Germany’s history has established a unique context for biracial individuals. For one, foreigners that look different have a hard time being accepted as German citizens. While the most prominent political activists of the Afro-German movement were women, Afro-German men chose the venue of music to express their struggle for identity and acceptance. Their contribution to the Afro-German movement of the early 1990s emphasized German citizenship and a demand to be recognized as Germans (El-Tayeb, 2003). Afro-Germans do not enjoy the advantages of “uncontested national belonging that come with being white” (El-Tayeb, 2003, pg. 479). The Hip-Hop group Brother’s Keepers addressed this issue with their song “Fremd im Eigenen Land” (Stranger in your own country) (El-Tayeb, 2003). African Americans living in the United States do not typically struggle with this issue. Nationality of Americans is not defined by racial make up, but in national allegiance (Asante, 2005). As a consequence, Afro-Germans have a problem with “cultural location”: The dilemma they face because they are “born in Germany, are educated in Germany, and view themselves as German yet in the minds of their fellow citizens they are not truly German because they do not have pure German ancestry” (Asante, 2005)…
Mixed Race Studies
Scholarly perspectives on the mixed race experience.
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Classes You May Have Missed: On Modern Brazilian Literature
Pitt Magazine
January, 1995Bobby J. Chamberlain, Associate Professor of Brazilian Culture and Literature
University of PittsburghBrazilian culture has always been considered a fusion of three different races: the Europeans (specifically Portuguese), the Indians, and the Africans who were taken to Brazil as slaves. But it is wrong to see this culture as some kind of happy hybridization: There is always a hierarchy in this type of fusion. A much larger percentage of whites, descendants of the Europeans, are in the upper classes, and the great majority of blacks and mulattos, those of mixed race, are in the lower classes. Brazilian literature itself began, as did Spanish-American literature, as a specifically European phenomenon in the New World, with a certain inferiority complex that Brazilians, even those of European descent, were not as good as the Europeans in Europe. I’d like to discuss how several writers dealt with the problem of adapting influences from Europe and the United States to a Brazilian literature.
Joaquim Maria Machado de Assis, who wrote at the end of the nineteenth century and the beginning of this one, is often considered the greatest figure in Brazilian literature. He was a mulatto who rose from the lower classes to become the first president of the Brazilian Academy of Letters. The narrators of his novels, middle-class Brazilians, often distort what they tell you to serve their own ends. You start off believing them, but their interpretations of social signs and gestures become strained and paranoid. For instance, in Dom Casmurro (1900), Bento Santiago tells of his childhood with Capitu, whom he later marries and then spurns, accusing her of adultery. From the beginning, he portrays her as a crafty manipulator and himself as her victim, but the evidence of her adultery is flimsy, and Santiago’s coldness to her seems to spring solely from his own neurosis and cruelty…
Read the entire article here.
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Adjustment Problems in Adolescence: Are Multiracial Children at Risk?
American Journal of Orthopsychiatry
Volume 70, Issue 4 (October 2000)
pages 433–444
DOI: 10.1037/h0087744M. Elise Radina, Associate Professor of Family Studies & Social Work
Miami University, OhioTeresa M. Cooney, Associate Professor of Human Develpopment and Family Studies
University of MissouriData from a national survey were used to compare adjustment between a group of multiracial adolescents and two groups of single-race adolescents, grades seven to twelve. Significant differences were found on fewer than half of the school, behavioral, and psychological dimensions that were assessed. Implications for research and school interventions are discussed.
Read or purchase the article here.
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Relationship Quality Between Multiracial Adolescents and Their Biological Parents
American Journal of Orthopsychiatry
Volume 70, Issue 4 (October 2000)
pages 445–454
DOI: 10.1037/h0087763M. Elise Radina, Associate Professor of Family Studies & Social Work
Miami University, OhioTeresa M. Cooney, Associate Professor of Human Develpopment and Family Studies
University of MissouriNational survey data were used to compare single-race white and minority adolescents with multiracial adolescents in terms of relationships with their parents. Three relational dimensions were considered: association/interaction, communication, and emotional closeness. Comparable relationship quality was found between parents and adolescents in all three groups, except that multiracial boys and their fathers were found to be less emotionally close and communicative. Implications for research are discussed.
Read or purchase the article here.
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Africa’s Legacy in Mexico: The Photographs of Tony Gleaton
Loyola Marymount University, Los Angeles
Laband Art Gallery
2007-09-09 through 2007-11-18Africa’s Legacy in Mexico features forty-five black and white photographs from a series of portraits of African Mexicans by Tony Gleaton. Taken in the late 1980s and early 1990s, primarily in three villages along the southwestern coast of Mexico, Gleaton’s photographs offer insight into a little-known aspect of Mexican culture. These poignant images focus on the present-day descendants of African slaves who were brought to Mexico by the Spanish colonialists beginning in the 1500s. Though Africans have been part of the cultural fabric of Mexico for five centuries, the official policy of the Mexican government has been to only highlight the country’s mestizo [mixed race] heritage that has resulted from the mixing of indigenous and European peoples. Miriam Jimenez Roman writes that Gleaton’s photographs “force us to rethink many of our preconceptions not only about our southern neighbor but more generally about issues such as race, ethnicity, culture, and national identity.”
View some of the photographs here.
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Laughing To Keep From Crying: Resisting “Race” Through Irony
Tympanum: A Journal of Comparative Literary Studies
Number 4, (2000)
issn# 1522-7723Ronald Sundstrom, Director and Associate Professor of African American Studies
University of San FranciscoHe wanted to rise-a malicious, ironic voice insisted that he rise-and, at once, to leave this temple and go out into the world.
“Race,” whatever it may be, is something that we are not yet done with. We may never be done with it. It may be a category that we will always be present in some form or another in our societies. Or, it may be the case that the category is on the verge of extinction, and that it will fade as its social usefulness, importance, and its descriptive and explanatory power fades. Whatever its future is, a case can be made that at present “race” is descriptive of social life and organization in the U.S., as well as other parts of the globe. This is a descriptive, and not a normative claim.
As a human category “race” is invaluable part our attempts to explain and understand the history and realities of oppression, bigotry, and violence in the U.S. Deprived of the use of “race” as a social category, the social sciences would not be able to provide nuanced and insightful explanations of U.S. history and this society’s social landscape. This history and social landscape is what I refer to as the American “racial” politic. In addition plays a role in our attempts to organize communities in our struggle to redress “racial” wrongs, and to end racism and “racial” oppression. For the limited purposes of social science and politics, “race” is legitimate and ought to be conserved. That “race” is useful, descriptive, or explanatory now is not to say that will always be true. The future of “race” is going to be determined by future forms of social organization. What I have argued for above is a pragmatic and limited role for race.
A pragmatic and limited role for “race,” however, does not placate those, like myself, who are leery of it. The conservation of “race,” in any form, is worrisome. Social identities are powerful elements of our social worlds. They are thickly wrapped in complicated and often troublesome histories. Their durations and the twists and turns they make through our worlds during their tenures are unpredictable. Such is the case with “race.” The history of “race” in the U.S. is soaked in blood. Yet, and for good reasons, “race” is the centerpiece of identity for many individuals and communities. Still, worries and doubts remain about the social utility of “race.”…
Read the entire essay here.
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Racial Etiquette: Nella Larsen’s Passing and the Rhinelander Case
Meridians: feminism, race, transnationalism
Volume 5, Number 2, 2005
pages 1-29
E-ISSN: 1547-8424
Print ISSN: 1536-6936
DOI: 10.1353/mer.2005.0013Miriam Thaggert, Associate Professor of English and African-American Studies
University of IowaIn Passing Nella Larsen seems to suggest that identity is a hazy fiction one tells that outward appearances and surface events only partly confirm. Rather than directly stating their thoughts, characters communicate through an exchange of looks—particularly her two light-skinned female characters, Irene and Clare. These subtle forms of expression heighten the sense of uncertainty throughout the novel. The reader never learns explicitly the reason for Clare’s fall out of a window, the reality of a homosexual longing between Clare and Irene, or the true nature of the relationship between Clare and Irene’s husband. This indeterminacy extends to the racial identity of Larsen’s characters, an identity not always easily discernible because of the characters’ mixed racial background and their inclination to “pass.” Without adequate markings or clues, any reading, whether of identities or situations, is flawed or incorrect.
A brief, almost offhand, remark Irene makes refers to a legal trial in which these issues of knowledge, passing, and the gaze combined in a process to interrogate the race and veracity of a woman. The Rhinelander case was an annulment proceeding in which wealthy, white Leonard Kip Rhinelander sued his wife, Alice Beatrice Jones, for fraud. Leonard claimed he did not know that his light-skinned wife was “colored,” the daughter of a white woman and a dark-skinned cab driver. Larsen’s reference to the Rhinelanders occurs only once, near the end of the novel, after Irene suspects that her husband, Brian, is having an affair with Clare…
Read or purchase the article here.