Mixed Race Studies

Race in American Science Fiction

Indiana University Press
2011-01-06
paper 286 pages, 6 x 9
paper ISBN-13: 978-0-253-22259-6
cloth ISBN-13: 978-0-253-35553-9

Isiah Lavender, III, Assistant Professor of English
University of Central Arkansas

Blackness in a white genre

Noting that science fiction is characterized by an investment in the proliferation of racial difference, Isiah Lavender III argues that racial alterity is fundamental to the genre’s narrative strategy. Race in American Science Fiction offers a systematic classification of ways that race appears and how it is silenced in science fiction, while developing a critical vocabulary designed to focus attention on often-overlooked racial implications. These focused readings of science fiction contextualize race within the genre’s better-known master narratives and agendas. Authors discussed include Isaac Asimov, Ray Bradbury, Philip K. Dick, and Ursula K. Le Guin, among many others.

Table of Contents

Acknowledgments

Introduction: Mapping the Blackground
1. Racing Science Fiction
2. Meta-slavery
3. Jim Crow Extrapolations
4. Ailments of Race [Read a description below.]
5. Ethnoscapes
6. Technologically Derived Ethnicities
Epilogue: Science Fictioning Race

Notes
Bibliography
Index

…Chapter 4 investigates ailments of race linked to the notion contagion as a race metaphor in science fiction. This chapter explores the idea of the one-drop rule and miscegenation. Sf [Science Fiction] narratives built around the threat or devastation of some form of contagion frequently manifest racial fears and assumptions. Whether the product of nature or technology, accident or design, contagion narratives depict change so swift and so drastic that it can underscore or undermine a wide range of cultural assumptions, including those about race. In every case, however, these narratives derive their power from fear of the ready and rapid transmission of a harmful disease or idea from person to person. And this fear shares many characteristics with the fear of race mixing. Consequently, many sf contagion narratives manifest protocols of racial discrimination and sometimes challenge racist assumptions. Discussion centers on texts by Creg Bear, Butler, John W. Campbell Jr., Tananarive Due, Walter Miller, and [Walter] Mosely….

From page 123

…Ailments or race exist in st to expose societal discomfort with racial difference in terms of social relations between blacks and whites. However, racism is made visible in contagion narratives involving the offense of miscegenation—race mixing—as a biological phenomenon as opposed to asocial one and the violent measures taken against such commingling. By constructing miscegenation as a biological phenomenon, sf writers question the one-drop rule as a social idea based on the racist belief that one drop of black blood in a family’s heritage marks them as forever black, granting them invisible membership in an oppressed race.  People of this mixed-race heritage may choose to identify with a different race, if they are light-skinned enough, as they pass from black to white and disappear across the color line to avoid discrimination and to seek a life without persecution. With contagion as a race metaphor, fear is imposed on such racial contacts, and the violent consequences of these inevitable encounters are envisioned through the lens of otherhood…

Africans in Colonial Mexico: Absolutism, Christianity, and Afro-Creole Consciousness, 1570-1640

Indiana University Press
2005-02-02
288 pages
1 bibliog., 1 index, 6.125 x 9.25
Paper ISBN-13: 978-0-253-21775-2; ISBN: 0-253-21775-X

Herman L. Bennett, Professor of Latin American History
City Univerisity of New York

The African community in colonial Mexico under Spanish and Catholic rule.

In this study of the largest population of free and slave Africans in the New World, Herman L. Bennett has uncovered much new information about the lives of slave and free blacks, the ways that their lives were regulated by the government and the Church, the impact upon them of the Inquisition, their legal status in marriage, and their rights and obligations as Christian subjects.

Table of Contents

Acknowledgments
Introduction: Africans, Absolutism, and Archives
1. Soiled Gods and the Formation of a Slave Society
2. “The Grand Remedy”: Africans and Christian Conjugality
3. Policing Christians: Persons of African Descent before the Inquisition and Ecclesiastical Courts
4. Christian matrimony and the Boundaries of African Self-Fashioning
5. Between Property and Person: Jurisdictional Conflicts over Marriage
6. Creoles and Christian Narratives
Postscript
Glossary
Notes
Selected Bibliography
Index

Fugitive Vision: Slave Image and Black Identity in Antebellum Narrative

Indiana University Press
2007-12-04
272 pages
30 b&w photos, 6.125 x 9.25
ISBN-13: 978-0-253-34944-6
ISBN: 0-253-34944-3

Michael A. Chaney, Associate Professor of English
Dartmouth College

Analyzing the impact of black abolitionist iconography on early black literature and the formation of black identity, Fugitive Vision examines the writings of Frederick Douglass, William Wells Brown, William and Ellen Craft, Harriet Jacobs, and the slave potter David Drake. Juxtaposing pictorial and literary representations, the book argues that the visual offered an alternative to literacy for current and former slaves, whose works mobilize forms of illustration that subvert dominant representations of slavery by both apologists and abolitionists. From a portrait of Douglass’s mother as Ramses to the incised snatches of proverb and prophesy on Dave the Potter‘s ceramics, the book identifies a “fugitive vision” that reforms our notions of antebellum black identity, literature, and cultural production.

Table of Contents

• List of Illustrations
• Acknowledgments
• Introduction: Looking Beyond and Through the Fugitive Icon
• Part 1. Fugitive Gender: Black Mothers, White Faces, Sanguine Sons
  1. Racing and Erasing the Slave Mother: Frederick Douglass, Parodic Looks, and Ethnographic Illustration
  2. Looking for Slavery at the Crystal Palace: William Wells Brown and the Politics of Exhibition(ism)
  3. The Uses in Seeing: Mobilizing the Portrait in Drag in Running a Thousand Miles for Freedom
• Part 2. Still Moving: Revamped Technologies of Surveillance
  1. Panoramic Bodies: From Banvard‘s Mississippi to Brown’s Iron Collar
  2. The Mulatta in the Camera: Harriet Jacobs’s Historicist Gazing and Dion Boucicault‘s Mulatta Obscura
  3. Throwing Identity in the Poetry-Pottery of Dave the Potter
• Conclusion
• Notes
• Works Cited
• Index

Queer in Black and White: Interraciality, Same Sex Desire, and Contemporary African American Culture

Indiana University Press
2009-04-21
152 pages
5 b&w photos, 5.5 x 8.25
ISBN-13: 978-0-253-22109-4

Stefanie K. Dunning, Associate Professor
Miami University, Oxford, Ohio

This book analyzes representative works of African American fiction, film, and music in which interracial desire appears in the context of same sex desire. In close readings of these “texts,” Stefanie K. Dunning explores the ways in which the interracial intersects with queerness, blackness, whiteness, class, and black national identity. She shows that representations of interracial desire do not follow the logic of racial exclusion. Instead they are metaphorical and anti-biological. Rather than diluting race, interracial desire makes race visible. By invoking the interracial, black gay and lesbian artists can remake our conception of blackness.

Table of Contents

• Acknowledgments
• Introduction
• 1. “Ironic Soil”: Recuperative Rhythms and Negotiated Nationalism
• 2. “No Tender Mercy”: Same-Sex Desire, Interraciality, and the Black Nation
• 3. (Not) Loving Her: A Locus of Contradictions
• 4. “She’s a B*(u)tch”: Centering Blackness in The Watermelon Woman
• Epilogue: Reading Robert Reid-Pharr
• Notes
• Index

Barriers between Us: Interracial Sex in Nineteenth-Century American Literature

Indiana University Press
2004-10-12
160 pages
1 bibliog., 1 index, 6.125 x 9.25
Paper ISBN-13: 978-0-253-21733-2; ISBN: 0-253-21733-4

Cassandra Jackson, Professor of English
The College of New Jersey

This provocative book examines the representation of characters of mixed African and European descent in the works of African American and European American writers of the 19th century.  The importance of mulatto figures as agents of ideological exchange in the American literary tradition has yet to receive sustained critical attention. Going beyond Sterling Brown’s melodramatic stereotype of the mulatto as “tragic figure,” Cassandra Jackson’s close study of nine works of fiction shows how the mulatto trope reveals the social, cultural, and political ideas of the period. Jackson uncovers a vigorous discussion in 19th-century fiction about the role of racial ideology in the creation of an American identity.  She analyzes the themes of race-mixing, the “mulatto,” nation building, and the social fluidity of race (and its imagined biological rigidity) in novels by James Fenimore Cooper, Richard Hildreth, Lydia Maria Child, Frances E. W. Harper, Thomas Detter, George Washington Cable, and Charles Chesnutt.