrates in Racial Ambiguity in Asian American Culture that seeing race as ambiguous puts us one step closer to a potential antidote to racism.

Table Of Contents

• Acknowledgments
• Introduction: Ambiguous Americans: Race and the State of Asian America
• 1. From Enemy Alien to Assimilating American: Yoshiko deLeon and the Mixed-Marriage Policy of the Japanese American Incarceration
• 2. Anti-Sentimental Loss: Stories of Transracial/Transnational Asian American Adult Adoptees in the Blogosphere
• 3. Cablinasian Dreams, Amerasian Realities: Transcending Race in the Twenty-first Century and Other Myths Broken by Tiger Woods
• 4. Ambiguous Movements and Mobile Subjectivity: Passing in between Autobiography and Fiction with Paisley Rekdal and Ruth Ozeki
• 5. Transgressive Texts and Ambiguous Authors: Racial Ambiguity in Asian American Literature
• Coda: Ending with Origins: My Own Racial Ambiguity
• Notes
• Bibliography
• Index

The Cherokee Kid: Will Rogers, Tribal Identity, and the Making of an American Icon

University Press of Kansas
June 2015
400 pages
7 illustrations, 6 x 9
Cloth ISBN 978-0-7006-2100-2
Ebook ISBN 978-0-7006-2101-9

Amy M. Ware

Early in the twentieth century, the political humorist Will Rogers was arguably the most famous cowboy in America. And though most in his vast audience didn’t know it, he was also the most famous Indian of his time. Those who know of Rogers’s Cherokee heritage and upbringing tend to minimize its importance, or to imagine that Rogers himself did so—notwithstanding his avowal in interviews: “I’m a Cherokee and they’re the finest Indians in the World.” The truth is, throughout his adult life and his work the Oklahoma cowboy made much of his American Indian background. And in doing so, as Amy Ware suggests in this book, he made Cherokee artistry a fundamental part of American popular culture.

Rogers, whose father was a prominent and wealthy Cherokee politician and former Confederate slaveholder, was born into the Paint Clan in the town of Oolagah in 1879 and raised in the Cooweescoowee District of the Cherokee Nation. Ware maps out this milieu, illuminating the familial and social networks, as well as the Cherokee ranching practices, educational institutions, popular publications and heated political debates that so firmly grounded Rogers in the culture of the Cherokees. Through his early career, from Wild West and vaudeville performer to Ziegfeld Follies headliner in the late 1910s, she reveals how Rogers embodied the seemingly conflicting roles of cowboy and Indian, in effect enacting the blending of these identities in his art. Rogers’s work in the film industry also reflected complex notions of American Indian identity and history, as Ware demonstrates in her reading of the clearest examples, including Laughing Billy Hyde, in which Rogers, an Indian, portrayed a white prospector married to an Indian woman—who was played by a white actress.

In his work as a columnist for the New York Times, and in his radio performances, Ware continues to trace the Cherokee influence on Rogers’s material—and in turn its impact on his audiences. It is in these largely uncensored performances that we see another side of Rogers’ Cherokee persona—a tribal elitism that elevated the Cherokee above other Indian nations. Ware’s exploration of this distinction exposes still-common assumptions regarding Native authenticity in the history of American culture, even as her in-depth look at Will Rogers’s heritage and legacy reshapes our perspective on the Native presence in that history, and in the life and work of a true American icon.

Being Japanese American: A JA Sourcebook for Nikkei, Hapa . . . & Their Friends

Stone Bridge Press
2015-06-09
176 pages
7.50 x 9.25 inches
Trade Paper ISBN13: 9781611720228; ISBN10: 1611720222
Ebook ISBN13: 9781611725292; ISBN10: 1611725291

Gil Asakawa

A celebration of JA culture: facts, recipes, songs, words, and memories that every JA will want to share.

This entertaining compendium is a celebration of Japanese American history and heritage. While detailing favorite foods, customs, words, games, and holidays, it explores the painful history of immigration and WWII internment, with suggestions for connecting to your Japanese American community and passing on traditions across generations and into intermarried families. This revised edition has fresh interviews with Japanese Americans about their life experiences and explores contemporary Japanese pop culture like anime and J-pop, with information on traveling to visit your Japanese roots and lists of resources on the Web and social media.

Machado de Assis: A Literary Life

Yale University Press
2015-05-26
360 pages
6 1/8 x 9 1/4
2 b/w illus.
ISBN: 9780300180824

K. David Jackson, Professor of Portuguese and Director of Undergraduate Studies of Portuguese
Yale University

Novelist, poet, playwright, and short story writer Joaquim Maria Machado de Assis (1839–1908) is widely regarded as Brazil’s greatest writer, although his work is still too little read outside his native country. In this first comprehensive English-language examination of Machado since Helen Caldwell’s seminal 1970 study, K. David Jackson reveals Machado de Assis as an important world author, one of the inventors of literary modernism whose writings profoundly influenced some of the most celebrated authors of the twentieth century, including José Saramago, Carlos Fuentes, and Donald Barthelme. Jackson introduces a hitherto unknown Machado de Assis to readers, illuminating the remarkable life, work, and legacy of the genius whom Susan Sontag called “the greatest writer ever produced in Latin America” and whom Allen Ginsberg hailed as “another Kafka.” Philip Roth has said of him that “like Beckett, he is ironic about suffering.” And Harold Bloom has remarked of Machado that “he’s funny as hell.”

J.R. Reynolds: Say it loud: He’s black and I’m proud

Battle Creek Enquirer
Battle Creek, Michigan
2015-12-07

J.R. Reynolds, Community Columnist

J.R. Reynolds

Until my 2-year-old son is old enough to self-identify racially, I’ve declared him black. I’m raising him African American. Socially and legally. This, despite him being half white. Why? It’s in his best interest. But it’s not without serious, sometimes deadly challenges.

Being black in America has a bad rap. This, according to media, history books, government policy and even statistics. We’re the collective punching bag of mainstream society.

It’s open season on black youth. It’s OK to shoot first and ask questions later. We’re guilty until proven innocent. We’re viewed as a physical threat if we raise our voices in anger. Or throw up our hands to surrender. There’s more…

…So why would a black father like me enthusiastically claim “African American” for his toddler —a moniker that’s historically stigmatized by so many? After all, my son’s mom is white so alternatives exist. Among them: “biracial,” “multiracial” and “other.”…

Read the entire article here.