Mixed Race Studies

For Colin Kaepernick, Writing Is Another Form of Activism

Publishers Weekly
2022-03-29

Nathalie op de Beeck, Associate Professor of English
Pacific Lutheran University, Tacoma, Washington

Colin Kaepernick, at 34, presides over a multimedia platform for Black and brown people’s empowerment. In 2016, inspired by civil rights heroes, the then-San Francisco 49ers quarterback rocked the NFL by taking a knee during the national anthem to protest police brutality, sparking protests and backlash. That fall, he and his partner Nessa (known by her first name only) established Know Your Rights Camp, a youth-focused organization with principles that echo the Black Panthers’ Ten-Point Program for communities, along with a downloadable set of educational resources, Colin in Black & White: The Kaepernick Curriculum. He went on to found Kaepernick Publishing, for which he edited a collection of essays by social justice leaders, Abolition for the People: The Movement for a Future Without Policing or Prisons.

Kaepernick Publishing and Scholastic have teamed up to publish Kaepernick’s debut picture book (as part of a multibook deal), the autobiographical I Color Myself Different, with illustrations by Eric Wilkerson, an artist known for his high-energy fantasy illustrations. Wilkerson’s paintings grace the covers of Nic Stone’s Shuri books and Kwame Mbalia’s Tristan Strong series, and Kaepernick was familiar with his work; the author and illustrator spoke back and forth to fine-tune the images of a young Colin in I Color Myself Different. Kaepernick corresponded with PW about writing as a form of activism, recognizing the many elements that make up our identities, and finding strength in the history of social justice movements…

Read the entire interview here.

I Color Myself Different

Scholastic
2022-04-05
40 pages
Hardcover ISBN: 978-1338789621

Colin Kaepernick, Eric Wilkerson (Illustrator)

An inspiring story of identity and self-esteem from celebrated athlete and activist Colin Kaepernick.

When Colin Kaepernick was five years old, he was given a simple school assignment: draw a picture of yourself and your family. What young Colin does next with his brown crayon changes his whole world and worldview, providing a valuable lesson on embracing and celebrating his Black identity through the power of radical self-love and knowing your inherent worth.

I Color Myself Different is a joyful ode to Black and Brown lives based on real events in young Colin’s life that is perfect for every reader’s bookshelf. It’s a story of self-discovery, staying true to one’s self, and advocating for change… even when you’re very little!

Special Issue “Multiracial Identities and Experiences in/under White Supremacy”

Social Sciences
Volume 11, Number 2, Special Issue “Multiracial Identities and Experiences in/under White Supremacy”
Published 2022-02-21

Guest Editors:

David L. Brunsma, Professor of Sociology
Virginia Tech, Blacksburg, Virginia

Jennifer Sims, Assistant Professor of Sociology
University of Alabama, Huntsville

Dear Colleagues,

Social scientific scholarship on Multiracial experiences and processes of identity development have been the subject of social scientific scholarship for over three decades. During this time, scholars from a wide variety disciplines, such as sociology, psychology, geography, history, political science, and the humanities, along with the critical interdisciplinary work of women’s and gender studies, queer studies, Black studies, and others, have contributed to the present state of knowledge.

We now know that multiracial identities are dynamic and intersectional. We also know that mixed-race experiences are embedded within social institutions, social structures, political movements, histories, and stories. Processes like racialization and microaggressions, family and peer dynamics, and other important social, cultural, economic, historical, collective, and political realities are known to manifest in unique ways for mixed-race populations. Far from heralding an end to race and racism, we know that multiraciality is woven within structures of white supremacy across a broad range of social, political, and national contexts…

Read all of the nine (9) papers here.

Trailblazer with Amandla Stenberg

Net-a-Porter
2021-02-08

Micha Frazer-Carroll

Ever since her breakout role in The Hunger Games, Amandla Stenberg’s career has gone from strength to strength. Here, the actor talks to Micha Frazer-Carroll about her involvement in the Black Lives Matter movement, how the pandemic has made her re-evaluate her life and why she’s keenly exploring other creative avenues

Speaking to Amandla Stenberg feels strikingly like hanging out with a close friend, as well as interviewing a compelling voice from Hollywood’s twentysomething cohort. As we connect over Zoom, the conversational ground quickly spans from grumbling about media depictions of Gen Z to lamenting the elitist hierarchies that have emerged at queer Zoom parties. She also laughs a lot.

The laughter subsides and Stenberg reflects on the turbulent times that 2020 brought. She’s been Airbnb-ing and short-term renting for two years now – between New York, LA, Paris and Copenhagen – and has felt constantly unsettled since the pandemic hit. “I think sometimes I forget the lens through which I’m looking at things,” she says. “I can kind of get stressed out, wondering why I have so much anxiety, or why I’m in a constant state of paranoia and fear – and then I remember the circumstances.”

There are things to be grateful for, too, of course – she stresses that she doesn’t want to sound all “the pandemmy’s been so hard”, particularly since the actor, whose father is Danish, spent three months of the past year in the rolling hills of rural Denmark. “The thing I’m grateful for is definitely the opportunity to move more slowly – like actually thinking about my habits, the way I move through each day and what my priorities are.”…

Read the entire article here.

One More Census Takeaway: The End of an Era of Counting the Nation?

The New York Times
2022-03-12

Michael Wines, National Correspondent

Some experts are arguing that it’s time for the census to aggressively make use of government data and other sources to augment its own decennial count.

WASHINGTON — Beyond the reports of undercounts and overcounts in population totals, there is another takeaway from the post-mortem of 2020 census data issued on Thursday: This could be the last census of its kind.

The next census will be taken in a nation where Amazon may have a better handle on where many people live than the Census Bureau itself. For some advocates of a more accurate count, the era in which census-takers knock on millions of doors to persuade people to fill out forms should give way in 2030 to a sleeker approach: data mining, surveys, sophisticated statistical projections and, if politics allows, even help from the nation’s tech giants and their endless petabytes of personal information.

The Census Bureau itself has yet to leap very far into that new era. But it has hinted recently at a “blended” approach in which official census figures could be supplemented with reliable data from government records and other sources…

Read the entire article here.

Writer Gregory Howard Williams’ “Life on the Color Line”

Fresh Air with Terry Gross
WHYY FM, Philadelphia, Pennsylvania
1995-02-21

Terry Gross, Host

Williams spent the first ten years of his life believing he was white in segregated Virginia, and that his dark-skinned father was Italian. When his parents’ marriage ended, his father took him and his brother to Muncie, Indiana, where the boys learned that they were half black. Williams’ new memoir “Life on the Color Line” is about the struggle and repression he faced growing up between the races. Publisher’s Weekly calls it “(an) affecting and absorbing story.”

Listen to the interview (00:23:10) here. Download the interview here.