Mixed Race Studies

Passing into Film: Rebecca Hall’s Adaptation of Nella Larsen

Modernism/modernity
Volume 6, Cycle 2 (2021-11-10)

Rafael Walker, Assistant Professor of English
Baruch College, City University of New York

Director Rebecca Hall’s recent adaptation of Nella Larsen’s exquisite second novel, Passing (1929), is visually stunning. I had the pleasure of seeing the film on the big screen, during its limited theatrical run and before its Netflix release. It was the ideal atmosphere for absorbing this cinematic rendering of Larsen’s eerie, anxiety-ridden plot: ensconced with a sparse audience (my companion and I comprising two of the four patrons for the 5:10pm showing) in a small independent theater in Manhattan, just a few miles from where the story is set, and with Halloween everywhere looming on this late-October evening.¹

These qualities of the novel were only enhanced by Hall’s decision to film it in black and white, a daring choice that she, a first-time filmmaker, had to fight for, as Alexandra Kleeman of the New York Times reports. On the one hand, this artistic decision conjures all the nervous palpitations that Hitchcock made synonymous with black-and-white mise-en-scène, maintaining the unshakable uneasiness one experiences while reading Larsen’s novel. On the other, it hurls the either-or terms of Jim Crow racial binarism into conflict with a predominating grayscale—an all-pervading sign of the fictionality of the dichotomizations structuring American culture. Nothing could be more in the spirit of Nella Larsen’s novel. I suspect, however, that Hall’s departures from the source text will attract the attention of modernists far more than her convergences…

Read the entire review here.

Blurring the Lines: James Parker Barnett, Racial Passing, and Invisible Early Black Students at Columbia University

Columbia University and Slavery
Columbia University, New York, New York
2018

Ciara Keane

Discussions of racial passing have never been simple, as racial passing involves the traversing of social systems and the manipulation of power structures in a way that is often unsettling. Racial passing, according to Randall Kennedy, is a “deception that enables a person to adopt certain roles or identities from which he would be barred by prevailing social standards in the absence of his misleading conduct”.¹ The most typical form of passing that has historically occurred in the United States is that of a black person passing as a white person; in other words, a person who has black ancestry that would societally deem him to be black moving throughout society identifying and performing as a white person. It is important to distinguish between a passer and a person who is not aware of their racial ancestry; while a passer is actively cognizant of their background and intentionally living as another race, many individuals are simply unaware of their race and fully believe themselves to be of the race they are living as, even though the facts of their racial ancestry would classify them as a different race than the one they identify as.² The reasons for racial passing vary, but individuals usually decide to pass in order to reap the benefits that come with being of the race they are passing as. For example, a person may pass in order to access better job prospects, receive a higher level of education, or to occupy any other space that was typically off limits for their race.³

In a society like that of the United States which exists as a social hierarchy stratified by race and class, racial passers have been considered a significant threat to the structures that uphold white supremacy. For white people in America, “the core of ‘the American national character’ was a denial of legitimacy and privilege based exclusively on descent”.⁴ In other words, American society was and is inherently structured based on the hoarding of privilege by the white race and the denial of this privilege to minority groups, which above all applies to African-Americans. Therefore, minorities who pass as white pose a grave threat to the maintenance of this structure, as the act of passing blurs the barrier between the privileged elite and the oppressed. Although the infamous one-drop rule was not formally adopted until the 1920s⁵, the American South’s desire to hold onto the racial caste created by slavery led the entire nation to spend the years of 1850 to 1915 “turning from a society in which some blackness in a person might be overlooked to one in which no single iota of color was excused”.⁶ States like North Carolina and Virginia had laws prior to the solidification of the one-drop rule within the 18th and 19th century that defined as white those with less than one-fourth, one-eighth, or one-sixteenth African “blood”, but these rules were always overridden by rules of slavery which could deem even a person with one-sixty-fourth black “blood” to be black if their mother was a slave.⁷ By time the one-drop rule was written into law, which classified a person as black if they had any hint of African “blood” no matter how small and no matter their phenotypical appearance, any advantage that Mulattos may have enjoyed post-slavery that elevated them slightly above Black people without any white “blood” had long disappeared, and Mulattoes had been solidified as indistinguishable from any other member of the black race.⁸…

Read the entire article here.

Rhinelander v Rhinelander: The 1920s Race & Sex Scandal You’ve Never Head Of

Melina Pendulum
2021-04-05

Many people are familiar with Loving v Virginia the Supreme Court case that made interracial relationships legal in the United States. However, there is a much lesser-known court case that dealt with interracial marriage many years before in New York City: Rhinelander v Rhinelander.

Basically, the anti-Harry and Meghan

Kinship of Clover, A Novel

Red Hen Press
2017-04-04
272 pages
5.5 x 0.75 x 8.5 inches
Paperback ISBN: 9781597093811

Ellen Meeropol

He was nine when the vines first wrapped themselves around him and burrowed into his skin. Now a college botany major, Jeremy is desperately looking for a way to listen to the plants and stave off their extinction. But when the grip of the vines becomes too intense and Health Services starts asking questions, he flees to Brooklyn, where fate puts him face to face with a group of climate-justice activists who assure him they have a plan to save the planet, and his plants. As the group readies itself to make a big Earth Day splash, Jeremy soon realizes these eco-terrorists’ devotion to activism might have him–and those closest to him–tangled up in more trouble than he was prepared to face. With the help of a determined, differently abled flame from his childhood, Zoe; her deteriorating, once-rabble-rousing grandmother; and some shocking and illuminating revelations from the past, Jeremy must weigh completing his mission to save the plants against protecting the ones he loves, and confront the most critical question of all: how do you stay true to the people you care about while trying to change the world?

From the author of House Arrest and On Hurricane Island comes a thrilling new activist novel that begs the question, “How far is too far?”

Passing

Signet Classics (an imprint of Penguin Random House)
2021-07-06 (Originally published in 1929)
176 Pages
4-3/16 x 6-3/4
Paperback ISBN: 9780593437841
Ebook ISBN: 9780593439074

Nella Larsen (1891–1964)

Introduction by Brit Bennett

Nella Larsen’s fascinating exploration of race and identity—the inspiration for the Netflix film directed by Rebecca Hall, starring Tessa Thompson and Ruth Negga.

This Signet Classics edition of Passing includes an Introduction by Brit Bennett, the bestselling author of The Vanishing Half.

Irene Redfield is a Black woman living an affluent, comfortable life with her husband and children in the thriving neighborhood of Harlem in the 1920s. When she reconnects with her childhood friend Clare Kendry, who is similarly light-skinned, Irene discovers that Clare has been passing for a white woman after severing ties to her past—even hiding the truth from her racist husband.

Clare finds herself drawn to Irene’s sense of ease and security with her Black identity and longs for the community (and, increasingly, the woman) she lost. Irene is both riveted and repulsed by Clare and her dangerous secret, as Clare begins to insert herself—and her deception—into every part of Irene’s stable existence. First published in 1929, Larsen’s brilliant examination of the various ways in which we all seek to “pass,” is as timely as ever.

Book Talk-Once We Were Slaves: The Extraordinary Journey of a Multi-Racial Jewish Family

American Jewish Historical Society
2021-08-04

Author Laura Arnold Leibman discusses her new book with Gender and Jewish Studies Professor, Samira K. Mehta. Hear how family heirlooms were used to unlock the mystery of the Moses’s Family ancestors in, Once We Were Slaves: The Extraordinary Journey of a Multiracial Jewish Family.

Tracing an extraordinary journey throughout the Atlantic World, Leibman examines artifacts left behind in Barbados, Suriname, London, Philadelphia, and New York, to show how Sarah and Isaac Moses were able to transform themselves and their lives, becoming free, wealthy, Jewish, and—at times—white. While their affluence made them unusual, their story mirrors that of the largely forgotten population of mixed African and Jewish ancestry that constituted as much as ten percent of the Jewish communities in which the siblings lived.

Watch the video (00:56:47) here.

Born into slavery, they rose to be elite New York Jews. A new book tells their story.

Religion News Service
2021-10-05

Yonat Shimron, National Reporter and Senior Editor

“Once We Were Slaves: The Extraordinary Journey of a Multiracial Jewish Family” and author Laura Arnold Leibman. Courtesy images

In her new book, ‘Once We Were Slaves: The Extraordinary Journey of a Multiracial Jewish Family,’ Laura Arnold Leibman shows that Jews were not only slave owners. They were also slaves.

(RNS) — Jews are proud of the biblical story from Exodus that recounts their deliverance from slavery in Egypt in the third century B.C.

But few U.S. Jews consider that some of their ancestors were slaves in the trans-Atlantic slave trade that ended in the 19th century.

In her new book, “Once We Were Slaves: The Extraordinary Journey of a Multiracial Jewish Family,” Laura Arnold Leibman, a Reed College English professor, conclusively shows that Jews, who were typically thought of as white, were not only slave owners. They were also slaves.

Leibman does this by excavating the genealogies of Sarah and Isaac Lopez Brandon, siblings born in the late 18th century to a wealthy Barbadian Jewish businessman and an enslaved woman. The siblings eventually made it New York, where they were able to pass as white. They became accomplished and affluent members of New York City’s oldest Jewish congregation, Shearith Israel.

Sarah and Isaac’s father, Abraham Rodriguez Brandon, was a Sephardic Jew who traced his ancestry to the expulsion of Jews from Spain. He settled in Barbados as part of a Jewish community of between 400 and 500 families that worked on the island’s sugar plantations and refineries.

Brandon secured his children’s manumission fees, and in 1801 they became “free mulattos.” In Barbados, that still meant they could not vote or hold office, or for that matter be married in the island’s synagogue or buried in its cemetery.

But America was kinder to them. Both Sarah and Isaac immigrated to America and married into prominent and wealthy U.S. Jewish families while hiding their past. One granddaughter had no clue about their origins.

Religion News Service talked to Leibman about her discovery of the Brandon genealogy and what it means for the U.S. Jewish community to grapple with its multiracial past and present. The interview was edited for length and clarity…

Read the entire interview here.

Once We Were Slaves: The Extraordinary Journey of a Multi-Racial Jewish Family

Oxford University Press
2021-08-30
320 Pages
6 1/8 x 9 1/4 inches
Hardcover ISBN: 9780197530474

Laura Arnold Leibman, Professor of English and Humanities
Reed College, Portland, Oregon

Highlights

• Provides a rare historical portrait of life as a Jewish American of color
• Examines the history of racial “passing” in an international context
• Uses an intersectional lens to untangle a family history

An obsessive genealogist and descendent of one of the most prominent Jewish families since the American Revolution, Blanche Moses firmly believed her maternal ancestors were Sephardic grandees. Yet she found herself at a dead end when it came to her grandmother’s maternal line. Using family heirlooms to unlock the mystery of Moses’s ancestors, Once We Were Slaves overturns the reclusive heiress’s assumptions about her family history to reveal that her grandmother and great-uncle, Sarah and Isaac Brandon, actually began their lives as poor Christian slaves in Barbados. Tracing the siblings’ extraordinary journey throughout the Atlantic World, Leibman examines artifacts they left behind in Barbados, Suriname, London, Philadelphia, and, finally, New York, to show how Sarah and Isaac were able to transform themselves and their lives, becoming free, wealthy, Jewish, and–at times–white. While their affluence made them unusual, their story mirrors that of the largely forgotten population of mixed African and Jewish ancestry that constituted as much as ten percent of the Jewish communities in which the siblings lived, and sheds new light on the fluidity of race–as well as on the role of religion in racial shift–in the first half of the nineteenth century.

Table of Contents

• Illustrations
• Preface
• Chapter 1: Origins (Bridgetown, 1793-1798)
• Chapter 2: From Slave to Free (Bridgetown, 1801)
• Chapter 3: From Christian to Jew (Suriname, 1811-12)
• Chapter 4: The Tumultuous Island (Bridgetown, 1812-1817)
• Chapter 5: Synagogue Seats (New York & Philadelphia, 1793-1818)
• Chapter 6: The Material of Race (London, 1815-17)
• Chapter 7: Voices of Rebellion (Bridgetown, 1818-24)
• Chapter 8: A Woman Valor (New York, 1817-19)
• Chapter 9: This Liberal City (Philadelphia, 1818-33)
• Chapter 10: Feverish Love (New York, 1819-1830)
• Chapter 11: When I am Gone (New York, Barbados, London, 1830-1847)
• Chapter 12: Legacies (New York and Beyond, 1841-1860)
• Epilogue
• Appendix: Family Trees
• Abbreviations
• Bibliography
• Notes

Erasure and Recollection: Memories of Racial Passing

Peter Lang
September 2021
366 pages
13 fig. b/w.
Paperback ISBN:978-2-8076-1625-7
ePUB ISBN:978-2-8076-1627-1 (DOI: 10.3726/b18256)

Edited by:

Hélène Charlery, Professor of English Literature
University of Toulouse-Jean Jaurès, Toulouse, France

Aurélie Guillain, Professor of American Literature
University of Toulouse-Jean Jaurès, Toulouse, France

Many recent studies of racial passing have emphasized the continuing, almost haunting power of racial segregation even in the post-segregation period in the US, or in the post-apartheid period in South Africa. This “present-ness” of racial passing, the fact that it has not really become “passé,” is noticeable in the great number of testimonies which have been published in the 2000s and 2010s by descendants of individuals who passed for white in the English-speaking world. The sheer number of publications suggest a continuing interest in the kind of relation to the personal and national past which is at stake in the long-delayed revelation of cases of racial passing.

This interest in family memoirs or in fictional works re-tracing the erasure of some relative’s racial identity is by no means limited to the United States: for instance, Zoë Wicomb in South Africa or Zadie Smith in the UK both use the passing novel to unravel the complex situation of mixed-race subjects in relation to their family past and to a national past marked by a history of racial inequality.

Yet, the vast majority of critical approaches to racial passing have so far remained largely focused on the United States and its specific history of race relations. The objective of this volume is twofold: it aims at shedding light on the way texts or films show the work of individual memory and collective recollection as they grapple with a racially divided past, struggling with its legacy or playing with its stereotypes. Our second objective has been to explore the great variety in the forms taken by racial passing depending on the context, which in turn leads to differences in the ways it is remembered. Focusing on how a previously erased racial identity may resurface in the present has enabled us to extend the scope of our study to other countries than the United States, so that this volume hopes to propose some new, transnational directions in the study of racial passing.

Table of Contents

• Introduction – Hélène Charlery and Aurélie Guillain
• Part I: Memories of Racial Passing – Reconstructing Local and Personal Histories – From Homer Plessy to Paul Broyard
  • To Pass or Not to Pass in New Orleans – Nathalie Dessens
  • Racial Passing at New Orleans Mardi Gras; From Reconstruction to the Mid- Twentieth Century: Flight of Fancy or Masked Resistance? – Aurélie Godet
  • Passing through New Orleans, Atlanta, and New York City: The Dynamics of Racial Assignation in Walter White’s Flight (1926) – Aurélie Guillain
  • African American Women Activists and Racial Passing: Personal Journeys and Subversive Strategies (1880s– 1920s) – Élise Vallier-Mathieu
• Part II: Memory, Consciousness and the Fantasy of Amnesia in Passing Novels
  • “What Irene Redfield Remembered”: Making It New in Nella Larsen’s Passing – M. Giulia Fabi
  • Between Fiction and Reality: Passing for Non- Jewish in Multicultural American Fiction – Ohad Reznick
  • Experiments in Passing: Racial Passing in George Schuyler’s Black No More and Arthur Miller’s Focus – Ochem G.l.a. Riesthuis
  • Passing to Disappearance: The Voice/ Body Dichotomy and the Problem of Identity in Richard Powers’s The Time of Our Singing (2004) – Anne-Catherine Bascoul
• Part III: Memories of Racial Passing within and beyond the United States: Towards a Transnational Approach
  • “The Topsy-Turviness of Being in the Wrong Hemisphere” Transnationalizing the Racial Passing Narrative – Sinéad Moynihan
  • Passing, National Reconciliation and Adolescence in Beneath Clouds (Ivan Sen, 2002) and The Wooden Camera (Ntshaveni Wa Luruli, 2003) – Delphine David and Annael Le Poullennec
  • Transnational Gendered Subjectivity in Passing across the Black Atlantic: Nella Larsen’s Passing, Michelle Cliff ’s Free Enterprise and Zadie Smith’s Swing Time – Kerry-Jane Wallart
• About the Authors/ Editors
• Index

Why Did Two People So Poorly Matched Stay Together So Long?

The New York Times
2021-09-06

Eleanor Henderson

Christopher Sorrentino’s parents, Gilbert and Vicki, circa 1972. Sorrentino examines their confounding marriage in his memoir, “Now Beacon, Now Sea.” via Christopher Sorrentino

Christopher Sorrentino, Now Beacon, Now Sea: A Son’s Memoir (Catapult, 2021)

As I was reading Christopher Sorrentino’s “Now Beacon, Now Sea,” I heard Rodrigo Garcia, son of Gabriel García Márquez, on the radio, talking about his new memoir, “A Farewell to Gabo and Mercedes.” Garcia’s book is a loving chronicle of the last days of his larger-than-life father and loyal mother. Sorrentino’s book, too, is about his novelist father and his parents’ deaths. Both have the subtitle “A Son’s Memoir.” But “Now Beacon, Now Sea” is no tender tribute. Listening to Garcia speak, I realized that Sorrentino was working in a decidedly different genre: His “son’s memoir” is more autopsy than eulogy.

Sorrentino’s father, Gilbert, was an avant-gardist more prolific than famous, who died in an under-resourced hospital in Brooklyn as his son was en route; his wife, Vicki, who is the real subject of this book and a truly fascinating one, died under even grimmer circumstances. Her decaying body, discovered by her son in her Bay Ridge apartment, is the striking opening image of the book. An autopsy was never ordered…

Read the entire review here.