Mixed Race Studies

Color Without Complex: A Conversation w/ Michaela Angela Davis & Dr. Yaba Blay

New York University, Washington, D.C.
Abramson Family Auditorium
1307 L Street, N.W.
Washington, D.C. 20005
Tuesday, 2014-02-18, 18:30 EST (Local Time)

Michaela Angela Davis

Yaba Blay, Ph.D., Professor of Africana Studies and Women’s & Gender Studies
Drexel University, Philadelphia, Pennsylvania

What exactly is Blackness? What does it mean to be Black? Is Blackness a matter of biology or consciousness? Who determines who is Black and who is not? Who’s Black, who’s not, and who cares? This discussion seeks to challenge narrow perceptions of Blackness as both an identity and lived reality.

Video streaming by Ustream

For more information, contact: NYU Washington DC Events at nyuwashingtondcevents@nyu.edu or 202-654-8300.

Who Gets to Be A POC?: Self-Identifying & Privilege

Mixed Dreams: towards a radical multiracial/ethnic movement
2014-02-09

Nicole Nfonoyim de Hara

This post is in response to a great question a friend asked about how the wonderful new book (1)ne Drop:Shifting the Lens on Race by Dr. Yaba Blay and Noelle Théard, featuring portraits of individuals who identify as “Black” speaks to an article entitled “4 Ways to Push Back on Your Privilege” by one of my favorite bloggers, Mia McKenzie (aka Black Girl Dangerous). Many portraits in (1)ne Drop may raise a few eyebrows. Take the portrait of ‘Zun Lee‘ on the right. He says:

“When I applied to grad school or for jobs, all of a sudden the boxes come up. I had to make a choice, so for the first time, I checked ‘Black.’ And I didn’t think long about it because for me, it was based on personal circumstance. I just chose the box that I felt most at home with because I didn’t relate to any of the other options. From then on, if I were asked, I would answer, ‘I’m Black.’ Of course, people told me I couldn’t do that — that I couldn’t choose that box. But I had spent all of my life being pushed away by people. In Germany, I wasn’t even given the option to check anything because I wasn’t welcomed there. I had no box. For the first time, I was being given the option to identify myself. Now I had a box, and I was happy in that little box.”

Is it okay for Zun Lee to identify as black? He doesn’t self-identify in his quote as “Asian.” Should we, the viewers and readers see him and insist that he must be “Asian” or at the very least “not black?”…

Read the entire article here.

12 Beautiful Portraits Of Black Identity Challenging the “One-Drop” Rule

PolicyMic
New York, New York
2014-02-06

Amirah Mercer

What are you?” they’d ask, head tilted and eyes squinted.

“Black,” I’d reply.

“No … but like, what else are you? I know it’s not all black.”

So went a typical interrogation by my peers as a kid. With skin lighter than even some who identify as White, and hair that streaks blond in the sun, I’ve never been offended by the question, although I have since changed my response. To the more politically correct question that I’m asked in adulthood — “Where are you from?” — I would recite my ethnic makeup, followed by a definitive, “But I identify as Black.” (If I feel like being a wise ass, I’ll simply reply with “New Jersey.”)

How do you define a racial identity? Can “blackness” be defined simply by a person’s skin tone, hair texture and facial features? Can we define it by the way someone walks or the way they talk? Can it be a product of someone’s cultural affinities, regardless of what she looks like?

These are the questions that Dr. Yaba Blay and photographer Noelle Théard encourage us to wrestle with in (1)ne Drop: Shifting the Lens on Race. Featuring the perspectives of 58 people who identify as part of the larger “racial, cultural, and social group generally referred to and known as Black,” the book combines candid memoirs and striking portraits to explore the complexities of Black identity and celebrate an individual’s right to self-identify.

(1)ne Drop’s title derives from the “one-drop rule” — a (successful) attempt to define blackness in America as one drop, or at least 1/32, of Black ancestry for the economic, social, and political purposes of distinguishing a Black person from a White person. I say “successful,” because the one-drop rule still holds cultural weight today, especially with regard to how we value light and dark skin. For this reason, Dr. Blay aims to “challenge narrow yet popular perceptions of what Blackness is and what Blackness looks like.”

“I think the context that we live in shapes the way you identify yourself, and the way others identify you,” says Dr. Blay. And therein lies the power of (1)ne Drop. From Zun Lee, a man who has always identified as Black despite being phenotypically Asian, to Sembene McFarland, a woman whose vitiligo bizarrely blurs other people’s perception of her race, to James Bartlett, a man who is mistaken for Italian, Arab or Hispanic depending on what U.S. city he’s in, (1)ne Drop narrates a story of blackness that is not bound by looks, but that is fluid and empowered by the act of self-identification.

Below are 12 portraits of participants, including their self-identification and a piece of their personal story from (1)ne Drop: Shifting the Lens on Race:…

Read the entire article and view the portraits here.

Professor shifts the lens on race through portraiture, new book

FIU News
Florida International University
2014-01-02

Evelyn Perez

What is blackness? What does it mean to be black? Is blackness a matter of biology or consciousness? Who and what determine who is black and who is not?

A new book by Yaba Blay, co-director of the Africana Studies Program at Drexel University, and Noelle Théard MA’10, adjunct professor in the FIU African and African Diaspora Studies Program, explores these questions and challenges society’s narrow perception of blackness and what it looks like. Titled (1)ne Drop: Shifting the Lens on Race, its name is a reference to the “one-drop rule” from the early 20th century, meaning that anyone with 1/32 of “African black blood” was black.

“Although we live in a ‘post-racial’ society with a president of mixed-race ancestry and a lot of strides have been made since the Civil Rights movement of the 1960s, we still live in a society where issues of race and racial identity are salient,” Théard said. “There is a tendency for folks to not want to have conversations pertaining to issues of race…

Read the entire article here.

The Alternative History of 2013: Alt-Weeklies Year in Review

AAN News
Association of Alternative Newsmedia
2013-12-19

Jason Zaragoza

For our first-ever Alt-Weeklies Year in Review, we asked AAN editors and reporters to share the stories they are the most — and least — proud of from the past year. What follows is an edited version of their responses.

…Stephen Segal, Philadelphia Weekly

Philly Weekly produced an awful lot in 2013 that I’m proud of — but if I have to pick one single piece I found most noteworthy, I’ll point to an issue where our staff got out of the way and let the primary source speak for itself. We excerpted as a cover story Prof. Yaba Blay’s provocative new book “One Drop: Shifting the Lens on Race,” which presents stunning photographic portraits of variously-hued and multiracial Black Americans alongside essays by those subjects in which they discussed how their specific skin color, and its relationship to their lives, has shaped their unique identities. Just fascinating reading. (And an editorial note: Among other things, I find this story has pushed me into the school of thought that, AP style notwithstanding, “Black” should indeed be a capitalized ethnic term.)…

Read the entire article here.

The 10 Best Black Books of 2013 (Non-Fiction)

The AFRO
2013-12-24

Kam Williams, Special to the AFRO

The 10 Best Black Books of 2013 (Non-Fiction)

1. (1)ne Drop: Shifting the Lens on Race Edited by Yaba Blay, Ph.D. with photography by Noelle Theard
2. Ebony & Ivy: Race, Slavery, and the Troubled History of America’s Universities by Craig Steven Wilder
3. David and Goliath: Underdogs, Misfits, and the Art of Battling Giants by Malcolm Gladwell
4. The African Americans: Many Rivers to Cross by Dr. Henry Louis Gates, Jr. and Dr. Donald Yacovone…

Read the entire list here.

Biracial Girls Will Be Fine If Their Dolls Don’t Look Like Them

The Root
2013-12-27

Jenée Desmond-Harris

Race Manners: A rainbow of toys is great, but how kids live is much more important than how they play.

“Hello. I’m wondering if you can offer some broad guidance before I head out to the malls for Christmas shopping. I have two beautiful nieces in a very diverse, melting pot family. My sisters and I are white, and one has a daughter who is half-Japanese, and my younger sister’s husband is half-African American. The two little ones are 4 and 6. Both are very much in the girly-girl phase, pink, purple, dolls, etc. and also great friends.

“I’m well aware that there are now, thankfully, dolls in many different ethnicities and even with different hair textures. But what’s the right choice for these two? The 4-year-old is Japanese and Caucasian but has light brown hair and essentially looks more like brunette white dolls. The 6-year-old who is half African American has fair skin and long dark hair and probably looks more like white dolls than African-American dolls. If I purchase dolls for them, should they receive the ones that reflect their nonwhite ethnicity or the way they look, or does it matter if they are at this point unaware of any color-related differences?” —Shopping Sensitively

Well, Christmas is over, but I decided to answer this anyway. After all, the relationship between little girls of color and dolls is by no means limited to the holiday season.

It’s why people were so ecstatic (seriously, what took so long?) when Natural Girls United’s line of dolls with realistic black hair came out and why it was so moving when the mom behind Chocolate Hair/Vanilla Care styled this doll’s hair so its braids (as well as its complexion and outfit) would match her daughter’s exactly.

Generally speaking, it sucks if little girls can’t access dolls that look like what they see in the mirror (that extends beyond race to body shape and size, etc). And when they can, everyone is happy. I think we can all agree on that.

Of course, when it comes to color, hair and background matching, your situation is extra complicated because you’re dealing with kids whose identity is up in the air (it’s anyone’s guess how they’ll see themselves 10 years from now when America’s demographics have changed even more), and who might not look anything like what a factory-made plastic representation of their particular racial mixtures would, even if those existed.

I just read—and can’t stop thinking about—Yaba Blay’s (1)ne Drop, which explores the way historical definitions of race help shape contemporary identities through a collection of individual stories and accompanying photos. Let’s just say there’s a lot of variation and very little predictability when it comes to people’s actual skin and hair color and how they identify. A doll manufacturer could spend the rest of the year producing all of the variations of complexion and features and textures chronicled in the project, and there would still be people who couldn’t find reflections of themselves…

Read the entire article here.

One Drop, but Many Views on Race

The New York Times
2013-12-16

Maurice Berger, Research Professor and Chief Curator
Center for Art, Design and Visual Culture
University of Maryland, Baltimore County

In the 2010 census — when respondents could check more than one racial group — President Obama, the son of a black African father and a white mother, checked a single box: “Black, African-American or Negro.” Mr. Obama himself was unequivocal about it: “I self-identify as African-American — that’s how I am treated and that’s how I am viewed. And I’m proud of it.”

Yet the president’s words are nuanced: While he opts to classify himself as black, he implies that his racial identity is also contingent on how he is seen and treated by others in a nation prone to racial absolutes, no matter how he sees himself.

Those observations are among the provocative arguments presented by Yaba Blay in “(1)ne Drop: Shifting the Lens on Race” (BLACKprint Press), which examine what it means to be black. In it, she demonstrates how racial identity is not just biological or genetic but also a matter of context and even personal choice. It is revealing that the president’s definitive answer came after years of being dogged by outside doubters who questioned not just his race, but also his very nationality.

“(1)ne Drop” explores the intricate and fraught issue of race through the observations of 60 contributors from 25 countries who self-identify, at least partly, as black, even if they are not always seen as such because of light skin, facial features or interracial ancestry. Their words are accompanied by portraits by Noelle Théard and a team of photographers directed by her. The book challenges narrow conceptions about blackness, both as an identity and as an experience, and the stereotypes and rigid boundaries of color that continue to divide us…

…The books subject’s recount how their efforts to define themselves clashed with society’s imperative to assign neat racial categories in order to “make something that is fluid and uncertain more certain,” as a contributor, Deborah Thomas, noted. Some described the bewilderment and prying questions of acquaintances, co-workers and strangers attempting to discern their race. Others pointed to the social stigma of having complexions that are frustratingly — or insultingly — viewed as too dark or too light…

Read the entire review here.

Book Review of (1)ne Drop: Shifting the Lens on Race

The Skanner
Portland, Oregon, and Seattle, Washington
2013-12-10

Kam Williams

Yaba Blay and Noelle Théard (dir. of photography), (1)ne Drop: Shifting the Lens on Race (Philadelphia: BLACKprint Press, 2013)

Traditionally, in America, if you were just a teeny-weeny bit black, you’d always been considered black. This arbitrary color line was even codified by the Supreme Court decision in Plessy v. Ferguson, an 1896 case brought by an octoroon light enough to pass who sued for the right to sit in the “white only” section of a segregated train traveling through the South…

…This means that folks, who only a generation ago would’ve been forced to identify themselves simply as black, now feel much more freedom to avail themselves of an array of alternatives along the ethnic spectrum. (1)ne Drop: Shifting the Lens on Race is a collection of essays reflecting on racial identity by 60 introspective individuals who until relatively recently would’ve been labeled black in the eyes of the law.

This enlightening opus was edited by Dr. Yaba Blay, a professor of Africana Studies at Drexel University, and each contributor’s entry is accompanied by a proud portrait photographed by Noelle Théard, a professor at Florida International University. The book breaks down the contributors by three categories: “Mixed Black,” “American Black” and “Diaspora Black.”

Although “Black” Kathleen Cross has a black father and a white mother, she has resisted the invitations to join the “Multiracial Movement, which she sees as divisive. By contrast, Harlemite Jozen Cummings describes himself as “Mixed,” with parents who are Japanese, Puerto Rican and African-American…

Read the entire review here.

(1)ne Drop: Shifting the Lens on Race

BLACKprint Press
2013-11-29
284 pages
75 full-page photographs
Hardback ISBN: 978-0-9896645-0-9

Yaba Blay, Ph.D., The Daniel T. Blue Endowed Chair of Political Science
North Carolina State University

Noelle Théard, Director of Photography

• Independent Publisher’s 2014 “Multicultural Non-Fiction Adult” Gold Medal Winner

What exactly is Blackness?
What does it mean to be Black?
Is Blackness a matter of biology or consciousness?
Who determines who is Black and who is not?
Who’s Black, who’s not, and who cares?

In the United States, a Black person has come to be defined as any person with any known Black ancestry. Statutorily referred to as “the rule of hypodescent,” this definition of Blackness is more popularly known as the “one-drop rule,” meaning that one solitary drop of Black blood is enough to render a person Black. Said differently, the one-drop rule holds that a person with any trace of Black ancestry, however small or (in)visible, cannot be considered White. A method of social order that began almost immediately after the arrival of enslaved Africans in America, by 1910 it was the law of the land in almost all southern U.S. states. At a time when the one-drop rule functioned to protect and preserve White racial purity, Blackness was both a matter of biology and the law. One was either Black or White. Period. One hundred years later, however, the social and political landscape has changed. Or has it?

(1)ne Drop: Shifting the Lens on Race sets out to explore the extent to which historical definitions of race continue to shape contemporary racial identities and lived experiences of racial difference, particularly among those for whom the legacy of the one-drop rule perceptibly lingers. Featuring the perspectives of 60 contributors representing 25 countries and combining candid narratives with simple yet striking portraiture, this book provides living testimony to the diversity of Blackness. Although contributors use varying terms to self-identify, they all see themselves as part of the larger racial, cultural, and social group generally referred to as Black. They all have experienced having their identity called into question simply because they do not fit neatly into the stereotypical “Black box”—dark skin, “kinky” hair, broad nose, full lips, etc. Most have been asked “What are you?” or the more politically correct “Where are you from?” numerous times throughout their lives. It is through contributors’ lived experiences with and lived imaginings of Black identity that we are able to visualize multiple possibilities for Blackness above and beyond the one-drop rule.

The inspiration behind CNN’s Black in America: “Who is Black in America?” and featured on CNN Newsroom, (1)ne Drop continues to spark much-needed dialogue about the intricacies and nuances of racial identity and the influence of skin color politics on questions of who is Black and who is not.

(1)ne Drop takes the very literal position that in order for us to see Blackness differently, we have to see Blackness differently.

Contents

• Author’s Note
• Intro
• Introspection
• Mixed Black
• American Black
• Diaspora Black
• Outro
• Notes
• Acknowledgements
• About