• Race (Part 1)

    The Chronicle of Higher Education
    Blog: Brainstorm—Ideas and culture.
    2012-04-09

    David Barash, Professor of Psychology
    University of Washington, Seattle

    Here’s a delicate subject, especially given the nationwide anguish over what appears to have been the cold-blooded, racially lubricated if not racially motivated murder of Trayvon Martin: race itself. More specifically and more delicately: whether race is a “socio-cultural construct.” My response, and one that may well disappoint and annoy many readers, regardless of their ideology (but perhaps especially my fellow travelers on the left): It is and it isn’t, but mostly isn’t. That is to say, an objective, science-based look at the subject and at its use in other contexts requires us to conclude that race is both socially constructed and biologically “real,” but probably more the latter than the former.

    Of course, in the old days of racist pseudoscience, it was universally assumed that the human races were genuine biological entities, and moreover, that they were linearly arrayed with whites on top, then Asians, then blacks at the bottom. From that bizarre and altogether unscientific misuse of biology, there was, not surprisingly, a backlash that went overboard in the other direction, maintaining as a matter of faith that there is simply no such thing as human races, that they are purely an arbitrary figment of our sociocultural proclivities. Sad to say, this is arrant nonsense … just as was the earlier insistence that the human races could be evaluated in terms of “modernity,” “distance from the apes,” or simply, “degree of advancement” or “intelligence.”

    If we’re going to talk about the alleged reality or unreality of human races, we need first to discuss the meaning of “race” itself. When biologists talk about races in other species, they are essentially concerned with a convenient grouping of individuals that comprise phenotypically distinguishable populations characterized by some consistent genetic differences between themselves and other, comparable populations, and that typically inhabit different geographic regions, and are therefore normally prevented from interbreeding (which was essential to the initial distinctiveness of each race in the first place). Of course, human races are all capable of interbreeding; hence, we know for certain that they are all members of one species, Homo sapiens. Moreover, we are not restricted to separate, non-overlapping (“allopatric”) populations. Nonetheless, there is no question that what are generally identified as different human races have historically been allopatric, with much of the geographic and genetic mixing being a comparatively recent phenomenon…

    …When Barack Obama identifies himself similarly, only an idiot would deny him the right to make such a self-designation. Clearly the President had a choice, and thus his identification as “black” is also to some degree a socio-cultural decision: his. But equally clearly, it was made possible by the fact that his biological father was black (which is why, incidentally, the president noted that if he had a son, he would “probably look like” Trayvon). On the other hand, if Obama’s mother had reproduced with someone as Caucasian as she was, their offspring would most certainly have been Caucasian, not black. Moreover, when Toni Morrison called Bill Clinton our “first black president,” it was obvious to everyone that she was speaking allegorically: Bill Clinton is no more African-American than Trayvon Martin was Caucasian…

    Read the entire article here.  Read “Playing With Fire: Race (Part 2)” here.

  • Plaque honour for ‘first black star’ Elisabeth Welch

    BBC News
    2012-02-27

    The singer Elisabeth Welch is to be commemorated with an English Heritage blue plaque in south-west London.

    She is the second black woman to be honoured with a blue plaque in London.

    It will be unveiled in Ovington Court, Kensington, which was her home during the 1930s when she rose to fame on the cabaret circuit.

    The performer died aged 99 in 2003 and has been described as “Britain’s first black star”.

    Paul Reid, Director of Black Cultural Archives said it was “an important moment for black heritage”.

    Welch was born in New York in 1904, but lived in London for 70 years…

    …The first black woman to be honoured with a plaque was the nurse Mary Seacole in 2005…

    Read the entire article here.

  • American Indian Identity and Blood Quantum in the 21st Century: A Critical Review

    Journal of Anthropology
    Volume 2011 (2011)
    Article ID 549521
    9 pages
    DOI: 10.1155/2011/549521

    Ryan W. Schmidt
    Department of Anthropology
    University of Montana

    Identity in American Indian communities has continually been a subject of contentious debate among legal scholars, federal policy-makers, anthropologists, historians, and even within Native American society itself. As American Indians have a unique relationship with the United States, their identity has continually been redefined and reconstructed over the last century and a half. This has placed a substantial burden on definitions for legal purposes and tribal affiliation and on American Indians trying to self-identify within multiple cultural contexts. Is there an appropriate means to recognize and define just who is an American Indian? One approach has been to define identity through the use of blood quantum, a metaphorical construction for tracing individual and group ancestry. This paper will review the utility of blood quantum by examining the cultural, social, biological, and legal implications inherent in using such group membership and, further, how American Indian identity is being affected.

    1. Introduction

    Identity in American Indian communities and the ability to define tribal membership has continually been a subject of contentious debate. To obtain federal recognition and protection, American Indians, unlike any other American ethnic group, must constantly prove their identity, which in turn, forces them to adopt whatever Indian histories or identities are needed to convince themselves and others of their Indian identity, and thus their unique cultural heritage. Is there an appropriate means to recognize and define just what and who is an Indian? Should it be necessary for federal officials and tribes to continually reconstruct definitions to suit the present sociopolitical climate for American Indian identity? These questions need to be answered in light of American Indian identity politics, including how race serves as a basis for the exclusion or inclusion of “mixed bloods” within tribal communities and the United States society as a whole. In this context, identity has become one of the great issues of contestation in an increasingly multicultural and “multiracial” society.

    One approach to answer these complex questions since initial contact between Native American tribes and European Americans has been to define identity through the use of blood quantum, a metaphorical, and increasingly physiological construction for tracing individual and group ancestry. Initially used by the federal government to classify “Indianness” during the late 1800s in the United States, many American Indian tribes have adopted the use of blood quantum to define membership in the group. This paper will explore the utility of blood quantum by examining the cultural, biological, political, and legal implications inherent through such a restricted use of group membership. In addition, blood quantum (and other genetic methods) as a way of tracing descent will be critiqued in favor of adopting a cultural-specific approach that allows inclusive membership and criteria not based upon one’s genetic and biophysical makeup. By reducing the reliance on blood quantum to define membership, American Indians can start moving away from an imposed racial past which was artificially created in the first place…

    Read the entire article in HTML or PDF format.

  • The Indians and the Metis: genealogical sources on Minnesota’s earliest settlers

    Minnesota History Magazine
    Volume 46, Number 7 (Fall 1979)
    pages 286-296

    Virginia Rogers

    Editors Preface

    GENEALOGISTS have long hesitated to do research on Minnesota’s Indian and métis or mixed-blood population. The fact that Indian and related métis peoples participated in a largely ond culture may have convinced them that few sources were available. Even historians, although aware of the existing sources, have shunned a study which appeared to them to have little value for the writing of general history. In spite of such common prejudices, institutions like the Minnesota Historical Society for a long time have been accumulating resources of real value in genealogical studies of Indians and métis.

    What written records are available on people who left few written records of their own? What are the specific problems involved in doing genealogical research on Indian and métis families? How can research on individual members of the Indian and métis communities aid in understanding the culture to which they belonged? We hope that in examining the pages that follow, readers of Minnesota History, whatever their ethnic, cutural, or professional background, will be stimulated to take an increasing interest in an area of genealogical research that has been ignored too long. In the process, perhaps they will become aware of the special value of genealogical research for all students of history.

    THE STUDY of ordinary individuals of the past is a fairly new interest in the United States. Generalizations about how the individual farmer or farmwife or worker lived centuries ago may have long interested people, but the facts of the individual’s life and the specifics of his familyy relationships, except in the case of the great or famous, was until recent years the province of the genealogist and the local historian…

    Read the entire article here.

  • A Seminole Warrior Cloaked in Defiance

    Smithsonian Magazine
    October 2010

    Owen Edwards

    A pair of woven, beaded garters reflects the spirit of Seminole warrior Osceola

    Infinity of nations,” a new permanent exhibition encompassing nearly 700 works of indigenous art from North, Central and South America, opens October 23 at the George Gustav Heye Center in New York City, part of the Smithsonian’s National Museum of the American Indian (NMAI). The objects include a pair of woven, beaded garters worn by Billy Powell of the Florida Seminole tribe.
     
    Billy Powell is hardly a household name. But his Seminole designation—Osceola—resonates in the annals of Native American history and the nation’s folklore. Celebrated by writers, studied by scholars, he was a charismatic war leader who staunchly resisted the uprooting of the Seminoles by the U.S. government; the garters testify to his sartorial style.
     
    Born in Tallassee, Alabama, in 1804, Powell (hereafter Osceola) was of mixed blood. His father is thought to have been an English trader named William Powell, though his­torian Patricia R. Wickman, author of Osceola’s Legacy, believes he may have been a Creek Indian who died soon after Osceola was born. His mother was part Muscogee and part Caucasian. At some point, likely around 1814, when he and his mother moved to Florida to live among Creeks and Seminoles, Osceola began to insist he was a pure-blood Indian.
     
    “He identified himself as an Indian,” says Cécile Ganteaume, an NMAI curator and organizer of the “Infinity of Nations” exhibition…

    …“He was a bit flamboyant,” says historian Donald L. Fixico of Arizona State University, who is working on a book about Osceola. “Someone in his situation—a man of mixed blood living among pure-blood Seminoles—would have to try hard to prove himself as a leader and a warrior. He wanted to draw attention to himself by dressing in a finer way.”…

    Read the entire article here.

  • Real Indians and Others: Mixed-Blood Urban Native Peoples and Indigenous Nationhood [Review by Steve George]

    Ethnicities
    Volume 27, Number 2 (2005)
    Pages 272–274

    Steve George
    Memorial University, St. John’s, Newfoundland

    Real Indians and Others: Mixed-Blood Urban Native Peoples and Indigenous Nationhood. By Bonita Lawrence. (Vancouver: University of British Columbia Press, 2004. Pp. 303, bibliography, index, ISBN 0-7748-1103 -X)

    The title of Lawrence’s book is as direct as it is provocative. The book’s title states the book’s purpose to examine the central and perhaps most volatile question in Aboriginal communities today: “Who is an Indian?” In 2003, Lawrence edited Strong Women Stories: Native Vision and Community Survival (Sumach Press) with Kim Anderson and in many respects this new work is a continuation of the voices heard in that book. Lawrence is a Mi’kmaq scholar whose research at Queen’s University, and more recently at York University, has concerned how “Indian/nativeness” is defined in Euro-Canadian and Native contexts, from within historical and legal paradigms as well as within native communities across Canada.

    Bonita Lawrence’s work is a continuation of powerful works like Howard Adams’ Prison of Grass (1975) and Maria Campbell’s Half-Breed (1973) and more recent works by Joseph Bruchac, Bowman’s Store (Lee & Low Books, 2001) and Warren Carriou’s, Lake of the Prairies (Anchor, 2003). It has the depth of these works because we read mixed-blood peoples’ voices directly from the page. The importance of these voices lies in how each of these persons tells their stories, relates their experiences, and shares their family and community histories. Lawrence’s style of writing is easy to read while her research approach is organic in its having informants speak for themselves.

    As a mixed-blood Mi’kmaw, I read this book from both a very personal level of experience as well as from an academic one, as a Masters graduate student in Folklore. In Canada the subject of mixed-blood Native people remains a controversial one from within native communities and from without, in the large urban centres across the country. Lawrence has interviewed several mixed-blood informants to tell stories that show the different kinds of experiences mixed-bloods have had in the city of Toronto and across North America. Some of these narratives involve pain, abuse, neglect, and lack of self worth, while others involve stories of empowerment, community involvement, and survival. Each one of the informants speaks from life experiences that involve a mix of acceptance and non-acceptance of their “Indian/nativeness,” both from within themselves, from their families as well as from different native communities. The responses interviewees give Lawrence are direct and bear fruit to the underreported and underwritten subject of mixed-blood Native peoples…

    Read the entire review here.

  • Navigating Interracial Borders: Black-White Couples and Their Social Worlds

    Rutgers University Press
    2005-05-18
    264 pages
    Paper ISBN: 978-0-8135-3586-9
    Cloth ISBN: 978-0-8135-3585-2
    eBook ISBN: 978-0-8135-3757-3

    Erica Chito Childs, Associate Professor of Sociology
    Hunter College, City University of New York

    Is love color-blind, or at least becoming increasingly so? Today’s popular rhetoric and evidence of more interracial couples than ever might suggest that it is. But is it the idea of racially mixed relationships that we are growing to accept or is it the reality? What is the actual experience of individuals in these partnerships as they navigate their way through public spheres and intermingle in small, close-knit communities?

    In Navigating Interracial Borders, Erica Chito Childs explores the social worlds of black-white interracial couples and examines the ways that collective attitudes shape private relationships. Drawing on personal accounts, in-depth interviews, focus group responses, and cultural analysis of media sources, she provides compelling evidence that sizable opposition still exists toward black-white unions. Disapproval is merely being expressed in more subtle, color-blind terms.

    Childs reveals that frequently the same individuals who attest in surveys that they approve of interracial dating will also list various reasons why they and their families wouldn’t, shouldn’t, and couldn’t marry someone of another race. Even college students, who are heralded as racially tolerant and open-minded, do not view interracial couples as acceptable when those partnerships move beyond the point of casual dating. Popular films, Internet images, and pornography also continue to reinforce the idea that sexual relations between blacks and whites are deviant.

    Well-researched, candidly written, and enriched with personal narratives, Navigating Interracial Borders offers important new insights into the still fraught racial hierarchies of contemporary society in the United States.

    Table of Contents

    Acknowledgments
    Introduction: The Interracial Canary
    1. Loving across the Border: Through the Lens of Black-White Couples
    2. Constructing Racial Boundaries and White Communities
    3. Crossing Racial Boundaries and Black Communities
    4. Families and the Color Line: Multiracial Problems for Black and White Families
    5. Racialized Spaces: College Life in Black and White
    6. Black_White.com: Surfing the Interracial Internet
    7. Listening to the Interracial Canary
    Appendix: Couples Interviewed
    Notes
    Bibliography
    Index

  • The Mixed-race MilkBite™

    Brad’s Blog: musings on sociology, religion, higher ed, and whatever else is going on in my life
    2012-04-16

    Bradley Koch, Assistant Professor of Sociology
    Georgia College & State University

    Here are a few commercials for the new MilkBite™ from Kraft. They play on stereotypes about mixed-race individuals.

    There are other spots on Kraft’s YouTube page, most playing on these same themes. The problem with a marketing campaign like this is that it trivializes the experience of people with multiple racial/ethnic identities who are still often met with derision and confusion. The first ad above perpetuates the self-fulfilling prophecy about “confused” identities. As a child, I remember my own parents telling me that they didn’t have a problem with interracial couples but worried about how others might react to their children. The second ad exotifies (exoticizes?) mixed-race identities…

    Read the entire essay here.

  • Film Review: Marley

    Film Journal International
    2012-04-18

    Marsha McCreadie

    Marley, the documentary by Oscar-winning Kevin Macdonald about the legendary musician and national and international symbol for individual rights, should sparkle and sing—OK, there’s some of that—but it just sort of hums along. Maybe you can’t catch this particular lightning in a bottle, but there might be another way than this respectful, straightforward, admiring approach.

     If anyone could display the spectacular yet contradictory parts of Bob Marley—a multi-talented half-black/half-white womanizer who loved spiritually and pan-nationally; a mesmerizing performer who was a quiet guy; a pride-instiller for his dirt-poor country and religious proselytizer who lived by his own rules—it should be Macdonald. The Oscar-winning British director made the tyrant Idi Amin likeable and the charming James McAvoy despicable in The Last King of Scotland; he set our hearts to pounding with the jarring edit of massacred Israeli Olympians in One Day in September. Marley is thorough, revelatory and completely fair-minded. It’s just not very exciting. Wrong for Bob Marley…

    …The Marley family-approved doc includes rare, candid interviews with his children (well, two of the eleven), and three—wait, four—of his seven women. Marley comes across as introspective, also extremely competitive (one too many shots of him at soccer), emphasizing the psychoanalytic angle that he was so driven because he never really knew his white father, married to his mother Cedella but mainly absent until he died when Bob was 10. We see a photo of Norval Marley, learn what little there is to know about this British Marine captain, and find that Bob always saw himself as an outsider: never part of the white community nor of the black, as he was considered a half-caste, not black enough. In the black Jamaican community, it was rumored his white half caused his melanoma, from which he died at 36…

    Read the entire review here.

  • The Legend of Marley: Kevin Macdonald considers reggae, Rasta and politics in new documentary

    Film Journal International
    2012-04-19

    Doris Toumarkine

    It’s taken several decades and faced many frustrating setbacks, but a richly documented and worthy film about the late reggae superstar Bob Marley has at last been realized.

    Previously attached to Martin Scorsese and Jonathan Demme, Marley has been brought to life by Oscar-winning Scottish director Kevin Macdonald (One Day in September), who was persuaded to board the project by executive producer Chris Blackwell, the man who signed Marley to his influential Island Records label.

    Just as important, Hollywood producer/financier Steve Bing’s money kicked in (through his Shangri-La Entertainment) and Marley’s family finally acceded to full cooperation and access after much dissension. Marley’s son Ziggy is an exec producer and Bing is a producer.

    Expectations are no doubt soaring high for this first full-blown documentary, not just for hard-core Marley and reggae fans but for all those who value pop music and its evolution as integral to Western culture.

    Providing a wealth of visual material, music and testimony from talking heads close to Marley, the Magnolia release initially conveys the artist’s extreme poverty in his native Jamaica, where he grew up the mixed-race son of a teenage black mother and older, largely absent white British father, a military man who sailed the seas or just plain drifted…

    …Maybe not everything was captured. Marley had a reputation for the wandering eye (he had 11 children) and smoked a lot of weed, aka ganja, but Marley mostly stays clear of those topics.

     More to the point, the doc provides a wealth of music and suggests why the Marley reggae sound caught on so big. Music abounds, including hits from the album Exodus and the reggae smash “No Woman, No Cry,” whose rhythms were unique because, as the doc shows, Marley shifted the traditional beats…

    …So what was the most surprising thing Macdonald learned about Marley?

     “I discovered how Marley was such an outcast, such an outsider even in his native country,” he replies. “As a mixed-race man, he was never really respected and he was even looked down upon because he was a Rastafarian. Yet he found his identity as a Rasta and when he became successful, everything changed.”…

    Read the entire review here.