Virgina Ban on Interracial Marriages Goes to Federal Court This Week

Posted in Articles, Law, Media Archive, United States, Virginia on 2013-10-23 23:13Z by Steven

Virginia Ban on Interracial Marriages Goes to Federal Court This Week

The New York Times
1965-01-24
page 43

RICHMOND, Jan. 23—A constitutional test of Virginia laws that make it a crime for a white person to marry a Negro will begin here next week. The case is regarded as certain to go to the United States Supreme Court and may become a landmark. Eighteen other states have similar laws that would be affected by a Supreme Court decision in the Virginia case.

In a unanimous opinion last month, the Court struck down a Florida statute punishing extramarital cohabitation by whites and Negroes. It avoided a ruling on state laws against interracial marriage, but the decision raised new doubts about the continuing validity of such laws.

Knew About Law

On Wednesday, lawyers for the American Civil Liberties Union will argue before a three-judge Federal court here that the state’s enforcement of Virginia’s antimiscegenation laws has grossly violated the constitutional rights of Mr. and Mrs. Richard P. Loving, both life-long residents of Virginia.

Mr. Loving, 31 years old, is a big, silent construction worker. He is white. His wife, Mildred, 25, is colored—part Indian and part Negro. Both had spent their lives in Caroline County, just south of Fredericksburg, until January, 1959, when they were banished from the state by County Circuit Judge Leon M. Bazile. They moved to Washington with their three children. Aware of the Virginia law, they had been married in Washington on June 2, 1958.

The charge brought against them five weeks after their marriage was violation of Title 20, Sections 53 and 59 of the Virginia Code:

“If any white person and colored person shall go out of this state for the purpose of being married and with the intention of returning … they shall be punished — by confinement in the penitentiary for not less than one nor more than five years.”

Other sections of the code provide for the annulment of interracial marriages “without any decree of divorce” and for a fine of $200 for performing an interracial marriage ceremony, “of which the informer shall have one-half.”…

Read or purchase the article here.

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How Indiana Punishes Miscegenation

Posted in Articles, Law, Media Archive, United States on 2013-10-23 01:40Z by Steven

How Indiana Punishes Miscegenation

The New York Times
1879-05-21

Terre Haute, Ind., May 20.—William Nelson, a colored man, was sentenced to-day to pay a fine of $5,000 and be imprisoned in the Penitentiary for one year for marrying a white woman. The prosecution originated in spite, but Nelson was convicted under the law of 1856, which Judge Long held to be valid through a decision of the Supreme Court.

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An Essentially American Narrative

Posted in Articles, History, Interviews, Media Archive, Slavery, United States on 2013-10-19 20:38Z by Steven

An Essentially American Narrative

The New York Times
2013-10-11

Nelson George

A Discussion of Steve McQueen’s Film ‘12 Years a Slave’

Amid comic book epics, bromantic comedies and sequels of sequels, films about America’s tortured racial history have recently emerged as a surprisingly lucrative Hollywood staple. In the last two years, “The Help,” “Lincoln,””Django Unchained,””42” and “Lee Daniels’ The Butler” have performed well at the box office, gathering awards in some cases and drawing varying degrees of critical acclaim.

The latest entry in this unlikely genre is “12 Years a Slave,” the director Steve McQueen’s adaptation of Solomon Northup’s 1853 memoir. A free black man living in Saratoga, N.Y., Northup (played by Chiwetel Ejiofor) was kidnapped in 1841 and sold into brutal servitude in the Deep South. During his ordeal, he labors at different plantations, including the one owned by the sadistic Edwin Epps (Michael Fassbender), who has a tortured sexual relationship with the slave Patsey (Lupita Nyong’o).

Following a buzzed-about preview screening at the Telluride Film Festival and the audience award at the Toronto International Film Festival, “12 Years a Slave” arrives in theaters Friday amid much online chatter that it may be headed for Oscar nominations. But Mr. Ejiofor, who portrays Northup, and Mr. McQueen, known for the bracingly austere “Hunger” and “Shame,” both say that getting audiences to see an uncompromisingly violent and quietly meditative film about America’s “peculiar institution” is still a challenge even with the presence of a producer, Brad Pitt, in a small role.

While the material was developed by Americans (including the screenwriter John Ridley) the director and most of the major cast members are British, a topic of concern among some early black commentators.

On a sweltering afternoon in SoHo last month, the author and filmmaker Nelson George led a round-table discussion at the Crosby Street Hotel with Mr. Ejiofor and Mr. McQueen. Joining them to provide a wider historical and artistic context were the Columbia University professor Eric Foner, author of the Pulitzer Prize-winning “Fiery Trial: Abraham Lincoln and American Slavery,” among other books; and the artist Kara Walker, whose room-size tableaus of the Old South employing silhouettes have redefined how history and slavery are depicted in contemporary art and influenced many, including the “12 Years a Slave” production team. Current civil rights issues including the New York police practice of stop and frisk, recently declared unconstitutional; sexuality and slavery; Hollywood’s version of American history; and the themes of Obama-era cinema were among the topics of the sharp but polite dialogue. These are excerpts from the conversation…

Q. I wanted to start with contemporary analogues. One thing that came to mind was stop and frisk, a way the New York City police could stop a black or Latino male. I thought of Solomon as a character who, for a lot of contemporary audiences, would be that young black person. [To Mr. McQueen and Mr. Ejiofor] When you were seeking a way into the slave story, was what happens now part of that?

Steve McQueen Absolutely. History has a funny thing of repeating itself. Also, it’s the whole idea of once you’ve left the cinema, the story continues. Over a century and a half to the present day. I mean, you see the evidence of slavery as you walk down the street.

What do you mean? 

McQueen The prison population, mental illness, poverty, education. We could go on forever…

…Servitude and Sexuality 

There’s a lot of things to say about sex in the film, but one of the things that is going to leap out is Alfre Woodard’s character [Mistress Shaw, described in the book as the black wife of a white plantation owner]. 

McQueen In the book, she doesn’t say anything. I had a conversation with John Ridley, and I said: “Look, we need a scene with this woman. I want her to have tea.” It was very simple. Give her a voice.

Walker It’s not that it was that uncommon. That planter would be sort of the crazy one, the eccentric one, and she’s getting by.

Ejiofor It was against the law to marry, but it did happen.

Foner There were four million slaves in the U.S. in 1860 and several hundred thousand slave owners. It wasn’t just a homogeneous system. It had every kind of human variation you can imagine. There were black plantation owners in Louisiana, black slave owners

…Solomon has a wife beforehand. In the film it seems as if he lived with Eliza [a fellow slave]. Then obviously [he has] some kind of relationship with Patsey, a friendship. But I wondered about Solomon’s own sexual expression. 

Ejiofor  His sexuality felt slightly more of a tangent. I think the real story is where sex is in terms of power.

Foner Remember, this book is one of the most remarkable first-person accounts of slavery. But it’s also a piece of propaganda. It’s written to persuade people that slavery needs to be abolished. He doesn’t say anything about sexual relations he may have had as a slave. There’s no place for such a discussion because of the purpose of the book.

Walker But in “Incidents in the Life of a Slave Girl” [by Harriet Ann Jacobs] and other slave narratives written by women, that’s always kind of the subtext, because there are children that are produced, relationships that are formed or allegiances that are formed with white men in order to have freedom.

Foner  Harriet Jacobs was condemned by many people for revealing this, even antislavery people.

Walker Yes, but it’s always the subtext. Even “Uncle Tom’s Cabin.” It’s like, there’s little mulatto children, and that’s the evidence…

Read the entire interview here.

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Booker, Winning Rocky Senate Bid, Gets a Job to Fit His Profile

Posted in Articles, Media Archive, Politics/Public Policy, United States on 2013-10-18 01:12Z by Steven

Booker, Winning Rocky Senate Bid, Gets a Job to Fit His Profile

The New York Times
2013-0-16

Kate Zernike

Mayor Cory A. Booker of Newark easily won New Jersey’s special Senate election on Wednesday, finally rising to an office that measures up to his national profile.

He will arrive in Washington already one of the country’s most prominent Democrats, and its best-known black politician other than President Obama, who backed him aggressively. Mr. Booker’s fund-raising prowess puts him on course to lead his party’s campaign efforts in the Senate, and he has been mentioned as a possible vice-presidential pick for 2016.

With 99 percent of the precincts reporting, Mr. Booker had 55 percent of the vote to 44 percent for Steve Lonegan, a Republican former mayor of Bogota, N.J., and state director of the conservative group Americans for Prosperity, according to The Associated Press. Still, the campaign gave a wider audience to certain facets of Mr. Booker that long ago began to prompt eye-rolling among his constituents…

Read the entire article here.

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The 10 Percenter

Posted in Anthropology, Articles, History, Media Archive, United States on 2013-10-17 02:41Z by Steven

The 10 Percenter

The New York Times
2011-10-13

Robert S. Boyton

Henry Louis Gates Jr. is having lunch at New York’s Union Square Cafe, hoping Danny Meyer’s chicken soup will soothe his allergies. He has just returned from Newark, where he interviewed Mayor Cory Booker for his new PBS series, “Finding Your Roots.” After lunch he’s catching a flight to Martha’s Vineyard for Bill Clinton’s birthday party. Author of 14 books, editor in chief of the online publication The Root, documentary producer and presenter, Gates, 61, is a one-man multimedia industry.

“I have no plans to slow down,” he says cheerfully.

A clear line runs through Gates’s myriad projects. “I want to get into the educational DNA of American culture,” he says. “I want 10 percent of the common culture, more or less, to be black.” Gates’s love of technology has been a boon in this regard. He is always thinking about new ways to circulate his ideas. “The Norton Anthology of African-American Literature” (1996) included a CD of oral literature with recordings of poets like Langston Hughes reading their work. He followed up “Africana: The Encyclopedia of the African American Experience” (1999) with Microsoft’s Encarta Africana on CD-ROM. The success of The Huffington Post inspired him to start The Root, The Washington Post’s online African-American publication. “I’m a tech geek. Whenever I read about something new, I think to myself, How can I take this and make it black?”…

…Gates is a member of the Personal Genome Project at Harvard Medical School, and he and his late father (who died at age 97 on Christmas Eve, 2010) were the first African-Americans to have their entire genomes sequenced. The tests showed that Gates Jr. has 50 percent European ancestry and descends from John Redman, a free African-American who fought in the Revolutionary War. In 2006, Gates was inducted into the Sons of the American Revolution. “When I do a black person’s DNA, there are never any people who are 100 percent black, no matter how dark they are,” he says…

Read the entire article here.

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Purple Boots, Silver Stars … and White Parents

Posted in Articles, Family/Parenting, Media Archive, Social Work, United States on 2013-10-15 01:11Z by Steven

Purple Boots, Silver Stars … and White Parents

The New York Times
2013-10-13

Frank Ligtvoet, Founder
Adoptive Families With Children of African Heritage and Their Friends, New York, New York

“WHEN I wear my cap backwards, don’t copy me,” our 8-year-old son says to his 7-year-old sister. “O.K.,” she answers, “I will put it on sideways.”

Recently our African-American daughter, Rosa, had gone with an older black friend to Fulton Mall, a crowded commercial area in our Brooklyn neighborhood, where the shoppers are mostly black. Fulton Mall is not only about shopping, it’s also a place to flirt, talk, laugh and argue, and to listen in passing to gospel, soul, hip-hop and R & B.

Rosa had seen some purple canvas boots with silver stars and lost herself in an all-consuming desire to have them. Immediately. I bought them, a bit later. A day later. And to be “fair,” I bought our son, Joshua, who is also African-American, a pair of black and yellow basketball shorts. Pretty cool as well.

The next day they want to show off their new stuff and, somewhat to my surprise, they decide to do so at Fulton Mall. I am their white adoptive dad, and by now, at their age, they see the racial difference between us clearly and are not always comfortable with it in public. But they know they are too young to go alone to the mall. Before we leave, Rosa, who had always seemed indifferent to fashion, changes into tight jeans and a black short-sleeve T-shirt. Joshua twists his head to see how he looks from behind. He pushes his new shorts a bit lower over his hips, but doesn’t dare to go all the way saggy. And then — after they have their cap conversation — we go.

They walk ahead. I am kept at a distance, a distance that grows as we get closer to the mall. I respect that; I grin and play stranger.

Joshua walks with the wide, tentative yet supple steps he sees black teenage boys make, steps he has practiced at home in the mirror. I realize that this is the first time in their lives they are asserting their blackness in a black environment, maybe not in opposition to but in conscious separation from the whiteness of my male partner and me. And we are a bit proud of their budding racial independence, since it comes after years of their having expressed feelings that ranged from “I don’t want to be black” to “I hate white people.” Being black with us was safe now. Being black at Fulton Mall was sort of a test of how safe it was out there in the world. I take a picture with my phone to catch this moment, which they hate. Of course…

…In the case of transracial adoption, there is the force of horizontal identity, where the child looks for others with the same experience of being adopted, but the vertical identity is complicated as well. When we wake them up in the morning, our kids don’t see parents who look like them. For many young transracial adoptees, every time they look in the mirror it’s a shock to see that they are black or Asian and not white like their parents. (In most transracial families, the parents are white.) The children have to grow out of their internalized whiteness into their own racial identity. Some fail and suffer tremendously…

Read the entire opinion piece here.

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Despite Options on Census, Many to Check ‘Black’ Only

Posted in Articles, Census/Demographics, Media Archive, Social Science, United States on 2013-10-13 22:07Z by Steven

Despite Options on Census, Many to Check ‘Black’ Only

The New York Times
2000-02-12

Diana Jean Schemo

This year’s new, racially inclusive census might have seemed tailor made for Michael Gelobter.

The son of a white Jewish father and an African-Bermudan mother, Mr. Gelobter lives in Harlem with his wife, Sharron Williams, a black woman whose Caribbean background melds African and Indian influences. Creating their own cultural road map as they go, the couple embrace the range of their heritages and those of friends, marking Passover, for example, with an African-American Latino seder.

But when the census invites Mr. Gelobter, for the first time, to name all the races that describe him, he will do what he has always done, and claim just one: black. Checking more than one race, he contends, would undermine the influence of blacks by reducing their number as a distinct group and so most likely diluting public policies addressing their concerns.

The census forms that will be mailed to most Americans in April—the count began last month in Alaska, where the winter chill tends to keep people at home and easier to tally —offers a nod to the nation’s increasing diversity. No longer will the Census Bureau instruct respondents to ”select one” race to describe themselves. Instead, it will tell them to mark one or more of 14 boxes representing 6 races (and subcategories) that apply—white, black, American Indian or Alaska Native, Asian Indian, other Asian and Pacific Islander—or to check ”some other race.”

But like Mr. Gelobter, many people, indeed most, who could claim more than one race are not expected to do so, demographers and census officials say.

Part of the reason, according to demographers, is habit: Americans are simply unaccustomed to the option. More profoundly, however, the change is fueling a weighty debate about the meaning of race, in which interpretations of history, politics and experience frequently overshadow the simpler matter of parentage.

Thirty years after Loving v. Virginia struck down the last laws barring interracial marriage, the new change in the census and the ensuing controversy have become a barometer of the complexity of American attitudes toward race, and their contradictions. With the 6 racial categories offering 63 possible combinations of racial identity, which government demographers will tabulate as distinct groups, the census could provide a remarkably meticulous racial profile of American society.

On one side of the debate stand those who see the revision as a tactic to divide blacks at a time when affirmative action and other remedies to discrimination are under attack. Opposing them are multiracial Americans who resent having to identify with just one part of their heritage.

Apart from his perception that the change could diminish blacks’ influence, Mr. Gelobter, a 38-year-old professor of environmental policy at Rutgers University, said that claiming a multiracial identity would link him to a bitter, freighted history of privilege for blacks who could cite some white lineage.

“Should Frederick Douglass have checked white and black?” Mr. Gelobter said. ”Should W. E. B. Du Bois have checked white and black? He practically looked white.”…

…Kerry Ann Rockquemore, a sociologist at Pepperdine University, polled 250 college students who had one black parent and one white, and found that those reared in middle-class or affluent white neighborhoods tended to identify as biracial, while those who had grown up in black communities generally considered themselves black.

How will nonblacks of mixed race answer the census? There is little more than anecdotal evidence. But some experts note that checking options like Asian and white, or American Indian and Pacific Islander, does not carry the same historical baggage that mixed-race blacks confront in deciding whether to say they are part white.

Scott Wasmuth, who is white and has a Filipino wife, said that when he filled out the census in 1990, he ignored the one-race-only rule that then prevailed and checked both white and Asian to describe his daughters. This year he will do the same. ”People are beginning to say, ‘I’m a mixture, and I don’t have to choose one or the other,’ ” he said.

Bertrand Wade, a 34-year-old industrial electronics technician from Brooklyn, wishes he could avoid descriptions altogether. His father is half-black and half-white, and his mother is East Indian and white.

When applications ask his race and none of the boxes fit, Mr. Wade said, ”the first thing I feel is excluded; then sometimes I feel that I should not be in a position where I have to state my race.” He said that on the census, he would check all the boxes that describe his heritage.

Charles Byrd, who runs a Web site called Inter Racial Voice, said, ”What we need to do as a country is get rid of these stupid boxes altogether.”

On the 1990 census, about 10 million Americans seemed to agree. They did not identify themselves as members of any race, said Margo J. Anderson, author of ”The American Census: A Social History” (Yale University Press, 1988). Another quarter-million, ignoring the instructions, identified themselves as belonging to more than one race.

Ms. Anderson said that ever since the first head count, in 1790, the census had played an important if subtle role in reflecting preoccupations and shaping social thought. It is only in the last century, though, that the government has devised questions to identify the country’s ethnic makeup. In the 1910 census, for instance, the government asked people their mother tongue, looking for Yiddish as the answer in order to tally the number of Jewish immigrants.

”The changes in questions always come about because of the social issues of the day,” Ms. Anderson said.

Susan Graham, head of Project RACE, a civic group that unsuccessfully pushed for a separate ”multiracial” box for the census, said she wanted a single category that would accurately define her children.

”Think of when you open a newspaper and see pie charts,” she said. ”We wanted a slice of the pie that says ‘multiracial.’ ”…

Read the entire article here.

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Garcetti, New Los Angeles Mayor, Reflects Changing City

Posted in Articles, Media Archive, Politics/Public Policy, United States on 2013-10-08 18:50Z by Steven

Garcetti, New Los Angeles Mayor, Reflects Changing City

The New York Times
2013-10-07

Jennifer Medina

LOS ANGELES — He is Jewish. He is Latino. He can break dance and play jazz piano. He speaks nearly impeccable Spanish. He has talked longingly about growing his own vegetables and maybe even raising his own chickens. He lives on this city’s hip east side.

Three months into office, Mayor Eric Garcetti seems to embody a host of ethnic, ideological and cultural strains that are transforming Los Angeles. At the same time, he is avoiding any temptation of red carpet glamour here, a striking change from his predecessor, Antonio Villaraigosa, who came in as mayor riding a powerful wave of popularity but left with decidedly less regard.

“In some ways everything I have done has prepared me for this job,” Mr. Garcetti said recently in his still mostly barren City Hall office, which he plans to decorate with local historical memorabilia. “Governing Los Angeles is all about cultural literacy — nobody can be completely literate across the board here, but if you don’t have some understanding of many of those cultures, you will be left behind.”…

…But while many of the city’s most powerful Latino politicians, including Mr. Villaraigosa, were raised in such immigrant enclaves, Mr. Garcetti grew up in the well-heeled San Fernando Valley. Early in the campaign, he faced pointed comments from other elected officials, including the speaker of the State Assembly, that questioned his Latino credentials. Even now, without the pressure of campaigning, he is not given to wax philosophical about his identity. “There was all this craziness about, ‘What are you?’ ” he said. “I am what I am, as Popeye would say. I think we are all tired of that conversation.”…

Read the entire article here.

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Never-Ending Story

Posted in Articles, History, Literary/Artistic Criticism, Media Archive, Slavery, United States on 2013-09-30 02:30Z by Steven

Never-Ending Story

The New York Times
2013-09-27

A. O. Scott, Chief Film Critic

‘Conversation About Race’ Has Not Brought Cultural Consensus

The “conversation about race” that public figures periodically claim to desire, the one that is always either about to happen or is being prevented from happening, has been going on, at full volume, at least since the day in 1619 when the first African slaves arrived in Jamestown. It has proceeded through every known form of discourse — passionate speeches, awkward silences, angry rants, sheepish whispers, jokes, insults, stories and songs — and just as often through double-talk, indirection and not-so-secret codes.

What are we really talking about, though? The habit of referring to it as “race” reflects a tendency toward euphemism and abstraction. Race is a biologically dubious concept and a notoriously slippery social reality, a matter of group identity and personal feelings, mutual misunderstandings and the dialectic of giving and taking offense. If that is what we are talking about, then we are not talking about the historical facts that continue to weigh heavily on present circumstances, which is to say about slavery, segregation and white supremacy.

But of course we are still talking about all that, with what seems like renewed concentration and vigor. Nor, in a year that is the sesquicentennial of the Gettysburg Address and the semicentennial of the Rev. Dr. Martin Luther King’sI Have a Dream” speech, are we simply looking back at bygone tragedies from the standpoint of a tranquil present. The two big racially themed movies of the year, “Lee Daniels’ The Butler” and Steve McQueen’s12 Years a Slave,” are notable for the urgency and intensity with which they unpack stories of the past, as if delivering their news of brutal bondage and stubborn discrimination for the first time…

Read the entire article here.

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If race wasn’t determined by biology, why couldn’t a white woman feel black? Why couldn’t she repudiate her own culture to embrace another?

Posted in Excerpts/Quotes on 2013-09-29 03:11Z by Steven

What was race anyway? That’s the big question Miss Anne’s actions raised. If race was simply a myth or fiction, could one reimagine racial identity as something based on affiliation rather than blood? Some of the writers of the Harlem Renaissance asked much the same thing. In Nella Larsen’sPassing” and James Weldon Johnson’sAutobiography of an Ex-Colored Man,” for example, light-skinned protagonists of African-American heritage successfully pass as white, demonstrating that racial identity could hinge on voluntary association and careful self-presentation. Their radical acts blur the color line and expose the absurdity of the one-drop rule. Approaching the color line from the other side, Miss Anne reframed the issues. If race wasn’t determined by biology, why couldn’t a white woman feel black? Why couldn’t she repudiate her own culture to embrace another?

Martha A. Sandweiss, “Uptown Girls,” Sunday Review of Books, The New York Times, (September 22, 2013). http://www.nytimes.com/2013/09/22/books/review/miss-anne-in-harlem-by-carla-kaplan.html.

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