Mixed Race Studies

‘Blind Spots’ and Other Problems in Globally Blended Families

The Wall Street Journal
2016-08-31

Tracy Slater

When the parents are in the majority and the kids are in the minority

Perhaps your child, like my two-year-old, and many other children in globally blended families, belongs to the world’s growing mixed-ethnicity population. The World Factbook finds a percentage of mixed-ethnicity people in almost a quarter of its 236 countries and territories. Among western nations, the U.K.’s and the U.S.’s mixed-race populations are increasing faster than any other minority group.

Mixed-ethnicity children often face very different experiences to their parents, a point stressed by many studies tracking this population’s growth, but within multinational families, there is another dimension: My daughter may be mixed, but she has two biological parents without much clue about what it feels like to be a minority as a kid. I’m a Jewish-American, raised with all the cultural privileges afforded to whites in the U.S., her father is native Japanese, and we live in Japan.

As a woman in a multicultural, multinational, and multiracial couple, I’ve sensed how some people assume I must be uniquely open to cultural differences, and thus uniquely equipped to raise a mixed child. But this assumption betrays a flawed logic. Globe-trotting parents in mixed marriages who grew up in the majority may be aware of racism and may even have faced it themselves, but most still lack a deeper understanding of racism during a child’s formative years…

Read the entire article here.

Jones: Kaepernick, Lochte cases are as different as black and white

The Philadelphia Inquirer
2016-08-30

Solomon Jones

SAN FRANCISCO 49ers Quarterback Colin Kaepernick sits down during the national anthem to protest America’s treatment of people of color, and he is accused of being a traitor to his country.

Olympic swimmer Ryan Lochte is facing criminal charges in Brazil for falsely reporting he was robbed at gunpoint, and, while he lost several endorsements as a result, he ultimately was rewarded with a stint on ABC’s “Dancing With the Stars.”

Both men are accomplished athletes. Kaepernick appeared in Super Bowl XLVII. Lochte is a 12-time Olympic medalist.

But Lochte is white, Kaepernick is black, and when black men stand up against American oppression, the fears of the white establishment arise. Fears that a single man seated on a bench is the forerunner to violent rebellion; that an athlete with the gall to think for himself is a danger to the order of things…

Read the entire article here.

Rodney Harrison sorry for saying Colin Kaepernick is ‘not black’

ESPN
2016-08-29

Former NFL player and current NBC analyst Rodney Harrison has apologized on Twitter after criticizing Colin Kaepernick and his refusal to stand for the national anthem while suggesting that the San Francisco 49ers quarterback is not black and doesn’t truly understand racism.

In an interview with iHeartRadio, Harrison said Tuesday that Kaepernick has the right to stand for what he believes, but he “has to understand there might be consequences and might be backlash to what he’s saying.”

“I tell you this, I’m a black man. And Colin Kaepernick — he’s not black,” Harrison said. “He cannot understand what I face and what other young black men and black people face, or people of color face, on an every single [day] basis. When you walk in a grocery store, and you might have $2,000 or $3,000 in your pocket and you go up into a Foot Locker and they’re looking at you like you about to steal something.

“You know, I don’t think he faces those type of things that we face on a daily basis.”

Kaepernick, the biological child of a white mother and black father, was adopted and raised by white parents. He has been outspoken on his Twitter account on civil rights issues and in support of the Black Lives Matter movement.

Harrison took to Twitter later Tuesday to apologize for the remarks, saying he “never even knew [Kaepernick] was mixed.”…

Read the entire article here.

IN THE WHITE FRAME : An interview with mixed-race dancers Angel Langley & Jasmmine Ramgotra

Multiracial Asian Families: thinking about race, families, children, and the intersection of mixed ID/Asian
2016-08-30

Sharon H. Chang

STRANGE COUPLING is an annual juried exhibition of collaborations between University of Washington (UW) student artists and local professional artists. Over a decade old, the School of Art + Art History + Design program aims to connect campus and community through teamwork and direct engagement. This year I was entirely captivated by one of twelve projects, a performance piece entitled In The White Frame by mixed-race student dancers Angel Langley and Jasmmine Ramgotra with local sound artist/composer/teacher Byron Au Yong. The piece is a stunning work of art and innovative look at the experience of multiraciality within our white dominant culture.

Performed Friday June 10 at Seattle’s King Street Station, In the White Frame is a 20-minute structured improvisation that utilizes movement, materials, sound and space. The audience — who does not sit — is invited to participate but also come and go at will. “We wanted to create something that was structured and improvisational,” said Jasmmine, “And we had an intention to do it about identity.”

Over coffee with me at Columbia City Bakery in Seattle, Angel and Jasmmine sit down to tell more about creating this beautiful piece. They recall at their first meeting with Byron months ago talking about the prevalence of racial dichotomies in society right now. “We knew we wanted to do [something] about our own experience,” reflects Jasmmine. At the same time the three artists had discussed how art is often presented in white-framed gallery spaces. That was when Angel had an epiphany. She had been reading Raising Mixed Race: Multiracial Asian Children In a Post-Racial World and learning about Joe R. Feagin’s theory of the white racial frame for the first time. “I remember giving [the book] to Jasmmine like you need to read this chapter on white framing cause this is what we’re doing,” says Angel. But also “what does that mean being our identities in a high art space, a white-framed gallery?” Jasmmine can’t hide her enthusiasm, “I was like oh my god that makes so much sense.”

To give form to their improvisation they brainstormed a wordlist with Byron. “Ideas of what mixed race peoples are,” explained Angel, “like superhuman, mixed.” Mutt was one of them says Jasmmine “because someone called me that before and I was like wow. Really?” The dancers nod to themselves about such contradictions. Mixed race identity is supposed to be fluid so fluidity was also on their wordlist. But the reality is that being multiracial is often a polarized, painful experience via other peoples perceptions. The truth of this dichotomy compelled them to add stuck to their list too. “Like more ugly or more beautiful,” Angel gives another example. “Just this idea you’re either a superhuman, or you’re a piece of shit.”…

Read the entire interview here.

What Colin Kaepernick’s National Anthem Protest Tells Us About America

Rolling Stone
2016-08-29

Morgan Jerkins

When black athletes choose to point their aggression towards larger, systematic inequalities, there’s always backlash

The role of the famous black athlete has been a polarizing one for as long as sports have dominated American headlines, going all the way back a century to when Jack Johnson beat white boxer Jim Jeffries in 1910. During Johnson’s time, he was regarded as a “bad nigger,” not only because he was articulate and handsome, but also because he beat his white rivals. It was a direct representation of black masculinity as a threat to white supremacy. In recent times, however, this kind of resistance has evolved. From track and field medal winners Tommie Smith and John Carlos raising their fists as a Black Power salute at the 1968 Olympics to WNBA players wearing Black Lives Matter T-shirts, black athletes are expanding their sportsmanship into political activism.

Last Friday, San Francisco 49ers quarterback Colin Kaepernick refused to stand for the National Anthem during a preseason game against the Green Bay Packers. By Saturday morning, what should have been a meaningless football game was dominating the national news…

Read the entire article here.

Mr Colin Kaepernick: The Look

The Journal
Mr Porter (London/New York)
Issue 237, 2015-10-07

Andrew Corsello

Photography by Mr Blair Getz Mezibov; Styling by Mr Dan May, Style Director

The San Francisco 49ers quarterback on bucking expectations, riding out the haters and how he does it all with a healthy dose of style

It’s a heck of a day to meet up with Mr Colin Kaepernick, the outlandishly gifted quarterback and a man who many in the San Francisco Bay Area hoped would bring a Super Bowl win to the city. The reason? Just recently (the last Sunday in September), he turned in a performance that was – how to say it politely – the ugliest outing of his career, a 40-point beat-down at the hands of the Arizona Cardinals. Still, he is a gentleman – a man who on most days is as elegant off the field as he is on it – who greets me warmly and willingly talks about, um… style. Even though this will undoubtedly set off the “talking heads” on AM sports radio.

To him, style is not simply about clothing. It is about how one faces the world – good day or bad. Or as he puts it: “From a young age, my dad, being a businessman, constantly talked to me about carrying myself in a certain way and treating people with respect. And I think that’s something that’s carried over throughout my life. It’s how I deal with certain situations.”…

Read the entire article here.

Celebrating the 1st Annual Mixed Heritage Day at Dodger Stadium

(not) Mixed (up): A Biracial Swirl in a Black and White World
2016-08-28

Shannon Luders-Manuel

What happens when a young, mixed race boy asks his mother what ethnic day is meant for him? The Los Angeles Dodgers have special days for certain ethnicities, but none celebrating mixed race heritage… until now…

Read the entire article here.

Black Intellectual History and STEM: A Conversation with Dr. Chanda Prescod-Weinstein

AAIHS: African American Intellectual History Society
2016-08-29

Greg Childs, Assistant Professor
Departments of History and African and Afro-American Studies
Brandeis University, Waltham, Massachusetts

This month, I interviewed Dr. Chanda Prescod-Weinstein on the intersections of black intellectual history and STEM. Dr. Prescod-Weinstein is a theoretical astrophysicist specializing in early universe cosmology. She is the 63rd black woman in the United States to earn a PhD in Physics. She is currently a Research Associate in Physics at the University of Washington, Seattle and the editor-in-chief of The Offing, an online literary magazine.

Greg Childs (GC): What were some of the formative texts or life moments that helped you decide to pursue STEM research?

Chanda Prescod-Weinstein (CPW): When I was ten, my mom took me to see the Errol Morris documentary, “A Brief History of Time,” which was about the great theoretical physicist Stephen Hawking and his ideas about the universe. I hadn’t wanted to see the film because I thought documentaries were stupid, but half way through, Hawking was talking about black hole singularities and how we don’t really understand the physics at that point in spacetime. My mind was blown by two things: there were things Einstein hadn’t figured out, and you could get paid to worry about things Einstein hadn’t figured out! I was sold. I came out of the theater begging my mom to buy Hawking’s book of the same title, but she was worried it would be too hard and discouraged me. Her brother, my Uncle Peter, bought it for me as an 11th birthday gift a few months later. After that, I looked Stephen Hawking up and emailed him to ask how to become a theoretical physicist. One of his grad students responded. Here I am 23 years later doing theoretical physics.

GC: You engage with a broad range of important black thinkers and creators in your writings, from Sojourner Truth to C.L.R. James to Prince. How has your engagement with African-American history and philosophy impacted the way you theorize about the universe or lecture on astrophysics?

CPW: Long before I even knew what physics was, the history of the African diaspora had been knitted into me through my family, my name, and conscious education. This necessarily means that I have never considered doing physics or being a physicist separately from the unfolding story of Blackness…

Read the entire interview here.

Afro-Mexican Constructions of Diaspora, Gender, Identity and Nation

University of The West Indies Press
April 2016
234 pages
Paperback ISBN: 978-976-640-579-3

Paulette A. Ramsay, Senior Lecturer in Spanish
University of the West Indies, Mona, Jamaica

Paulette Ramsay’s study analyses cultural and literary material produced by Afro-Mexicans on the Costa Chica de Guerrero y Oaxaca, Mexico, to undermine and overturn claims of mestizaje or Mexican homogeneity.

The interdisciplinary research draws on several theoretical constructs: cultural studies, linguistic anthropology, masculinity studies, gender studies, feminist criticisms, and broad postcolonial and postmodernist theories, especially as they relate to issues of belonging, diaspora, cultural identity, gender, marginalization, subjectivity and nationhood. The author points to the need to bring to an end all attempts at extending the discourse, whether for political or other reasons, that there are no identifiable Afro-descendants in Mexico. The undeniable existence of distinctively black Mexicans and their contributions to Mexican multiculturalism is patently recorded in these pages.

The analyses also aid the agenda of locating Afro-Mexican literary and cultural production within a broad Caribbean aesthetics, contributing to the expansion of the Caribbean as a broader cultural and historical space which includes Central and Latin America.

Contents

• List of Illustrations
• Foreword Father Glyn Jemmott Nelson
• Acknowledgements
• Introduction
• 1. Racial and Ethnic Diversity in Mexico through the Distorted Lens of Memín Pinguín
• 2. Constructions of Gender and Nation in Selected Afro-Mexican Folktales
• 3. Masculinity, Language and Power in Selected Afro-Mexican Corridos
• 4. Place, Racial and Cultural Identities in Selected Afro-Mexican Oral and Lyric Verses
• 5. Afro-Mexico in the Context of a Caribbean Literary and Cultural Aesthetics
• Conclusion
• Photographs
• Notes
• References
• Index

Meet American Olympian Anthony Ervin: The Oldest-Ever Individual Olympic Swimming Gold Medalist

Democracy Now!
2016-08-15

Amy Goodman, Host and Executive Producer

While Michael Phelps dominated the Olympic headlines over the weekend by scoring a historic 23rd gold medal, another American male swimmer has also made history in Rio. Thirty-five-year-old Anthony Ervin became the oldest-ever individual Olympic swimming gold medalist when he won two gold medals for the men’s 50-meter freestyle and the men’s four-by-100-meter freestyle relay. For more, we go to Rio to speak with Ervin, who is also the author of the recent book titled “Chasing Water: Elegy of an Olympian.”

AMY GOODMAN: This is Democracy Now!, democracynow.org, The War and Peace Report. I’m Amy Goodman. We’re in Rio de Janeiro—at least that’s where our guests are. We’re joined by Jesse Washington of The Undefeated, as well as Anthony Ervin, U.S. swimming champion and four-time Olympic medalist. At 35 years old, he’s the oldest-ever individual Olympic swimming gold medalist. Just wrote the book Chasing Water: Elegy of an Olympian.

Anthony, welcome to Democracy Now! Congratulations on your remarkable victory. Talk about how you feel right now and what it means to you.

ANTHONY ERVIN: Thank you for having me. I feel good. Got some lights burning right into me, and I’m staring into a vacuum to talk back to you.

AMY GOODMAN: Well, talk about how you felt when you realized—when did you realize you had won, with all those toddlers in the pool, you at 35?…

…AMY GOODMAN: Anthony, you write in your beautiful book, Chasing Water: Elegy of an Olympian, about what it was like after you won in 2000—you won that gold medal—about being promoted as an African-American trailblazer, when you felt, at that point, as a teen, you hadn’t really grown up with that black identity. Can you talk about your life in that way, who your parents are?

ANTHONY ERVIN: Sure. You know, my mom, she came from New York City. She’s a city gal. You know, she even keeps her own—her personal history is a mystery, even to me and the rest of us kids. And my dad came from West Virginia. You know, his father was a coal miner. And, you know, he was—I mean, the question of blackness, you know, is a question of authenticity. And to be viewed in that way—and swimming is—it’s a very visual sport. It’s a body. You know, literally, you’re a body in the water, wearing close to nothing, so that body is on display. And if we’re talking about blackness, blackness is a color. You know, it’s—in the eyes of many, it’s a skin tone. You know, but then, if you dig into the history of it, there’s the idea of hypodescent. You know, one drop of blood makes you black. So, it’s all very complicated, and I didn’t know about any of this. I wasn’t educated on the history of this. Or if I was, I was snoozing through it in classrooms. So, I didn’t know how to necessarily answer to it. And I had trouble tackling, trying to argue that, you know, I authentically am this, if others say I’m not, or people trying to posit some kind of identity on me which I did not drape on myself. I mean, it’s a question of being able to pursue my personal freedom and needing to shuck all forms of identity in order to do that.

AMY GOODMAN: Your father is African-American, Native American?…

Read the transcript here.