Mixed Race Studies

Jackie Kay announces makar’s tour of all the Scottish islands

The Guardian
2016-10-07

Libby Brooks, Scotland Correspondent

The poet has revealed plans for ‘an odyssey’ that will take in overlooked parts of Scotland and form the basis of a long poem about the country

As the UK lurches towards xenophobia, it is a writer’s responsibility to “tell the time”, says Scotland’s national poet Jackie Kay.

Kay, whose complex relationship with her Scottish identity provides inspiration for much of her work, warned that poets should not shy away from addressing current and acute political divisions…

Read the entire article here.

Scotland’s national poet writes for those who’ve been asked ‘where are you from?’

PBS NewsHour
2016-09-08

Jackie Kay is Scotland’s first black national poet. Adopted as a child, much of her poetry and prose speaks to her own experience of not feeling entirely welcome in her own country. “I wrote the poems that I wanted to read and I wrote about the experiences that I wanted to find,” she says. Jeffrey Brown reports.

JUDY WOODRUFF: Now a Scottish literary talent whose work on identity and belonging, among other themes, has helped propel her to a unique role and a popular writer there.

Jeffrey Brown has our profile.

JACKIE KAY, Scottish Poet & Novelist: “And this is my country, says the fisherwoman from Jura. Mine, too, says the child from Canna and Iona. Mine, too, says the Brain family. And mine, says the man from the Polish deli.”

JEFFREY BROWN: Jackie Kay wrote her poem “Threshold” for the Scottish Parliament and a special guest, Queen Elizabeth.

JACKIE KAY: Let’s blether some more about doors, revolving doors and sliding doors.

JEFFREY BROWN: In the wake to of the recent Brexit vote to leave the European Union, it was a plea to keep doors and the country open to the outside world. As Scotland’s new national poet, Kay made it personal.

JACKIE KAY: Scotland’s changing faces — look at me!

I like the idea of trying to change the face of Scotland. But, traditionally, when somebody thinks of somebody Scottish, they see a white man with red hair in a kilt and a — and they don’t see me.

JEFFREY BROWN: Jackie is the adopted daughter of John and Helen Kay. Her birth mother Scottish. Her father was then a Nigerian student studying in Scotland.

JACKIE KAY: I was an illegitimate child. And being picked to be a national poet is probably a pretty legitimate thing.

(LAUGHTER)

JEFFREY BROWN: I will say…

Watch the interview here.

The SRB Interview: Jackie Kay

Scottish Review of Books
Volume 11, Issue 3 (2016)

Opening one of Jackie Kay’s books is like walking into a busy metropolitan bar that has accommodated within its walls the deep past, character and charm of a country pub. You know you will encounter stories comic and sad, that you will never leave thirsty, and that the mind will feel renewed with the spirit, musicality and colour of life. Kay was born in Edinburgh in 1961 to a Nigerian father and a Scottish mother. She was adopted at birth by Helen and John Kay, who lived, and still live, in Bishopbriggs, Glasgow. Helen was a primary school teacher who was also secretary of the Scottish peace movement and John worked full time for The Communist Party. When Kay was pregnant with her son Matthew she started a search for her birth parents, and this long experience, along with her Scottish upbringing, is recounted in her memoir Red Dust Road (2010). Kay’s writing style is as varied and vivid as her life, and her ability to inhabit voices and capture them on the page was demonstrated in her first poetry collection, The Adoption Papers (1991). It incorporated themes still prevalent in her work today: ‘what is identity? Is identity a shifting, fluid thing? How much are we made up by genes, and how much by stories? How much is it possible to escape the constraints of our own DNA and invent ourselves? How much does love define us, and make things possible? Does being loved change the shape of your face, or change the look in your eyes, or change your voice, or your body?’

Kay’s output is too prolific to give but a précis. Her second poetry book, Other Lovers (1993), explored the impact of colonialism and slavery on black culture, and it was a topic she returned to in her play The Lamplighter (2008). She has a written a sequence of poems about Bessie Smith, and she also wrote a biographical portrait of the great blues singer, which was published in 1997. Jazz and blues have been a lifelong love, and her novel Trumpet (1998), republished this year as a Picador classic, is about a jazz musician called Joss Moody. Upon his death, the trumpet player is found to have been a woman, and the novel refracts Moody’s life through the lens of those who knew him and the media eye. Kay’s short story collections include Why Don’t You Stop Talking (2002) and Reality, Reality (2012). Her most recent poetry collections are Fiere (2011) and the pamphlet The Empathetic Store, published in 2015 by Mariscat Press. In progress is a new novel, Bystander.

Kay has lived in Manchester for the last twenty years, although she has said ‘in my mind I also live in Scotland’, and frequently is at home in Glasgow seeing her parents. Nick Major met Kay in HOME, a new arts centre and theatre space near Manchester’s old industrial centre. They sat in the upstairs restaurant beside tall glass windows that afforded a view of the sun. The room was baked in a heat that defied the cold winter’s day outside. They had a long afternoon lunch, punctuated with coffee to keep the mind fresh. The clatter of other lives, other lunches, was all around them. Small in stature, large in mind, she was wearing a red jumper that matched the city’s prevailing colour, and two silver discs hung from her ears, shimmering in the light. Kay is a fast talker, and often spoke in long looping sentences that circled every subject, always prodding and poking at it in a search for a newer, clearer understanding. As this edition of the Scottish Review of Books went to press she was appointed our new Makar.

The Scottish Review of Books: You’ve lived in Manchester for many years now, but do you still think of Glasgow as home?

Jackie Kay: I think of Glasgow as my home in the many ways that a person can think of a home. My parents live in exactly the same house I grew up in. Nobody’s been in that house except our family. It’s a Lawrence house. But Glasgow as a city is a spiritual home, and I love the robust energy of the place and all the contradictions. It’s a city of doubles and amazing contrasts. It often gets less attention because Edinburgh is like a beautiful twin sister, but Glasgow is beautiful in its own different way. It is a city that can still surprise you; you can keep getting to know it because it keeps on changing…

Read the entire interview here.

Jackie Kay the new Scots Makar, Shaping the Body

Woman’s Hour
BBC Radio 4
2016-03-25

The acclaimed writer Jackie Kay has just been announced as the next Scots Makar – Scotland’s national poet. She tells Jenni about the plans she has for her new role.

Today a new exhibition examining how food, fashion and lifestyle have shaped women’s bodies and lives opens at York Castle Museum. The curator Ali Bodley and fashion historian Lucy Adlington join Jenni to talk about 400 years of squeezing and binding. And, how the current vogue for big bottoms and padded underwear echoes the false rumps of the past.

Mary Magdalene – what do we know about the woman who was described as the constant companion of Jesus, who wept at the foot of the Cross, and who gave the first account of the empty tomb? What is it about her story that continues to fascinate and what evidence is there that she was a prostitute or even the wife of Jesus? Michael Haag author of The Quest for Mary Magdalene speaks to Jenni.

Penrose Halson author of “Marriages are Made In Bond Street” traces the history of one of Britain’s most successful marriage bureaux founded by two twenty-four year olds in the Spring of 1939. Penrose eventually became the proprietor and she tells Jenni about the remarkable cross-section of British society in the 1940’s who found partners through this tiny London office.

Listen to the episode here. Download the episode here.

Jackie Kay: Scotland’s poet of the people

The Guardian
2016-03-20

Kevin McKenna

Jackie Kay at the Scottish Poetry Library in Edinburgh last week. Photograph: Andrew Milligan/PA

To say there was a national outpouring of joy at the appointment of Jackie Kay as Scotland’s makar last week might be overdoing it, but not by much. In previous decades, perhaps, not many beyond bearded and ponytailed literary circles might even have known the identity of a new makar or even the purpose of the post. The profile and efforts of the two previous incumbents, Edwin Morgan and Liz Lochhead, though, have helped to raise awareness of the position so that it has begun to insinuate itself into our national life.

Following the appointment of Kay as Scotland’s national poet last Tuesday, a press colleague who had interviewed her was simply thrilled. “She’s just wonderful; she’ll make people read poetry and write poetry who have never done so before.” The words were spoken in a tone that suggested he had touched the great woman’s hem…

…Jackie Kay was born in Edinburgh in 1961 to a Scottish mother and Nigerian father whereupon she was given up for adoption. John and Helen had adopted Kay’s brother, Maxwell, two years earlier. Many years later, she located her biological father and made plans to meet him while harbouring some anxiety as to how this might be received by her adoptive parents who had given her and her brother so much. She has referred to this as a “kind of adultery”…

Read the entire article here.

Jackie Kay unveiled as the new National Poet, or Makar, of Scotland

The Herald
Glasgow, Scotland, United Kingdom
2016-03-15

Phil Miller

Poet and author Jackie Kay

The acclaimed writer Jackie Kay is the new National Poet for Scotland.

Ms Kay, who lives in Manchester, who was awarded an MBE for her services to literature in 2006, will succeed Liz Lochhead as the National Poet.

Ms Kay said she spend around half her time in Glasgow, the city where her parents live.

The final selection of Ms Kay was made by First Minister Nicola Sturgeon and former first ministers Alex Salmond, Lord McConnell of Glenscorrodale and Henry McLeish.

The First Minister made the announcement at the Scottish Poetry Library in Edinburgh where Ms Kay read one of her own poems, ‘Between the Dee and the Don’.

Ms Kay was born in Edinburgh and raised in Glasgow.

She said she would like to write a poem for the re-opening of the Scottish Parliament later this year, after the Holyrood elections, as well as highlight the plight of refugees.

The announcement was made by Nicola Sturgeon, the First Minister, who said: “Poetry is part of Scotland’s culture and history, it celebrates our language and can evoke strong emotions and memories in all of us…

Read the entire article here.

Jackie Kay’s Quest For Her Roots – Theresa Muñoz

Scottish Review of Books
Volume 6, Issue 3 (2010-08-12)

Theresa Muñoz

Adopted at birth, Jackie Kay discovered neither of her birth parents were who she’d thought they’d be, her new memoir recalls.

“If you have skin my colour” writes Jackie Kay in her memoir Red Dust Road, “you must be a foreigner.” All of her life, people have asked her where she is from. Glasgow, she’d tell them. Then people would inquire, but where are her parents from? Her parents are from Glasgow and Fife, she’d say. But she would also add that she’s adopted and her birth father is Nigerian. “They’d nod,” Kay says, “with a kind of ‘That explains it’ look”.

Since I moved to Scotland, people have asked me where I’m from. “Vancouver, British Columbia,” I reply. Most leave it at that because they have relatives or friends in Canada and would rather discuss them. But others persist: “Where are you really from?” Once, an older gentleman in the library in Dumfries asked if I was from the Far East. “Yes, I live in Edinburgh,” I replied. He left me alone after that.

It’s not that people shouldn’t ask. I’m happy to tell others that both my parents were born in the Philippines and immigrated to Canada, individually, in the Seventies. (They later met in what used to be Simpson’s department store in Toronto.) But the nature of these questions can make you feel like an outsider. As Kay says, “I felt it was being pointed out to me, in a more sophisticated manner, that I didn’t belong in Scotland”.

Other comments are just plain ignorant. Walking down West Princes Street in Glasgow, I passed a man who muttered something about a tan. “Nice tan,” I think he said to me. Kay has also been asked about her tan. In Wigtown a woman asked her and her mother, “Is that lady your daughter? Oh? Your daughter is awful tanned. Is she that colour every day?”

Once or twice things have turned ugly. A fight broke out in Glasgow’s Ashton Lane, when a drunken man asked my Scottish boyfriend where he “bought me”. Kay’s experiences have been much more humiliating. In 1980, during the rise of the British Movement, posters were put up around Stirling University that asked: “Would you be seen with that Irish-Catholic wog called Jackie Kay?” Kay locked herself into her student apartment and was offered police protection.

Racism happens without warning. You never know how to react. Dignity? Fury?…

Read the entire review here.

Photographing Multiracial Families In Scotland: Celebrating mothers, daughters and diversity through portraits

Medium for Pixel Magazine
2015-12-17

Interview by Emily von Hoffmann and Polarr

Image courtesy of Kim Simpson.

Portrait photographer Kim Simpson began her Exottish project after her daughter, who is of mixed heritage, experienced a series of racial insults in her primary school in Scotland.

Kim says she hopes her portraits — which feature families with some “visual differences” between their members — will encourage viewers to revisit their engrained ideas of what it looks like to be Scottish.

For Polarr, Emily von Hoffmann spoke with Kim about the work and her experience as a parent in a multiracial family.

Emily von Hoffmann: “Girls and Their Mothers” is one part of the larger Exottish project. What does “Girls and Their Mothers” entail? Who are these women?

Kim Simpson: “Girls and Their Mothers” is a collection of portraits of mixed race girls, of all ages, with their mothers — 48 portraits featuring 16 different families in a mix of individual and group portraits.

Instead of questioning their ancestry or scrutinizing their appearance, I chose to photograph girls and women of mixed heritage and their mothers with an intent to question social perception. These images display their relationships, linking these girls and their mothers together while at the same time respecting their disparity…

Image courtesy of Kim Simpson.

…EvH: What sort of national dialogue, or vocabulary even, around race and appearance exists in Scotland? Is it discussed in school, for instance? I’m interested in thinking about this in comparison to the current Black Lives Matter movement in the U.S., and the greater mainstream attention to identity issues of multiracial individuals.

KS: Black Lives Matter is extremely relevant in Scotland, especially at the moment. We have had an awful tragedy that saw the senseless end of Sheku Bayoh’s life at the hands of police officers as he was suffocated during an arrest in Fife, Scotland. Justice has not been served in this instance and it echoes all the hallmarks of what has been going on across the water with concerns of interactions between police officers and members of the black community…

Read entire the interview here.

Maud Sulter

The Herald
Glasgow, Scotland, United Kingdom
2008-03-21

Artist and writer; Born September 19, 1960; Died February 27, 2008. MAUD Sulter, who has died after a long illness aged 47, was an extraordinarily gifted visual artist, writer, playwright and cultural historian.

She was born in Glasgow, of Scots and Ghanaian descent: in her poem Circa 1930, she pointed out that these two cultures “are not as disparate as they might/at first seem. Clan-based societies/With long memories and global diasporas”. The exploration of the continuing presence of Africa in Europe was one of her principal themes, explored through her art in a variety of media: text, photography, sound and performance.

She was active in feminist communities in London in the early 1980s, and while working with a women’s education group programmed Check It, a groundbreaking two-week show at the Drill Hall showcasing black women’s creativity…

…As well as her academic writing, she published several collections of poetry: As a Blackwoman (1985), which won the Vera Bell Prize for poetry that year; Zabat (1989); and Sekhmet (Dumfries & Galloway Council, 2005); and a play about Jerry Rawlings, Service to Empire (2002). “I often address issues of lost and disputed territories, both psychological and physical,” she wrote in 1994. “The central body of my poetic work is unequivocally the love poetry which is addressed to both genders.” Sekhmet begins with a roll-call of love and gratitude to friends, lovers, family across the world, to medics, and to the ancestors, “who walked beside me when I needed them most and carried me forward when the terrain was too rough but never absolve me of the responsibility for my own life and identity”…

Read the entire obituary here.

Miranda Kaufmann Lecture ‘Africans in Port Towns – 1500-1640’

University of Greenwich
Queen Anne 180 – Greenwich Campus
Greenwich, England
Wednesday, 2014-10-15, 18:00-19:00 BST (Local Time)

Dr. Miranda Kaufmann will explore the lives of Africans in 16th and 17th century England and Scotland’s port towns, explaining how they arrived in Britain and how they were treated by the church, the law courts and the other inhabitants.

Dr. Miranda Kaufmann will explore the lives of Africans in 16th and 17th century England and Scotland’s port towns, explaining how they arrived in Britain, what occupations and relationships they found in the ports and how they were treated by the church, the law courts and the other inhabitants.

For more information, click here.