Mixed Race Studies

The Anti-Black City: Police Terror and Black Urban Life in Brazil

University of Minnesota Press
2018-02-13
320 pages
9 b&w photos
5 1/2 x 8 1/2
Paper ISBN: 978-1-5179-0156-1
Cloth ISBN: 978-1-5179-0155-4

Jaime Amparo Alves, Assistant Professor of Sociology and Anthropology
College of Staten Island of the City University of New York
also: Associate Researcher
Centro de Estudios Afrodiaspóricos of Universidad Icesi/Colombia

An important new ethnographic study of São Paulo’s favelas reveals the widespread use of race-based police repression in Brazil

While Black Lives Matter still resonates in the United States, the movement has also become a potent rallying call worldwide, with harsh police tactics and repressive state policies often breaking racial lines. In The Anti-Black City, Jaime Amparo Alves delves into the dynamics of racial violence in Brazil, where poverty, unemployment, residential segregation, and a biased criminal justice system create urban conditions of racial precarity.

The Anti-Black City provocatively offers race as a vital new lens through which to view violence and marginalization in the supposedly “raceless” São Paulo. Ironically, in a context in which racial ambiguity makes it difficult to identify who is black and who is white, racialized access to opportunities and violent police tactics establish hard racial boundaries through subjugation and death. Drawing on two years of ethnographic research in prisons and neighborhoods on the periphery of this mega-city, Alves documents the brutality of police tactics and the complexity of responses deployed by black residents, including self-help initiatives, public campaigns against police violence, ruthless gangs, and self-policing of communities.

The Anti-Black City reveals the violent and racist ideologies that underlie state fantasies of order and urban peace in modern Brazil. Illustrating how “governing through death” has become the dominant means for managing and controlling ethnic populations in the neoliberal state, Alves shows that these tactics only lead to more marginalization, criminality, and violence. Ultimately, Alves’s work points to a need for a new approach to an intractable problem: how to govern populations and territories historically seen as “ungovernable.”

Table of Contents

• Introduction: On Our Own Terms
• 1. Macabre Spatialities
• 2. “Police, Get off My Back!”
• 3. The Favela-Prison Pipeline
• 4. Sticking Up!
• 5. Bringing Back the Dead
• Conclusion: Blackpolis
• Acknowledgments
• Notes
• Index

Beyond Ethnicity: New Politics of Race in Hawaii

University of Hawai’i Press
March 2018
288 pages
1 b&w illustration
Cloth ISBN: 9780824869885

Edited by:

Camilla Fojas, Associate Professor in the Departments of Media Studies and American Studies
University of Virginia

Rudy P. Guevarra, Associate Professor of Asian Pacific American Studies
Arizona State University

Nitasha Tamar Sharma, Associate Professor of Asian American Studies and African American Studies
Northwestern University, Evanston, Illinois

Written by scholars of various disciplines, the essays in this volume dig beneath the veneer of Hawai‘i’s myth as a melting pot paradise to uncover historical and complicated cross-racial dynamics. Race is not the primary paradigm through which Hawai‘i is understood. Instead, ethnic difference is celebrated as a sign of multicultural globalism that designates Hawai‘i as the crossroads of the Pacific. Racial inequality is disruptive to the tourist image of the islands. It ruptures the image of tolerance, diversity, and happiness upon which tourism, business, and so many other vested transnational interests in the islands are based. The contributors of this interdisciplinary volume reconsider Hawai‘i as a model of ethnic and multiracial harmony through the lens of race in their analysis of historical events, group relations and individual experiences, and humor, for instance. Beyond Ethnicity examines the dynamics between race, ethnicity, and indigeneity to challenge the primacy of ethnicity and cultural practices for examining difference in the islands while recognizing the significant role of settler colonialism in the islands. This original and thought-provoking volume reveals what a racial analysis illuminates about the current political configuration of the islands and in so doing, challenges how we conceptualize race on the continent.

Recognizing the ways that Native Hawaiians or Kānaka Maoli are impacted by shifting, violent, and hierarchical colonial structures that include racial inequalities, the editors and contributors explore questions of personhood and citizenship through language, land, labor, and embodiment. By admitting to these tensions and ambivalences, the editors set the pace and tempo of powerfully argued essays that engage with the various ways that Kānaka Maoli and the influx of differentially racialized settlers continue to shift the social, political, and cultural terrains of the Hawaiian Islands over time.

Delilah

Carrie Hawks
2012
Running Time: 00:04:15

Delilah tells the story of a woman who started out with a seemingly simple task, just filling out a family tree. She uncovered generations of secrecy and shame. Outside of Tacoma, Washington, Delilah shares a very personal story her search and the ramifications that unfold.

Delilah premiered at the Animation Block Party at Brooklyn Academy of Music in July 2012.

The film was awarded “Best Experimental Film” at the 15th Annual Reel Sisters of the Diaspora Film Festival in October 2012.

In April 2013, The Kansas City Jubilee Film Festival included the film in their programming.

The Escape; Or, A Leap for Freedom

University of Tennessee Press
2001-03-21 (Originally published in 1858)
112 pages
ISBN-13: 978-1572331051

William Wells Brown (1814-1884)

Edited by:

John Ernest, Judge Hugh M. Morris Professor of English
University of New Hampshire

A well-known nineteenth-century abolitionist and former slave, William Wells Brown was a prolific writer and lecturer who captivated audiences with readings of his drama The Escape; or, a Leap for Freedom (1858). The first published play by an African American writer, The Escape explored the complexities of American culture at a time when tensions between North and South were about to explode into the Civil War. This new volume presents the first-edition text of Brown’s play and features an extensive introduction that establishes the work’s continuing significance.

The Escape centers on the attempted sexual violation of a slave and involves many characters of mixed race, through which Brown commented on such themes as moral decay, white racism, and black self-determination. Rich in action and faithful in dialect, it raises issues relating not only to race but also to gender by including concepts of black and white masculinity and the culture of southern white and enslaved women. It portrays a world in which slavery provided a convenient means of distinguishing between the white North and the white South, allowing northerners to express moral sentiments without recognizing or addressing the racial prejudice pervasive among whites in both regions.

John Ernest’s introductory essay balances the play’s historical and literary contexts, including information on Brown and his career, as well as on slavery, abolitionism, and sectional politics. It also discusses the legends and realities of the Underground Railroad, examines the role of antebellum performance art—including blackface minstrelsy and stage versions of Uncle Tom’s Cabin—in the construction of race and national identity, and provides an introduction to theories of identity as performance.

A century and a half after its initial appearance, The Escape remains essential reading for students of African American literature. Ernest’s keen analysis of this classic play will enrich readers’ appreciation of both the drama itself and the era in which it appeared.

Why Elizabeth Warren’s refusal to take a DNA test to prove Native American ancestry was probably a smart move

The Washington Post
2018-03-14

Tara Bahrampour

Sen. Elizabeth Warren (D-Mass.) rejected a call this week by a Massachusetts newspaper to take a DNA test to prove her Native American heritage, saying it is a cherished piece of family lore and noting that she has never used it to get ahead.

She might also add that such a test may not prove anything — or at least it couldn’t establish the absence of Native American ancestry her critics might be hoping to find.

If Warren were to take one of the widely available commercial “spit tests” and DNA related to a Native American tribe showed up, she would have positive proof that her family stories are true.

But if no such DNA were evident, that would not mean she didn’t have Native American ancestry…

Read the entire article here.