Mixed Race Studies

Finding Your Roots: The Official Companion to the PBS Series

University of North Carolina Press
September 2014
352 pages
6.125 x 9.25, index
Cloth ISBN: 978-1-4696-1800-5

Henry Louis Gates Jr., Alphonse Fletcher University Professor and Director of the Hutchins Center for African and African American Research
Harvard University

Who are we, and where do we come from? The fundamental drive to answer these questions is at the heart of Finding Your Roots, the companion book to the PBS documentary series seen by 30 million people. As Harvard scholar Henry Louis Gates Jr. shows us, the tools of cutting-edge genomics and deep genealogical research now allow us to learn more about our roots, looking further back in time than ever before. Gates’s investigations take on the personal and genealogical histories of more than twenty luminaries, including United States Congressman John Lewis, actor Robert Downey Jr., CNN medical correspondent Sanjay Gupta, President of the “Becoming American Institute” Linda Chavez, and comedian Margaret Cho. Interwoven with their moving stories of immigration, assimilation, strife, and success, Gates provides practical information for amateur genealogists just beginning archival research on their own families’ roots, and he details the advances in genetic research now available to the public. The result is an illuminating exploration of who we are, how we lost track of our roots, and how we can find them again.

The 10 Best Black Books of 2013 (Non-Fiction)

The AFRO
2013-12-24

Kam Williams, Special to the AFRO

The 10 Best Black Books of 2013 (Non-Fiction)

1. (1)ne Drop: Shifting the Lens on Race Edited by Yaba Blay, Ph.D. with photography by Noelle Theard
2. Ebony & Ivy: Race, Slavery, and the Troubled History of America’s Universities by Craig Steven Wilder
3. David and Goliath: Underdogs, Misfits, and the Art of Battling Giants by Malcolm Gladwell
4. The African Americans: Many Rivers to Cross by Dr. Henry Louis Gates, Jr. and Dr. Donald Yacovone…

Read the entire list here.

A Racial Paradise? Race and Race Mixture in Henry Louis Gates’ Brazil

Latin American and Caribbean Ethnic Studies
Volume 8,  Issue 1, 2013
pages 88-91
DOI: 10.1080/17442222.2013.768464

Chinyere Osuji, Assistant Professor of Sociology
Rutgers, The State University of New Jersey, Camden

In this documentary, Henry Louis Gates explores the extent to which the notion of being a racial paradise applies to Brazil. He introduces Brazil’s contradictions of being the last country to abolish slavery’ in the New World in 1888, yet the first to declare that it was free of racism. He explores a variety of cities in Brazil in order to understand the history of early race mixture, contemporary valorization of Blackness, and attempts to address racial inequality. As a viewer, we watch how Gates’ fascination with the Brazil’s African heritage and race mixture at the beginning of the film turns into a questioning of the myth of racial democracy.

The film is useful in terms of providing a primer on race in Brazil for novices on race in Latin America. Geared towards the general public, this is a film that could be used in an introductory course for undergraduates about race in Brazil or Latin America more broadly. Its strengths are in illuminating the nature of slavery and race mixture in Brazil’s history while introducing the racial ideologies of whitening and racial democracy. Gates introduces scholars such as Manoel Querino and the more renowned Gilberto Freyre to discuss their scholarship on black contributions to Brazilian society. Gates’ film also has vibrant images of Carnaval, capoeira, and a Candomblé ceremony, providing opportunities for students to gain exposure to these African-influenced cultural practices.

This film is somewhat problematic in terms of illuminating racial and color categories in contemporary Brazil. Gates indirectly cites a 1976 Brazilian National Household Survey study that found people used over 100 terms to describe their color. Gates says: ‘In the U.S., a person with any African ancestry is legally defined as black. In Brazil, racial categories are on steroids.’ However, this perspective has been discredited by scholars who argue that most Brazilians only use a handful of terms to describe themselves. In fact, re-examinations of the same 1976 survey found that 95 percent of Brazilians used only six terms to describe themselves: branco, moreno, pardo, moreno-claro, preto and negro (Silva, 1987; Telles, 2004). The 10 most common terms were the aforementioned as well as amarela, mulata, clara, and morena-escura. All together, these 10 terms account for how 99 percent of all Brazilians think of their race/color. These findings have been replicated using more national survey data (Petruccelli, 2001; Telles, 2004). However, the myth of the hundreds of racial and color terms that Brazilians use to identify themselves will not die, and now Gates aids in perpetuating it…

Read or purchase the article here.

Many Rivers to Cross: From Black Power to the Black President

The Root
2013-11-26

Peniel E. Joseph, Professor of History
Tufts University, Medford, Massachusetts

In the sixth and final installment of his PBS series, Henry Louis Gates Jr. leads us from the black power movement to the historic election of Barack Obama.

Americans have notoriously short memories when it comes to race and history, especially black history. And it’s in that context that Harvard professor and The Root’s editor-in-chief, Henry Louis Gates Jr., has looked back through time to bring us The African Americans: Many Rivers to Cross, a six-part documentary film, airing on PBS, that concludes tonight and that has offered an important capstone to a year full of important civil rights anniversaries.

Over the past five weeks, the series has taken viewers to locations around the world to explore the origins of trans-Atlantic slavery, plumb the depth of America’s antebellum era and chronicle the exploits for black political, economic and cultural self-determination in the Civil War’s bloody aftermath.

And after watching this series, which is a timely corrective to contemporary discourse around race relations, all Americans will gain a better understanding of the way in which both the distant and recent past continue to shape and inform our national present…

Read the entire article here.

Black History’s Missing Chapters: ‘The African Americans: Many Rivers to Cross,’ on PBS

The New York Times
2013-10-18
 
Felicia R. Lee

The television mini-series “Roots,” about the slave Kunta Kinte and his descendants, is a classic, inspired by real lives and real history. But it is a truism among historians that young people do not know enough about African-American contributions to history. Even a tiny slice of recent history — the civil rights movement — is not required teaching in most states, the Southern Poverty Law Center found in a recent assessment.

“It boils down to Rosa Parks, Martin Luther King and ‘I Have a Dream,’ ” Maureen Costello, director of the center’s Teaching Tolerance Project, said of the typical level of knowledge. Films and the occasional series on black history have helped fill in the gaps, creating a kind of “cultural accretion,” Ms. Costello added, but television in recent years has not consistently offered informative entertainment.

When “Roots” was broadcast in 1977, “the whole nation watched it because there were three networks vying for our attention,” Ms. Costello said. “As a culture, we’ve become so fragmented. I think more Americans can reasonably discuss the meth trade or the Mafia because of ‘Breaking Bad’ and ‘The Sopranos’ than they can African-American history.”

Into the breach has stepped Henry Louis Gates Jr., assisted by dozens of historians. His six-part series, “The African Americans: Many Rivers to Cross,” beginning on Tuesday on PBS, aims to chronicle 500 years of black history. The program starts with Juan Garrido, a free black man whose 1513 expedition with Spanish explorers in Florida made him the first known African to arrive in what is now the United States, and ends with Barack Obama in the White House in 2013, a time of complexity and contradictions for black Americans. In between, Professor Gates, director of the W. E. B. Du Bois Institute for African and African American Research at Harvard, draws on the latest scholarship to put flesh on characters like the resilient South Carolina slave girl Priscilla as well as her descendants…

Read the entire article here.

The 10 Percenter

The New York Times
2011-10-13

Robert S. Boyton

Henry Louis Gates Jr. is having lunch at New York’s Union Square Cafe, hoping Danny Meyer’s chicken soup will soothe his allergies. He has just returned from Newark, where he interviewed Mayor Cory Booker for his new PBS series, “Finding Your Roots.” After lunch he’s catching a flight to Martha’s Vineyard for Bill Clinton’s birthday party. Author of 14 books, editor in chief of the online publication The Root, documentary producer and presenter, Gates, 61, is a one-man multimedia industry.

“I have no plans to slow down,” he says cheerfully.

A clear line runs through Gates’s myriad projects. “I want to get into the educational DNA of American culture,” he says. “I want 10 percent of the common culture, more or less, to be black.” Gates’s love of technology has been a boon in this regard. He is always thinking about new ways to circulate his ideas. “The Norton Anthology of African-American Literature” (1996) included a CD of oral literature with recordings of poets like Langston Hughes reading their work. He followed up “Africana: The Encyclopedia of the African American Experience” (1999) with Microsoft’s Encarta Africana on CD-ROM. The success of The Huffington Post inspired him to start The Root, The Washington Post’s online African-American publication. “I’m a tech geek. Whenever I read about something new, I think to myself, How can I take this and make it black?”…

…Gates is a member of the Personal Genome Project at Harvard Medical School, and he and his late father (who died at age 97 on Christmas Eve, 2010) were the first African-Americans to have their entire genomes sequenced. The tests showed that Gates Jr. has 50 percent European ancestry and descends from John Redman, a free African-American who fought in the Revolutionary War. In 2006, Gates was inducted into the Sons of the American Revolution. “When I do a black person’s DNA, there are never any people who are 100 percent black, no matter how dark they are,” he says…

Read the entire article here.

‘Plessy v. Ferguson’: Who Was Plessy?

The Root
2013-06-10

Henry Louis Gates Jr., Alphonse Fletcher University Professor of History
Harvard University

100 Amazing Facts About the Negro: Learn about the man whose case led to decades of legal segregation.

Amazing Fact About the Negro No. 35: Who was the Plessy in the Plessy v. Ferguson Supreme Court case that established the separate-but-equal policy for separating the races?

‘How many mysteries have begun with the line, “A man gets on a train … “? In our man’s case, it happens to be true, and there is nothing mysterious about his plan. His name is Homer Plessy, a 30-year-old shoemaker in New Orleans, and on the afternoon of Tuesday, June 7, 1892, he executes it perfectly by walking up to the Press Street Depot, purchasing a first-class ticket on the 4:15 East Louisiana local and taking his seat on board. Nothing about Plessy stands out in the “whites only” car. Had he answered negatively, nothing might have.

Instead, as historian Keith Weldon Medley writes, when train conductor J.J. Dowling asks Plessy what all conductors have been trained to ask under Louisiana’s 2-year-old Separate Car Act—”Are you a colored man?”—Plessy answers, “Yes,” prompting Dowling to order him to the “colored car.” Plessy’s answer started off a chain of events that led the Supreme Court to read “separate but equal” into the Constitution in 1896, thus allowing racially segregated accommodations to become the law of the land.

Here’s what happens next on the train: If a few passengers fail to notice the dispute the first or second time Plessy refuses to move, no one can avoid the confrontation when the engineer abruptly halts the train so that Dowling can dart back to the depot and return with Detective Christopher Cain. When Plessy resists moving to the Jim Crow car once more, the detective has him removed, by force, and booked at the Fifth Precinct on Elysian Fields Avenue. The charge: “Viol. Sec. 2 Act 111, 1890” of the Louisiana Separate Car Act, which, after requiring “all railway companies [to] provide equal but separate accommodations for the white, and colored races” in Sec. 1, states that “any passenger insisting on going into a coach or compartment to which by race he does not belong, shall be liable to a fine of twenty-five dollars, or in lieu thereof to imprisonment for a period of not more than twenty days in the parish prison.”

It takes only 20 minutes for Homer Plessy to get bounced from his train, but another four years for him to receive a final decision from the United States Supreme Court. He is far from alone in the struggle. The 18-member citizens group to which Plessy belongs, the Comité des Citoyens of New Orleans (made up of “civil libertarians, ex-Union soldiers, Republicans, writers, a former Louisiana lieutenant governor, a French Quarter jeweler and other professionals,” according to Medley), has left little to chance.

In fact, every detail of Plessy’s arrest has been plotted in advance with input from one of the most famous white crusaders for black rights in the Jim Crow era: Civil War veteran, lawyer, Reconstruction judge and best-selling novelist Albion Winegar Tourgée, of late a columnist for the Chicago Inter-Ocean who will oversee Plessy’s case from his Mayville, N.Y., home, which Tourgée calls “Thorheim,” or “Fool’s House,” after his popular novel, A Fool’s Errand (1879). Even the East Louisiana Railroad, conductor Dowling and Detective Cain are in on the scheme.

Critically important to the legal team is Plessy’s color—that he has “seven eighths Caucasian and one eighth African blood,” as Supreme Court Justice Henry Billings Brown will write in his majority opinion, an observation that refers to the uniquely American “one drop rule” that a person with any African blood, no matter how little, is considered to be black. That Plessy’s particular “mixture of colored blood” means it is “not discernible” to the naked eye is not the only thing misunderstood about his case…

Read the entire article here.

In spite of the unique histories of slavery and persons of African descent in each of the six countries discussed in this book, certain themes recur. In a sense, this book is a study of the growth and demise of the sugar economy in many of these countries, along with that of coffee and tobacco. In most of these societies, a great deal of miscegenation and genetic admixture occurred between masters and their slaves, very early on in the history of slavery there. Several of these countries sponsored official immigration policies of “whitening,” aiming to dilute the numbers of its citizens who were black or darker shades of brown by encouraging Europeans to migrate there.

And speaking of skin color, each of these countries had (and continues to have) many categories of color and skin tone, ranging from as few as 12 in the Dominican Republic and 16 in Mexico to 134 in Brazil, making our use of octoroon and quadroon and mulatto pale by comparison. Latin American color categories can seem to an American as if they are on steroids. I realized as I encountered people who still employ these categories in everyday discussions about race in their society that it is extremely difficult for those of us in the United States to see the use of these categories as what they are, the social deconstruction of the binary opposition between “black” and “white,” outside of the filter of the “one-drop rule,” which we Americans have inherited from racist laws designed to retain the offspring of a white man and a black female slave as property of the slave’s owner. Far too many of us as African Americans see the use of these terms as an attempt to “pass” for anything other than “black,” rather than as historically and socially specific terms that people of color have invented and continue to employ to describe a complex reality larger than the terms black, white, and mulatto allow for.

After extended periods of “whitening,” many of these same societies then began periods of “browning,” as I think of them, celebrating and embracing their transcultural or multicultural roots, declaring themselves unique precisely because of the extent of racial admixture among their citizens. (The abolition of “race” as an official category in the federal censuses of some of the countries I visited has made it extremely difficult for black minorities to demand their rights, as in Mexico and Peru.) The work of José Vasconcelos in Mexico, Jean Price-Mars in Haiti, Gilberto Freyre in Brazil, and Fernando Ortiz in Cuba compose a sort of multicultural quartet, though each approached the subject from different, if related, vantage points. The theories of “browning” espoused by Vasconcelos, Freyre, and Ortiz, however, could be double-edged swords, both valorizing the black roots of their societies yet sometimes implicitly seeming to denigrate the status of black cultural artifacts and practices outside of an ideology of mestizaje, or hybridity.

Henry Louis Gates Jr., Black in Latin America, (New York: New York University Press, 2011), 10-11.

Black in Latin America

New York University Press
July 2011
270 pages
50 illustrations
Hardback ISBN: 9780814732984
Paperback ISBN: 9780814738184
eBook ISBN:

Henry Louis Gates Jr., Alphonse Fletcher University Professor of History
Harvard University

12.5 million Africans were shipped to the New World during the Middle Passage. While just over 11.0 million survived the arduous journey, only about 450,000 of them arrived in the United States. The rest—over ten and a half million—were taken to the Caribbean and Latin America. This astonishing fact changes our entire picture of the history of slavery in the Western hemisphere, and of its lasting cultural impact. These millions of Africans created new and vibrant cultures, magnificently compelling syntheses of various African, English, French, Portuguese, and Spanish influences.

Despite their great numbers, the cultural and social worlds that they created remain largely unknown to most Americans, except for certain popular, cross-over musical forms. So Henry Louis Gates, Jr. set out on a quest to discover how Latin Americans of African descent live now, and how the countries of their acknowledge—or deny—their African past; how the fact of race and African ancestry play themselves out in the multicultural worlds of the Caribbean and Latin America. Starting with the slave experience and extending to the present, Gates unveils the history of the African presence in six Latin American countries—Brazil, Cuba, the Dominican Republic, Haiti, Mexico, and Peru—through art, music, cuisine, dance, politics, and religion, but also the very palpable presence of anti-black racism that has sometimes sought to keep the black cultural presence from view.

In Brazil, he delves behind the façade of Carnaval to discover how this ‘rainbow nation’ is waking up to its legacy as the world’s largest slave economy.

In Cuba, he finds out how the culture, religion, politics and music of this island is inextricably linked to the huge amount of slave labor imported to produce its enormously profitable 19th century sugar industry, and how race and racism have fared since Fidel Castro’s Communist revolution in 1959.

In Haiti, he tells the story of the birth of the first-ever black republic, and finds out how the slaves’s hard fought liberation over Napoleon Bonaparte’s French Empire became a double-edged sword.

In Mexico and Peru, he explores the almost unknown history of the significant numbers of black people—far greater than the number brought to the United States—brought to these countries as early as the sixteenth and seventeenth centuries, and the worlds of culture that their descendants have created in Vera Cruz on the Gulf of Mexico, the Costa Chica region on the Pacific, and in and around Lima, Peru.

Professor Gates’ journey becomes ours as we are introduced to the faces and voices of the descendants of the Africans who created these worlds. He shows both the similarities and distinctions between these cultures, and how the New World manifestations are rooted in, but distinct from, their African antecedents. “Black in Latin America” is the third installment of Gates’s documentary trilogy on the Black Experience in Africa, the United States, and in Latin America. In America Behind the Color Line, Professor Gates examined the fortunes of the black population of modern-day America. In Wonders of the African World, he embarked upon a series of journeys to reveal the history of African culture. Now, he brings that quest full-circle in an effort to discover how Africa and Europe combined to create the vibrant cultures of Latin America, with a rich legacy of thoughtful, articulate subjects whose stories are astonishingly moving and irresistibly compelling.

Table of Contents

• Acknowledgments
• Introduction
• 1. Brazil: “May Exú Give Me the Power of Speech”
• 2. Mexico: “The Black Grandma in the Closet”
• 3. Peru: “The Blood of the Incas, the Blood of the Mandingas”
• 4. The Dominican Republic: “Black behind the Ears”
• 5. Haiti: “From My Ashes I Rise; God Is My Cause and My Sword”
• 6. Cuba: The Next Cuban Revolution
• Appendix: Color Categories in Latin America
• Bibliography
• Index
• About the Author

Who Was the 1st Black Duke?

The Root
2013-05-13

Henry Louis Gates Jr., Alphonse Fletcher University Professor of History
Harvard University

Porträt des Alessandro de Medici by Pontormo, 1534-1535

100 Amazing Facts About the Negro: Meet the scion of a legendary Italian dynasty.

Editor’s note: For those who are wondering about the retro title of this black-history series, please take a moment to learn about historian Joel A. Rogers, author of the 1934 book 100 Amazing Facts About the Negro With Complete Proof, to whom these “amazing facts” are an homage.

I discovered the answer to the question above while visiting the Walker Art Museum’s exhibition “Revealing the African Presence in Renaissance Europe,” now at Princeton University. I was astonished when I encountered Bronzino’s “Portrait of Duke Alessandro de’ Medici,” a mulatto by the sight of him who, the exhibit claimed, also happened to be a member of one of the most powerful families in history and the first Duke of Florence almost 500 years ago! 

Fascinated, I hurried home to see if Joel A. Rogers had included him in his various compilations of famous black people, many of whom were mixed race, liked this man appeared to be. Sure enough, Rogers listed him both in his 100 Amazing Facts and in Volume II of his The World’s Great Men of Color. His conclusion startled me: “That Alessandro was a tyrant there is no doubt whatever,” a remarkably frank assessment from Rogers, who had a tendency to romanticize the achievements of just about every person of even the proverbial “one drop” whom he discovered hidden in the shadows of world history. I wanted to know more about this man. Here are the highlights of what I learned.

A Pivotal Potentate

Like the first black president of Mexico, Vicente Guerrero, and our first black president, Barack Obama, Alessandro de’ Medici (1511-1537)—the first black head of state in the history of the modern Western world—was a mulatto. He was the son of an African slave and one of two Medici males, either a duke or a future pope. With the latter’s blessing, Alessandro served as duke himself—of Florence—from the age of 19 to his assassination at age 26 at the hands of his cousin. The reason the cousin gave: Alessandro was a tyrant out of step with his times, a military ruler in a republican age…

Read the entire article here.