Mixed Race Studies

Phoebe Boswell: The Matter of Memory

Africanah.org: Arena for Contemporary African, African-American and Caribbean Art
Amsterdam, Kingdom of the Netherlands
2015-02-05

Yvette Greslé, Art Historian/Writer

Edited by Rob Perrée

Phoebe Boswell. ‘The Matter of Memory’, 2013-14. Installation view at Carroll/Fletcher [detail]. Courtesy the artist and Carroll/Fletcher.

I settle into an armchair and am surprised by voices audible from a mechanism buried in the fabric. I hear the voice of the artist, Phoebe Boswell, but also simultaneously, the voice of another. I discover that the chair on the right hand side (as I face the screen) transmits the voice of Boswell’s mother; and the other that of her father. Each parent narrates their memories of life in Kenya, where both were born, raised and married. As they narrate, their child (the artist) repeats their words. This device of multiple, simultaneous narration, does not obscure the speech of each. When the father pauses, the daughter pauses, when the mother sings, the daughter sings. This is a work of memory, a deliberate, staged act of remembering, but it is also a work of familial intimacy. The daughter appears to cherish the memories of the parents, repeating them so as not to forget. This gesture is poignant, it resists erasure and forgetting, and anticipates the inevitability of loss.

The armchairs, with their audio, are titled ‘When I Hear My Own Voice, I Can Hear Kenya’ (2013/14). These sound-objects are an important component in what is an immense spatial installation occupying the whole of the basement level of the Carroll/Fletcher Gallery. Titled ‘The Matter of Memory’ the work encompasses sound, looped projections, animations, objects, and drawings. It embodies the existence of multiple, simultaneous narratives functioning strategically to oppose assumptions about the world in which we live. Deeply sedimented racial prejudices that still hold the world in their thrall are potently countered and resisted. Boswell’s ‘The Matter of Memory’ draws attention to the continued critical significance of human subjectivity, and memory-work, as a counterpoint to the tyranny of singular, overarching narratives…

…Narratives of multiple-heritage and displacement are ones that many twenty-first century subjects, emerging out of historical conditions of travel and migration, can relate to. Boswell’s British-born, Kenyan father, is a fourth generation Kenyan settler and her mother is Kikuyu Kenyan. Visual significations of colonial settler life into which the artist’s father was born, and the Kikuyu Kenyan heritage of her mother is present throughout the installation. The story of this family is one wound up in migration: Boswell who moved to London in 2000, was born in Kenya but grew up in the Middle-East. She now lives and works in London having studied painting at the Slade School of Art and 2D Character Animation at Central St Martins. ‘The Matter of Memory’ invites us into the most intimate spaces of Boswell’s family history. It speaks about the presence of love despite the borders dreamed up by the historical obsession with racial difference. But this work is certainly no idealistic account of the transcendent capacities of love in conditions of trauma and social and political violence. Kenya inhabits the memories and the emotional life of mother, father and daughter who negotiate belonging, displacement, and ideas of ‘Home’….

Read the entire article here.

Pigmentocracies: Ethnicity, Race, and Color in Latin America [Brunsma Review]

Ethnic and Racial Studies
Volume 39, Issue 3, 2016
pages 492-494
DOI: 10.1080/01419870.2015.1095308

David L. Brunsma, Professor of Sociology
Virginia Polytechnic Institute and State University, Blacksburg, Virginia

Pigmentocracies: Ethnicity, Race, and Color in Latin America, by Edward Telles and the Project on Ethnicity and Race in Latin America (PERLA), Chapel Hill, NC, University of North Carolina Press, 2014, 320pp., $29.95 (paperback), ISBN 978-1-4696-1783-1

In the inaugural issue of Sociology of Race and Ethnicity, Eduardo Bonilla-Silva (2015) in laying out what he saw as the most necessary theoretical developments in the sociology of race and ethnicity wrote:

… racial theory should have been rooted in the experiences of the first peoples who experienced racialization, but that was not the case… Even when Latin American and Caribbean writers have written about race, they have relied mostly on American or European theorizations. We would be in a better explanatory position today to understand not only race in the world system, but even developments in the United States and Europe, if we were to go back and … ‘begin at the beginning’. [r]ooting our racial theory on the historical experiences of the oldest racial regimes in the world. (79)

Those oldest racial regimes are located in present-day Caribbean and Latin American countries. For over five years, the 12 scholars who make up the Project on Ethnicity and Race in Latin America (PERLA) have been working on the conceptualization, pilot studies, and, ultimately, groundbreaking data collection effort to comparatively ‘illuminate how race and ethnicity play out in Latin America’ (31). Edward Telles, eminent sociologist of race and ethnicity at Princeton University in the USA, has coordinated this amazing effort, resulting in Pigmentocracies: Ethnicity, Race, and Color in Latin America. This book begins to fill major gaps in the empirical, and, given time, ultimately, the theoretical development so necessary to understand inequalities and experiences of race and racialization. Equally important, this study introduces researchers in Europe and the USA to a set of scholars and scholarships that have not typically made it into the theoretical and empirical canon of studies of race and ethnicity (e.g. Mexico’s Regina Martínez Casas, Columbia’s Óscar Almario, Peru’s Juan Carlos Callirgos, and Brazil’s Graziella Moraes Silva, to name just a few). PERLA, formed in 2008 and concluding data collection by 2013, has given us the first cross-national, representative surveys of race and ethnicity in Latin America—the sheer scale of the project is breathtaking…

Read or purchase the review here.

Philosophy and the Mixed Race Experience

Rowman & Littlefield
January 2016
350 pages
Size: 6 x 9
Hardback ISBN: 978-1-4985-0942-8
eBook ISBN: 978-1-4985-0943-5
Paperback ISBN: 978-1-4985-0944-2

Edited by:

Tina Fernandes Botts, Visiting Professor of Philosophy
Oberlin College, Oberlin, Ohio

Philosophy and the Mixed Race Experience is a collection of essays by mixed race philosophers about the mixed race experience. Each essay is meant to represent one of three possible things: (1) what the philosopher sees as the philosopher’s best work, (2) evidence of the possible impact of the philosopher’s mixed race experience on the philosopher’s work, or (3) the philosopher’s philosophical take on the mixed race experience. The book has two goals: (1) to collect together for the first time the work of professional, academic philosophers who have had the mixed race experience, and (2) to bring these essays together for the purpose of adding to the conversation on the question of the degree to which factical identity (that is, situated, phenomenological experience) and philosophical work may be related (i.e., in terms of theme, method, assumptions, traditions, etc.).

Table of Contents

• Foreword, by Linda Martín Alcoff
• Editor’s Introduction: Toward a Mixed Race Theory, by Tina Fernandes Botts
• Part 1: Mixed Race Political Theory
  • Chapter 1: Responsible Multiracial Politics, with a new postscript, by Ronald Robles Sundstrom
  • Chapter 2: Mixed Race Identity in Britain: Finding Our Roots in the Post Racial Era, by Gabriella Beckles-Raymond
• Part 2: Mixed Race Metaphilosophy
  • Chapter 3: Through the Looking Glass: What Philosophy Looks Like from the Inside When You’re Not Quite There, by Marina Oshana
  • Chapter 4: Being and Not Being, Knowing and Not Knowing, by Jennifer Lisa Vest
  • Chapter 5: A Mixed Race (Philosophical) Experience, by Tina Fernandes Botts
• Part 3: Mixed Race Ontology
  • Chapter 6: The Fluid Symbol of Mixed Race, by Naomi Zack
  • Chapter 7: On Being Mixed, by Linda Martín Alcoff
  • Chapter 8: Race and Ethnic Identity, by J.L.A. Garcia
• Part 4: Mixed Race and Major Figures
  • Chapter 9: Through a Glass, Darkly: A Mixed-Race Du Bois, by Celena Simpson
  • Chapter 10: German Chocolate: Why Philosophy is So Personal, by Timothy J. Golden
• Part 5: Mixed Race Ethics
  • Chapter 11: Who is Afraid of Racial and Ethnic Self-Cleansing? In Defense of the Virtuous Cosmopolitan, by Jason D. Hill
• Afterword, by Naomi Zack
• Epilogue, by Tina Fernandes Botts

A Mixed Race Feminist Blog Interview with Isabel Adonis

A Mixed Race Feminist Blog
2016-01-15

Nicola Codner
Leeds, Yorkshire, United Kingdom

About Isabel Adonis

I’m a private tutor, artist and writer and I live in Wales. My mother was a white Welsh woman and my father was a black man from Georgetown in Guyana. He was quite a well-known writer and artist. I was born and brought up in London until I was six when my father began working in Khartoum in the Sudan. I lived and went to school there until I was nine when my parents bought a house in Wales. For the next nine years I lived and went to school in Wales and travelled to Africa in the holidays. After five years in the Sudan my father worked in different universities in Nigeria. My parents split up when I was seventeen and my father returned to the Caribbean. My mother did not remarry. In my twenties I trained as a teacher but because of an incident at the school, which I think was race related I decided I would never teach. I have four grown up children.

Do you remember when you first came to understand that you are mixed race?

Yes, around the time that ethnic monitoring was introduced in the UK in the early nineties. I had no notion of being mixed race prior to that. I was not brought up to call myself anything. However I do not call myself mixed race now. I leave it to others to do that kind of thing. I resist being categorised in this way, since it is problematic. Identification functions by inclusion and therefore exclusion. I’m not happy with that…

Read the entire interview here.

Tío Tomás’s Cabin: Marco Rubio and White Cubanidad

Latino Rebels
2016-01-14

Jason Nichols, Lecturer in African American Studies
University of Maryland

Last semester I had a young man turn in an assignment in which students were instructed to write to a current presidential candidate. This particular student had been outspoken and one of the more socially aware and progressive students in the class. He has a leadership position in a Latino fraternity, and often attempted to find commonality between the plight of African Americans and people of Latino (Latinx) origin.

His paper was interesting to say the least. He directed his letter toward Marco Rubio and expressed disgust that Rubio could be the one to break the glass ceiling for Latinos in this country. He went as far as to refer to Rubio as a ‘sellout.” My comments to him may seem obvious to some, but fundamentally call into question the designation of “Latino” and whether brownness conflicts with whiteness. The young man who completed the assignment is of Brazilian descent, but identifies as strongly as Latino, which is evidence that Latinos are not bound by language. In addition, Latinos are of many different racial backgrounds, and many identify as multiracial. Many Latinos are politically astute, but are far from a political monolith unlike African Americans, who tend to vote as a solid bloc…

Read the entire article here.

Call For Papers: Encyclopedia of Racism in American Cinema

Salvador Jimenez Murguia, Ph.D., Associate Professor of Sociology
Akita International University, Akita City, Akita Prefecture, Japan
2016-01-11

The volume Encyclopedia of Racism in American Cinema, takes up the topic of racism in American Cinema from its early days of film production to the present. Covering over 400 entries that include films, producers, directors, actresses, actors, genres, and critical interpretations, the breadth and depth of this volume may generate some highly significant material for both academics, as well as general audiences. The first of its kind (indeed there are no other encyclopedias that cover this topic anywhere on the market), the Encyclopedia of Racism in American Cinema would be a timely pop cultural companion to the ever-growing field of critical race studies. Additionally, as Americans become more well versed in the complexities of race, navigating current events that conjure up a sense of importance with regard to racial formations, and the implications of racism in their daily lives, a volume such as this can only add to the understanding of how race and racism operate on screen and serve to inform, influence and reinforce notions of racial divisions off screen.

This volume is under contract with Rowman and Littlefield to be published in late 2017. In this way, I will be requiring very quick turn-arounds.

If you’re interested in contributing, please send me an email with the subject line “Racism in Film,” and I’ll forward the list of entries (it is not a comprehensive list and I’ll be open to further suggestions). Entries will be assigned on a first-come, first-serve basis.

Although I’m happy to receive brief curriculum vitaes, they are not required. I would like to cast the net wide in attracting authors from a variety of disciplines and professions. Advanced undergraduates, graduate students and junior faculty are particularly welcome to contribute.

Categories

• African-American Studies
• American
• Bibliography
• Cultural Studies
• Ethnicity and National Identity
• Film and Television
• Gender Studies and Sexuality
• Interdisciplinary
• Popular Culture

Salvador Jimenez Murguia, Ph.D.

The Other Obama Legacy

The New York Times
2016-01-14

Charles M. Blow

On Tuesday, I spoke to a room full of beaming high school and middle school boys — about 150, a vast majority of whom were black — at the St. Petersburg College Allstate Center in St. Petersburg, Fla.

The talk was sponsored by the Cross and Anvil Human Services Center as part of the heritage lecture series that seeks to present historical, political and educational conversations that honor the legacy of the Rev. Dr. Martin Luther King Jr. The group targets “at-risk” boys in the community.

I didn’t sugarcoat things for these boys. I gave them the unvarnished truth, the same way I would for my own boys. For me, it is very important to help children place themselves historically, even when that history is painful, because within that truth they can anchor themselves and from it they can aim themselves.

When my speech was over, we had a question and answer period, and President Obama came up…

…I thought of some of the amazing pictures that the White House has released of the president meeting with black folks in the Oval Office, like 5-year-old Jacob Philadelphia touching the president’s hair because, as he put it, “I want to know if my hair is just like yours.” I thought of all the boys being reached by the president’s “My Brother’s Keeper” program.

These things register in a way that should never be underestimated. As a child, I couldn’t name many politicians, but I knew that P.B.S. Pinchback had been the first and only black governor of Louisiana, my home state; that Thurgood Marshall was a sitting Supreme Court Justice; and that Ed Bradley was one of the most respected journalists on television.

Obama is the first black president — and may well be the last, who knows — and that alone has a historical weight and impact on this generation that will play out for generations to come…

Read the entire article here.

The Forgotten Era of Punjabi-Mexicans

OZY
2016-01-13

Nick Fouriezos, Reporter/Researcher

Like a good comedian, Mary Singh Rai picked from her three identities to best suit her listener. “When I’m with Americans, I like to think of myself as one,” the native of Yuba City, California, said in a 2012 interview. But in some ways, the then-89-year-old with the light brown skin and wrinkled cheeks epitomized the American dream more than many others.

A daughter of immigrants, Rai was the result of an unlikely coupling of a Mexican mother and Punjabi father in the Golden State — and decades later, her dual ethnicities were still reflected in her distinctly Hispanic last name and Indian maiden name.

In the early 1900s, a generation of working men from Punjab — a region between the Indian and Pakistani border — laid down their rifles, headed West and picked up farming tools. Many had served in the British Royal Army or its police forces but decided to search for a better life a hemisphere away, in the fertile lands of Southern California’s Imperial Valley. Forming migrant-worker gangs, the Punjabi men were often called “Hindu crews,” but they were really an eclectic mix of Hindus, Sikhs and Muslims who toiled in hopes of earning enough to pay for their wives and children to join them in the land of opportunity. Instead, they found themselves stranded in a country that soon passed a wave of immigration legislation, effectively closing its borders to foreigners…

Read the entire article here.

Musician Chi-chi Nwanoku discussing her life and work on Talking Africa

BlackRook Media
2015-05-12

Musician Chi-chi Nwanoku has been discussing her life and work on Talking Africa. Chi-Chi is a passionate advocate of music and particularly the double bass. She is a Principal Double Bass and founder member of the Orchestra of the Age of Enlightenment and Endymion Ensemble. Born in London of Nigerian and Irish parents, Chi-Chi is also a Professor at Royal Academy of Music, a broadcaster, writer and mentor.

Hundreds gather over Maggie Walker statue controversy

WWBT, NBC 12
Richmond, Virginia
2016-01-12

Ashley Monfort, Henrico Reporter

RICHMOND, VA (WWBT) – Discussion about plans to build a statue of Maggie Walker in downtown Richmond drew a lot of opinions on both sides.

Hundreds of residents gathered at the Richmond Public Library Tuesday to have their opinions heard.

Plans are to build the statue at the intersection of Broad street and Adams Street. While the consensus is that everyone supports building the statue, not everyone supports the location because there is a live oak tree growing at the location…

NBC12 – WWBT – Richmond, VA News On Your Side

…Maggie Walker devoted her life to civil rights and education. She was also the first African-American woman in the U.S. to found a bank.

Read the entire article and watch the story here.