Mixed Race Studies

Black Shamrocks: Accommodation Available – No Blacks, No Dogs, No Irish

CreateSpace Independent Publishing Platform
2016-03-24
482 pages
15.2 x 2.8 x 22.9 cm
Paperback ISBN-13: 978-1523490912

Gus Michael Nwanokwu

While many academics and social scientists have examined the psychological and societal implications of growing up as a mixed-race person, few works exist that chronicle the actual lived experience of navigating life while juggling two cultures and racial identities.

Gus Nwanokwu seeks to fill this literary void with Black Shamrocks, a powerful memoir of life as a half-Nigerian and half-Irish boy in London and the in the 1960s and 70s.

The son of a Biafran-Nigerian father and an Irish mother, Nwanokwu experiences from a tender age the harsh realities of racism, classism, and anti-immigration sentiments and bigotry in post-colonial England.

Despite the high hurdles and the abject poverty into which he and his siblings were born, Nwanokwu rises above the challenges, pursues an education, and spends his life giving back as a teacher and contributing to the betterment of society.

With keen insights about the nature of the challenges he faced, Nwanokwu’s coming-of-age memoir deftly explores his attempts to balance black and white, poverty and pride, love and violence, irreverence and respect, joy and pain, justice and injustice, and misery and satisfaction against the backdrop of a rapidly changing world.

Black Man, White House: An Oral History of the Obama Administration

William Morrow (an imprint of HarperCollins)
2016-06-07
352 pages
Hardcover ISBN: 9780062399793
Ebook ISBN: 9780062399816
6 in (w) x 9 in (h) x 1.09 in (d)

D. L. Hughley

From legendary comedian D.L. Hughley comes a bitingly funny send-up of the Obama years, as “told” by the key political players on both sides of the aisle.

What do the Clintons, Republicans, fellow Democrats, and Obama’s own family really think of President Barack Obama? Finally, the truth is revealed in this raucously funny “oral history” parody.

There is no more astute—and hilarious—critic of politics, entertainment, and race in America than D. L. Hughley, famed comedian, radio star, and original member of the “Kings of Comedy.” In the vein of Jon Stewart’s America: The Book, Black Man, White House is an acerbic and witty take on Obama’s two terms, looking at the president’s accomplishments and foibles through the imagined eyes of those who saw history unfold.

Hughley draws upon satirical interviews with the most notorious public figures of our day: Mitt Romney (“What’s ‘poverty’? Is that some sort of rap jargon?”); Nancy Pelosi (“I play F**k/Marry/Kill, and there’s a lot more kills than fu**ks in Congress, believe me.”); Rod Blagojevich (“You can’t sell political offices on eBay; I discovered that personally.”); Joe Biden (“I like wrestling.”); and other politicians, media pundits, and buffoons. It is sure to be the most irreverent—and perhaps the most honest—look at American politics today.

The Gilded Years, A Novel

Washington Square Press (an imprint of Simon & Schuster)
2016-06-07
384 pages
Paperback ISBN: 9781501110450
eBook ISBN: 9781501110467

Karin Tanabe
Washington, D.C.

Passing meets The House of Mirth in this “utterly captivating” (Kathleen Grissom, New York Times bestselling author of The Kitchen House) historical novel based on the true story of Anita Hemmings, the first black student to attend Vassar, who successfully passed as white—until she let herself grow too attached to the wrong person.

Since childhood, Anita Hemmings has longed to attend the country’s most exclusive school for women, Vassar College. Now, a bright, beautiful senior in the class of 1897, she is hiding a secret that would have banned her from admission: Anita is the only African-American student ever to attend Vassar. With her olive complexion and dark hair, this daughter of a janitor and descendant of slaves has successfully passed as white, but now finds herself rooming with Louise “Lottie” Taylor, the scion of one of New York’s most prominent families.

Though Anita has kept herself at a distance from her classmates, Lottie’s sphere of influence is inescapable, her energy irresistible, and the two become fast friends. Pulled into her elite world, Anita learns what it’s like to be treated as a wealthy, educated white woman—the person everyone believes her to be—and even finds herself in a heady romance with a moneyed Harvard student. It’s only when Lottie becomes infatuated with Anita’s brother, Frederick, whose skin is almost as light as his sister’s, that the situation becomes particularly perilous. And as Anita’s college graduation looms, those closest to her will be the ones to dangerously threaten her secret.

Set against the vibrant backdrop of the Gilded Age, an era when old money traditions collided with modern ideas, Tanabe has written an unputdownable and emotionally compelling story of hope, sacrifice, and betrayal—and a gripping account of how one woman dared to risk everything for the chance at a better life.

Impeachment, culture wars and the politics of identity in Brazil

The Conversation
2016-05-26

Marshall Eakin, Professor of History
Vanderbilt University

Brazil is in the midst of its worst political crisis since the 1960s and possibly its most severe economic downturn in the last 100 years.

The economy will not – and cannot – improve until the country emerges from the political chaos of the moment and puts into place strong and legitimate leadership.

Most of the commentary on Brazil’s current crisis has focused on politics and economics. I believe that a more profound threat generated by this crisis will be to Brazilians’ sense of self – to their very identity as Brazilians.

In my 40 years studying Brazilian history and culture, I have never seen the country more polarized. Over the past decade, I have spent extended periods in Brazil researching and writing “Becoming Brazilians: Race and National Identity in Twentieth-Century Brazil,” which will be published by Cambridge University Press in 2017. More so than many countries, Brazil has had a powerful and dominant narrative of national identity for decades…

…Race and national identity

For much of the 20th century Brazilians of all social groups collectively forged a rich and vibrant cultural nationalism around the notion of mestiçagem — racial and cultural mixing.

The iconic intellectual Gilberto Freyre (1900-1987) produced the most influential version of this narrative. According to Freyre,

Every Brazilian, even the light-skinned fair-haired one, carries with him in his soul, when not in body and soul … the shadow, or at least the birthmark, of the Indian or the Negro.

Many diverse political regimes from the 1930s to the 1980s placed an official seal of government approval on this narrative of mestiçagem. They hoped to publicize Brazil’s supposed “racial democracy” to the world. As I argue in my book, the lived realities of the great masses of Brazilians seemed to provide abundant evidence of the creative power of mestiçagem. Carnaval and Brazilian music like samba and bossa nova arose out of this dynamic mixing. The jazz on the playing pitch of Pelé and other great players produced the world’s most beautiful soccer…

Read the entire article here.

A Strange Emblem for a (Not So) White Nation: La Morocha Argentina in the Latin American Racial Context, c. 1900–2015

Journal of Social History
DOI: 10.1093/jsh/shw018
First published online: 2016-06-01

Ezequiel Adamovsky

This article explores the origins of La morocha argentina as an unofficial national emblem, the personification of the quintessential Argentinean woman, from its emergence in the early twentieth century to the present. A typical character of vernacular popular culture, the Argentinean “morocha” is compared to the “morenas” featured in other Latin American countries, to find similarities and differences. The racial uncertainty of the “morochas”—who, unlike the “morenas,” were not always marked as being of dark complexion—helped undermine the official discourses of the Argentinean nation, which described it as racially white and ethnically European. The ambivalence of the “morocha argentina” was crucial in contexts in which open challenges of that myth were still unfeasible. Thus, despite claims of racial exceptionalism, the making and trajectory of this emblem proves that Argentina’s racial regime is a variant of the Latin American “color-continuum” racial formations. By analyzing the Argentinean case in comparative perspective, this article also seeks to contribute to a better understanding of nonbinary racial models and, more generally, of ethnicity “beyond groupism”—to put it in Roger Brubaker’s terms. In other words, it aims to reconsider ethnicity as a process, the outcome of group-making projects, rather than (only) as the expression of preexisting ethnic entities.

Read or purchase the article here.

Bridging Asian and Asian American Studies through Critical Mixed Race

UCLA International Institute
Asia Institute
2016-05-25

Samantha Fletcher (UCLA 2016)

Professor Emma Teng of MIT recently examined mixed-race identities in the U.S., China and Hong Kong as part of the Taiwan Studies Lecture Series of the Asia Institute.

UCLA International Institute, May 25, 2016 — The most recent UCLA Taiwan Studies Lecture examined a wide range of ideas, laws and constructs that were instrumental in shaping mixed-race identities in the United States, China and Hong Kong.

On May 10, 2016, Professor Emma Teng of the Massachusetts Institute of Technology delivered the presentation, “Traversing Boundaries: Bridging Asian and Asian American Studies through Critical Mixed Race.” The event was jointly sponsored by UCLA’s Asia Institute and Dean of Humanities, with funding from the Taipei Economic and Cultural Office in Los Angeles. The Center for Chinese Studies cosponsored the event.

Professor Teng shared issues raised by critical and mixed race theory that are detailed in her recent book, “Eurasian: Mixed Identities in the United States, China and Hong Kong, 1842–1943” (University of California, 2013).

Teng’s book explores the place of mixed-race children in Chinese society by examining the stories of their families and patterns of labor migration among merchants and students between China and the United States. The endpoint of her study is 1943, when the Chinese Exclusion Act was lifted in the U.S — a time when China and the U.S. were allied against Japan in World War II…

Read the entire article here.

Becky and Mia – Belonging and Not Belonging

The Listening Project: It’s surprising what you hear when you listen
BBC Radio 4
2016-06-03

Fi Glover introduces a conversation about the surprising challenges facing a mixed race family at home and abroad. Another in the series that proves it’s surprising what you hear when you listen.

The Listening Project is a Radio 4 initiative that offers a snapshot of contemporary Britain in which people across the UK volunteer to have a conversation with someone close to them about a subject they’ve never discussed intimately before. The conversations are being gathered across the UK by teams of producers from local and national radio stations who facilitate each encounter. Every conversation – they’re not BBC interviews, and that’s an important difference – lasts up to an hour, and is then edited to extract the key moment of connection between the participants. Most of the unedited conversations are being archived by the British Library and used to build up a collection of voices capturing a unique portrait of the UK in the second decade of the millennium. You can learn more about The Listening Project by visiting bbc.co.uk/listeningproject.

Producer: Marya Burgess.

Listen to the story here.

Mixed Student Union Hosts Fourth Annual Heritage Conference

Pacific Ties
University of California, Los Angeles
2016-05-13

Ayesha Sheikh

UCLA’s Mixed Student Union (MSU) hosted their fourth annual Mixed Heritage Conference on April 30 in the James West Alumni Center. The organization’s goal for hosting the conference on campus, according to the organization’s co-director Ariel Pezner, was to spread awareness of mixed identity among student audiences within UCLA as well as circles of mixed groups outside UCLA.

The reach of the organization’s efforts go well beyond the campus, with its connections to several other student organizations such as those at the University of Southern California. Chelsea Strong, co-director of MSU alongside Pezner, shared that the conference was the biggest event hosted by the organization to attract students, staff, and faculty of all backgrounds “to get a chance to learn critically about mixed heritage.” To manifest the appropriate space for this exchange of ideas and learning, prominent speakers from various mixed backgrounds were invited to speak.

The keynote Speaker Dr. Velina Hasu Houston, who wrote her senior thesis at UCLA and received her doctorate from USC, is recognized locally and internationally for her analytical playwriting on genres of mixed heritage, a topic often overlooked as “too uninteresting” for the arts.

The conference brought into projection the importance of using art as a medium to communicate beyond the subjects of the composition itself. Among Dr. Houston’s most renowned works is “Tea, with Music” and “Cinnamon Girl.” She is a leadership force for many organizations such as HapaSC, a mixed heritage organization at USC, and Multiracial Americans of Southern California (MASC), whose mission statement is “to advocate for and foster multiracial community and identity.”….

…Some of the other organizations’ representatives in attendance included Dr. Chandra Crudup, from One Drop of Love and the co-director of Mixed Roots Stories (MRS), who sponsored the conference. In addition to teaching at Arizona State University, Dr. Crudup is also a social worker. She said, “Race is in the face a lot more than in the past,” and that there needs to be a healthy way to deal with social justice issues. She spoke on what a healthy lifestyle looks like, a survival guide to not getting “jaded out by issues that affect life at work and socially.”…

Read the entire article here.

Interview with 39.4 Editor, Chelene Knight

Room: Literature, Art, and Feminism Since 1975
May 2016

Interview by Rebecca Russell

Chelene Knight

The Room Collective is very excited to have you on board as the new Managing Editor. How are you adjusting to the new role?

I was super excited when I was asked to step up as Managing Editor at Room. The mentoring I received from the previous Managing Editor, Rachel Thompson, has been the most amazing experience. She is one talented woman, and has done a lot to make Room such a great place for women to raise their voices. The entire Room Collective has been super supportive and I can honestly finally say I am doing what I love. This transition isn’t easy, that’s for sure! It’s been a big learning curve for me but there are also certain aspects of the job that are pretty darn rewarding, like working with such a talented group of women who all share a passion for the literary arts. The role itself is all encompassing and I feel like a huge tree with a million branches shooting out in multiple directions, and I am finally being challenged—this is a good thing…

…What can you tell us about the collection you’re currently working on, Dear Current Occupant?

It seems as though Dear Current Occupant has been in the works all my life. I had what you could call a “tough childhood,” and I wanted to write about it as a way of healing and as a way of setting things free into the world. It turned out to be a mixed-genre compilation of sonnets, prose, short story, erasure, and more. My first book, Braided Skin (Mother Tongue Publishing, 2015), told a story of race and the struggles of being of mixed-ethnicity, and focused on belonging and place in the racial/family sense, whereas Dear Current Occupant tackles the need for “home” and “place” in terms of the physical house. In the book, the narrator is a young adult looking back on the thirty homes she’s lived in as a child. She writes to the “current occupants” of these places to reflect on her own experiences when she was living there. She learns a lot about her “self” through this process. She opens doors, she unlocks and digs up things that were buried. The book also includes photos of the actual houses in various perspectives. The photography was done by Jade Melnychuk, and Rich Riordan. I am happy to say the manuscript is in my publishers’ hands as we speak…

Read the entire interview here.

I’m mixed race. That doesn’t mean you can ask me, “What are you?”

The Tempest
2016-05-21

Maya Williams

I’m not your exotic half-breed toy, so don’t treat me, or anyone else, like one.

“Which parent is white?” many have asked me.

That question tends to bother me as much as the “What are you?” question, if not more on some days. Especially when people attempt to soften the blow with the statement “You’re so good looking” right before it.

My mother has a father of white descent and a mother of black/Cherokee descent. My father has a father of black descent and a mother of black, white, and Chickahominy descent. My mother identifies as biracial in most situations, and my father identifies as black in most situations. All three of my siblings and I identify as multiracial in most situations. Therefore, I find it unsettling that multiracial identity is “cool” when whiteness is in the mix, and especially when there are those so desensitized from mixed race people to the point of immediately asking, “Which parent is white?” They don’t understand that multiraciality is a thing – that there doesn’t have to be a sole white parent to look the way I do.

As exciting as it is to meet other mixed race people, I always get the most excited when I meet second generation mixed race people, especially if we have similar heritage breakdowns. When I was in middle school, I met this one girl who made me laugh when she said, “Yay, we’re mixed-ded-ded!”

However, my story and my experiences as a mixed race person are not important unless my identity is placed in a binary. My interactions with black, white, biracial, and multiracial people in my family are not as newsworthy or intriguing. Second generation mixed people are an afterthought…

Read the entire article here.