Mixed Race Studies
Scholarly perspectives on the mixed race experience.
recent posts
- The Routledge International Handbook of Interracial and Intercultural Relationships and Mental Health
- Loving Across Racial and Cultural Boundaries: Interracial and Intercultural Relationships and Mental Health Conference
- Call for Proposals: 2026 Critical Mixed Race Studies Conference at UCLA
- Participants Needed for a Paid Research Study: Up to $100
- You were either Black or white. To claim whiteness as a mixed child was to deny and hide Blackness. Our families understood that the world we were growing into would seek to denigrate this part of us and we would need a community that was made up, always and already, of all shades of Blackness.
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Tag: Cuba
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Tender portrait of iconic ballet dancer doubles up as an exploration of fatherhood and also of the artist’s home nation Cuba – now available on VoD
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“Becoming Free, Becoming Black” tells the story of enslaved and free people of color who used the law to claim freedom and citizenship for themselves and their loved ones. Their communities challenged slaveholders’ efforts to make blackness synonymous with slavery.
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A study of the interchange between Cuba and Africa of Yoruban people and culture during the nineteenth century, with special emphasis on the Aguda community.
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Set in the Havana of the 1830s, the novel introduces us to Cecilia, a beautiful light-skinned mulatta, who is being pursued by the son of a Spanish slave trader, named Leonardo. Unbeknownst to the two, they are the children of the same father. Eventually Cecilia gives in to Leonardo’s advances; she becomes pregnant and gives…
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Today, those records and others live on in the Slave Societies Digital Archive. This archive, which I launched in 2003, now holds approximately 600,000 images dating from the 16th to the 19th centuries. Since its creation, the archive has led to new insights into African populations in the Americas.
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A vivid exploration of the key role played by multi-racial women in visualizing and performing Cuban identity
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“We Are Who We Say We Are” provides a detailed, nuanced account of shifting forms of racial identification within an extended familial network and constrained by law and social reality.
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In the world of American ballet, Misty Copeland is the exception. As the first black woman to become a principal dancer for the American Ballet Theatre, Copeland knows what it’s like to be one of the few women of color to break through.
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Misty Copeland En Pointe The Undefeated 2016-12-14 Kelley L. Carter, Senior Culture Writer Photographs by Brent Lewis Videos by Lois Nam, Senior Digital Producer America’s most famous prima ballerina heads to Cuba to represent female athleticism. (Yes, athleticism.) HAVANA, Cuba Misty Copeland is at the barre. She’s demonstrating a battement tendu to a group of…