Mixed Race Studies

A Conflict of Race and Religion

Atlanta Jewish Times
2017-04-13

Patrice Worthy

As a Jew of color, your identity and loyalty are constantly questioned.

I remember it like it was yesterday. I was laid off from my job for poor work performance. Weeks before, I went to HR regarding a co-worker who attacked my Jewish identity by asking another co-worker, “What does she want to be Jewish?” followed by “She thinks she so cute” because I asked for the first day of Pesach off.

Her sister, who worked in the same department, questioned my Judaism in front of the entire office, and when the daily harassment was too much for my body to handle, I was hospitalized and forced to tell my diagnosis to my supervisor, who encouraged the discrimination, and the HR rep…

…Being black and Jewish, at least from my experiences in the South, is a precarious position. Especially in a socially segregated city like Atlanta, where you are forced to choose between being Jewish and being black, whatever that means…

Read the entire article here.

Fake news isn’t a recent problem in the US—it almost destroyed Abraham Lincoln

Quartz
2016-11-28

Gwynn Guilford, Reporter

Fake news almost brought down Honest Abe. (Reuters/Molly Riley)

Abraham Lincoln was more than just a foe of slavery. He was also a mixed-race eugenicist, believing that the intermarriage of blacks and whites would yield an American super-race.

Or at least, that’s what newspapers in 1864 would have had you believe. The charge isn’t true. But this miscegenation hoax still “damn near sank Lincoln that year,” says Heather Cox Richardson, history professor at Boston College.

In February 1864, Lincoln was preparing for a tough re-election campaign amidst a bloody civil war when he and his Republican party were blindsided.

The attack came from Samuel Sullivan Cox, an Ohio congressman from the pro-slavery Democrats, who gave a fiery speech to Congress condemning Republicans for championing the idea that whites and blacks have children together to create a new “American race,” declaring these views to “have been a part of the gospel of abolition for years.”

Democratic papers around the country reprinted the transcript of Cox’s speech. The Republicans’ “disgusting theories” had gone viral.

Cox was citing a 72-page anonymous pamphlet titled “Miscegenation: The Theory of the Blending of the American White Man and Negro” that extolled intermarriage of races and encouraged Republicans to openly endorse this philosophy by adding it to their official party platform…

Read the entire article here.

The Strange Career of William Ellis

C-SPAN
2017-04-08

Karl Jacoby talked about his book, The Strange Career of William Ellis: The Texas Slave Who Became a Mexican Millionaire. He spoke at the 5th annual San Antonio Book Festival.

Watch the video (00:45:45) here.

Jewish and Asian: Intermarriages that yield Jewish kids

Religion News Service
2016-07-08

Lauren Markoe, National Reporter

Helen Kim, Noah Leavitt, and their children Ari and Talia Kim-Leavitt, at home. Photo courtesy Kim-Leavitt family

(RNS) Noah Leavitt and Helen Kiyong Kim’s marriage is one of an increasing number of Jewish-Asian pairings in the U.S., a trend evident in many American synagogues. The two Whitman College professors have just released the first book-length study of Jewish-Asian couples and their offspring.

Though “JewAsian” is geared toward social scientists, the chapters in which they excerpt and analyze their interviews with 34 Jewish-Asian couples will interest any readers curious about intermarriage in general, and the evolving American-Jewish community in particular.

RNS asked Leavitt and Kim why Jews and Asians seem increasingly to fall for each other, why they so often opt for Judaism and how they are raising their own Jewish-Korean children…

Read the entire interview here.

Lacey Schwartz

Stone Fox Bride
2017-02-17

Lacey Schwartz on Leaning In, Little White Lies And Imperfect Love

Who: Lacey Schwartz, Truth Teller, Filmmaker, Mama Of Two

Why She’s Foxy: After digging up a wild family secret at the age of eighteen, she discovered her roots, directed a PBS documentary and found her strength in storytelling

On Her Childhood: “I grew up an only child in the deep in the country in Accord, New York. You couldn’t see other houses from where I was, and it felt like a bubble. You would have to ask my parents, but I think I was pretty chill as a kid. I was a very rational child who could entertain myself. My favorite books were Beverly Cleary, Judy Blume, The Babysitters Club by Ann M. Martin and Betsy-Tacy and Tib by Maud Hart Lovelace.”…

…On Little White Lies: “After law school, I had an offer on the table and started waiting tables in New York. I considered going into the mailroom at an agency. I ended up getting a job at a production company and then in the background started thinking about making Little White Lie, a personal documentary about dual identity and family secrets. My story is I grew up in a white Jewish family in upstate New York. I thought I was white, despite my dark features, until I found out at the age of eighteen that my biological father was black…

Read the entire interview here.

Graduate Student Breaks Ground on Multiracial Student Experiences

The Black Voice
2017-04-03

L. Malik Anderson

Brittany Ota walks into the Center for Cultural Enrichment housed in Witte Hall, places her jacket on the shoulders of her office chair, sits her purse under her desk, and clocks in every Monday at 11 a.m. to begin another week of providing university resources and emotional support to students.

“I get to work closely with amazing students, many students of color, through my work on campus. From which I learn and grow every day,” she said.

Ota serves as the supervisor for the CCE. In addition, she also works as and teaching assistant/ instructor and as the office associate at Educational Leadership and Policy Analysis (ELPA) department while pursuing a doctorate in the same concentration…

…Ota grew up in Pasadena, CA, a racially diverse area, with a Black mother and Japanese father. She has a twin who always reminds her that he is one minute older than her.

“I always knew that I was different but I always knew that I was Black too. Nobody ever challenged my Blackness,” she said…

Read the entire article here.

Please Select One

City On A Hill Press
Santa Cruz, California
2017-04-12

Savanna Heydon

I was in third grade when I realized I was biracial. “Please Select One,” I was instructed as I stared down at the race identity section of the STAR test, the tip of my pencil hovering back and forth over circles marked “Asian” and “White.”

The divide of my identity had never before been presented to me so blatantly. Deciding to leave both bubbles blank was no solution to the conflict that would become a personal obsession throughout my life. Biologically, I am both. Racially, I am neither. Culturally, I am confused…

Read the entire article here.

‘Get Out’ Is Now The Highest Grossing Film Domestically By A Black Director (But Not For Long)

Shadow And Act: On Film, Television and Web Content of Africa and Its Diaspora
2017-04-11

Sergio Mims

Jordan Peel – Get Out

It’s official! Jordan Peele’s “Get Out” is now the highest domestic grossing film directed a black filmmaker. With $163.3 million so far domestically ($177 million total worldwide), the film beats the previous highest grossing film by a black director domestically, F. Gary Gray’s “Straight Outta Compton”, which grossed $162.8 million, and another $40.4 million overseas at the end of its theatrical run. But “Get Out” is far from done, as it has yet to open in some of the biggest foreign markets, including European territories like France, Spain and Scandinavia, as well as across South America, so it could eventually do very well and match or even top “Compton’s” overseas numbers…

Read the entire article here.

‘We’re the geeks, the prostitutes’: Asian American actors on Hollywood’s barriers

The Guardian
2017-04-11

Sam Levin

Clockwise from top left: Scarlett Johansson in Ghost in the Shell; Pun Bandhu; Matt Damon in Great Wall; Atsuko Okatsuka. Composite: Alamy / Universal Pictures / Courtesy of Pun Bandhu / Courtesy of Atsuko Okatsuka

Films like Ghost in the Shell have fueled debate over whitewashing, while roles are few for Asian Americans – and when they are wanted, it’s often to play offensive stereotypes

Pun Bandhu’s training at the prestigious Yale School of Drama didn’t help much with the skill he needed for so many auditions after graduation – the “Asian accent”.

The Thai American actor – who has appeared in a wide range of TV shows and films over the last 15 years – said he was once told that an accent he used for a Thai character, modeled after his parents, was not working for an “American ear”. Instead, the director went with a Chinese accent.

While much of the recent debate around Asian representation in Hollywood has centered on whitewashing – when white actors are cast to tell Asian stories – working actors said a lack of opportunity was only one part of the problem. Asian American actors said they rarely, if ever, got auditions for leading roles, and when they did get parts, they were frequently secondary to the plot or portrayed offensive tropes…

…“We’re so desperate for opportunities,” said Kanoa Goo, a mixed-race actor who is Chinese, Hawaiian and white. “Often it’s pretty one-dimensional. It’s the tech computer analyst who doesn’t have much to say. His role is really just in service of the leads.”…

Read the entire article here.

Genarao Kỳ Lý Smith’s “Fidèle”and Intrusion

Interminable Rambling
2017-04-13

Matthew Teutsch, Instructor
Department of English
Auburn University, Auburn, Alabama

Recently, I taught Genarao Kỳ Lý Smith’s The Land Baron’s Sun: The Story of LýLoc and His Seven Wives (2014) for the first time, and during this read through, I began to think about the topic of the American Dream even more along with colonization and intrusion. These themes pop up in numerous poems throughout the collection, and I have written about them before. Today, though, I want to focus on “Fidèle,” a poem that appears later in the book and talks about Pham and her family’s new life in North Louisiana.

“Fidèle” begins by outlining the religious landscape of Ruston. The town does not have any synagogues, pagodas, or temples; rather, it has “only churches whose steeples/ are wooden hands formed in prayer” (84). From the very beginning, we are told to question the Boudreaux family in the poem based on the title, ““Fidèle,” French for faithful. The Boudreauxs, with their children and dog, repeatedly ask Pham, as she works in her family’s garden, to come to church with them someday. Pham declines these invitations as her husband instructs her…

Read the entire article here.