Mixed Race Studies

The future is mixed. Since its founding, Cornell [University] has served as a shining beacon in the fight for the inclusivity of women, POC, the LGBT+ community and people with disabilities in higher education. If Cornell truly believes in its motto, “Any Person, Any Study,” this new area of study and research into mixed-race individuals would fit like a glove into the ideals of this institution, and be a good step in developing future curricula as the United States’ demographic evolves.

Katherine Luong, “GUEST ROOM | Create a Mixed-Race Studies Department at Cornell,” The Cornell Daily Sun, September 18, 2020. https://cornellsun.com/2020/09/18/guest-room-create-a-mixed-race-studies-department-at-cornell/.

How The Vanishing Half fits into our cultural fixation with racial passing stories

Vox
2020-08-14

Constance Grady

Zac Freeland/Vox

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“Passing for white never left.”

In Brit Bennett’s The Vanishing Half, the character of Stella haunts the narrative like a ghost. Stella is the half who vanished: half of her family, half of her sister’s heart. And she vanished by excising half of her own identity.

Stella is a light-skinned Black woman, and when she is 16, she decides to start passing for white. Her identical twin sister Desiree, meanwhile, grows up to marry the darkest-skinned man she can find. Stella breaks away from her family, and we don’t get a chance to meet her on the pages of the novel until nearly halfway through the book when at last her niece, Desiree’s dark-skinned daughter, tracks her down. It’s only in that last section that we finally learn exactly what happened to Stella.

Stella’s fate haunts the novel, and so does the genre her story belongs to. There’s a long history of narratives of racial passing in the American novel, and The Vanishing Half plays with the genre in new and interesting ways. So as the Vox Book Club spends the month talking about The Vanishing Half, I wanted to put it in the context of the passing novel more broadly.

To get an expert view, I called up Alisha Gaines, an English professor at Florida State University and the author of Black for a Day: White Fantasies of Race and Empathy. Together, we talked through the history of the African American passing novel, what passing looks like after Jim Crow (sorry, Ben Shapiro), and how passing novels can show us how race is produced and reproduced. Below is a transcript of our conversation, lightly edited for length and clarity.

The first African American stories of racial passing are slave narratives

Constance Grady

Do we know when the first of these narratives emerged? How old are stories about racial passing?

Alisha Gaines

It’s an old story. In literature and in life, America has a fascination with impersonation, which includes blackface minstrelsy. And passing narratives, if you want to be technical about it, in African American literature, they start with the slave narrative…

Read the entire interview here.

Passing for White to Escape Slavery

JSTOR Daily: where news meets its scholarly match
2020-09-17

Matthew Wills

Ellen and William Craft via Flickr/ Flickr

Passing for white was an intentional strategy that enslaved people used to free themselves from bondage

Racial passing is in the news with the case of Jessica Krug, a white academic who claimed several Black identities throughout her professional career. The phenomenon of white people putting on different backgrounds is widespread—for example, as shown in well-documented cases of white people claiming Native American ancestry. But passing for Black seems, well, different.

One reason for that may be that the idea of passing has historically been linked to Black people passing for white. Scholar Martha J. Cutter, digging into “the early history of racial passing,” argues that it originated in advertisements offering rewards for captured runaway slaves starting in the mid-eighteenth century, decades before the American Revolution.

“The archive suggests that while laws from state to state and in different time periods varied, the idea of an enslaved individual from a black family heritage deliberately passing for white was frequently configured as duplicitous and even incendiary,” she writes…

Read the entire article here.

Dash Harris is doing the work to end anti-Blackness in LatinX culture

theGrio
2020-06-16

DeMicia Inman

Through her work in creating ‘NEGRO: A DOCU-SERIES ABOUT LATINX IDENTITY,’ Harris hopes to dismantle anti-Blackness in the LatinX community.

The African diaspora gave much of the world a very layered identity. For centuries, the slave trade resulted in African natives being sold or stolen as slaves and transported across the globe. Now, Black people reside in countries from the United States and Brazil to Haiti and the Dominican Republic.

Dash Harris, an Afro-LatinX woman, understands not only her multi-cultural heritage but also the implications and societal structure surrounding her identity. Through her work in creating NEGRO: A DOCU-SERIES ABOUT LATINX IDENTITY and more, she hopes to highlight LatinX existence and dismantle anti-Blackness in the LatinX community…

Read the entire interview here.