Book Launch: A Chosen Exile: A History of Racial Passing in American Life by Allyson Hobbs

Posted in History, Live Events, Media Archive, Passing on 2016-06-15 13:54Z by Steven

Book Launch: A Chosen Exile: A History of Racial Passing in American Life by Allyson Hobbs

The Powerhouse Arena
37 Main Street
Brooklyn, New York 11201
Telephone: 718.666.3049
Wednesday 2016-06-15, 19:00-21:00 EDT (Local Time)

Focusing on individuals and their experiences, Allyson Hobbs examines how racial passing became both a strategy for survival and an avenue to loss.

About A Chosen Exile:

Racial passing is an exile, sometimes chosen, sometimes not. Between the late-eighteenth and midtwentieth centuries, countless African Americans passed as white, leaving behind families, friends, and communities, without any available avenue for return. Lives were lost only to be remembered in family stories. In A Chosen Exile: A History of Racial Passing in American Life, Allyson Hobbs helps us to understand how racial ambiguity can be a cross to bear as well as a blessing for those of indeterminate color.

Much of the existing literature on passing is dominated by a focus on what its practitioners gained socially, culturally, economically or politically through assuming a white identity; Hobbs departs from this interpretation by suggesting that passing also resulted in loss, most significantly the loss of family and community ties. To pass as white was to make the decision to turn one’s back on a black racial identity and to claim to belong to a group to which one was not legally assigned.

When one decided to pass as white, a sense of embeddedness in a community or a collectivity was lost. Passing reveals that the essence of identity is not in an individual’s qualities, but rather in the ways that one recognizes himself or herself and is recognized as kindred. These forms of recognition may begin with superficial markers such as skin color, speech, and dress, but these are only indicators of relations to powers, ways of being in the world, and an imagined sharing of a common origin and iconic experiences. Passing, then, works as a prism: it refracts different aspects of what we commonly think of as race and reveals what is left once an ascribed status is stripped away.

Hobbs explores how race-making goes beyond skin color to one’s connection to family, culture, and community as well as to the popular perception of race in the larger society. Focusing on individuals and their experiences, A Chosen Exile examines how passing became both a strategy for survival and an avenue to loss.

About the Author:

Allyson Hobbs is Assistant Professor in the Department of History at Stanford University. You can find more information on her website: http://allysonhobbs.com/.

For more information, click here.

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A Genetic Fallacy: Monstrous Allegories of Mixed-Race in Gothic and Contemporary Literature

Posted in Dissertations, Literary/Artistic Criticism, Media Archive on 2016-06-14 20:25Z by Steven

A Genetic Fallacy: Monstrous Allegories of Mixed-Race in Gothic and Contemporary Literature

University of Lethbridge, Alberta, Canada
2016
119 pages

Rylan Spenrath

A Thesis Submitted to the School of Graduate Studies of the University of Lethbridge in Partial Fulfilment of the Requirements for the Degree Master of Arts

My thesis examines the similar intersections of hybridity that are embodied in both representations of monstrosity and the politics surrounding people of mixed-race. Drawing from Robert J.C. Young’s text Colonial Desire, I argue that monstrosity and mixed-race present diachronically parallel embodiments of hybridity. Jeffrey Jerome Cohen views monsters as “disturbing hybrids whose externally incoherent bodies resist attempts to include them in any systematic structuration” (loc 226); however, monsters and multiracial people do not inherently disturb category. Gothic representation of monstrosity in Mary Shelley’s Frankenstein, Bram Stoker’s Dracula, and Robert Louis Stevenson’s Dr. Jekyll and Mr. Hyde confirms that hybridity can be exploited in order to strengthen colonial categories of Self and Other. Postmodern monstrosity in Philip K. Dick’s Do Androids Dream of Electric Sheep, and Octavia Butler’s Imago, complicate ostensibly rigid categories of identity only for the Gothic binary to resurface beneath the masks of superheroes and supervillains.

Table of Contents

  • Abstract
  • Acknowledgements
  • List of Figures
  • Introduction: The Intersection of Hybridity, Multiculturalism, and Monstrosity
  • Chapter One: Hybridity Unsettled: Gothic Monstrosity and the Uncanny Valley
  • Chapter Two: Distinctly Ambivalent: Category Crisis and the Postmodern Monster
  • Chapter Three: Monster Masks: Monstrosity in the Superhuman Genre
  • Conclusion
  • References

Read the entire thesis here.

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The Myth of Race: The Troubling and Persistence of an Unscientific Idea by Robert Wald Sussman (review)

Posted in Anthropology, Book/Video Reviews, Health/Medicine/Genetics, Media Archive on 2016-06-14 20:00Z by Steven

The Myth of Race: The Troubling and Persistence of an Unscientific Idea by Robert Wald Sussman (review)

Journal of Social History
Volume 49, Number 3, Spring 2016
pages 740-741

Robert J. Cottrol, Harold Paul Green Research Professor of Law and Professor of History and Sociology
George Washington University

The Myth of Race: The Troubling and Persistence of an Unscientific Idea. By Robert Wald Sussman (Cambridge: Harvard University Press, 2014. 374 pp. $35.00).

With The Myth of Race, Robert Sussman gives us a comprehensive history of the idea of race and particularly the rise and not total fall of scientific racism Drawing on the intellectual history of his own discipline, physical anthropology, Sussman takes the reader on a journey from the role of race in the religious persecutions of the fifteenth century Spanish inquisition to an examination of the development of the eugenics movement, that movement’s link to Nazi ideology and practice, and the role of Franz Boaz and his disciples in combating scientific racism and establishing the dominance of culturally based explanations for racial and ethnic differences. The Myth of Race takes us to our uneasy present. The scientific racists of the nineteenth and early twentieth centuries have been vanquished in the minds of the scientific communities and educated public more generally, but there are still holdouts, in some places influential holdouts, asserting the validity of earlier views positing that racial differences are real, inherited and largely immutable.

The introduction provides something of a primer on race from the point of view of physical anthropology for the uninitiated. From the biological perspective, Sussman informs us, even using the term race to discuss the variations in the human species is suspect. But Sussman’s purpose is not to provide a thumbnail sketch of the biology of race, but to explore race as an intellectual construct along with a history of its uses and misuses. Race’s development as a concept was prompted by large scale European contact with new and different peoples in Africa and the Americas, a by-product of European expansion. The Church, however imperfectly, stressed the unity of humanity, the product of a single act of creation. But others, repelled by difference, or attracted by the possibility that those who were different and more vulnerable could be readily exploited, fashioned explanations to both account for differences and to insure the dominance of Europeans. Some theories accounted for difference by attributing human variation to separate creations with Africans and the indigenous populations of the Western Hemisphere being something other and something less than children of the Biblical Adam and Eve. Others were willing to stipulate to the unity of human origins, but nonetheless asserted that those strange people who were not white, not European and not Christian were the products of a degeneration that also highlighted their inferiority and the need for them to be brought under the control of their betters. Sussman is particularly strong in presenting this history and in reminding readers that moral and political philosophers like Locke and Kant more generally thought of as advocates of political liberty and just governance played a significant role in implanting notions of racial hierarchy in European thought.

But it is in his discussion of the origins and career of eugenics as a concept where Sussman makes his strongest contribution. Sussman links the origins of eugenics to concepts of scarcity and need first articulated by Malthus. These concepts when coupled with the extension of Darwinian thought beyond basic biology would provide a basis for a school of human science that reached its logical conclusions with Nazi racial science. The Myth of Race provides a chilling look at the popularity and power of the American eugenics movement. Sussman’s discussion of the influence that American eugenicist Madison Grant’s Passing of the Great Race had on Nazi racial policies is particularly instructive.

We all, to some extent, know how the story comes out, at least to date. In the inter-war years, anthropologist Franz Boaz through his meticulous research and the influence of his disciples helped defeat the scientific racists who dominated the debate before the First World War. Boaz’s research played a pivotal role in persuading educated people that culture and not biology accounted for group differences. The horrors of the Nazi holocaust played a significant role in discrediting scientific and not so scientific racism among the public at large after the Second World War

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Karin Tanabe: THE GILDED YEARS

Posted in Live Events, Media Archive, Passing, United States, Women on 2016-06-14 15:25Z by Steven

Karin Tanabe: THE GILDED YEARS

Busboys and Poets
Langston Room
2021 14th Street, NW (14 & V Street, NW)
Washington, D.C. 20009
Tuesday, 2016-06-14, 18:30-20:30 EDT (Local Time)

Politics & Prose at Busboys and Poets 14th & V welcomes Karin Tanabe to present the new book “The Gilded Years.”

A Politico journalist turned novelist, Tanabe has reported on politics and society for Entertainment Tonight, CNN, and Inside Edition, experience she drew on for the Washington insider fiction of The List and The Price of Inheritance. Her third novel looks at class, race, and ambition in the Gilded Age, following smart and talented Anita Hemmings—daughter of a janitor—as she realizes her dream of attending Vassar. But Anita is also the descendent of slaves, and though her pale skin allows her to “pass” for white, as she moves among the wealthy elite of 1897 high society, she walks an increasingly tense line concerning her identity.

Tanabe will be in conversation with LaFleur Paysour, communications director for the National Museum of African American History and Culture.

For more information, click here.

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“What are you?”: Mixed race responses to the racial gaze

Posted in Articles, Canada, Identity Development/Psychology, Media Archive, Social Science on 2016-06-14 01:34Z by Steven

“What are you?”: Mixed race responses to the racial gaze

Ethnicities
Published online before print 2015-12-16
DOI: 10.1177/1468796815621938

Jillian Paragg
Department of Sociology
University of Alberta, Edmonton, Canada

Mixed race scholarship considers the deployment of the term “mixed race” as an identification and theorizes that the operation of the external racial gaze is signaled through the “what are you?” question that mixed race people face in their everyday lives. In interviews conducted with mixed race, young adults in a Western Canadian urban context, it was evident that the “what are you?” question is the verbal form of the external racial gaze’s production of ambivalence on mixed race bodies. However, this study also found that mixed race people have “ready” identity narratives in response to the “what are you?” question. This paper shows the importance of these narratives (the very existence of the “ready” narratives, as well as the content of the “ready” narrative) for fleshing out the operation of the external racial gaze in the Canadian context. Respondents draw on two closely related modes of narrating origin when responding to the “what are you?” question: they respond through a kinship narrative that is heteronormative and they narrate that they inherit “national origin” “through blood.” I argue that these responses point to how the gaze produces the multiracialized body through the desire to imagine and “know” its originary point of racial mixing. Yet, the “ready” narratives are also agential: while at times they narrate to the expectations of the gaze, they also “play on” the gaze.

Read or purchase the article here.

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Whiteness is provisional and cannibalistic. The imposition of whiteness is based on falsehoods and conflation.

Posted in Excerpts/Quotes on 2016-06-14 01:26Z by Steven

Whiteness is provisional and cannibalistic. The imposition of whiteness is based on falsehoods and conflation. White supremacy is a conglomerate forged through fear, colonialism, imperialism and anti-Blackness, not through the purity of blood. The time has come not to seek access to farcical social constructs used to oppress, but instead to seek liberation through rejection of such. Racial superiority doesn’t actually exist, and to accept the concept of whiteness inherently represents a denial of Black humanity. The expression of who we are as individuals is what makes cultures and people the world across beautiful. Embracing who we are without dehumanizing anyone else or distancing oneself from Blackness poses a direct threat to the ideation of whiteness. In order to invest in humanity, we must divest from whiteness and our contributions to it.

William C. Anderson, “The Changing Face of Whiteness,” Truthout, June 5, 2016. http://www.truth-out.org/news/item/36292-the-changing-face-of-whiteness.

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Yara Shahidi, the Iranian-American Star of ‘Black-ish,’ Is Breaking Stereotypes On & Off Screen

Posted in Articles, Arts, Media Archive, United States on 2016-06-14 01:21Z by Steven

Yara Shahidi, the Iranian-American Star of ‘Black-ish,’ Is Breaking Stereotypes On & Off Screen

Muftah
2016-06-03

Alex Shams

Over the last two years, the hit ABC sitcom “Black-ish” has deftly explored issues of race, class, and gender in the United States through the eyes of an upper-middle class, African-American family. The show has received rave reviews for portraying the unique struggles of the Johnson family, offering an incisive critique of racism in modern America without being too preachy.

What few people know, however, is that the role of Zoey, the Johnson’s eldest daughter, is played by a sixteen-year-old, Iranian-American actress. Born to an Iranian father, Afshin Shahidi, and a mother of mixed African-American and Native Choctaw heritage, Keri Salter, Yara Shahidi lived in Minneapolis before moving to California at a young age…

Read the entire article here.

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The Racism-Race Reification Process: A Mesolevel Political Economic Framework for Understanding Racial Health Disparities

Posted in Articles, Economics, Health/Medicine/Genetics, Media Archive, Social Science, United States on 2016-06-14 00:12Z by Steven

The Racism-Race Reification Process: A Mesolevel Political Economic Framework for Understanding Racial Health Disparities

Sociology of Race and Ethnicity
Published online before print 2016-02-08
DOI: 10.1177/2332649215626936

Abigail A. Sewell, Assistant Professor of Sociology
Emory University, Atlanta, Georgia

The author makes the argument that many racial disparities in health are rooted in political economic processes that undergird racial residential segregation at the mesolevel—specifically, the neighborhood. The dual mortgage market is considered a key political economic context whereby racially marginalized people are isolated into degenerative ecological environments. A multilevel root-cause conceptual framework, the racism-race reification process (R3p), is proposed and preliminarily tested to delineate how institutional conditions shape the health of racially marginalized individuals through the reification of race. After reviewing and critiquing the conceptual and theoretical roots of R3p, the key components of the synergistic framework are detailed and applied to clarify extant understandings of the upstream (i.e., macrolevel) factors informing racial health disparities. Using aggregated data from the 1994 Home Mortgage Disclosure Act and Neighborhood Change Database merged at the mesolevel (i.e., the neighborhood cluster) with microlevel data from the Project on Human Development in Chicago Neighborhoods, exploratory analysis is presented that links dual mortgage market political economies to ethnoracial residential segregation at the mesolevel and to childhood health inequalities at the microlevel. The author concludes by considering how racial inequality is an artifact of the political economic reality of race and racism manifested from the neighborhood-level down.

Read or purchase the article here.

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Essential Measures: Ancestry, Race, and Social Difference

Posted in Articles, Campus Life, Census/Demographics, Media Archive, Social Science, United States on 2016-06-13 23:48Z by Steven

Essential Measures: Ancestry, Race, and Social Difference

American Behavioral Scientist
April 2016, Volume 60, Number 4
pages 498-518
DOI: 10.1177/0002764215613398

Aaron Gullickson, Associate Professor of Sociology
University of Oregon

Race and ancestry are both popularly viewed in the United States as different but intertwined reflections on a person’s essentialized identity that answer the question of “who is what?” Despite this loose but well-understood connection between the two concepts and the availability of ancestry data on the U.S. census, researchers have rarely used the two sources of data in combination. In this article, drawing on theories of boundary formation, I compare these two forms of identification to explore the salience and social closure of racial boundaries. Specifically, I analyze race-reporting inconsistency and predict college completion at multiple levels of racial ancestry aggregation using Census data. The results suggest that, while much of the variation in these measures corresponds to popular “big race” conceptions of difference, considerable variation remains among individual ancestries.

Read or purchase the article here.

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The Rev. J. W. Loguen, as a Slave and as a Freeman: A Narrative of Real Life Including Previously Uncollected Letters

Posted in Autobiography, Books, Media Archive, Monographs, Slavery, United States on 2016-06-13 18:25Z by Steven

The Rev. J. W. Loguen, as a Slave and as a Freeman: A Narrative of Real Life Including Previously Uncollected Letters

Syracuse University Press
2016
360 pages
2 black-and-white illustrations, appendix, notes, index
7 x 10
Cloth ISBN: 978-0-8156-3446-1
Paper ISBN: 978-0-8156-1068-7
ebook ISBN: 978-0-8156-5369-1

J. W. Loguen (1813-1872)

Edited and with a Critical Introduction by:

Jennifer A. Williamson, Director of Gender Mainstreaming and Women’s Empowerment
ACDI/VOCA

The Rev. Jermain Wesley Loguen was a pioneering figure in early nineteenth-century abolitionism and African American literature. A highly respected leader in the AME Zion Church, Rev. Loguen was popularly known as the “Underground Railroad King” in Syracuse, where he helped over 1,500 fugitives escape from slavery. With a charismatic and often controversial style, Loguen lectured alongside Frederick Douglass and worked closely with well-known abolitionists such as Harriet Tubman, William Wells Brown, and William Lloyd Garrison, among others.

Originally published in 1859, The Rev. J. W. Loguen chronicles the remarkable life of a tireless young man and a passionate activist. The narrative recounts Loguen’s early life in slavery, his escape to the North, and his successful career as a minister and abolitionist in New York and Canada. Given the text’s third-person narration and novelistic style, scholars have long debated its authorship. In this edition, Williamson uncovers new research to support Loguen as the author, providing essential biographical information and buttressing the significance of his life and writing. The Rev. J. W. Loguen represents a fascinating literary hybrid, an experiment in voice and style that enlarges our understanding of the slave narrative.

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