Mixed Race Studies

Jewish Uses and Abuses of Martin Luther King’s Memory

Forward
2016-01-18

Jared Jackson, Founder/Executive Director
Jews in ALL Hues

Four years ago, I made a promise to myself: I would not accept any more invitations to speak to the Jewish community on Martin Luther King weekend. Since then, I have dutifully kept that promise. But this year, I’m breaking it.

Here’s the thing: I used to love MLK weekend. In fact, I still have a deep love for it. The service projects, the gathering of people from different religious and humanistic traditions, and learning just a bit more about the civil rights era from people who were there — it was always a time I could look forward to. As a Jewish professional, I noticed that this was also the time when many communities reached out to Jewish leaders of color for speaking engagements. And I used to go to those events and speak to some of those communities.

Then I realized how many Ashkenazi Jewish communities take credit for a social justice heritage to which they are not currently contributing. It’s fine to have an event honoring the legacy of Jewish involvement in the civil rights era, so long as there is a clear plan to continue the work that King, Abraham Joshua Heschel and many others started…

Read the entire article here.

Trace: Memory, History, Race, and the American Landscape

Counterpoint Press
2015-11-10
240 pages
5.5 x 8.25
Hardcover ISBN: 9781619025738

Lauret Savoy, Professor of Environmental Studies and Geology
Mount Holyoke College, South Hadley, Massachusetts

An environmental historian traces her mixed ancestry by reading both the land and the blistering record of race in America

Sand and stone are Earth’s fragmented memory. Each of us, too, is a landscape inscribed by memory and loss. One life-defining lesson Lauret Savoy learned as a young girl was this: the American land did not hate. As an educator and Earth historian, she has tracked the continent’s past from the relics of deep time; but the paths of ancestors toward her—paths of free and enslaved Africans, colonists from Europe, and peoples indigenous to this land—lie largely eroded and lost.

In this provocative and powerful mosaic of personal journeys and historical inquiry across a continent and time, Savoy explores how the country’s still unfolding history, and ideas of “race,” have marked her and the land. From twisted terrain within the San Andreas Fault zone to a South Carolina plantation, from national parks to burial grounds, from “Indian Territory” and the U.S.-Mexico Border to the U.S. capital, Trace grapples with a searing national history to reveal the often unvoiced presence of the past.

In distinctive and illuminating prose that is attentive to the rhythms of language and landscapes, she weaves together human stories of migration, silence, and displacement, as epic as the continent they survey, with uplifted mountains, braided streams, and eroded canyons.

Dearth of Faculty Diversity Leaves King Award Recipient ‘Neither Thrilled Nor Honored’

The Chronicle of Higher Education
2016-01-20

Eric Kelderman

Naomi Zack is one of just six people scheduled to receive a University of Oregon award on Wednesday honoring the Rev. Martin Luther King Jr.

But the philosophy professor expressed mixed feelings about what the award means at a university where so few of her colleagues are minorities.

Ms. Zack, who describes herself as multiracial, said there are no women who identify as black in the College of Arts and Sciences and only two women of color, including herself, who qualify as full professors in the entire university. The other woman, she said, is the university’s vice president for equity and inclusion, Yvette M. Alex-Assensoh.

“I am neither thrilled nor honored to receive” the award, Ms. Zack plans to say, according to a copy of her prepared remarks. “I am embarrassed.”

“The absence of African-American senior faculty in what presents itself as a world-class research institution is an embarrassment for all members of our community,” the text reads…

Read the entire article here.

Misty Copeland, Brooklyn Mack coming to Columbia

The State
Columbia, South Carolina
2016-01-19

Erin Shaw

Misty Copeland

The principal ballerina and former Columbia dancer to speak at ballet fundraiser

Misty Copeland, one of the most famous ballerinas in the country, will appear in Columbia with professional ballet dancer and South Carolina native Brooklyn Mack for a fundraiser benefitting two of the city’s ballet companies.

Columbia Classical Ballet and Columbia City Ballet are jointly organizing a March 15 luncheon, for which costs and profits will be split evenly among both companies.

Copeland and Mack will speak about the arts at the ticketed event, which will have seating available for the public.

…Copeland has danced for American Ballet Theatre — one of the top companies in the country — since 2000, when she was the only African American woman in a company of 80 dancers.

In June 2015, she was promoted to principal dancer, making her the first African American woman to ever be promoted to the position in the company’s 75-year history…

Read the entire article here.

She Loved Baseball: The Effa Manley Story

Balzer + Bray (an imprint of HarperCollins)
2010-10-19
32 pages
8.5 in (w) x 11 in (h) x 0.25 in (d)
Hardcover ISBN: 9780061349201
eBook ISBN: 9780062184801

Audrey Vernick

Illustrated by Don Tate

Effa always loved baseball. As a young woman, she would go to Yankee Stadium just to see Babe Ruth’s mighty swing. But she never dreamed she would someday own a baseball team. Or be the first—and only—woman ever inducted into the Baseball Hall of Fame.

From her childhood in Philadelphia to her groundbreaking role as business manager and owner of the Newark Eagles, Effa Manley always fought for what was right. And she always swung for the fences.

From author Audrey Vernick and illustrator Don Tate comes the remarkable story of an all-star of a woman.

America Is Not Post-Racial: Xenophobia, Islamophobia, Racism, and the 44th President

Praeger
September 2015
170 pages
6.125 x 9.25
Hardcover ISBN: 978-1-4408-4125-5
eBook ISBN: 978-1-4408-4126-2

Algernon Austin, Senior Research Fellow
Center for Global Policy Solutions, Washington, D.C.

This book is the first in-depth examination of the 25 million Americans with the most intense hatred of President Obama—arguably the most Republican-friendly of recent Democratic presidents—and what the mindsets of these “Obama Haters” teach us about race and ethnicity in America today.

Despite the fact that President Obama was raised by a white mother and white grandparents, and has two degrees from Ivy League universities, he has still been subject to intense racial hatred from a large number of Americans. Even after Obama’s presidency, the “Obama Haters”—and their xenophobia, Islamophobia, and racism—will continue to shape American politics.

America is certainly not post-racial, argues author Algernon Austin, PhD, a noted sociologist and author on racial issues who consults on race, politics, and economics in Washington, DC. In this book, he uses the Obama Haters as an appropriate jumping-off point to consider what strategies might begin to reduce racial animosity in the United States—a real concern, considering that demographic trends are likely to exacerbate and escalate race-based hatred in our society.

Austin sets the stage for the discussion by establishing that President Obama is hardly liberal in the eyes of liberal political activists, raising the question of why Obama is so intensely hated by some conservatives. He then compares the views of the Obama Haters—estimated to be some 25 million strong—with conservatives, moderates, and liberals who are not Obama Haters. The author shows how the Obama Haters are distinctly more xenophobic, Islamophobic, and racist than political conservatives who are not Obama Haters, underscoring the fact that the Obama Haters are motivated by more than just conservatism.

Features

• Offers a critique of Obama from the left on his health insurance reform, judicial and political appointments, civil liberties policies, educational reforms, and strategy for dealing with African American concerns
• Presents hard data showing that Obama Haters are so extreme in their conservatism and in their anti-immigrant, anti-Muslim, and anti-black attitudes that in comparison, Tea Party supporters appear to be moderate
• Boldly identifies strategies for dealing with white racial anxiety about a diversifying America
• Provides empirically derived estimates of the percentage of the American public with strong anti-black, anti-Latino, anti-immigrant, and anti-Muslim attitudes

UNF professor explores the impact of skin tone on the everyday lives of African-American women

The Florida Times-Union
2016-01-18

Rhema Thompson

JeffriAnne Wilder always knew African-Americans came in many shades. She saw it in her own family, from her light-skinned older sister to her two dark-skinned brothers. Her complexion fell somewhere in the middle.

“I saw the variation at home, but I didn’t place any value on it,” she recalled.

Around age 10 that began to change. She noticed the light-skinned girls in her predominantly black Cleveland elementary class seemed to be treated differently. Other students seemed enamored by their creamy complexions and wavy hair.

Decades later, that sentiment hit closer to home when she became pregnant with her daughter.

“I had lots of people just assume because my ex-husband is biracial and light-skinned with green eyes that she was going to be light-skinned, too,” she said. “ ‘Oh, you’re going to have the prettiest daughter. She’s going to be so pretty. She’s going to be light and blah, blah, blah,’ and I remember telling people ‘What happens if she’s not light-skinned? What if she ends up like me?’ ”

Now, an associate sociology professor at the University of North Florida and director of the school’s new Institute for the Study of Race and Ethnic Relations, Wilder is sharing her observations and the experiences of 66 other black women in her first published book “Color Stories.”…

Read the entire article here.

Demonizing a President: The “Foreignization” of Barack Obama

Praeger
August 2014
253 pages
6.125 x 9.25
Hardcover ISBN: 978-1-4408-3055-6
eBook ISBN: 978-1-4408-3056-3

Martin A. Parlett

This groundbreaking political exposé scrutinizes the motivations behind the unparalleled attacks on President Barack Obama that attempt to undermine his eligibility to lead the country.

The ascendancy of the first African American president was a watershed moment in American history. In response, President Obama’s adversaries have engaged in relentless and systematic mudslinging throughout his campaign and well into his presidency, “othering” him as a foreign and dangerous political figure. Never before has a presidential candidate been so maligned, by so many, in such a variety of ways—and yet won. This provocative study investigates the unrest behind the Obama campaign and election, and the controversial political machine that causes it.

Martin A. Parlett, himself a former campaigner for Barack Obama, examines the role identity politics and racialization play in the anti-Obama movement, shows how foreignization is the latest tool for political dissent, and discusses the ways in which the president has successfully utilized the “outsider” label to his own advantage. The book questions the popular—and often contradictory—notions of Obama as illegitimate, Muslim, Marxist/Communist, socialist, Kenyan, terrorist, and angry African American. Additionally, chapters trace political marginalization and race throughout history from slavery to Reconstruction to the Civil Rights Movement, concluding with the culture of distrust in the American political psyche since the events of September 11, 2001.

Features

• Analyzes the tactics used by political adversaries to undermine the presidency
• Considers the mass of literature and filmography which proliferates narratives of the president’s foreignization and offers a counter-position
• Examines the rhetorical frames and motivations of Obama’s foreignization
• Provides insight into the motivations surrounding Obama-era conspiracy theories, such as the Birther movement
• Underlines the post-20th century emergence and maintenance of an increasingly polarized electoral climate

Color Stories: Black Women and Colorism in the 21st Century

Praeger
October 2015
198 pages
6.125 x 9.25
Hardcover ISBN: 978-1-4408-3109-6
eBook ISBN: 978-1-4408-3110-2

JeffriAnne Wilder, Associate Professor of Sociology
University of North Florida, Jacksonville, Florida

Colorism continues to impact women of African descent in a new generation and century.

This book offers an in-depth sociological exploration of present-day colorism in the lives of black women, investigating the lived experiences of a phenomenon that continues to affect women of African descent.

Race still matters. And for black women, the related issues of skin tone are just as important today as in decades past. Part cultural commentary, part empirical analysis, this book offers a compelling study and discussion of colorism—a widely discussed but understudied issue in “post-racial” America—that demonstrates how powerful a factor skin color remains in the everyday lives of young black women. Author JeffriAnne Wilder conducted interviews with dozens of young black women about the role of colorism in their everyday lives. Collectively, these findings offer a compelling empirical and theoretical analysis of colorism in key areas of 21st-century life, including within family and school settings, in the media, and in intimate relationships.

The culmination of nearly two decades of the author’s deep entrenchment in colorism studies, Color Stories: Black Women and Colorism in the 21st Century provides a new perspective on a controversial issue that has been a part of black culture and academic study for generations by exploring how the contemporary nature of colorism—from Facebook to the First Lady to Beyoncé—impacts the ideas and experiences of black women. This work serves as essential reading for anyone interested in learning more about the historical and contemporary significance of colorism in modern-day America, regardless of the reader’s race, sex, or age.

Features

• Presents a contemporary sociological analysis of the issue of skin-tone prejudice and discrimination and the unique social and cultural implications for black women in today’s society
• Provides readers with a vocabulary for understanding and discussing the unique features and characteristics of colorism in the 21st century
• Supplies scholarly analysis balanced with thought-provoking testimony from more than 60 black women between the ages of 18 and 25 on how color matters in their daily lives
• Offers concrete strategies for change and empowerment in dismantling the paradigm of colorism

Playwright Adrienne Dawes imagines an dystopian future — with humor

Austin American-Statesman
Austin, Texas
2016-01-16

Jeanne Claire van Ryzin, Arts Critic

Adrienne Dawes (Laura Skelding)

Adrienne Dawes donned denim recently when she stopped by Salvage Vanguard Theater for a rehearsal of her latest play to debut at the indie East Austin venue.

“Denim Doves” opens this weekend.

The play has been several years in development, but that the dystopian future world Dawes and her collaborators imagined is populated with people wearing all denim — well, that detail was decided on from the beginning…

…Dawes, a native Austinite, spent three years training and performing with Chicago’s famed Second City comedy troupe after college in New York. Under her “Heckle Her” production company, Dawes devises sketch comedy shows like the upcoming “Love Me Tindr,” a musical spoof of the online dating app, which opens Valentine’s Day weekend in Salvage Vanguard’s studio theater.

Dawes’ trenchant and intense drama “Am I White”, which played at Salvage Vanguard in October 2014, netted the David Mark Cohen New Play Award from the Austin Critics Table Awards.

A sharp and gutsy look at racial identity, “Am I White” is based on the real-life story of convicted felon Leo Felton, a white supremacist who hid his own biracial identity while plotting to bomb public sites.

Lauded by local critics, “Am I White” is currently being considered for production by theater companies around the country.

Dawes, who is herself of mixed race, spent years working on “Am I White,” and an early workshop version attracted the attention of the incarcerated Felton, who emailed Dawes from prison. Though Dawes exchanged a few emails with Felton during the development of “Am I White,” she declined to continue communication with him after the play’s premiere.

“The play is my creation, not his story,” she says with finality…

Read the entire article here.