Scholarly perspectives on the mixed race experience.
“I’m not about to have my children check more than one box only to be relegated back to the black category,” said [Susan] Graham [of Project RACE]… She left the race question blank.
But Dr. [Kristin] Pauker belongs to a small group of psychologists, many of them mixed themselves, who have begun to explore the advantages of being multiracial. For instance, Sarah Gaither at Duke, a frequent collaborator of Dr. Pauker’s, has discovered that, when reminded of their multiracial heritage, mixed-race individuals score higher on tests that measure creativity. This is probably not because they are inherently superior in some way, but because the very thing that’s so difficult for them — the need to navigate multiple worlds — may actually enhance mental flexibility.
Comments Off on For instance, Sarah Gaither at Duke, a frequent collaborator of Dr. Pauker’s, has discovered that, when reminded of their multiracial heritage, mixed-race individuals score higher on tests that measure creativity.
Gabrielle Sanford Christopher Newport University, Newport News, Virginia
Tru Leverette, a Mixed race professor of African American and Mixed race literature, explains that people of mixed ancestry have a difficult and confusing racial path: “I, like many other persons born to parents of different races, sometimes think of myself as moving in the space that unites the two, as traveling from one shore to another . . . and other times as sailing the river that forms the meridian between two shores” (“Traveling” 79). And while there has been progress in how America regards biracial people today, Mixed race people are often marginalized in society, literature, and politics through underrepresentation and a lack of acknowledgment of their culture and characteristics. There is very little space for Mixed race people to have their own identities because they are neither seen as a separate race nor accepted into the races that form their racial identity. They are only seen as a combination of two or more races that needs to fit into a predetermined racial mold. This blindness sidelines biracial and multiracial groups and leaves them without legal status.
Charles Chesnutt, a post-Reconstruction Mixed race author, presents Mixed race issues in his short stories “The Wife of His Youth” (1899) and “The Sheriff’s Children” (1889). Chesnutt’s characters, however, do not want representation for their Mixed race to be the final goal in the changing social structure of America, but rather want to be a part of White society and leave behind their Black heritage. This is seen in “The Wife of His Youth” when Ryder seeks to leave his Blackness in his past and embrace an upward climb to White status by being a part of the Blue Vein Society. The same is seen in “The Sheriff’s Children” when Tom grieves over the unfairness of his life due to being Mixed race. Notwithstanding the feelings of these characters, though, Chesnutt encourages a third space for Mixed race representation and a social acceptance of hybridity; he also, to be sure, recognizes that this third space has the potential to marginalize Blacks and biracial people even further…
We asked people on Oahu to give their ethnicity. Many had long answers. Photographs by Damon Winter/The New York Times; Illustration by Katie Scott
The “aloha spirit” may hold a deep lesson for all of us.
HONOLULU — Kristin Pauker still remembers her uncle’s warning about Dartmouth. “It’s a white institution,” he said. “You’re going to feel out of place.”
Dr. Pauker, who is now a psychology professor, is of mixed ancestry, her mother of Japanese descent and her father white from an Italian-Irish background. Applying to colleges, she was keen to leave Hawaii for the East Coast, eager to see something new and different. But almost immediately after she arrived on campus in 1998, she understood what her uncle had meant.
She encountered a barrage of questions from fellow students. What was her ethnicity? Where was she from? Was she Native Hawaiian? The questions seemed innocent on the surface, but she sensed that the students were really asking what box to put her in. And that categorization would determine how they treated her. “It opened my eyes to the fact that not everyone sees race the same way,” she told me…
Louisiana State University Press
August 1994 (originally published in 1955)
375 pages
5.50 x 8.50 inches
no illustrations
Paperback ISBN: 9780807119464
Amantha Starr, born and raised by a doting father on a Kentucky plantation in the years before the Civil War, is the heroine of this powerfully dramatic novel. At her father’s death Amantha learns that her mother was a slave and that she, too, is to be sold into servitude. What follows is a vast panorama of one of the most turbulent periods of American History as seen through the eyes of star-crossed young woman. Amantha soon finds herself in New Orleans, where she spends the war years with Hamish Bond, a slave trader. At war’s end, she marries Tobias Sears, a Union officer and Emersonian idealist. Despite sporadic periods of contentment, Amantha finds life with Tobias trying, and she is haunted still by her tangled past. “Oh, who am I?” she asks at the beginning of the novel. Only after many years, after achieving a hard-won wisdom and maturity, does she begin to understand that question.
Band of Angels puts on ready display Robert Penn Warren’s prodigious gifts. First published in 1955, it is one of the most searing and vivid fictional accounts of the Civil War era ever written.
It’s been awhile since I’ve shared the books that I read while writing Half-Truths. Here are two more books that have helped me understand one of my characters, Lillian Harris.
If you aren’t familiar with Half-Truths, this is the pitch for my book:
In the heavily segregated South, fifteen-year-old Kate Dinsmore’s world is shaken when she realizes she’s related to her grandmother’s Black housemaid. This knowledge leads Kate to truths that threaten to destroy her family.
Ever since I saw the pictures of the principals in the hallway of the former Rosenwald School in Charlotte, NC and saw a man who appeared White but was Black, I knew that my book would revolve around two girls—Kate Dinsmore and Lillian Harris—who were related but belonged to two different races.
Roberta Oiler, center, stands with her daughters Janelle Stanley and Jessica Keaton in East Jackson, OhioPhotograph: Maddie McGarvey/The Guardian
Many residents in East Jackson were raised to identify as black. But what dictates race: where you live, your DNA, the history you’re taught?
The stale, smoky air around Clarice Shreck heaves. She takes a long hit of oxygen from the tube under her nose. She leans forward, shifting in her armchair, before releasing her raspy smoker’s laugh, which is smudged out a second later by her smoker’s cough.
The pale woman with frizzy grey-streaked hair commands her on-and-off partner of over 20 years, Jimmy – who is from one of the few white families in East Jackson – to fetch her purse. He plops it on to her lap; she struggles to get at an old piece of paper folded up in her wallet. She slowly unfolds it to present her birth certificate.
“Negro”, it reads, next to each of her parents’ names. She looks up triumphantly, victory in her periwinkle eyes. “It’s a legal document,” she says.
The last known full-blooded black person in her family was her great-great-grandfather Thomas Byrd, her parents told her. Photos of them, who both look white, adorn the wooden walls on either side of Shreck’s chair. Their stares follow her throughout their former home. They are the ones who told her she was black…
February 28 isn’t too cold. I hurry through sharp sunlight to a café in Lincoln Center. It is the official launch day of my novel, Harmless Like You, in the USA. I feel woozy and anxious. I’ve been avoiding bookshops, because I’m too scared to know if it’s in stock. I’m meeting two dear friends who are also writers. T Kira Madden is the Editor in Chief of No Tokens Journal, with her memoir forthcoming. Violet Kupersmith’s collection of stories The Frangipani Hotelwas published by Speigel & Grau, and her novel is forthcoming. They are both dear friends of mine, and it has been too long since I’ve seen their faces. The other thing we have in common is that we are mixed-race. Specifically, we have one Asian parent and one white parent. I’ve been told that equals accessible exotic. I want to ask Violet and Kira how they deal with this and how it affects them as writers.
Rowan Hisayo Buchanan: I never know what to call myself. At readings, people laugh at me when I get introduced as British-Japanese-Chinese-American, like it’s a punchline. I think, hey it’s not a joke. But I laugh too because I’m nervous. In Japan, I called myself hafu which is the accepted word there. I know lots of Americans say hapa—but I’m nervous about my right to take something from Hawaiian Islander culture. I grew up saying halfie, which I worry is too cute—but it is at least mine. So these days, I go back to halfie.
Violet Kupersmith: I’m half-Vietnamese and half-white. My mother’s family came to America on a boat in the seventies. My father’s side is all mixed European potato genes. I remember being really excited when the term “hapa” first started getting circulated, because it was finally a real label I could apply to myself after growing up having to just check the “other” box on all my paperwork. But I still feel a little squirmy referring to myself as hapa out loud because, like you said, it’s from Hawaiian Islander culture.
T Kira Madden: I am Hawaiian so I’m used to “hapa! hapa haole!”…
Biracial individuals frequently go through a search for identity, a struggle to choose an identity and finally to accept their inherent multiplicity. They identify with more than one racial group, and their sense of self remains constant across racial contexts. In childhood, they often find their appearance different from other children. As they age, biracial individuals grow more aware of their racial heritage, and run the risk of falling into the borderlines of identities. Drawing upon models from Kerwin and Ponterotto and Poston, as well as Root’s theory of the development of identity in biracial individuals, this chapter attempts to demonstrate how the protagonist in Caucasia develops her identity when facing racial differences. This chapter explicates the protagonist’s self-consciousness about her invisibility when experiencing an identity crisis while passing for Jewish. Her search for identity, her realisation, and eventually the embracing of her both- and identity is included. Finally, the chapter concludes with a discussion of how the significance, diversity, and complexity of the experiences of biracial individuals may challenge the social construct of race. Based on a more flexible post-ethnic perspective, race is viewed as being more performative than biological.
Biracial Americans constitute a larger portion of the U.S. population than is often acknowledged. According to the U.S. Census, 8.4 million people or 2.6% of the population identified with two or more racial origins in 2016. Arguably, these numbers are misleading considering extensive occurrences of interracial pairings between Whites and minority racial groups throughout U.S. history. Many theorists posit that the hypodescent principle of colorism, colloquially known as “the one drop rule,” has influenced American racial socialization in such a way that numerous individuals primarily identify with one racial group despite having parents from two different racial backgrounds. While much of social science literature examines the racial identification processes of biracial Americans who identify with their minority heritage, this article focuses on contextual factors such as family income, neighborhood, religion, and gender that influence the decision for otherwise African/Asian/Latino/Native Americans to identify as White.
Ronald E. Hall, Professor of Social Work Michigan State University
On the cusp of Western civilization, Caucasians aspired to a racial world order defining Caucasian as superior race status. Today, racial diversity is a societal theme facilitated by laws, which deems racial equality a right and racial discrimination illegal. Nevertheless, by globalization, a racial world order exists by locating light skin at the zenith of humanity. As pertains to the globalization of light skin, culture and social criteria are most significant considering the demands of a racist racial hierarchy. The existence of such a hierarchy by replacing racism with colorism then necessitates moving beyond race category. Critical race theory (CRT) per light skin as new world order must defer to critical skin theory (CST). Colorism per CST operates identical in manner to racism per CRT. CST must then be elevated to priority over CRT such that the future of humanity may be rescued from the tenacious transgressions of a racist societal past.
