Mixed Race Studies

Multiracial people and their partners in Britain: Extending the link between intermarriage and integration?

Ethnicities
Published online 2016-03-21
DOI: 10.1177/1468796816638399

Miri Song, Professor of Sociology
University of Kent, Canterbury, Kent, United Kingdom

There are now a growing number of studies on intermarriage in Western multi-ethnic societies, especially in countries with post-colonial migrants (and their descendants). Intermarriage is of great interest to analysts because a group’s tendency to partner across ethnic boundaries is a key indicator of the social distance between groups in a multi-ethnic society. However, theorizing on intermarriage is typically premised upon the union (usually) of a White and non-White individual. We know little, therefore, about what happens the next generation down: the unions of multiracial people, who are the children of intermarried couples. With whom do multiracial people partner? Furthermore, are multiracial individuals who are partnered with White people different in their outlooks, identifications, and socialization of their children, from those who have ethnic minority partners? I draw upon some findings from a Leverhulme-funded research project on multiracial people and their experiences as parents in Britain.

Read or purchase the article here.

A Blackanese Beauty Queen

Contexts
Volume 15, Number 1 (Winter 2016)
pages 73-75
DOI: 10.1177/1536504216628844

M. Nakamura Lopez
M. Nakamura Lopez is a writer living in Tokyo, Japan. She studies mixedness, migration, and transnational families.

M. Nakamura Lopez on the new face of Miss Japan.

Read the entire article here.

Reflections On Rachel Dolezal, White Privilege, And “America’s Headlong Progress”

Reflections West
Montana Public Radio
2016-03-09

Tobin Shearer, Director of the African-American Studies Program; Associate Professor of History
University of Montana

W.E.B Du Bois in 1918
Cornelius Marion Battey (PD)

“For seven days in June 2015, Rachel Dolezal captured the news cycle,” writes University of Montana professor, Tobin Shearer, for “Reflections West.”

“Dolezal had led Spokane’s NAACP and taught Africana studies, but lost those positions after her parents outed her as a white person. Dolezal had presented herself as black for years.

She dropped out of the news cycle after the June 17 massacre of nine worshippers at a historic black church in Charleston, South Carolina. In the aftermath of that hate-fueled attack, few wanted to hear about the tawdry details of Dolezal’s racial passing gone awry…

Listen to the story (00:04:59) here. Download the story here.

Antiracism and the Cuban Revolution: An Interview with Devyn Spence Benson

African American Intellectual History Society
2016-03-08

Reena Goldthree, Assistant Professor of African and African American Studies
Dartmouth College, Hanover, New Hampshire

Devyn Spence Benson

This month, I interviewed historian Devyn Spence Benson about her forthcoming book, Antiracism in Cuba: The Unfinished Revolution (University of North Carolina Press, April 2016). Based on extensive archival research in Cuba and the United States as well as interviews with Afro-Cuban activists, Antiracism in Cuba explores public debates about race and racism in Cuba following the 1959 revolution. Benson reveals how the state’s ambitious campaign to eliminate racial discrimination was ultimately undermined by racist caricatures of Afro-Cubans in the media, the dismantling of independent black and mulato institutions, the underrepresentation of Afro-Cubans in highest ranks of the government, and the pervasive ideology of raceless nationalism.

Dr. Devyn Spence Benson is Assistant Professor of History and African and African American Studies at Louisiana State University (LSU). She received her Ph.D. in Latin American History from the University of North Carolina at Chapel Hill. Her work examines the history of Modern Latin America and the Caribbean with a particular focus on black activism in Cuba. She has received fellowships from the Schomburg Center for Research in Black Culture, the Oakley Center for the Humanities and Social Sciences at Williams College, and the Hutchins Center for African & African American Research at Harvard University. Benson’s recent publications have appeared in the Hispanic American Historical Review, the Journal of Transnational American Studies, and PALARA: Publication of the Afro-Latin/American Research Association. She currently serves as the faculty director for LSU’s Honors College study abroad program in Cuba…

Read the entire interview here.

Africans in India: Pictures that Speak of a Forgotten History

The Wire
2016-03-20

Jahnavi Sen

Sultan Muhammad Adil Shah of Bijapur and African courtiers, ca, 1640. Credit: The British Library Board.

An exhibition on Africans in India, highlighting the long history of African communities in India, opens on March 21

India and Africa have a shared history that runs deeper than is often realised. Trade between the regions goes back centuries – 4th century CE Ethiopian (Aksumite) coins have been found in southern India. Several African groups, particularly Muslims from east Africa, came to India as slaves and traders. On settling down in the country, they played important roles in the history of the region.

Forgotten histories

Unlike slave experiences in other parts of the world, enslaved Africans in India were able to assert themselves and attain military and political authority in their new homeland.

One of the most famous slave-turned-generals was Malik Ambar, an Ethiopian born guerrilla leader who went on to hold a prominent position in the Ahmadnagar Sultanate in west India in the 17th century. In spite of Ambar’s important role, he is a near forgotten chapter of history. Like Ambar, several other enslaved Africans rose to positions of power and prestige.

Ikhlas Khan, African prime minister of Bijapur, c. 1650, Credit: Johnson Album 26, no. 19, British Library. Public Domain.

“Free African traders, sailors, and skilled artisans were part of the movement of people across the India Ocean. Later on, captives were brought by the Arabs, the Portuguese and Indians”, Sylviane Diouf, director of the Lapidus Center for the Historical Analysis of Transatlantic Slavery in New York, told The Wire. “The people who became ‘elite slaves’ came mostly from the countries that today are Eritrea, Ethiopia and Sudan. The Portuguese brought in men and women from Mozambique. Later years also saw the arrival of people from Tanzania and adjacent countries.”

Africans in India were known as either Habshi or Sidi to denote their African origins. Even after centuries of mixing with local populations, the name Sidi remains for their descendants…

…The historical African diaspora in India is rarely discussed. What is the idea behind this exhibition and what is it trying to highlight?

The idea was to show the diversity of the African diaspora in terms of geography and history. Few people know that there is an African diaspora in the east, the vast majority think only of the Atlantic world. There is also a diversity of experiences within slavery. I started with a digital exhibition: The African Diaspora in the Indian Ocean World, which presents the history of Africans in Arabia, Oman, Yemen, Iraq, Iran, India, Sri Lanka, etc. The Indian story was so unique that it I thought it had to be the focus of a physical exhibition…

Read the entire article and interview here.

Rihanna: Barbados World Gurl in Global Popular Culture

University of the West Indies Press
2015
220 pages
6 x 9
Paper ISBN: 978-976-640-502-1

Edited by:

Hilary McD. Beckles, Principal and Pro-Vice Chancellor
University of the West Indies, Cave Hill, Barbados

Heather D. Russell, Associate Professor of English
Florida International University, Miami, Florida

Rihanna is arguably the most commercially successful Caribbean artist in history. She is Barbadian and has been unwavering in publicly articulating her national and regional belonging. Still, there have been varied responses to Rihanna’s ascendancy, among both Barbadians and the wider Caribbean community. The responses reveal as much about our own national and regional anxieties as they do about the artist herself. The boundary-transgressing, cultural icon Rihanna is subject to anxieties about her body language and latitude from her global audiences as well; however, the essays in this collection purposely seek to de-centre the dominance of the Euro-American gaze, focusing instead on considerations of the Caribbean artist and her oeuvre from a Caribbean postcolonial corpus of academic inquiry.

This collection brings together US- and Caribbean-based scholars to discuss issues of class, gender, sexuality, race, culture and economy. Using the concept of diasporic citizenship as a theoretical frame, the authors intervene in current questions of national and transnational circuits of exchange as they pertain to the commoditization and movement of culture, knowledge, values and identity. The contributors approach the subjects of Rihanna, globalization, gender and sexuality, commerce, transnationalism, Caribbean regionalism, and Barbadian national identity and development from different disciplinary and at times radically divergent perspectives. At the same time, they collectively work through the limitations, possibilities and promise of our best Caribbean imaginings.

Contents

• Selected Discography and Awards
• INTRODUCTION “Baadest-Bajan, Wickedest World-Gurl” HILARY McD. BECKLES AND HEATHER D. RUSSELL
• CHAPTER 1 Westbury Writes Back: Rihanna Reclaimed HILARY McD. BECKLES
• CHAPTER 2 Rihanna as Global Icon and Caribbean Threshold Figure DON D. MARSHALL
• CHAPTER 3 International Identity: Rihanna and the Barbados Music Industry MIKE ALLEYNE
• CHAPTER 4 “What’s My Name?” Reading Rihanna’s Autobiographical Acts ESTHER L. JONES
• CHAPTER 5 She Dances on the Holodeck CURWEN BEST
• CHAPTER 6 From “F Love” to “He Is the One”? Rihanna, Chris Brown and the Danger of Traumatic Bonding DONNA AZA WEIR-SOLEY
• CHAPTER 7 Rihanna and Bajan Respectability AARON KAMUGISHA
• CHAPTER 8 Rihanna: Diaspora Citizen, Bajan Daughter, Global Superstar HEATHER D. RUSSELL
• Contributors
• Acknowledgements

Ever wondered why Montserrat have a day off for St Patrick’s Day too?

TheJournal.ie
Dublin, Ireland
2016-03-17

Laura McAtackney, Associate Professor in Sustainable Heritage Management (Archaeology)
Arhus University, Aarhus, Denmark

Krysta Ryzewski, Assistant Professor of Anthropology
Wayne State University, Detroit, Michigan

This edited article, written by Laura McAtackney and Krysta Ryzewski, is part of a chapter ‘Historic and contemporary Irish identity on Montserrat, the ‘Emerald Isle of the Caribbean’ in Alison Donnell, Maria McGarrity & Evelyn O’Callaghan ‘s book: Caribbean Irish Connections for University of West Indies Press.

CONTEMPORARY MONTSERRAT IS marketed globally as the “Emerald Isle of the Caribbean”. This tagline inspires tourists and scholars to visualise a verdant, fertile paradise bolstered by genuine and lasting historic links to Ireland.

The island’s Irish connections have long been a source of interest for local residents and tourists alike, and over the past two decades government agencies, the tourism industry and local communities have made concerted efforts to bolster its Irish legacy and build upon perceived connections between present-day Montserrat and historic Irish communities.

Its most prominent example of these efforts is St Patrick’s Day, a national holiday that simultaneously commemorates the island’s Irish heritage and a failed uprising by Afro-Caribbean slaves and members of the island’s free black community on the same day in 1768.

The St Patrick’s holiday has grown into a week-long festival that attracts international tourists and acts as a major homecoming event for Montserrat’s diaspora community.

Today, Montserrat’s connection to an ‘Irish’ identity is strong but this has not always been the case…

Read the entire article here.

Jackie Kay: Scotland’s poet of the people

The Guardian
2016-03-20

Kevin McKenna

Jackie Kay at the Scottish Poetry Library in Edinburgh last week. Photograph: Andrew Milligan/PA

To say there was a national outpouring of joy at the appointment of Jackie Kay as Scotland’s makar last week might be overdoing it, but not by much. In previous decades, perhaps, not many beyond bearded and ponytailed literary circles might even have known the identity of a new makar or even the purpose of the post. The profile and efforts of the two previous incumbents, Edwin Morgan and Liz Lochhead, though, have helped to raise awareness of the position so that it has begun to insinuate itself into our national life.

Following the appointment of Kay as Scotland’s national poet last Tuesday, a press colleague who had interviewed her was simply thrilled. “She’s just wonderful; she’ll make people read poetry and write poetry who have never done so before.” The words were spoken in a tone that suggested he had touched the great woman’s hem…

…Jackie Kay was born in Edinburgh in 1961 to a Scottish mother and Nigerian father whereupon she was given up for adoption. John and Helen had adopted Kay’s brother, Maxwell, two years earlier. Many years later, she located her biological father and made plans to meet him while harbouring some anxiety as to how this might be received by her adoptive parents who had given her and her brother so much. She has referred to this as a “kind of adultery”…

Read the entire article here.

Book Review – Raising Mixed Race: Multiracial Asian Children in a Post-Racial World

Mixed Race Feminist Blog
2016-03-18

Nicola Codner
Leeds, Yorkshire, United Kingdom

Raising Mixed Race: Multiracial Asian Children in a Post-Racial World, Sharon H. Chang, Routledge, 2016, 264pp, £27.99, ISBN 978-1612058481

I was really excited to finally get my hands on a copy of this excellent book which focusses on how to navigate successfully raising Asian multiracial children in today’s world. The main argument of the book is that in order to do this parents must analyse their own understanding of racial issues, and seek to expand their knowledge and awareness in this area so they can adequately support their offspring. Considering the content of the book, the mention of ‘a post-racial world’ in its title can only be taken as tongue-in-cheek since the writer argues throughout the text that the world is anything but this and sets about exposing how white racism continues to be pernicious and pervasive, simply mutating over time rather than weakening in power.

The book is split into an introduction followed by 8 chapters and is based on an interview study conducted by the author with multiracial Asian parents. The study explored multiracial Asian parents’ approaches to parenting in conjunction with their attitudes regarding race. Chang, who is an activist, writer and scholar, is multiracial Asian herself, as is her husband. The study highlighted parents often neglect appropriate conversations around race with their children and thus do not support them in developing good self-esteem and coping skills when it comes to dealing with racism…

Read the entire review here.

Jackie Kay unveiled as the new National Poet, or Makar, of Scotland

The Herald
Glasgow, Scotland, United Kingdom
2016-03-15

Phil Miller

Poet and author Jackie Kay

The acclaimed writer Jackie Kay is the new National Poet for Scotland.

Ms Kay, who lives in Manchester, who was awarded an MBE for her services to literature in 2006, will succeed Liz Lochhead as the National Poet.

Ms Kay said she spend around half her time in Glasgow, the city where her parents live.

The final selection of Ms Kay was made by First Minister Nicola Sturgeon and former first ministers Alex Salmond, Lord McConnell of Glenscorrodale and Henry McLeish.

The First Minister made the announcement at the Scottish Poetry Library in Edinburgh where Ms Kay read one of her own poems, ‘Between the Dee and the Don’.

Ms Kay was born in Edinburgh and raised in Glasgow.

She said she would like to write a poem for the re-opening of the Scottish Parliament later this year, after the Holyrood elections, as well as highlight the plight of refugees.

The announcement was made by Nicola Sturgeon, the First Minister, who said: “Poetry is part of Scotland’s culture and history, it celebrates our language and can evoke strong emotions and memories in all of us…

Read the entire article here.