Mixed Race Studies

New documentary ‘Being Both’ explores mixed-race identity

METRO.co.uk
2019-04-29

Natalie Morris, Senior lifestyle Writer

The UK’s fastest-growing ethnic group is comprised of anyone with parents who have two of more different ethnicities – and the varieties within that group are almost endless.

The realities of being mixed-race are unique and often overlooked in mainstream narratives, but documentary maker Ryan Cooper-Brown wants to change that. His new short documentary film Being Both tackles issues that directly relate to the mixed-race experience, from displacement and family conflict to racism and fetishisation.

But the film is also brimming with hope and shines a light on the many positives that come with having mixed heritage.

The eight-minute film condenses a series of compelling stories from the mixed-race community. It is an intimate and uplifting short that captures the shared challenges, emotions and histories of mixed-race people from the UK, Denmark, Italy, Brazil, Mexico, Germany and Japan…

Read the entire article here.

Constructions of race in Brazil: resistance and resignification in teacher education

International Studies in Sociology of Education
Volume 27, 2018 – Issue 2-3: Special Issue: Migration, Borders, and Education: International Sociological Inquiries
pages 307-323
DOI: 10.1080/09620214.2018.1444504

Joel Austin Windle
Department of Modern Languages
Universidade Federal Fluminense, Niteroi, Brazil

Kassandra Muniz
Departamento de Letras
Universidade Federal de Ouro Preto, Mariana, Brazil

This paper reflects on racial identification in Brazil, considering how concepts of race travel internationally and are transformed locally. In light of the silencing of issues of race in Brazilian public education, we analyse the experiences of student teachers of colour participating in a professional development project coordinated by the authors. We report findings of a qualitative study arising from the project, based on reflective journals and interviews, and focusing on processes of racial resignification and resistance. The narratives produced by participants are situated in relation to dominant discourses of racial democracy and mixing, which deny the possibility of a politicised Afro-Brazilian identity. We show how hybrid identifications, drawing on cultural resources and networks that involve transnational circulation, are part of the construction of new social identities in the context of teacher education.

Read or purchase the article here.

Born Biracial: How One Mother Took On Race in America

Memories Press
2019-05-01
250 pages
6 x 0.6 x 9 inches
Hardcover ISBN: 978-1733908818
Paperback ISBN: 978-1733908825
eBook ISBN: 978-1733908801

Susan Graham

The Birth of a National Civil Rights Movement

Susan Graham is the White mother of two biracial children whose father is Black. Born Biracial: How One Mother Took on Race in America is the true story of how she brought an invisible population to the forefront and started the multiracial movement. She started a simple advocacy group and turned it into a national civil rights movement. Along the way, her personal life was suffering. The emotional story of her marriage to a CNN news anchor, being a mother to biracial children, divorce, and remarriage are interwoven in her life’s story. This is the one story every interracial family should read.

“I think that America has a kind of fantasy about what an interracial relationship is like—people who understand each other from the get-go; they are the future; they will save humanity and all babies will be beige—I mean, there’s a real deep fantasy about this.

But we know that can’t be true. We have too many things we misunderstand about each other. So then people assume that people who are together from different races secretly hate themselves and their culture. There is a distrust of interracial relationships, too.

What I wanted to write about was not the kumbaya fantasy or the gross assumptions, but the actual reality. It’s all of these things: We have moments of tremendous love, and we have tremendous dissonance. We have moments when we get each other, and moments when we’ve really failed each other. That’s what that love looks like. It’s complicated and it is real. The minute you’re not allowed to investigate your own interiority and complexity, you’ve lost. I wanted to stop losing.” —Mira Jacob

Amal Ahmed, “Illustrating the Messy Reality of Life as an Interracial Family,” The Atlantic, April 12, 2019. https://www.theatlantic.com/family/archive/2019/04/in-mira-jacobs-good-talk-talking-about-race-with-your-family-isnt-easy/586954/.

Discovering the Illusion: An Interview with T Kira Madden

Asian American Writers’ Workshop
2019-03-18

Pik-Shuen Fung

T Kira Madden, Photo by Jac Martinez

“Magic and writing, it’s all misdirection, defamiliarization, and at its best, the ahhhhh moment of surprise.”

Nothing is steadfast in the childhood of Long Live the Tribe of Fatherless Girls, only a slow unraveling. An only child born out of an affair between her wealthy white shoe-brand father and her Chinese-Hawaiian model mother, [T Kira] Madden went back and forth between the chaos of her home, where her parents struggled with drug and alcohol addiction, to the misery of her Boca Raton private school, where she faced ostracism as a queer biracial girl.

Madden writes, “I wanted love the size of a fist. Something I could hold, something hot and knuckled and alive.” To contain, to hold, to be vulnerable—these intense desires both shape and propel her exploration of grief, trauma, pain, and forgiveness. Composed as a kaleidoscope of darkly shimmering fragments, this courageous debut memoir is the documentation of one woman’s attempt to write down and rewrite her own history, so as to make space for more love.

I had the chance to speak with T Kira on a freezing afternoon in January. She welcomed me into her cozy home, where there were glowing candles, a pot of roasted buckwheat tea, and two energetic poodles who insisted on sitting around for the conversation…

Read the entire interview here.

The Mouse Room

She Books (An imprint of She Writes Press)
2014-03-31

Susan Ito, Instructor
Bay Path University, Longmeadow, Massachusetts

Susan Ito is a struggling college student, a young adult on the cusp of parental independence, when she meets her birth mother for the first time. Instead of launching into adulthood, she finds herself entangled in longing for this new kind of mother love where she sees her own self, mirrored in mysterious and tantalizing ways. At the same time that she explores the genetic threads that bind her to this stranger, she works as the “mouse girl,” caring for hundreds of experimental mice in a medical research laboratory. The relationship with her birth mother is as tormented as any partially requited love story: waiting by the phone, haunting the mailbox, and pacing the floor wondering about a promised visit that may or may not happen. Meanwhile, she tracks the intricate family trees of the hordes of squeaky rodents in her care. Memoirist, fiction writer, and solo performer Susan Ito explores themes of family, identity, DNA, and love in this unique and poignant story.

Illustrating the Messy Reality of Life as an Interracial Family

The Atlantic
2019-04-12

Amal Ahmed

Mira Jacob / Courtesy of Penguin Random House

In her new graphic memoir, the author Mira Jacob documents conversations about love and race with multiple generations of her family.

When the novelist Mira Jacob’s son was 6, he started asking her a lot of questions about race and identity. It started with Michael Jackson: Was he brown or black or white, and what did he like best? Then his questions took a more serious turn: Was it bad to be brown in America? Though he was only 6, Jacob’s son, who is biracial, was old enough to understand the news at the time, which was fixated on the riots in Ferguson, Missouri, after a white cop shot a black teenager. He wanted to know whether white people were afraid of brown people. And what about his own father, who was white? Was he ever scared of brown people?

Jacob didn’t always know how to answer him in the moment. She remembered the confusing conversations about race and identity that she’d had as a child herself, growing up in one of the few South Asian families in New Mexico. But having those conversations with her son in the years leading up to Donald Trump’s presidency made her realize that there weren’t any easy answers to the question of what it means to grow up as a person of color in the United States.

Even though she’s a writer by trade, Jacob couldn’t find the words to describe what she was feeling. She often felt paralyzed thinking about the hurtful comments she might receive online if she did write openly about those tricky conversations. But she still felt the urge to record them somehow, and that led her to producing a memoir in the form of a graphic novel. The book, Good Talk, spans from her childhood in New Mexico to her more recent arguments with in-laws who wanted to vote for Trump and who she felt weren’t listening to her concerns about his racist rhetoric on the campaign trail…

Read the entire interview here.

Good Talk: A Memoir in Conversations

Penguin Random House
2019-03-26
368 pages
Hardcover ISBN: 9780399589041

Mira Jacob
Brooklyn, New York

“How brown is too brown?”
“Can Indians be racist?”
“What does real love between really different people look like?”

Like many six-year-olds, Mira Jacob’s half-Jewish, half-Indian son, Z, has questions about everything. At first they are innocuous enough, but as tensions from the 2016 election spread from the media into his own family, they become much, much more complicated. Trying to answer him honestly, Mira has to think back to where she’s gotten her own answers: her most formative conversations about race, color, sexuality, and, of course, love.

Written with humor and vulnerability, this deeply relatable graphic memoir is a love letter to the art of conversation—and to the hope that hovers in our most difficult questions.

A Queer, Biracial Coming-of-Age Memoir Is Equal Parts Pain and Pleasure

The New York Times
2019-04-19

Tessa Fontaine

Janice Chang

T Kira Madden, Long Live the Tribe of Fatherless Girls, A Memoir (New York: Bloomsbury, 2019)

The tribe of fatherless girls that make up T Kira Madden’s titular chapter are three high school friends bonded by loss, lust, recklessness and love. But the tribe extends much further, shape-shifting throughout the memoir from youthful friendships to romantic partners, from a nuclear family to a revision of that family history. Though the tribe expands, Madden’s devoted, imperfect relationships with girls and women form the centrifugal force around which her story spins. This is a fearless debut that carries as much tenderness as pain. The author never shrinks from putting herself back into the world after every hurt, and we are lucky for it.

The memoir is told in fragmented chapters, many of which read like self-contained essays. They are arranged into three mostly chronological sections that follow Madden’s life from early memories to the death of her father when she is 27. Madden renders her mourning viscerally: “My hands — they are never not shaking,” and yet still, when she falls asleep, “it’s the women who come first.”…

Read the entire book review here.

Occupying the peculiar liminal space between the fiction of race and the realities of its imposition has presented me a strange reality as a multiracial Black adult of the African diaspora: Black to some, mixed race to others, generally confusing to many; white women touching my hair without permission; South Asian old ladies looking at me with suspicion; sideways looks from cops who presume I’m up to no good. If you’re a Black-coded mixed-race person, the cops don’t care who your parents are. I identify as Black because that’s how the world interacts with me. I am also mixed race. The language of halves and quarters does not serve us. We are whole, complex human beings.

Daniella Barreto, “We Can’t Screw Ourselves Out of Racism,” Medium, March 28, 2019. https://medium.com/shareyournuance/cant-fuck-ourselves-out-of-racism-72d91ecbe87.