Mixed Race Studies

Race and Popular Fantasy Literature: Habits of Whiteness

Routledge
2016
224 pages
1 B/W Illus.

Helen Young, Honorary Associate
Department of English
University of Sydney

This book illuminates the racialized nature of twenty-first century Western popular culture by exploring how discourses of race circulate in the Fantasy genre. It examines not only major texts in the genre, but also the impact of franchises, industry, editorial and authorial practices, and fan engagements on race and representation. Approaching Fantasy as a significant element of popular culture, it visits the struggles over race, racism, and white privilege that are enacted within creative works across media and the communities which revolve around them. While scholars of Science Fiction have explored the genre’s racialized constructs of possible futures, this book is the first examination of Fantasy to take up the topic of race in depth. The book’s interdisciplinary approach, drawing on Literary, Cultural, Fan, and Whiteness Studies, offers a cultural history of the anxieties which haunt Western popular culture in a century eager to declare itself post-race. The beginnings of the Fantasy genre’s habits of whiteness in the twentieth century are examined, with an exploration of the continuing impact of older problematic works through franchising, adaptation, and imitation. Young also discusses the major twenty-first century sub-genres which both re-use and subvert Fantasy conventions. The final chapter explores debates and anti-racist praxis in authorial and fan communities. With its multi-pronged approach and innovative methodology, this book is an important and original contribution to studies of race, Fantasy, and twenty-first century popular culture.

Table of Contents

• Introduction: Re-thinking Genre, Thinking About Race
• 1. Founding Fantasy: J. R. R. Tolkien and Robert E. Howard
• 2. Forming Habits: Derivation, Imitation, and Adaptation
• 3. The Real Middle Ages: Gritty Fantasy
• 4. Orcs and Otherness: Monsters on Page and Screen
• 5. Popular Culture Postcolonialism
• 6. Relocating Roots: Urban Fantasy
• 7. Breaking Habits and Digital Communication
• Afterword

Marrying Black Girls for Guys who aren’t Black

Jacana Media
October 2013
256 pages
198 x 130mm
Paperback ISBN: 9781920601287
d-PDF ISBN: 9781920601294
ePUB ISBN: 9781920601300
mobi file ISBN: 9781920601317

Hagen Engler

White guy Hagen Engler had been married to his black wife for a couple of years before he realised he was still a racist! Marrying Black Girls for Guys Who Aren’t Black describes his journey from being the whitest person this side of a Smokie concert to being slightly blacker, if not visibly so. Combining anecdotes, rhymes, essays and freestyle political discourse, the book charts a personal route to an integrated society in Unit 2, Sandown Court, Johannesburg. As the newly disenfranchised minority in his lounge, Hagen has gained a fresh insight into the struggles of the oppressed. Living with a gorgeous, militant black woman has helped this armchair liberal understand cultural and economic reality and also realise that while he can appreciate the kwaito-house works of Oskido and the later releases of Letta Mbuli, he will never enjoy Basketball Wives, Kenny Lattimore, or boiled tripe. The jury’s still out on umleqwa too. Once you make your peace with skin colour, does race even exist? Or is culture what distinguishes us? What happens when a surfer/bungee-jumper/rock ’n’ roll goofball hooks up with a black-diamond struggle veteran and shoe fetishist?

It’s hard to be a neoliberal hardliner when your partner’s real-life experience undermines all your prejudices. It’s cultural exchange over the TV remote; race relations in the contested space between the sink, the toaster and the microwave, as yet another mixed marriage cocks up the race debate. Hagen Engler learns about himself and our emerging, common culture as much as his lovely black wife in How to Marry a Black Chick for Guys who are White.

He has surfed Hawaii, run the Comrades, climbed Kilimanjaro, been sued by a clown and eaten a praying mantis. So a lot of the bucket-list boxes have been ticked.

The Daughter of Union County

Lake Union Publishing
August 2016
432 pages
5.5 x 1 x 8.2 inches
Paperback ISBN: 978-1503937321

Francine Thomas Howard

Fourteen years after the end of slavery, Lord Henry Hardin and his wife, Lady Bertha, enjoy an entitled life in Union County, Arkansas. Until he faces a devastating reality: Bertha is unable to bear children. If Henry doesn’t produce an heir, the American branch of his family name will die out. So Henry, desperate to preserve his aristocratic family lineage, does the unthinkable.

When Salome, a former slave and Henry’s mistress, gives birth to a white-skinned, blue-eyed daughter, Henry orders a reluctant Lady Bertha to claim the child as their own…allowing young Margaret to pass into the white world of privilege.

As Margaret grows older, unaware of her true parentage, devastating circumstances threaten to shroud her in pain and shame…but then, ultimately, in revelation. Despite rumors about Margaret’s true identity, Salome is determined to transform her daughter’s bitter past into her secure future while Henry goes to extraordinary lengths to protect his legacy. Spanning decades and generations, marked by tragedy and redemption, this unforgettable saga illuminates a family’s fight for their name, for survival, and for true freedom.

End of Whiteness: Satanism & Family Murder in Late Apartheid South Africa

Jacana Media
March 2016
240 pages
235x155mm
Paperback ISBN: 9781431423279

Nicky Falkof, Senior Lecturer in Media Studies
University of the Witwatersrand, Johannesburg, South Africa

Satanism and family murder – bizarre responses to fear of change. This book examines the effects that apartheid may have had on those who benefitted from it the most.

The End of Whiteness aims to reveal the pathological, paranoid and bizarre consequences that the looming end of apartheid had on white culture in South Africa, and overall to show that whiteness is a deeply problematic category that needs to be deconstructed and thoughtfully considered.

This book uses contemporary media material to investigate two symptoms of this late apartheid cultural hysteria that appeared throughout the contemporary media and in popular literature during the 1980s and 1990s, showing their relation to white anxieties about social change, the potential loss of privilege and the destabilisation of the country that were imagined to be an inevitable consequence of majority rule.

The ‘Satanic panic’ revolved around the apparent threat posed by a cult of white Satanists that was never proven to exist but was nonetheless repeatedly accused of conspiracy, murder, rape, drug-dealing, cannibalism and bestiality, and blamed for the imminent destruction of white Christian civilisation in South Africa.

During the same period an unusually high number of domestic murder-suicides occurred, with parents killing themselves and their children or other family members by gunshot, fire, poison, gas, even crossbows and drownings. This so-called epidemic of family murder was treated by police, press and social scientists as a plague that specifically affected white Afrikaans families. These double monsters, both fantastic and real, helped to disembowel the clarities of whiteness even as they were born out of threats to it. Deep within its self-regarding modernity and renegotiation of identity, contemporary white South Africa still wears those scars of cultural pathology.

The Faux-Enlightened Free State of Jones

The Atlantic
2016-06-28

Vann R. Newkirk II

STX Productions

Matthew McConaughey’s new movie is a predictable but instructive journey of white saviorhood.

“Somehow, some way, and some time, everybody is somebody else’s nigger,” is an actual quote that happens around midway through Free State of Jones. Uttered by Matthew McConaughey’s Newton Knight, a Confederate nurse-turned-deserter-turned-freedom-fighter in defense of one of his black comrades, it’s perhaps the most oblivious remark about race in a film that is remarkable mostly for its astounding oblivion about race. At that point, an hour and change into a narrative slog as thick as the Mississippi swamp where Knight and his diverse buddies hide, it becomes apparent that the film is going nowhere fast.

But to cast Free State of Jones aside as just another bad summer movie might be missing the point. Written and directed by Gary Ross, it’s held back by a slow, disjointed plot that doesn’t quite know what it wants to do, and it betrays no signs of having attempted to develop characters. But with its badness comes a real opportunity for instruction: The film’s ideas about race and its main character Knight are textbook examples of how not to have conversations about white privilege, “allyship,” and black struggle. As such, they invite a closer look…

Read the entire review here.

Black and White in the Free State of Jones

Process: A Blog For American History
2016-07-14

Nina Silber, Professor of History
Boston University

I’ll confess: I was fully prepared to be disappointed with the recently-released Free State of Jones. Not out of any disrespect toward the excellent historical scholarship behind the film, including Victoria Bynum’s superb book by the same name which helped inspire filmmaker Gary Ross’ initial interest. Rather, my skepticism stems from a long history of bad Civil War films, a history that includes truly atrocious movies like Birth of a Nation, Gone With the Wind, and Gods and Generals. As these films attest, Civil War film-making has frequently been an exercise in myth-making and obfuscation: these movies have, repeatedly, erased the central problem of slavery; ignored the critical role of African American slaves and freedpeople in fighting for emancipation; and portrayed Southern whites as the victims of a tyrannical Northern onslaught, both during but especially after the war had ended. These movies fit in a long history of what, in my recent JAH article, I refer to as “the imagined reconstitution of the nation,” an imagining that privileged the sectional reunification of whites while pushing African Americans to the sidelines. Free State of Jones, in stark contrast, generally gets the central historical narrative right and even manages to tell some complicated history in a moving and compelling manner. Most notably, it effectively pushes back on some of the most deeply entrenched myths of all: on the true meaning and significance of Reconstruction…

Read the entire review here.

PHOTOS: What It Means to Celebrate Afro-Latinidad in the Time of Black Lives Matter

Remezcla
2016-07-12

Isabelia Herrera, Music Editor

Photography by: Itzel Alejandra Martinez, Photo Editor

Itzel Alejandra Martinez

When Remezcla headed to the fourth edition of New York City’s Afro-Latino Festival this weekend, surrounded by colorful dashikis and bold #BlackLivesMatter t-shirts, we were reminded that the political utility of the Afro-Latino label is more urgent than ever. Speaking with festival attendees, families, and musicians, it became clear that celebrating Afro-Latinidad in times of black trauma isn’t about diverting the focus of anti-racist movements, but about highlighting the diversity of black experiences. As the nation reels from the deaths of Philando Castile and Alton Sterling, and as police violence continues to rattle black and brown communities, Afro-Latinos are uniquely positioned to combat anti-blackness in Latino communities. To that end, we spoke to a group of festival attendees about their Afro-Latinidad in the context of the #BlackLivesMatter movement. Here’s what they had to say…

Red the entire photo-essay here.

Making Jokes and History in An Octoroon

African American Intellectual History Society (AAIHS)
2016-06-25

Christopher Bonner, Assistant Professor of History
University of Maryland

Last weekend I saw a performance of Branden Jacobs-Jenkins‘ play An Octoroon, which is a reimagining of Dion Boucicault’s The Octoroon, a popular 1859 melodrama set on a Louisiana plantation. There is a kind of humor inherent in using pieces of The Octoroon, with its excessive melodrama and absurd stereotypes, such as the moments when Zoe, the titular octoroon, wallows in the tragedy of her “mulattoness.” But what I found most interesting about the play are the ways that Brandon Jacobs-Jenkins finds and creates humor for his enslaved characters, especially Dido and Minnie, a mismatched pair of enslaved women who are truly the stars of An Octoroon. By imagining these women’s stories, Jacobs-Jenkins transforms a racist play with a minor critique of southern justice into an exploration of enduring problems of racism and injustice and the misremembering of American slavery…

Read the entire article here.

The Dozen

Sibling Rivalry Press
2016-03-15
120 pages
6 x 0.3 x 9 inches
ISBN: 978-1-943977-10-9

Casey Rocheteau

The Dozen is the debut collection from the first winner of Write A House, Casey Rocheteau. This book of poems is intended as a game that grows outward. The idea is to reinvent the dozens and juke what is truly oppressive about the world. The Dozen is also literal: 12 poems in each of four sections, playing off of each other, scraping against each other messily, harmonizing, clowning each other and sometimes themselves. Above all, The Dozen is intended as an invitation to unwind the clocks, shake off the shame we learned as kids, stop talking about other people’s mamas, and call out the things in our culture that are so ugly they turned Medusa to stone.

How To Talk To Your Kids About Race

Roundhouse Radio, 98.3 FM
Vancouver, British Columbia, Canada
Thursday, 2016-07-14, 17:00-18:00Z (10:00-11:00 PDT)

Live Call-in: How to talk to your kids about race

With author and educator Sharon Chang, author of “Raising Mixed Race” and host Minelle Mahtani

It’s been a tough news week. The media has been full of stories about police shootings, Black Lives Matter demonstrations, and violence. As a parent you know that your kids are not immune to these stories. They are discussed on the playground just as surely as they are discussed in the office. So how can you talk about race with your kids during these turbulent times? When your children ask you what Black Lives Matter is, what’s your answer? How do you explain the spate recent police shootings? To get some tips on how to tackle these difficult topics, tune into Sense of Place on Roundhouse Radio 98.3 FM, www.roundhouseradio.com Thursday at 10 am. Minelle Mahtani hosts Sharon Chang, author of the book Raising Mixed Race. Together – they’ll be answering your questions about how to talk to children about issues related to race…

For more information, click here.