Mixed Race Studies

Daughter from Danang

2002
U.S.A.
81 Minutes

Directed by:

Gail Dolgin

Vicente Franco

A heartbreaking documentary that upsets your expectations of happily-ever-afters, Daughter from Danang is a riveting emotional drama of longing, identity, and the personal legacy of war. To all outward appearances, Heidi [Bub] is the proverbial “all-American girl”, hailing from small town Pulaski, Tenn. But her birth name was Mai Thi Hiep. Born in Danang, Vietnam in 1968, she’s the mixed-race daughter of an American serviceman and a Vietnamese woman. Fearing for her daughter’s safety at the war’s end, Hiep’s mother sent her to the U.S. on “Operation Babylift”, a Ford administration plan to relocate orphans and mixed-race children to the U.S. for adoption before they fell victim to a frighteningly uncertain future in Vietnam after the Americans pulled out. Mother and daughter would know nothing about each other for 22 years.

Now, as if by a miracle, they are reunited in Danang. But what seems like the cue for a happy ending is anything but. Heidi and her Vietnamese relatives find themselves caught in a confusing clash of cultures and at the mercy of conflicting emotions that will change their lives forever. Through intimate and sometimes excruciating moments, Daughter from Danang profoundly shows how wide the chasms of cultural difference and how deep the wounds of war can run—even within one family.

“The Face Is the Road Map”: Vietnamese Amerasians in U.S. Political and Popular Culture, 1980–1988

Journal of Asian American Studies
Volume 14, Number 1 (February 2011)
pages 33-68
E-ISSN: 1096-8598; Print ISSN: 1097-2129

Jana K. Lipman, Assistant Professor of History
Tulane University

During the 1980s, U.S. politicians and the media presented Vietnamese Amerasians as quintessential Americans who could be brought home rather than as foreigners or as immigrants. However, Amerasians were non-white immigrants and their rights to enter the United States intertwined with debates over immigration restriction and the ongoing search for American Prisoners of War. The popular emphasis on Amerasians’ American “look” resulted in a discourse which valued whiteness, and sometimes blackness, at the expense of Vietnamese mothers and Asian identities. This article argues how Amerasian immigration policies re-inscribed hierarchies of race and sexuality grounded in the history of Asian exclusion.

Read or purchase the article here.

Vietnamese Afro-Amerasian Testimony: In Search of the “Place” in Displacement

The Global Viet Diaspora
2009

This documentary was produced/directed by Rojelio Vo, Long S. Le, and Aaron Hedge. The documentary is based on the lived-experience of a Vietnamese Afro-Amerasian, Khanh Le.

“If the individual black self could not exist before the law, it could, and would, be forged in language as a testimony at once to the supposed integrity of the black self and against the social and political evils that delimited individual and group equality.” – Professor Henry Louis Gates

Khanh Le is a Vietnamese Afro-Amerasian, fathered by an African American serviceman during the Vietnam War. Khanh has no information about his father, and his mother abandoned him when he was an infant. He was raised by a surrogate family. As a “half-breed” black child (con den lai) and a child of the enemy (con cua ke thu), Khanh did not exist before the law in Vietnam. His displacement experiences entail physical, cultural, psychological, and intellectual of which he suffered humiliation and discrimination. His search for a “place” came in 1986 when he arrived to the U.S. through the Orderly Departure Program (ODP). The ODP allowed Amerasians to bring their mothers but restricted surrogate or extended family members. Thus, at the age of ten, Khanh came to the U.S. as an unaccompanied minor, living with foster families and later in sheltered homes for Amerasian young adults…

Read the article here.
View part one (of five) of the documentary here.

Crises of Whiteness and Empire in Colonial Indochina: The Removal of Abandoned Eurasian Children From the Vietnamese Milieu, 1890–1956

Journal of Social History
Volume 43, Number 3 (Spring 2010)
pages 587-613
E-ISSN: 1527-1897 Print ISSN: 0022-4529
DOI: 10.1353/jsh.0.0304

Christina Firpo, Assistant Professor of History
California Polytechnic State University, San Luis Obispo

From 1890–1956, non-governmental welfare agencies worked with the French colonial government in Indochina to remove Eurasian children, who had been abandoned by their French fathers, from their Vietnamese mothers and the Vietnamese cultural environment. In an era marked by historical exigencies, perceived threats to white prestige, and inherent challenges to the colonial patriarchy, such children were believed to be a threat to colonial security and white prestige. The racial formations of abandoned Eurasian children in colonial Indochina changed repeatedly in response to these threats. Drawing from the rhetoric of racial sciences and led by anxieties over changes colonial security, French civilians increasingly and colonial government administrators increasingly made the case that these children where white and must be removed from their Vietnamese mothers’ care, using force if necessary.

Read the entire article here.

American Identities: California Short Stories of Multiple Ancestries

Xlibris Press
2008
263 Pages
ISBN: 1-4363-7705-6 (Trade Paperback 6×9)
ISBN13: 978-1-4363-7705-8 (Trade Paperback 6×9)

Eliud Martínez, Professor Emeritus of Creative Writing and Comparative Literature
University of California, Riverside

In many parts of the country, especially in California, when one passes by a school or strolls across a college or university campus, it is inescapable to the eye that the American student population looks very different from that before the seventies. Young people today are accustomed to seeing people from many ancestral backgrounds. In classrooms, at schools, colleges and universities; at shopping malls, weddings and other social gatherings, young people are aware that they are living in an increasingly multicultural America.

These then, are the voices and stories of today’s young Americans. Diverse, by turns uplifting, insightful, illuminating and heart-warming or heartbreaking, the stories give us moving portrayals of the young authors and their families, mothers and fathers. Some offer shocking depictions of military brutality and political violence. Others recover family stories and make touching tributes to earlier generations. Some stories help us to see how young people perceive themselves and their identities when they are offspring of mothers and fathers from other lands or of different cultures.

The young writers included in this anthology, or their parents and ancestors, come from Egypt, Ethiopia, Korea, China, Japan, Cambodia, Taiwan, India; from East Los Angeles, El Salvador, Mexico, Honduras, Vietnam, Italy, Denmark, the Philippines, Cuba, and other places. Generational differences are inevitable between immigrant parents and their children, who are either American-born or grow up in America. The differences shape many attitudes to the ancestral cultures, customs, language and ways of life. The stories remind us of why some people came to America, of what they left behind, and what persists in ancestral forms adapted to American ways.

The stories provide telling evidence that collectively, there are many varieties of American identity among children of immigrants and their parents from other lands. These California stories tell of young lives that have been shaped by ancestry, time and place, national background, personal and generational experiences, geography, and by American social and immigrant history, conditions in their ancestral lands and lingering perceptions of race.

Many immigrants come in search of a better life or in pursuit of the American dream. Some Americanized children of immigrants struggle self-consciously to fit in. Their experiences invite dramatic literary expression. In two of the most powerful stories in this anthology, Jan Ballesteros and Thien Hoang exorcise their extreme pain, self-consciousness and struggle for acceptance.
In high school Ballesteros is repeatedly humiliated in his classes by four bullies who ridicule his Filipino appearance and his spoken accent. Extremely vulnerable, Ballesteros is perplexed because the bullies are all half-Filipino. In Hoang’s case, he is self-conscious about the Chinese reflection that looks out at him from the mirror. By writing their stories these two vulnerable young men come to terms with being American, and at the same time with being Filipino and Chinese, respectively.

More so than in Ballesteros and Hoang’s case a heightened consciousness of color and the desire to look American leads the Vietnamese mother in Kim Bui’s story—“Asian Eyes Westernized”—to change the shape of her eyes surgically. Ironically, the young author points out, the woman who in Vietnam used to work in the sun daily, here In America, she avoids being out in the sun, and resorts to skin whiteners. Kim Bui is struck by her mother’s advice to be proud of being Vietnamese, but to look American. In their stories Megan E. Chao, Chariya Heang, and Neha Pandey highlight their views of young womanhood in America when parents observe or desire to observe the tradition of arranged marriages. Conflicting points of view and parental cultural norms affect young women. Moving self-portrayals, characterized by thoughtful introspection and injections of irony and humor, attest to their dilemmas.

The Stories in this anthology are important for American education, I believe, so that young people can see themselves in these portrayals. In addition to the moving value of the stories the storytelling is of a high caliber. The storytelling is based on knowledge of ancestral traditions and customs, languages, cultural and social history, geography, family memorabilia, immigration documents, old photographs and family correspondence, materials and family stories that have been passed down from generation to generation. In addition to these sources, the young authors interviewed mothers, fathers, aunts, uncles and grandparents, and in some cases in languages other than English, all to the young writers’ credit…. [T]he titles of the stories tellingly identify major themes, experiences, and issues that invited and received dramatic literary expression. These stories are valuable repositories of human experiences shared by many young people today. These then, are the stories and voices of young Americans. One may safely predict that the experiences of which these young people have written so candidly, and in many cases eloquently, will resonate with other people and invite thoughtful self-awareness and self-understanding, a deeper appreciation for the richness of the many immigrant cultures of America, and an enhanced understanding of people of multiple ancestries.

And according to the prospectus…

The decades of the 1960s and 1970s ushered in a productive, illuminating and prolific body of scholarly research and creative expression in all the arts. Much of that enterprise was devoted to the most admirable task of historiography—the reinterpretation of the past and the rewriting of American history.

These stories add artistic dimensions to American social and immigrant history, and complement the scholarly research and literary expression of individual groups. The subject matter, the themes, cultural issues and the very human drama of young lives, as depicted in these stories, are timely. Also, because many of the stories address the longing to belong, which historically, was denied to some American groups in the past, they illustrate how emotionally complex the task continues to be for vulnerable young people from many countries…. In the case of U.S. minority groups—as African Americans, Chicanos, Asian- and Native Americans were once designated—that past denial resulted in the retroactive recovery of our rich intellectual and cultural histories, creative and artistic roots, our arts, heritages and ancestries.

Imaginative and creative expression in the arts dramatizes scholarship in history and the social sciences…. Personal, emotional, direct and down to earth, these stories drive home the psychological and emotional impact of feeling different with a directness and immediacy that scholarly works can only approximate. As such, the anthology also complements numerous scholarly works about bi-racial, multi-racial and mixed-race people.

To read an excerpt, click here.

Chameleon’s Fate: Transnational Mixed-Race Vietnamese Identities

Amerasia Journal
University of Califonia, Los Angeles Asian American Studies Center Press
ISSN: 0044-7471
2005
Issue Volume 31, Number 2
Pages 51-62

Fiona I. B. Ngô, Assistant Professor, Asian American Studies & Gender and Women’s Studies
University of Illinois, Urbana-Champaign

The chameleon’s fate is an apt metaphor for the lives of mixed-race Vietnamese children, many of whom were born of these kind of brutal cultural contact. In the aftermath of the U.S. war in Southeast Asia, a number of mixed-race children told the story of the war. Though the story of the war is physically signified by these individuals, the meanings produced through mixed-race identity are multiple and unfixed. The fluidity of meaning comes partially through shifting historical and geographical contextualizations of transnational mixed-race identities.