Mixed Race Studies

‘Las Caras Lindas’: To Be Black And Puerto Rican In 2013

Code Switch: Frontiers of Race, Culture and Ethnicity
National Public Radio
2013-05-25

Jasmine Garsd

I am a black man
Who was born café con leche
I sneaked into a party, to which I had not been invited.
And I got kicked out. They threw me out.
When I went back to have fun with the black girls
All together they said ‘Maelo, go back to your white girls’
And they kicked me out. They threw me out.”

– Ismael Rivera, “Niche“

In “Niche” (“Black Man”), iconic Puerto Rican singer Ismael Rivera navigates the labyrinth of race and ethnicity in the Caribbean. A light-skinned “café con leche” black man, he wanders through his island like a ghost of a colonial Spanish past, shooed off by both blacks and whites uncomfortable with his presence and what he represents.

In another iconic and deeply melancholy song, “Las Caras Lindas” (or “The Beautiful Faces”), Rivera sets aside the discomfort and pens an ode to his people: “The beautiful faces of my black race, so much crying, pain and suffering, they are the challenges of life, but inside we carry so much love.”

I was recently in Puerto Rico reporting on the island’s troubled economy and reignited diaspora. During that time, I had the chance to visit legendary rapper Tego Calderón. In his studio in Santurce, Puerto Rico, I found the entire place wallpapered with photographs of Ismael Rivera…

Read the entire article here.

Census Bureau Rethinks The Best Way To Measure Race

National Public Radio
2012-12-27

Corey Dade, National Correspondent, Digital News

Possible revisions to how the decennial census asks questions about race and ethnicity have raised concerns among some groups that any changes could reduce their population count and thus weaken their electoral clout.

The Census Bureau is considering numerous changes to the 2020 survey in an effort to improve the responses of minorities and more accurately classify Latino, Asian, Middle Eastern and multiracial populations.

Potential options include eliminating the “Hispanic origin” question and combining it with the race question, new queries for people of Middle Eastern or North African heritage, and spaces for Asians to list their country of descent. One likely outcome could be an end to the use of “Negro.”

The stakes surrounding population counts are high. Race data collected in the census are used for many purposes, including enforcement of civil rights laws and monitoring of racial disparities in education, health and other areas…

…Broadly, the nation’s demographic shifts underscore the fact that many people, particularly Latinos and immigrants, don’t identify with the American concept of race…

Read the entire article here.

In ‘Red Pyramid,’ Kid Heroes Take On Ancient Egypt

Backseat Bookclub
All Things Considered
National Public Radio
2012-12-19

Melissa Block, Host

Robert Siegel, Senior Host

If there was a recipe for the best-selling writer Rick Riordan, it would go something like this — start with a love of storytelling, fold in more than a decade of teaching middle school English, combine that with two sons of his own who don’t quite share their dad’s love of literature, and marinate all of that with a deep passion for mythology.

Riordan has sold tens of millions of kids’ books. He hit pay dirt with the Percy Jackson series — it’s about an everyday kid who has superhero powers because he’s the secret son of Poseidon, the Greek god of the sea.

Egyptian gods reign supreme in our latest book for NPR’s Backseat Book Club. It’s The Red Pyramid from Rick Riordan’s Kane Chronicles. It tells the story of a brother and sister — Carter and Sadie Kane — who have lived apart most of their lives. One Christmas Eve, their father brings them both together for a trip to the British Museum, and a terrible, magical accident happens that unleashes the gods of ancient Egypt into the modern world.

Carter and Sadie learn that they are descended from ancient Egyptian magicians. This means they are the only ones who have the magic that might be able to put the gods back where they belong — before the world spirals out of control.

Riordan is an author who knows his audience — and that has influenced his writing. “I imagine myself in front of my own class,” he tells NPR’s Michele Norris. “I don’t teach anymore, but I can still clearly see fifth period after lunch — that’s a real tough time to teach. And I tried to imagine writing a story that would appeal to those kids — even when they’re tired, even when they’re bouncing off the walls. … If I could find a way to tell a story that would resonate with them, then I had something going.”

Carter and Sadie are biracial characters, but Riordan doesn’t dwell on this in the book. He is more interested in the idea of kids being caught between two worlds, a concept to which he says his readers can relate…

Read the entire article here. Read the transcript here. Download the interview here.

‘Master’ Jefferson: Defender Of Liberty, Then Slavery

Fresh Air from WHYY
National Public Radio
2012-10-18

Maureen Corrigan, Book Critic

His public words have inspired millions, but for scholars, his private words and deeds generate confusion, discomfort, apologetic excuses. When the young Thomas Jefferson wrote, “We hold these truths to be self-evident, that all men are created equal,” there’s compelling evidence to indicate that he indeed meant all men, not just white guys.

But by the 1780s, Jefferson’s views on slavery in America had mysteriously shifted. He formulated racial theories asserting, for instance, that African women had mated with apes; Jefferson financed the construction of Monticello by using the slaves he owned — some 600 during his lifetime — as collateral for a loan he took out from a Dutch banking house; and when he engineered the Louisiana Purchase in 1803, Jefferson pushed for slavery in that territory. By 1810, Jefferson had his eye fixed firmly on the bottom line, disparaging a relative’s plan to sell his slaves by saying, “It [would] never do to destroy the goose.”

Faced with these conflicting visions of Jefferson, scholars usually fall back on words like “paradox” and “irony”; but historian Henry Wiencek says words like that allow “a comforting state of moral suspended animation.” His tough new book, Master of the Mountain, judges Jefferson’s racial views by the standards of his own time and finds him wanting. Unlike, say, George Washington, who freed his slaves in his will, Jefferson, Wiencek says, increasingly “rationalized an abomination.”…

…Wiencek also evocatively describes Jefferson’s morning routine — how he would walk back and forth on his terrace every day at first light and look down on a small empire of slaves — among them, brewers, French-trained cooks, carpenters, textile workers and field hands. Many of those slaves were related to each other; some were related — by marriage and blood — to Jefferson himself. Jefferson’s wife had six half-siblings who were enslaved at Monticello. To add to the Gothic weirdness, Jefferson’s own grandson, Jeff Randolph, recalled a number of mixed-race slaves at Monticello who looked astonishingly like his grandfather, one man “so close, that at some distance or in the dusk the slave, dressed in the same way, might be mistaken for Mr. Jefferson.” According to this grandson, Sally Hemings was only one of the women who gave birth to these Jeffersonian doubles.

Wiencek’s scholarship infers that the potent combination of the profits and sexual access generated by slavery made the institution more palatable to Jefferson. As the years went by, Jefferson was called to account by his aging revolutionary comrades — among them the Marquis de Lafayette, Thomas Paine and Thaddeus Kościuszko. All of them pressed Jefferson on the question of why this eloquent defender of liberty would himself be a slave owner. Kościuszko even drew up a will in which he left Jefferson money to buy his slaves’ freedom and educate them, so that, as he wrote, “each should know … the duty of a cytysen in the free Government.”…

Read the entire review here. Listen to it here (00:06:44). Download it here.

Jazz, Race Collide With War In 1930s Europe

Tell Me More
National Public Radio
2012-03-26

Jacki Lyden, Host

The novel Half Blood Blues explores an often overlooked slice of history: black jazz musicians in Germany on the eve of World War II. The book moves from 1992 to 1939, from Baltimore to Berlin to Paris. It’s told by an elderly black jazz musician and his friend who survived the war. Guest host Jacki Lyden speaks with author Esi Edugyan.

Transcript:

This is TELL ME MORE from NPR News. I’m Jacki Lyden. Michel Martin is away this week. Now we’re going to take a trip back in time with the help of a prize-winning novelist.

The novel, “Half Blood Blues,” considers a slice of history that often gets overlooked: black jazz musicians and their fate in Germany just before World War II. The novel moves back and forth from 1992 to 1939, from Baltimore to Berlin, Berlin to Paris and it’s told through the eyes of an elderly Baltimore black jazz musician, Sid Griffiths, and his lifelong friend, Chippewa Jones, all in invented period slang.

The novel was short-listed for the Booker Prize this year and won the Giller Prize in Canada and its author, Esi Edugyan, joins us now from member station KUOW in Seattle. Welcome.

ESI EDUGYAN: Thank you.

LYDEN: Esi, just to establish, you are a Canadian author.

EDUGYAN: I am.

LYDEN: And you live in…

EDUGYAN: I was born and raised in Calgary.

LYDEN: Born and raised in Calgary, of Ghanaian parents and you live in Victoria?

EDUGYAN: Yes.

LYDEN: Well, please tell us about this novel, which has had so much success. Tell us about the men at the center of your story. They’re jazz musicians from a group called the Hot Time Swingers. We meet them in Paris. They already have escaped from Berlin. They’ve met Duke Ellington and at the center of the group is this really intriguing character you’ve invented called Hieronymus Falk. And he is eventually picked up by the Gestapo in June of 1940. Tell us about these fellows and Hieronymus.

EDUGYAN: Well, essentially, the novel is told in two parts and the first part centers around the Hot Time Swingers who, you know, are a jazz band who’s had quite a bit of success playing in Berlin. And, you know, now the Third Reich has been ushered in and they’re trying to decide exactly how to proceed now that they’ve been prohibited from playing in public.

And so the band consists of two African-American players, Sid and Chip from Baltimore, as well as the German players, Paul, who’s a pianist who has a Jewish background, and Ernst. And then Hieronymus Falk, who is an Afro-German, the child of a French colonial soldier and a German mother, and he’s the trumpet prodigy.

LYDEN: Hieronymus Falk really intrigued me, Esi Edugyan. He is, you say in the novel, the German word was mischling. He is of mixed race and there really were such Afro-Germans prior to the Nazis taking power…

Read the entire transcript here. Listen to the interview here. Download the interview here.

‘The Black Count,’ A Hero On The Field, And The Page

Weekend Edition Saturday
National Public Radio
2012-09-15

Scott Simon, Host

Tom Reiss, Author

The Black Count: Glory, Revolution, Betrayal,and the Real Count of Monte Cristo. By Tom Reiss, 432 pp. Crown Publishers. Hardback ISBN: 978-0-307-38246-7.

Gen. Thomas-Alexandre Dumas was one of the heroes of the French Revolution — but you won’t find a statue of him in Paris today.

He led armies of thousands in triumph through treacherous territory, from the snows of the Alps to the sands of Egypt, and his true life stories inspired his son, Alexandre Dumas, to write The Count of Monte Cristo and The Three Musketeers.

How did the son of a Haitian slave and a French nobleman become Napoleon’s leading swordsman of the Revolution, then a prisoner, and finally almost forgotten — except in the stories of a son who was not even 4 years old when his father died?

“I like to think of him as history’s ultimate underdog,” says author Tom Reiss. His new book, The Black Count: Glory, Revolution, Betrayal and the Real Count of Monte Cristo, uncovers the real life that inspired so many fictional heroes.

“He’s a black man, born into slavery, and then he rises higher than any black man rose in a white society before our own time,” Reiss tells NPR’s Scott Simon. “He became a four-star general and challenges Napoleon, and he did it all 200 years ago, at the height of slavery.”…

Read the entire article here. Listen to the interview (00:06:56) here.

Betwixt And Between: Studying Multiracial Identity

National Public Radio
Talk of the Nation
2012-06-21

Neal Conan, Host

G. Reginald Daniel, Professor of Sociology
University of California, Santa Barbara

In 1989, Reginald Daniel began teaching a university course on multiracial identity called Betwixt and Between. It remains the longest-running college course addressing the multiracial experience. For his continuing studies and research on multiraciality, Daniel received the Loving Prize.

Note from Steven F. Riley: The “Loving Prize” is the awarded by the Mixed Roots Film & Literary Festival co-founders Fanshen Cox and Heidi Durrow to artists and educators who have shown a dedication to celebrating and illuminating the Mixed experience. Past recipients include best-selling writer James McBride, NFL star Hines Ward, Hapa artist Kip Fulbeck, scholars Dr. Maria P. P. Root and Paul Spickard, writer and educator Maya Soetoro-Ng, and writer and TV producer Angela Nissel.

G. Reginald Daniel Accepts Loving Prize at Mixed Roots Film & Literary Festival (2012-06-16) ©2012, Steven F. Riley

This is TALK OF THE NATION. I’m Neal Conan.

In the spring of 1989, Professor Reginald Daniel started teaching a university course on multiracial identity called Betwixt and Between. The class is one of the first of its kind. He’s continued to teach it ever since. Last week, he received the Loving Prize, named after the couple in the famous Loving v. Virginia case where the Supreme Court struck down laws that banned interracial marriage. The award recognized his contributions to the national dialogue about multiracial identity.

Well, we want to hear from multiracial listeners today. What’s changed in your experience over the last two decades and more? Give us a call: 800-989-8255. Email us: talk@npr.org. You can also join the conversation at our website, that’s at npr.org. Reginald Daniel teaches at the University of California, Santa Barbara and joins us now from his home in Santa Barbara. Congratulations.

REGINALD DANIEL: Thank you very much. It is quite an honor and also quite—sort of something to get my head around. It was—having that kind of public recognition…

Read the transcript here.  Listen to the interview here. Download the interview here.

Morgan Freeman: No Black President For U.S. Yet

Tell Me More
National Public Radio
2012-07-06

Michel Martin, Host

Oscar-winning actor Morgan Freeman joined Tell Me More host Michel Martin to discuss his new movie, The Magic of Belle Isle. But the prolific actor, famous for his roles in films such as The Shawshank Redemption, Million Dollar Baby and The Dark Knight, also had a lot to say about politics. He was especially interested in talking about President Obama, and why Freeman thinks he should not be called America’s first black president.

“First thing that always pops into my head regarding our president is that all of the people who are setting up this barrier for him … they just conveniently forget that Barack had a mama, and she was white — very white American, Kansas, middle of America,” Freeman said. “There was no argument about who he is or what he is. America’s first black president hasn’t arisen yet. He’s not America’s first black president — he’s America’s first mixed-race president.”

Many of Freeman’s films explore important chapters of African-American history: Amistad was about the trans-Atlantic slave trade; Driving Miss Daisy was set in the civil rights era; and Glory centered on an all-black regiment in the Civil War.

Freeman says he has been disappointed by what he considers unfair treatment of Obama by his political opponents.

“He is being purposely, purposely thwarted by the Republican Party, who started out at the beginning of his tenure by saying, ‘We are going to do whatever is necessary to make sure that he’s only going to serve one term,’ ” he said. “That means they will not cooperate with him on anything. So to say he’s ineffective is a misappropriation of the facts.”…

Listen to the interview here. Download the interview here.

Summer Blend Book Club Wraps Up

Tell Me More
National Public Radio
2011-08-25

Michel Martin, Host

This series began in June with the help of Heidi Durrow, author and co-founder of the “Mixed Roots Film & Literary Festival.” All summer long, Tell Me More has been covering books about the multicultural experience in America. Durrow checks back in with host Michel Martin to discuss the novels in the program’s Summer Blend Book Club.

MICHEL MARTIN, host: As we said earlier, our Summer Blend book series has taken us deep into the experience of the emerging story of mixed-race Americans.

We decided to end where we began, with a conversation with author Heidi Durrow. She is the author of the bestseller “The Girl Who Fell From the Sky.” She cofounded the Mixed Roots Film and Literary Festival, and she helped us kick off our series back in June. And she joins us once again from NPR West.

Heidi, welcome back. Thanks so much for joining us, and thank you for helping us with the series.

HEIDI DURROW: Thanks for having me back….

Read the transcript here.  Listen to the interview (00:06:30) here, download it here.

Multiracial Teens Launch A ‘Latte Rebellion’

Tell Me More
National Public Radio
2011-07-15

Michel Martin, Host

“You’re half Chinese and half European, I’m half Indian, a quarter Mexican and a quarter Irish. We’re mixed up. We’re not really one or the other ethnically. We’re like human lattes.”

So explains Asha, the main character in Sarah Jamila Stevenson’s debut novel, The Latte Rebellion.

To raise money for a class trip she and her friends began as selling a few T-shirts and labeled the effort the Latte Rebellion. But the movement soon became something much larger than they could have anticipated.

Seen through the eyes of adolescents, Asha and her friends tackle the complexities of identifying as multiracial during adolescence, when identifying as anything seems like a challenge.

“At the time I was writing it … there were still some news stories about South Asians who were getting harassed and insulted, and even assaulted,” Stevenson said in an interview with Tell Me More host Michel Martin. “And because I’m part South Asian myself, it really hit close to home. It had me worried about my relatives who live in the United States. So I felt pretty strongly about working that into my book somewhere.”…

Read the transcript here.  Listen to the interview here.