Mixed Race Studies

Somebody Always Singing You

University Press of Mississippi
1997
160 pages
ISBN: 0878059814 (9780878059812)

Kaylynn Sullivan TwoTrees

The story of a multi-racial woman coming to understand her identity

As the child of African-American and Native American parents, Kaylynn TwoTrees grew up hearing herself called “half breed” and “mixed blood,” terms which now, after many transforming experiences, have positive and powerful meanings for her. This book spanning the first fifty years of her life is the account of her extraordinary journey into an understanding of her rich and complex heritage.
 
TwoTrees’s poignant, honest memoir tells of her birth to a Lakota father from a South Dakota reservation and a black mother from an urban neighborhood in Des Moines. She spent summers during her early childhood visiting the Pine Ridge reservation. Her grandmother’s teachings from those days sustained her throughout the subsequent years. She always has remembered her grandmother’s saying “You going/coming back being. Grandmothers always singing you going. Grandchildren always singing you coming back. Somebody always singing you.”
 
After the murder of her mother, she was adopted by her black grandparents, who had worked hard to achieve a middle-class life. TwoTrees was later sent to a Catholic boarding school where she was the only person of color. After she gave birth to a baby girl, whom she released to the care of relatives, she set out on her own. The ensuing journey took her from Chicago to a life in Europe, where she lived for some years as a dancer and a manager of dance companies. Returning to the United States, she lived first in New York, and then in the Southwest, where she spent recent years learning about the landscape and the indigenous cultures and giving workshops and performances.
 
TwoTrees, whose fascinating life journey has been filled with exhilarating as well as painful moments, writes movingly of her efforts to incorporate the diverse strands of her identity. Always carrying with her the love and lessons from her Indian grandmother and many others, she has come to understand the value of her multiple heritages.

Whiteness in the Novels of Charles W. Chesnutt

University Press of Mississippi
2004
248 pages
bibliography, index
Cloth ISBN: 1578066670 (9781578066674)
Paper ISBN: 9781604732481

Matthew Wilson, Professor of English and Humanities
Pennsylvania State University, Harrisburg

An examination of race and audience in an American innovator’s writings

Charles W. Chesnutt (1858-1932), critically acclaimed for his novels, short stories, and essays, was one of the most ambitious and influential African American writers of the late nineteenth and early twentieth centuries. Today recognized as a major innovator of American fiction, Chesnutt is an important contributor to de-romanticizing trends in post-Civil War Southern literature, and a singular voice among turn-of-the-century realists who wrote about race in American life.

Whiteness in the Novels of Charles W. Chesnutt is the first study to focus exclusively on Chesnutt’s novels. Examining the three published in Chesnutt’s lifetime—The House Behind the Cedars, The Marrow of Tradition, and The Colonel’s Dream—as well as his posthumously published novels, this study explores the dilemma of a black writer who wrote primarily for a white audience.

Throughout, Matthew Wilson analyzes the ways in which Chesnutt crafted narratives for his white readership and focuses on how he attempted to infiltrate and manipulate the feelings and convictions of that audience.

Wilson pays close attention to the genres in which Chesnutt was working and also to the social and historical context of the novels. In articulating the development of Chesnutt’s career, Wilson shows how Chesnutt’s views on race evolved. By the end of his career, he felt that racial differences were not genetically inherent, but social constructions based on our background and upbringing. Finally, the book closely examines Chesnutt’s unpublished manuscripts that did not deal with race. Even in these works, in which African Americans are only minor characters, Wilson finds Chesnutt engaged with the conundrum of race and reveals him as one of America’s most significant writers on the subject.

Passing in the Works of Charles W. Chesnutt

University Press of Mississippi
March 2010
160 pages (approx.)
6 x 9 inches, introduction, index
Printed casebinding: 978-1-60473-416-4
Ebook: 978-1-60473-418-8

Edited by:

Susan Prothro Wright, Associate Professor of American and British Literature
Clark Atlanta University, Atlanta, Georgia

Ernestine Pickens Glass, Professor Emerita of English
Clark Atlanta University, Atlanta, Georgia

An exploration of a great American writer’s abiding concern with the color line

Essays by Margaret D. Bauer, Keith Byerman, Martha J. Cutter, SallyAnn H. Ferguson, Donald B. Gibson, Scott Thomas Gibson, Aaron Ritzenberg,Werner Sollors, and Susan Prothro Wright.

Passing in the Works of Charles W. Chesnutt is a collection that reevaluates Chesnutt‘s deft manipulation of the “passing” theme to expand understanding of the author’s fiction and nonfiction. Nine contributors apply a variety of theories–including intertextual, signifying/discourse analysis, narratological, formal, psychoanalytical, new historical, reader response, and performative frameworks–to add richness to readings of Chesnutt’s works. Together the essays provide convincing evidence that “passing” is an intricate, essential part of Chesnutt’s writing, and that it appears in all the genres he wielded: journal entries, speeches, essays, and short and long fiction.

The essays engage with each other to display the continuum in Chesnutt’s thinking as he began his writing career and established his sense of social activism, as evidenced in his early journal entries. Collectively, the essays follow Chesnutt’s works as he proceeded through the Jim Crow era, honing his ability to manipulate his mostly white audience through the astute, though apparently self-effacing, narrator, Uncle Julius, of his popular conjure tales. Chesnutt’s ability to subvert audience expectations is equally noticeable in the subtle irony of his short stories. Several of the collection’s essays address Chesnutt’s novels, including Paul Marchand, F.M.C., Mandy Oxendine, The House Behind the Cedars, and Evelyn’s Husband. The volume opens up new paths of inquiry into a major African American writer’s oeuvre.

Creoles of Color in the Bayou Country

University Press of Mississippi
1994
192 pages
Paper ISBN: 0878059490, ISBN 13: 9780878059492

Carl A. Brasseaux, Professor of History and Director of the Center for Cultural and Eco-Tourism
University of Louisiana, Lafayette

Claude F. Oubre

Keith P. Fontenot

Creoles of Color are rightfully among the first families of south-western Louisiana. Yet in both antebellum and postbellum periods they remained a people considered apart from the rest of the population. Historians, demographers, sociologists, and anthropologists have given them only scant attention.

This probing book, focused on the mid-eighteenth to the early twentieth centuries, is the first to scrutinize this multiracial group through a close study of primary resource materials.

During the antebellum period they were excluded from the state’s three-tiered society–white, free people of color, and slaves. Yet Creoles of Color were a dynamic component in the region’s economy, for they were self-compelled in efforts to become and integral part of the community.

The Mulatta and the Politics of Race

University Press of Mississippi
2004
272 pages
bibliography, index
ISBN: 157806676X (9781578066766)

Teresa C. Zackodnik, Professor of English
University of Alberta, Canada

An analysis of how black women used the mulatta figure to contest racial barriers.

From abolition through the years just before the civil rights struggle began, African American women recognized that a mixed-race woman made for a powerful and, at times, very useful figure in the battle for racial justice.

The Mulatta and the Politics of Race traces many key instances in which black women have wielded the image of a racially mixed woman to assault the color line.  In the oratory and fiction of black women from the late 1840s through the 1950s, Teresa C. Zackodnik finds the mulatta to be a metaphor of increasing potency.

Before the Civil War white female abolitionists created the image of the “tragic mulatta,” caught between races, rejected by all. African American women put the mulatta to diverse political use.  Black women used the mulatta figure to invoke and manage American and British abolitionist empathy and to contest racial stereotypes of womanhood in the postbellum United States.  The mulatta aided writers in critiquing the “New Negro Renaissance” and gave writers leverage to subvert the aims of mid-twentieth-century mainstream American culture.

The Mulatta and the Politics of Race focuses on the antislavery lectures and appearances of Ellen Craft and Sarah Parker Remond, the domestic fiction of Pauline Hopkins and Frances Harper, the Harlem Renaissance novels of Jessie Fauset and Nella Larsen, and the little-known 1950s texts of Dorothy Lee Dickens and Reba Lee.  Throughout, the author discovers the especially valuable and as yet unexplored contributions of these black women and their uses of the mulatta in prose and speech.