Mixed Race Studies

Speak, So I Might See You! Afro-German Literature

World Literature Today
Volume 69, Number 3, Multiculturalism in Contemporary German Literature (Summer, 1995)
pages 533-538

Leroy T. Hopkins, Professor of German
Millersville University, Millersville, Pennsylvania

In  recent decades Germany has struggled with the reality of being a multicultural society. The influx of political and economic refugees from Asia and Africa as well as growing friction between resident aliens euphemistically termed “Gastarbeiter” (guest workers) and the German population have created a political atmosphere conducive to neofascist and nationalistic elements expounding xenophobic policies. Simultaneously, the presence of diverse cultural, racial, and ethnic groups has created opportunities for literary perspectives that can diversify and enrich German culture. One such new perspective is that of race.

In and of itself, the German discussion of race is certainly no novelty. At least since the Age of Discovery and the first modem contacts with people of color, Europeans and Germans in particular have been so fascinated by exotic areas of the world that they collected flora and fauna from those regions to “adorn” their courts, museums, and universities and slake their hunger for the supposedly curious and bizarre. The growth of the slave trade and the resultant agitation to abolish it in the Atlantic world had a counterpart in the German states, where individuals such as Alexander von Humboldt and Johann Friedrich Blumenbach either spoke against the slave trade or extolled the numerous achievements of Africans.

In the eighteenth and nineteenth centuries the slave narratives, autobiographical statements from individuals who had removed themselves from bondage, played a central role in the international struggle against slavery: the victim served a double function. First, the acquisition of literacy demonstrated the ennobling impact of European education on the “primitive”; second, the inhumanity of slavery’ was verified in first-person narration. German receptivity for such accounts was not unproblematical. Although enthralled by Harriet Beecher Stowe’s fictionalized account of slave life, the German public was indifferent to the factual account presented by Frederick Douglass. The German translation of Douglass’s narrative of his life, published in 1860, appeared only in one edition and was not issued again until the GDR released a new translation in 1965. Uncle Tom’s Cabin, on the other hand, met with phenomenal success and sold over two million copies worldwide in just a single decade. This discrepancy in the respective receptions accorded to fictional and historical personages presages expectations about the African character (docility versus self-assuredness, object of pity versus autonomous individual, et cetera) that, fossilized by the German colonial experience and the pervasiveness of scientific racism, created a mind-set that would hinder rather than promote cross-cultural communication.

To discuss the perspective of race in contemporary German literature, it is worthwhile to focus on those writers associated with the programmatic efforts of the Afro-Germans, a heterogeneous, biracial group of individuals usually of German and African or African American heritage and born since 1945. In 1984 the late feminist author and scholar Audre Lorde presented a lecture and workshop in Berlin that apparently struck a resonant chord among the biracial women present. Lorde’s topic was African American and feminist literature. Allegedly the confrontation with African American literature and history led those present to call themselves “Afro-German” and to record “their-story.” The result has been organizational and publishing initiatives as well as a series of texts that include such disparate genres as lyric, film, essay, and rap. Perhaps the most interesting aspect in the evolution of Afro-German literature is the reception of the African American experience.

As an early step in their search for cultural identity the Afro-Germans organized a women’s group, ADEFA (for “Afrodeutschc Frauen” or Afro-German Women), and the ISD (for “Initiative Schwarze Deutsche” or Black German Initiative), with affiliated branches in major urban centers such as Berlin, Hamburg, Munich, Frankfurt, and Stuttgart. Perhaps recognizing the necessity of a major public campaign to attract the attention of a populace faded by over a generation of self-recrimination because of war crimes, the Afro-Germans turned to the mass media. Two provocative television broadcasts aired in 1986 and the energies released by Audre Lorde in Berlin culminated in the publication of Farbe bekennen: Afrodeutschc Frauen auf den Spuren ihrer Geschichie (Acknowledging Color Afro-German Women on the Trail of Their History). Part essay, pan oral history, this fascinating cross section of the Afro-German experience from the Wilhelminian empire up to the very recent past allowed bicultural women of color to reflect on the daily racism and sexism that have stalked them since childhood. As such, the selections are reminiscent of…

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Recasting Race after World War II: Germans and African Americans in American-Occupied Germany

University Press of Colorado
2007
320
9 b&w photos
Cloth ISBN: 978-0-87081-869-1

Timothy L. Schroer, Associate Professor of History
University of West Georgia

Historian Timothy L. Schroer’s Recasting Race after World War II explores the renegotiation of race by Germans and African American GIs in post-World War II Germany. Schroer dissects the ways in which notions of blackness and whiteness became especially problematic in interactions between Germans and American soldiers serving as part of the victorious occupying army at the end of the war.

The segregation of U.S. Army forces fed a growing debate in America about whether a Jim Crow army could truly be a democratizing force in postwar Germany. Schroer follows the evolution of that debate and examines the ways in which postwar conditions necessitated reexamination of race relations. He reveals how anxiety about interracial relationships between African American men and German women united white American soldiers and the German populace. He also traces the importation and influence of African American jazz music in Germany, illuminating the subtle ways in which occupied Germany represented a crucible in which to recast the meaning of race in a post-Holocaust world.

Recasting Race after World War II will appeal to historians and scholars of American, African American, and German studies.

Showing Her Colors: An Afro-German Writes the Blues in Black and White

Callaloo
Volume 26, Number 2, Spring 2003
pages 306-319
DOI: 10.1353/cal.2003.0045

Karein Kirsten Goertz, Lecturer of Germanic Language and Literature
University of Michigan

This essay undertakes a detailed analysis of May Ayim’s Blues in Schwarz Weiss and examines her development of what she terms Ayim’s “hybrid language”—an expressive poetic style in which African and German elements are not mutually exclusive but rather two interwoven strands that Ayim brings together to articulate the texture of her identity as a Black German. Goertz contends that Ayim’s use of complex forms of irony and displacement constitutes a sophisticated practice of “defamiliarization” that represents an important new signifying practice in German literary expression.

I am who I am, doing what I came to do, acting upon you like a drug or a chisel to remind you of your me-ness as I discover you in myself.
—Audre Lorde

That bird is wise, look. Its beak, back turned, picks for the present what is best from ancient eyes, then steps forward, on ahead to meet the future, undeterred.
—Kayper-Mensah

Through her poetry, essays and political activism. May Ayim sought to dissolve the socially and politically constructed borders that continued to exist after the fall of the Berlin Wall in 1989. To her, the post-unification “new German solidarity” with its nationalistic rhetoric of Heimat (homeland), Volk (the people) and Vaterland (fatherland) signaled a redrawing of the line between those who were considered part of the German collective and those who were not; the previous ideological and geopolitical faultline between Fast and West was being replaced by a division along ethnic lines. Afro-Germans and other ethnic minorities living in Germany recognized that “the new ‘We’ in ‘this our country’ did and does not make room for everyone.” Rather than feeling summoned by this newly constructed collective identity, they understood it to be a place of confinement or delimitation and exclusion: “ein eingrenzender und ausgrenzender Ort” (Ayim, “Das Jahr” 214). Ayim’s spatial description of the pronoun signals that the repercussions of its limited parameters are real and practical, as well as psychological. Unable to identify with the new definition of the first-person possessive pronoun, she invariably finds herself cast into its second-person negative.

The title poem of Ayim’s first poetry volume, Blues in Schwarz Weiß (Blues in Black and White), published in 1995, traces the process of marginalization along color lines, with German unification as one of its more recent manifestations. To explain the age-old dynamic between black and white, she references the African-American tradition of the blues: during the celebration of German unity, some rejoiced in white, while others mourned on its fringes in black—together they danced to the rhythm of the blues. The blues were born out of the experience of oppression, but, as Angela Davis points out, blues also offers the key to transcending the racial and gender imbalance…

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First Annual Convention Report: Black German Cultural Society NJ

Black German Cultural Society of New Jersey
German Historical Institute
Washington, D.C.
2011-08-19 through 2011-08-21
14 pages

By Priscilla Layne and S. Marina Jones

The First Annual Black German Cultural Society, NJ Convention was an important opportunity for scholars, students, and individuals personally affected by Afrogerman history and culture, from both sides of the Atlantic, to come together. Participants included numerous members of the Afrogerman community many of whom are themselves scholars, authors, filmmakers, and activists…

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Half-Blood Blues

Picador (an imprint of Macmillan)
2011-09-03
304 pages
8.5 X 5.5 X 0.9 in
Cloth ISBN:9780887627415
Paperback ISBN: ISBN: 9781250012708

Esi Edugyan

• Winner of the 2011 Scotiabank Giller Prize

Paris, 1940.  A brilliant jazz musician, Hiero, is arrested by the Nazis and never heard from again.  He is twenty years old.  He is a German citizen.  And he is black.

Fifty years later, his friend and fellow musician, Sid, must relive that unforgettable time, revealing the friendships, love affairs and treacheries that sealed Hiero’s fate.  From the smoky bars of pre-war Berlin to the salons of  Paris—where the legendary Louis Armstrong makes an appearance—Sid, with his distinctive and rhythmic German-American slang, leads the reader through a fascinating world alive with passion, music and the spirit of resistance.

Half-Blood Blues, the second novel by an exceptionally talented young writer, is an entrancing, electric story about jazz, race, love and loyalty, and the sacrifices we ask of ourselves, and demand of others, in the name of art.

African Diasporas: Afro-German Literature in the Context of the African American Experience

Lit Verlag
2006
144 pages
ISBN: 3-8258-9612-9

Aija Poikane-Daumke

This book investigates the development of Afro-German literature in the context of the African American experience and shows the decisive role of literature for the emergence of the Afro-German Movement. Various Afro-German literary and cultural initiatives, which began in the 1980s, arose as a response to the experience of being marginalized—to the point of invisibility—within a dominant Eurocentric culture that could not bring the notions of “Black” and “German” together in a meaningful way. The book is a significant contribution to the understanding of German literature as multi-ethnic and of the the transatlantic networks operating in the African Diasporas.

The threat of ‘woolly-haired grandchildren’: Race, the colonial family and German nationalism

The History of the Family
Volume 14, Issue 4 (2009-10-26)
The Domestic Frontier: European Colonialism, Nationalism and the Family
Pages 356-368
DOI: 10.1016/j.hisfam.2009.08.002

Matthew P. Fitzpatrick, Senior Lecturer in International History
Flinders University, Australia

The German colonial world was marked by an ostensibly self-evident boundary between the white ruler and the black ruled that situated Europeans and indigenous peoples as diametrically opposed and socially discrete. This situation, however, was problematised by the gendered and sexualised interactions between European and indigenous society. The result was often a slippage between the administrative attempts to create recognisably ‘German’ families (perceived in racial terms), and the antinomian realities of human relationships that transgressed racial lines. This in turn gave rise to reproductive anxieties in the face of a new liminal population of ‘half-castes’ (Mischlinge) that refused the white–black, master–slave dialectic of the colonial ideal. Many historians have recently attempted to link the troubled history of race relations in German Southwest Africa to the later history of Nazi anti-Semitism and genocide, by focusing on the apparent continuities between the Holocaust and the Herero–Nama wars. However, an alternative genealogy for the cthat refutes this genocidal continuity thesis is possible through an investigation of the origins and contents of the debates about the nature of the German colonial family and its relationship to German citizenship between 1904 and 1914.

Article Outline
1. Introduction: narrating the colonial family
2. ‘Coloured Germans’, ‘half castes’ and ‘Africans’
3. The biologically German family: From the periphery to the core
4. Conclusion
References

Germany’s ‘Brown Babies’: The Difficult Identities of Post-War Black Children of GIs

Speigel Online International
2009-10-13

Stephanie Siek

Rosemarie Pena’s identity document after her adoption. “Many of us never knew we were adopted, and many of us thought we were the only one,” Pena said. Her adoptive parents changed her name to Wanda Lynn Haymon. After discovering she was adopted, she reclaimed her birth name.

For many of the now-adult children of white German women and African-American GIs, adopted by families in the United States after World War II, the search for the truth has been difficult. Online communities are helping.

Rudi Richardson knew something about what it meant to be a black man in the United States. But after being deported to Germany, the country where he was born, shortly before his 47th birthday, he had to start figuring out what it meant to be black and German—in a land he barely remembered and whose language he didn’t speak.

He started life as Udo Ackermann, born in a Bavarian women’s prison in 1955. His mother, a Jewish woman named Liesolette, was serving a prison term for prostitution. His father, whom he never met, was an African-American serviceman named George. Rudi was given up for adoption.

Like thousands of other postwar children with black GI fathers and white German mothers, Richardson was raised by an African-American military family in the US. He has spent his life trying to find where he fits in.

Born in an era when Germany was still grappling with its responsibility for the Holocaust and when the US Army had a policy of not acknowledging paternity claims brought against its soldiers stationed abroad, some of these children were put up for adoption in the United States. At the time, Germany judged itself incapable of absorbing these “brown babies”—as they have come to call themselves. In the late 1940s and 1950s, efforts were made to match them with African-American military families, many of whom were stationed around Germany at the time…

…But Cardwell, who is writing a book about his experiences, has learned that his own story is not that simple. Brought to the United States as a four-year-old and adopted by an African-American couple in Washington D.C., he was raised believing that he was a very light-skinned black man. It was not until he began trying to find his biological parents as an adult that he discovered his mother was a half-German refugee from Poland, and his father was native Hawaiian who was classified as “colored” by the military because of his skin color.

“I’ve been run out of white people’s houses: ‘Who’s this black person you’re bringing in here?’ I’ve been run out of black people’s houses: ‘Who’s this white person you’re bringing in here?'” Cardwell said of his adolescence and early adulthood. “There is no belonging, which is what brown babies sought most.”…

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German science and black racism—roots of the Nazi Holocaust

The FASEB Journal (The Journal of the Federation of American Societies for Experimental Biology)
Volume 22, Number 2 (2008)
pages 332-337
DOI: 10.1096/fj.08-0202ufm

François Haas, Associate Professor
Department of Rehabilitation Medicine
New York University

The Nazi’s cornerstone precept of “racial hygiene” gave birth to their policy of “racial cleansing” that led to the murders of millions. It was developed by German physicians and scientists in the late 19th century and is rooted in the period’s Social Darwinism that placed blacks at the bottom of the racial ladder. This program was first manifested in the near-extermination of the African Herero people during the German colonial period. After WWI, the fear among the German populace that occupying African troops and their Afro-German children would lead to “bastardization” of the German people formed a unifying racial principle that the Nazis exploited. They extended this mind-set to a variety of “unworthy” groups, leading to the physician-administered racial Nuremberg laws, the Sterilization laws, the secret sterilization of Afro-Germans, and the German euthanasia program. This culminated in the extermination camps.

If the physician presumes to take into consideration in his work whether a life has value or not, the consequences are boundless and the physician becomes the most dangerous man in the state.

Christopher Willhelm Hufeland (1762–1836)

ALTHOUGH THE SLAUGHTER OF INNOCENTS has been a repeating theme throughout human history, only the Nazi-led extermination of millions of people deemed undesirable was framed in the scientific context of “racial hygiene.” At the core of Nazi philosophy was the view of the nation as a living organism. Using Herder’s concept of Volk, Hitler viewed German society as an organism with its own health. “Our people is also a biological entity… German people forms one great relationship, a blood society… This biological unity of people will be known as the people-body.” Because individual human beings were regarded as functional or dysfunctional parts of this larger whole and thus affecting the health of the people-body, racial hygiene became seminal to Hitler’s thinking. As Bavarian Cabinet Minister Hans Schemm declared in 1934, “National Socialism is nothing but applied biology.”

The rise of science-based medicine combined with physicians’ roles in national health reform during the late 19th century to give physicians first-time political leverage and continuous and unprecedented levels of public recognition. Hitler and the Nazis reached out early to physicians:

I could, if need be, do without lawyers, engineers, and builders, but… you, you National Socialist doctors, I cannot do without you for a single day, not a single hour. If…you fail me, then all is lost. For what good are our struggles, if the health of our people is in danger?

Physicians responded in kind (Table 1 ): “The National Socialist Physicians’ League proved its political reliability to the Nazi cause long before the Nazis seizure of power, and with an enthusiasm, and an energy, unlike that of any other professional group.”

Central to this affinity was the 19th century etiologic notion evolving from Social Darwinism that certain diseases (e.g., mental illness, feeblemindedness, criminality, epilepsy, hysteria, alcoholism) are genetically determined. The physicians who had developed this theory—primarily psychiatrists, neurologists, and anthropologists—became Germany’s eugenicists and authored the country’s racial policy, and it was primarily these physicians and their disciples who eventually led the Nazi government’s policy of ethnic cleansing. This program evolved in a series of discrete steps of ever-increasing barbarism that emerged during the German colonial period in Africa and terminated in the extermination camps of the Holocaust…

The African colonies and concentration camps also served racial scientific inquiry. Post-mortems were performed to study causes of death and bodies of executed prisoners were preserved and shipped to Germany for dissection (Fig. 1 , (14) ). A 1907 chronicle reported that: “A chest of Herero skulls was recently sent to the Pathological Institute in Berlin, where they will be subjected to scientific measurements.”

Probably the most well-known study was the physician Eugen Fisher’s evaluation of Basters, the mixed-blood children of Dutch men and Nama women. He argued that “Negro blood” was of “lesser value” and that mixing it with “white blood” would destroy European culture, and advised that Africans should be exploited by Europeans as long they were useful, after which they could be eliminated…

…In 1920, Doctor F. Rosenberger wrote in the Medical Review, “…Shall we stand in silence and allow it to happen that in the future the banks of the Rhine shall echo not with the songs of beautiful and intelligent white Germans, but with the croaks of stupid, clumsy, half-animal and syphilitic mulattos?” This reiterated the threat first articulated during Germany’s colonial period that racially mixed offspring (called Mischlings) will destroy the purity of the German white race. As Colonial Secretary Solf had incited people in 1912, “You send your sons to the colonies: do you want them to return with wooly-haired grandchildren?…Do you want your girls to return with Hereros, Hottentots and bastards?. …We are Germans, we are white, and we want to stay white…

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Geteilte Geschichte: The Black Experience in Germany and the U.S.

The German Historical Institute
1607 New Hampshire Avenue, NW
Washington, D.C.
Thursday, 2011-08-19, 18:00-20:00 EDT (Local Time)

RSVP (acceptances only) by August 12, 2011
Telephone: 202-387-3355, FAX: 202-387-6437
E-Mail: events@ghi-dc.org

Noah Sow

Noah Sow is an acclaimed journalist, musician, and producer. In 2001, she founded der braune mob e.V., the first anti-racist German media watch organization (www.derbraunemob.de). Her latest book Deutschland Black & White is based on her extensive experiences as an anti-racism activist.

Her lecture will be the public keynote address of the First Annual Convention of the Black German Cultural Society, NJ. to be held from August 19 to 21, 2011, at the GHI.

In cooperation with the Black German Cultural Society, NJ. (A New Jersey nonprofit organization) and the Humanities Council of Washington, DC.

For more information, click here.