Mixed Race Studies

‘Passing,’ Ruth Negga refuses to be pinned down

The Los Angeles Times
2021-11-11

Sonaiya Kelley, Staff Writer

Ruth Negga has given the subject of identity a lot of thought.

And not just because she stars as Clare Kendry, a fair-skinned Black woman who moves through life as a white woman, in “Passing,” Rebecca Hall’s adaptation of Nella Larsen’s 1929 novel. No, Negga’s musings on identity stem back to her childhood in Ireland and England, where she was first introduced to the concept of being othered.

“To be honest, I’ve never fit in anywhere,” she said over Zoom in October. “I think being Black in Ireland when there wasn’t that many Black people and being Black and Irish in London at an all-white school in the early ’90s wasn’t great for me either.”

At the same time, being hard to categorize has not always been a bad thing, she says. “I think sometimes there is a pleasure I get in being different. I felt safe being the other in many ways because that’s where I could be my whole, true self.”

The Ethiopian-Irish actor frequently upends notions of social constructs such as race and identity in her work. In “Passing,” which is set in the 1920s, Clare enjoys the privileges afforded only to white women by day while sneaking off to Harlem to commune with Black folks by night (Tessa Thompson co-stars as Irene, a woman who only flirts with the possibility of passing). And in 2016’s “Loving,” Negga stars as Mildred Jeter, a woman in an interracial marriage who challenges the Supreme Court to end the anti-miscegenation laws that condemn her marriage as unlawful…

Read the entire interview here.

Film Screening with Director in Attendance: “Becoming Black”(2019)

Black German Heritage & Research Association
Online Event
Wednesday, 2021-11-17, 17:30-19:30Z (12:30-14:30 EST)

As the next segment of our ongoing All Black Lives Matter event series, and in cooperation with the Waterloo Centre for German Studies, The University of Toronto, and Africana Studies at Rutgers University-Camden, the Black German Heritage and Research Association (BGHRA) is pleased to invite you to a film screening of Ines Johnson-Spain’s autobiographical documentary “Becoming Black“(2019).

SYNOPSIS: Becoming Black (dir. Ines Johnson-Spain, 2019, 91 min.):

In the 1960s, the East German Sigrid falls in love with Lucien from Togo, one of several African students studying at a trade school on the outskirts of East Berlin. She becomes pregnant, but is already married to Armin. Sigrid and Armin raise their daughter as their own, withholding from her knowledge of her African paternal heritage. That child grows up to become the filmmaker Ines Johnson-Spain. In filmed encounters with her aging stepfather Armin and others from her youth, Johnson-Spain tracks the strategies of denial developed by her parents and the surrounding community. Her intimate but also critical exploration comprising both painful and confusing childhood memories and matter-of-fact accounts testifies to a culture of repression. When blended with movingly warm encounters with her Togolese family, Becoming Black becomes a thought-provoking reflection on identity, social norms and family ties.

The link to view the film will be posted on Eventbrite for registrants to stream from November 15-18, 2021.

For more information and to register, click here.

From Joseph Boyden To Michelle Latimer – Why Does This Keep Happening?

Canadaland
2021-02-15

Our gatekeepers keep elevating Indigenous artists with tenuous connections to Indigeneity.

Through most of 2020, Michelle Latimer was the hottest Indigenous filmmaker in Canada. In September, she had two works at TIFF: the feature documentary Inconvenient Indian, which took the top two prizes for which it was eligible at the festival, and the first instalments of Trickster, a prestige CBC drama about growing up on reserve whilst contending with monsters both figurative and literal.

“Latimer’s young characters are multifaceted, her interplay between score and imagery sets an energetic pace, and, most importantly, her respect for the trickster in Indigenous storytelling is evident,” TIFF’s Geoff Macnaughton wrote in his programme note for Trickster. “If the archetype can truly impact younger generations, that respect is paramount — and Latimer’s version exemplifies why it matters who gets to tell the story.”

When she appeared on the cover of NOW‘s annual TIFF issue, the magazine proclaimed that she “reclaims Indigenous storytelling.”

But three months later, the CBC published an investigation that brought forward serious questions about Latimer’s evolving claims of Indigenous identity and heritage — concerns about which had been raised privately since at least the summer.

In short order, Inconvenient Indian was pulled from the 2021 Sundance Film Festival and its future release thrown into doubt. The CBC chose to not move ahead with a second season of Trickster, following conversations with the cast, crew, and author of the source material.

And as first reported by Variety, Latimer hired crisis PR firm Navigator to manage the fallout, serving the CBC with a notice of libel.

There’s a lot to unpack there, and today’s episode of CANADALAND attempts to do so, through interviews with comedian and Thunder Bay host Ryan McMahon, filmmaker Alethea Arnaquq-Baril, and Inuk seal hunter Steven Lonsdale, the latter two of whom were featured in Inconvenient Indian.

For host Jesse Brown, one of the big questions is: Why does this keep happening? Between Joseph Boyden, once Canada’s hottest Indigenous novelist, and now Michelle Latimer, why do Canada’s white cultural gatekeepers keep elevating Indigenous artists whose actual connections to Indigeneity are tenuous? Brown implicates himself in this, as he and McMahon had recently met with Latimer about helming a potential dramatic television adaption of Thunder Bay.

Listen to the episode (00:59:49) here.

‘Passing’ — the original 1929 novel — is disturbingly brilliant

Book Reviews
National Public Radio
2021-11-10

Carole V. Bell

The one thing most people know about Nella Larsen’s Passing is that it explores a peculiar kind of deception — being born into one marginalized racial category and slipping into another, for privilege, security, or power. But the significance of Passing isn’t found in the surface facts but in the brilliance of its execution: the beauty of the writing, the close character study, and the intense psychological suspense.

Like a decades-early precursor to a Patricia Highsmith novel, a sense of sensual glamour, frustration and foreboding pervades Larsen’s famed novella. In 1927 Chicago, two light-skinned Black women, childhood friends whose lives took different paths, meet again in a theoretically white space, and a strange friendship is renewed despite the danger that the connection might bring. For Irene Redfield, a proper Black doctor’s wife and a doyenne of Harlem society, passing is a petty indulgence, something she dabbles in on occasion, for “the sake of convenience.” Her racial dexterity gains her “restaurants, theater tickets, and things like that.” But to beautiful, orphaned Clare Kendry, passing is a means of survival. Clare had a home with her white relatives who disdained her race; she wanted something more, and she grabbed it, making a permanent break…

Read the entire review here.

Kinship of Clover, A Novel

Red Hen Press
2017-04-04
272 pages
5.5 x 0.75 x 8.5 inches
Paperback ISBN: 9781597093811

Ellen Meeropol

He was nine when the vines first wrapped themselves around him and burrowed into his skin. Now a college botany major, Jeremy is desperately looking for a way to listen to the plants and stave off their extinction. But when the grip of the vines becomes too intense and Health Services starts asking questions, he flees to Brooklyn, where fate puts him face to face with a group of climate-justice activists who assure him they have a plan to save the planet, and his plants. As the group readies itself to make a big Earth Day splash, Jeremy soon realizes these eco-terrorists’ devotion to activism might have him–and those closest to him–tangled up in more trouble than he was prepared to face. With the help of a determined, differently abled flame from his childhood, Zoe; her deteriorating, once-rabble-rousing grandmother; and some shocking and illuminating revelations from the past, Jeremy must weigh completing his mission to save the plants against protecting the ones he loves, and confront the most critical question of all: how do you stay true to the people you care about while trying to change the world?

From the author of House Arrest and On Hurricane Island comes a thrilling new activist novel that begs the question, “How far is too far?”

A British betrayal: the secret deportations of Chinese merchant sailors

The Guardian
2021-11-10

Presented by: Nosheen Iqbal with Dan Hancox and Yvonne Foley
Produced by Joshua Kelly and Axel Kacoutié
Executive producers Phil Maynard and Archie Bland

During the second world war, Chinese sailors served alongside their British allies in the merchant navy, heroically keeping supply lines open to the UK. But after the war hundreds of them who had settled in Liverpool suddenly disappeared. Now their children are piecing together the truth

Liverpool is home to the longest-established Chinese community in Europe having built sea links with Shanghai from the 19th century onwards. A thriving Chinatown is among the city’s present day inheritance of the era. But there is a darker side to the story of Liverpool’s Chinese community.

During the second world war, Chinese men served alongside their British comrades in merchant vessels that kept supply lines of food and other essentials flowing into the UK. It was incredibly dangerous work as the enormous cargo ships were ready targets for German U-boats and many of the seamen perished. After the war, many of the Chinese sailors settled in Liverpool with some starting families. But from 1946 onwards many started to go missing from the city.

On a day that Britain remembers the sacrifices of its war dead, writer Dan Hancox tells Nosheen Iqbal how he began investigating what had happened to the missing Chinese sailors and found a story of betrayal that is largely unknown in the UK. In the months following the war, the Home Office carried out thousands of secret deportations of Chinese seamen leaving their wives and children to believe they had been abandoned.

Yvonne Foley tells Nosheen she was 11 when she was told the truth about her Chinese heritage and has been trying ever since to find out what happened to her biological father she has never known.

Listen to the story (00:30:52) here. Download the story here.

Passing

Signet Classics (an imprint of Penguin Random House)
2021-07-06 (Originally published in 1929)
176 Pages
4-3/16 x 6-3/4
Paperback ISBN: 9780593437841
Ebook ISBN: 9780593439074

Nella Larsen (1891–1964)

Introduction by Brit Bennett

Nella Larsen’s fascinating exploration of race and identity—the inspiration for the Netflix film directed by Rebecca Hall, starring Tessa Thompson and Ruth Negga.

This Signet Classics edition of Passing includes an Introduction by Brit Bennett, the bestselling author of The Vanishing Half.

Irene Redfield is a Black woman living an affluent, comfortable life with her husband and children in the thriving neighborhood of Harlem in the 1920s. When she reconnects with her childhood friend Clare Kendry, who is similarly light-skinned, Irene discovers that Clare has been passing for a white woman after severing ties to her past—even hiding the truth from her racist husband.

Clare finds herself drawn to Irene’s sense of ease and security with her Black identity and longs for the community (and, increasingly, the woman) she lost. Irene is both riveted and repulsed by Clare and her dangerous secret, as Clare begins to insert herself—and her deception—into every part of Irene’s stable existence. First published in 1929, Larsen’s brilliant examination of the various ways in which we all seek to “pass,” is as timely as ever.

House Arrest, A Novel (2nd Edition)

Red Hen Press
2014-09-01
216 pages
6 x 0.7 x 9 inches
Paperback ISBN: 978-1-59709-418-4

Ellen Meeropol

Home care nurse Emily Klein usually loves her work. But her new assignment, prenatal visits to a young woman under house arrest for the death of her toddler daughter during a Solstice ceremony, makes her uneasy. Maybe it’s Pippa Glenning’s odd household and the house arrest monitor. Or the court involvement that reminds Emily of her parents’ political activism and her father’s imprisonment. But when she can’t get out of the assignment, Emily is determined to do right by her high-profile and unconventional patient.

Pippa’s racially mixed Family of Isis is in turmoil. Without Tianthe cult leader and Pippa’s lover, who is in jail awaiting trial for the deaths of two toddlers, the group struggles to keep the household and their Tea Room business functioning. If Pippa follows the rules of her house arrest, she may be allowed to keep her baby, but as the pregnant woman in the family it’s her duty to dance for Isis at the upcoming winter Solstice ceremony. To escape the house arrest without being caught, she needs Emily’s help.

Despite their differences, Emily and Pippa’s friendship grows. Emily’s friends, her cousin Anna with whom she lives, Anna’s ex-husband Sam who shares in caring for their young daughter Zoe with spina bifida, her best friend Gina, all warn Emily that Pippa is trouble. When her grandfather dies, Emily reluctantly agrees to accompany Anna to the island in Maine where she was sent to live when her father went to prison. On the island, Emily begins to grapple with her parents? choices a generation earlier.

At home, the media hypes the Frozen Babies Case. Anti-cult sentiment in the city escalates to angry protests and increasing violence. As the winter Solstice approaches, both Emily and Pippa make decisions about their responsibilities to their families, their communities, and to each other– decisions that put their lives, and Pippa’s unborn baby– in jeopardy.

Set in Springfield, Massachusetts and on an island in Penobscot Bay, the story is told from the alternating points of view of Emily, Pippa, Sam, and Gina. House Arrest explores the meaning of family loyalty when beliefs conflict, and questions the necessity of sometimes breaking rules to serve justice.

The Love Project: A Marriage Made in Poetry

Red Hen Press
2014-04-01
120 pages
6.3 x 0.6 x 9.2 inches
Hardcover ISBN: 978-1-59709-733-8
Paperback ISBN: ISBN: 978-1-59709-967-7

Wanda Coleman (1946-2013)
Austin Straus (1939-2017)

There’s plenty of love between Wanda Coleman and Austin Straus, but it has an edge: every kiss, every snuggle, every touch is political. How to make a marriage work under the unyielding pressures of racial bigotry and cultural bias? How to maintain their creativity and independence as poets and artists faced with the daily pressures of survival? For over three decades, Coleman and Straus have grappled with these questions—and with one another. Together, they have built a wall of desire, carnal and spiritual, to shield them from an often unwelcoming world. The Love Project sings their blood oath in an open and jazzy verse that holds nothing back, offering to the world some of the better that has flowered between them.

Anne Liu Kellor with Kristen Millares Young — Heart Radical

Third Place Books Events
Third Place Books
2021-10-01

Kristen Millares Young, Host

On September 28th, 2021, Third Place Books was honored to host Anne Liu Kellor for the release of her debut memoir, Heart Radical: A Search for Language, Love, and Belonging. She will be joined in conversation by Kristen Millares Young, author of the critically-acclaimed novel Subduction.