Kopino Children: Half Korean, Half Filipino, Fatherless

Posted in Articles, Asian Diaspora, Media Archive on 2018-03-14 21:18Z by Steven

Kopino Children: Half Korean, Half Filipino, Fatherless

Korea Exposé
2017-12-07

Raphael Rashid


Cover image: Filipino mother holding Kopino child (Source: KBS 1 documentary “Searching for Runaway Father“)

Kristi, 23, met a South Korean man in the city of Makati, Philippines, through a blind date. “It was love at first sight. We were dating for a few months. Soon enough, I found out he was already married with kids. It broke my world so I decided to end it there.”

But things didn’t work out for Kristi: Shortly after their break-up, she realized she was pregnant. “He told me ‘Don’t worry I’m here for you, I won’t leave you,’ but one month before giving birth, he just disappeared.”

It’s a recurring theme: South Korean men go to the Philippines, have relationships of varying degrees of commitment with local women, father children, and then at one point or another flee back to South Korea severing all ties and leaving the mothers alone with the children…

Read the entire article here.

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Neo-Passing: Performing Identity after Jim Crow

Posted in Anthologies, Books, Communications/Media Studies, Literary/Artistic Criticism, Media Archive, Passing, United States on 2018-03-14 16:57Z by Steven

Neo-Passing: Performing Identity after Jim Crow

University of Illinois Press
March 2018
296 pages
6 x 9 in.
11 black & white photographs
Cloth ISBN: 978-0-252-04158-7
Paper ISBN: 978-0-252-08323-5
Ebook ISBN: 978-0-252-05024-4

Edited by:

Mollie Godfrey, Assistant Professor of English
James Madison University, Harrisonburg, Virginia

Vershawn Ashanti Young, Associate Professor of Drama and Speech Communication
University of Waterloo, Waterloo, Ontario, Canada

Crossing old boundaries to create new identities

African Americans once passed as whites to escape the pains of racism. Today’s neo-passing has pushed the old idea of passing in extraordinary new directions. A white author uses an Asian pen name; heterosexuals live “out” as gay; and, irony of ironies, whites try to pass as black.

Mollie Godfrey and Vershawn Ashanti Young present essays that explore practices, performances, and texts of neo-passing in our supposedly postracial moment. The authors move from the postracial imagery of Angry Black White Boy and the issues of sexual orientation and race in ZZ Packer’s short fiction to the politics of Dave Chappelle’s skits as a black President George W. Bush. Together, the works reveal that the questions raised by neo-passing—questions about performing and contesting identity in relation to social norms—remain as relevant today as in the past.

Gale Wald offers a foreword and Michele Elam an afterword.

Contributors: Derek Adams, Christopher M. Brown, Martha J. Cutter, Marcia Alesan Dawkins, Alisha Gaines, Jennifer Glaser, Allyson Hobbs, Brandon J. Manning, Loran Marsan, Lara Narcisi, Eden Osucha, and Deborah Elizabeth Whaley

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A Black Woman Who Defied Segregation in Canada Will Appear on Its Currency

Posted in Articles, Canada, Economics, History, Media Archive, Women on 2018-03-13 18:33Z by Steven

A Black Woman Who Defied Segregation in Canada Will Appear on Its Currency

The New York Times
2018-03-12

Ian Austen


Canada’s finance minister, Bill Morneau, right, with Wanda Robson in Gatineau, Quebec, last year, after an image of her sister Viola Desmond was chosen to be featured on a new $10 bank note.
Chris Wattie/Reuters

OTTAWA — Nine years before Rosa Parks refused to give up her seat on a Jim Crow-era bus in Montgomery, Ala., Viola Desmond tried to sit in a whites-only section of a movie theater in New Glasgow, Nova Scotia.

Ms. Desmond, a businesswoman who had her own line of cosmetics and who died in 1965, was prosecuted for trying to defraud the provincial government of 1 cent — the difference in sales tax for a seat in the balcony, where blacks were expected to sit and the whites-only ground floor ticket price. While she offered to pay the tax, she was convicted and fined 26 Canadian dollars, including court costs, at a trial at which the theater owner acted as the prosecutor and she was without a lawyer.

Now she is about to become the first black person — and the first woman other than a British royal — to appear alone on Canadian currency. The new series of $10 bills is to be released this year…


A conceptual image of the front of the new Canadian bank note featuring a portrait of Viola Desmond.
Bank of Canada

Read the entire article here.

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There’s No Scientific Basis for Race—It’s a Made-Up Label

Posted in Africa, Articles, Health/Medicine/Genetics, History, Media Archive on 2018-03-13 18:09Z by Steven

There’s No Scientific Basis for Race—It’s a Made-Up Label

National Geographic
April 2018 (The Race Issue)

By Elizabeth Kolbert
Photographs by Robin Hammond


The four letters of the genetic code —A, C, G, and T—are projected onto Ryan Lingarmillar, a Ugandan. DNA reveals what skin color obscures: We all have African ancestors.

It’s been used to define and separate people for millennia. But the concept of race is not grounded in genetics.

In the first half of the 19th century, one of America’s most prominent scientists was a doctor named Samuel Morton. Morton lived in Philadelphia, and he collected skulls.

He wasn’t choosy about his suppliers. He accepted skulls scavenged from battlefields and snatched from catacombs. One of his most famous craniums belonged to an Irishman who’d been sent as a convict to Tasmania (and ultimately hanged for killing and eating other convicts). With each skull Morton performed the same procedure: He stuffed it with pepper seeds—later he switched to lead shot—which he then decanted to ascertain the volume of the braincase.

Morton believed that people could be divided into five races and that these represented separate acts of creation. The races had distinct characters, which corresponded to their place in a divinely determined hierarchy. Morton’s “craniometry” showed, he claimed, that whites, or “Caucasians,” were the most intelligent of the races. East Asians—Morton used the term “Mongolian”—though “ingenious” and “susceptible of cultivation,” were one step down. Next came Southeast Asians, followed by Native Americans. Blacks, or “Ethiopians,” were at the bottom. In the decades before the Civil War, Morton’s ideas were quickly taken up by the defenders of slavery…


Skulls from the collection of Samuel Morton, the father of scientific racism, illustrate his classification of people into five races—which arose, he claimed, from separate acts of creation. From left to right: a black woman and a white man, both American; an indigenous man from Mexico; a Chinese woman; and a Malaysian man.
Photograph by Robert Clark
PHOTOGRAPHED AT PENN MUSEUM

…By analyzing the genes of present-day Africans, researchers have concluded that the Khoe-San, who now live in southern Africa, represent one of the oldest branches of the human family tree. The Pygmies of central Africa also have a very long history as a distinct group. What this means is that the deepest splits in the human family aren’t between what are usually thought of as different races—whites, say, or blacks or Asians or Native Americans. They’re between African populations such as the Khoe-San and the Pygmies, who spent tens of thousands of years separated from one another even before humans left Africa

Read the entire article here.

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Philippines’ generation of sex tourism children

Posted in Articles, Asian Diaspora, Media Archive, Oceania, Women on 2018-03-13 17:21Z by Steven

Philippines’ generation of sex tourism children

Al Jazeera
2015-03-12

Dave Tacon


Monday evening at ‘Dolls HouseGo-Go bar, one of the largest establishments on Fields Avenue. The Fields Avenue red light strip originally emerged to service the Clark US Air Force Base, which closed in 1991. Angeles City is now a centre for international sex tourism.

As sex tourists depart Balibago, they leave behind a growing number of children conceived in illicit exchanges.

Angeles City, Philippines – Weekends are busy on Fields Avenue in Balibago. Young women greet meandering men and invite them into the bars that line the street. Known as the “supermarket of sex”, Angeles City’s red light district has fast become a top destination for sex tourism.

Male travellers from Asia, Australia, the US, Europe and the Middle East constitute the bulk of the arrivals at Clark Airport, a former US military airbase. From there, many flock to the bars and clubs of Fields Avenue – and to the impoverished young women who work there.

Acquiring their company for the night is straightforward. For a small fee, the men obtain what is known as an “early work release” that permits them to take the woman of their choice back to their hotel.

It is a trade that thrives in the Philippines, where there are an estimated half-a-million sex workers, almost a fifth of whom are minors. Although illegal in the predominantly Catholic country, an estimated $400m is spent on prostitution there each year.

But when the sex tourists depart, they sometimes leave more behind than they’d arrived with. A large number of children have been conceived in such exchanges and while some foreign nationals provide support for and, in some instances, even marry the mother of their child, many more children never even meet their biological father and are left to live in poverty…

Read the entire article here.

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These Twins, One Black and One White, Will Make You Rethink Race

Posted in Articles, Health/Medicine/Genetics, Media Archive, Social Science, United Kingdom on 2018-03-13 14:32Z by Steven

These Twins, One Black and One White, Will Make You Rethink Race

National Geographic
The Race Issue
April 2018

Patricia Edmonds


Marcia (left) and Millie Biggs, both 11, say people are shocked to learn that they’re fraternal twins. Marcia looks more like their mother, who’s English born, and Millie looks more like their father, who’s of Jamaican descent.
PHOTOGRAPH BY ROBIN HAMMOND

Marcia and Millie Biggs say they’ve never been subjected to racism—just curiosity and surprise that twins could have such different skin colors.

When Amanda Wanklin and Michael Biggs fell in love, they “didn’t give a toss” about the challenges they might face as a biracial couple, Amanda says. “What was more important was what we wanted together.”

They settled down in Birmingham, England, eager to start a family. On July 3, 2006, Amanda gave birth to fraternal twin girls, and the ecstatic parents gave their daughters intertwined names: One would be Millie Marcia Madge Biggs, the other Marcia Millie Madge Biggs.

From a young age the girls had similar features but very different color schemes. Marcia had light brown hair and fair skin like her English-born mother. Millie had black hair and brown skin like her father, who’s of Jamaican descent. “We never worried about it; we just accepted it,” Michael says…

…odern science confirms “that the visible differences between peoples are accidents of history”—the result of mutations, migrations, natural selection, the isolation of some populations, and interbreeding among others, writes science journalist Elizabeth Kolbert. They are not racial differences because the very concept of race—to quote DNA-sequencing pioneer Craig Venter—“has no genetic or scientific basis.”

And yet 50 years after the assassination of Rev. Martin Luther King, Jr., racial identity has reemerged as a fundamental dividing line in our world…

Read the entire article here.

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The Poet X

Posted in Books, Latino Studies, Media Archive, Novels, United States on 2018-03-10 02:32Z by Steven

The Poet X

HarperTeen
2018-03-06
368 pages
Hardcover ISBN: 9780062662804
E-book ISBN: 9780062662828

Elizabeth Acevedo

Fans of Jacqueline Woodson, Meg Medina, and Jason Reynolds will fall hard for this astonishing #ownvoices novel-in-verse by an award-winning slam poet, about an Afro-Latina heroine who tells her story with blazing words and powerful truth.

Xiomara Batista feels unheard and unable to hide in her Harlem neighborhood. Ever since her body grew into curves, she has learned to let her fists and her fierceness do the talking.

But Xiomara has plenty she wants to say, and she pours all her frustration and passion onto the pages of a leather notebook, reciting the words to herself like prayers—especially after she catches feelings for a boy in her bio class named Aman, who her family can never know about.

With Mami’s determination to force her daughter to obey the laws of the church, Xiomara understands that her thoughts are best kept to herself. So when she is invited to join her school’s slam poetry club, she doesn’t know how she could ever attend without her mami finding out. But she still can’t stop thinking about performing her poems.

Because in the face of a world that may not want to hear her, Xiomara refuses to be silent.

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Multicultural Cities in Frank Yerby

Posted in Articles, Literary/Artistic Criticism, Louisiana, Media Archive, United States on 2018-03-08 00:12Z by Steven

Multicultural Cities in Frank Yerby

Interminable Rambling
2018-03-16

Matthew Teutsch, Instructor
Department of English
Auburn University, Auburn, Alabama

Throughout his oeuvre, Frank Yerby works to deconstruct myths of the Old South and historical misinformation. Along with these goals, he also dismantles the dichotomy of Black and White; instead, he populates his works with individuals and scenes that defy a simplistic characterization. In this manner, Yerby shows that race is not a biological fact; rather, it is a social construct. One of the key ways that Yerby accomplishes this, especially in regard to the commingling of individuals, is through his descriptions of cities and the multitude of different people that populate the space. Today, I want to look at a couple of scenes where he does this from his first novel The Foxes of Harrow (1946) and his seventh novel The Saracen Blade (1952). I chose these two texts because the first takes place in antebellum New Orleans and the second occurs in thirteenth century Italy. Both, though, comment on issues of class and race during the mid-twentieth century.

Walking through the Vieux Carre to catch a glimpse of the Marquis de Lafayette in The Foxes of Harrow, Andre LeBlanc gives Stephen Fox an education in the rules, customs, and racial stratification of New Orleans, a stratification that does not fall easily into the dichotomy of Black and White…

Read the entire article here.

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History Matters: The story behind ‘Lost Boundaries’

Posted in Articles, Arts, History, Media Archive, Passing, United States on 2018-03-06 21:11Z by Steven

History Matters: The story behind ‘Lost Boundaries’

The Portsmouth Herald (Seacoast Online)
Portsmouth, New Hampshire
2018-03-05

J. Dennis Robinson

Albert Johnston Jr. was 16 when he found out he was black. His fair-skinned African-American parents had been “passing” as white, they told him, since moving from Chicago to rural Gorham, New Hampshire, and later to Keene. Albert’s father had been the town’s country doctor with 2,500 white patients and an active member of the school board, the Masons and the Rotary. His mother, Thyra, was a two-time president of the Gorham Women’s Club and active in the Congregational Church.

Born in 1925, growing up skiing the White Mountains of the Granite State, Albert had only a single black acquaintance in high school. In an era of widespread racial segregation and discrimination, Albert felt a seismic shift as he adapted from a dark-skinned Caucasian to a light-skinned “Negro.”

Then Albert took a road trip. Two decades before Ken Kesey and Easy Rider, with only a few dollars in their pockets, Albert and an old school chum named Walt hitchhiked and hopped freight trains from New Hampshire to California. For Albert, it was a spiritual journey into the homes of his long-lost African-American relatives and into the roots of black culture. For Walt, who was white, it was a great adventure with a good friend. Albert eventually found his way home. Renewed and focused, he enrolled in the well-regarded music program at the University of New Hampshire.

And here, in a UNH college lounge in front of 20 fellow students, Albert Johnston Jr. finally laid his burden down. During a seminar on the “race problem” in America, the topic turned to “cross-bred” people. He could offer some insight on that topic, Albert told his classmates, because he, himself, was a Negro.

The room got very still, he later recalled, like the sudden silence after the climax of a concerto. The Johnston family secret was about to explode, first into the pages of Reader’s Digest magazine, and then as a controversial book and feature film called “Lost Boundaries.”…

Read the entire article here.

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A different portrait of black fatherhood

Posted in Articles, Arts, Asian Diaspora, Family/Parenting, Media Archive, United States on 2018-03-06 19:31Z by Steven

A different portrait of black fatherhood

In Pictures
BBC News
2018-03-06


Zun Lee

Zun Lee was raised in Germany by Korean parents – but as an adult he discovered his real father was a black American with whom his mother had had a brief affair.

After this discovery, he began to explore fatherhood among black Americans.

Lee says the US media mainly portrays black fathers in one of two ways:

  • the absent father, often portrayed as a “deadbeat”
  • the traditional family patriarch, as seen in TV programmes such as The Fresh Prince of Bel-Air

And his project, on display at the Bronx Documentary Centre, in New York, aims for a more balanced and nuanced portrayal.

Read the entire article here.

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