Mixed Race Studies

Africa’s Legacy in Mexico: The Photographs of Tony Gleaton

Loyola Marymount University, Los Angeles
Laband Art Gallery
2007-09-09 through 2007-11-18

Africa’s Legacy in Mexico features forty-five black and white photographs from a series of portraits of African Mexicans by Tony Gleaton. Taken in the late 1980s and early 1990s, primarily in three villages along the southwestern coast of Mexico, Gleaton’s photographs offer insight into a little-known aspect of Mexican culture. These poignant images focus on the present-day descendants of African slaves who were brought to Mexico by the Spanish colonialists beginning in the 1500s. Though Africans have been part of the cultural fabric of Mexico for five centuries, the official policy of the Mexican government has been to only highlight the country’s mestizo [mixed race] heritage that has resulted from the mixing of indigenous and European peoples. Miriam Jimenez Roman writes that Gleaton’s photographs “force us to rethink many of our preconceptions not only about our southern neighbor but more generally about issues such as race, ethnicity, culture, and national identity.”

View some of the photographs here.

Mestizaje and the Mexican Mestizo Self: No hay Sangre Negra, so there is no Blackness

Southern California Interdisciplinary Law Journal
Volume 15, Number 2 (Spring 2006)
Pages 199-234

Taunya Lovell Banks, Jacob A. France Professor of Equality Jurisprudence and Francis & Harriet Iglehart Research Professor of Law
University of Maryland School of Law

Many legal scholars who write about Mexican mestizaje omit references to Afromexicans, Mexico’s African roots, and contemporary anti-black sentiments in the Mexican and Mexican American communities. The reasons for the erasure or invisibility of Mexico’s African roots are complex. It argues that post-colonial officials and theorists in shaping Mexico’s national image were influenced two factors: the Spanish colonial legacy and the complex set of rules creating a race-like caste system with a distinct anti-black bias reinforced through art; and the negative images of Mexico and Mexicans articulated in the United States during the early nineteenth century. The post-colonial Mexican becomes mestiza/o, defined as European and Indian, with an emphasis on the European roots. Thus contemporary anti-black bias in Mexico is a vestige of Spanish colonialism and nationalism that must be acknowledged, but is often lost in the uncritical celebration of Latina/o mestizaje when advanced as a unifying principle that moves beyond the conventional binary (black-white) discussions of race. This uncritical and ahistorical invocation of mestizaje has serious implications for race relations in the United States given the growing presence and political power of Mexican Americans because substituting mestizaje for racial binarism when discussing race in the United States reinforces rather than diminishes notions of white racial superiority and dominance. Therefore legal scholars who write about Latina/o issues should replace their uncritical celebration of mestizaje with a focus on colonialism and capitalism, the twin isms that influenced ideological theories and racial formation from the late fifteenth through the twentieth century in the Americas.

Read the entire article here.

The African Presence in Mexico

A Symposium Presented by
Callaloo – A Journal of African Diapora Arts and Letters and
The Center for Africana Studies, Johns Hopkins University
2008-10-22 through 2008-10-23
Texas A&M University, College Station, Texas

Sessions

• The Road to Blackness: A Search for Identity Within the Afro-Mexican Community (audio, photographs)
• Slavery and Freedom in Colonial Mexico (audio, photographs)
• “Where did the Blacks Go?” Post-Slavery Mexico (audio, photographs)
• Contemporary Afro-Mexicans (audio, photographs)
• “Blacks in the State of Veracrus, Mexico” (A Photographic Exhibition by Marcus D. Jones) (photographs)

For more details, click here.

Written Out of History

Pomona College Magazine
Pomona College, Claremont, California
Fall 2002
Volume 39, Number 1

Michael Balchunas

Spurred by a glimpse of family history, Professor Sid Lemelle is bringing to light a little-known aspect of the African Diaspora.

When the new people moved in, all eyes were upon them. There were comments about the way they looked, how much money they might have, what kind of work they did, their morals, their customs and their character. At first, it was all good. The newcomers, who were farmers, engineers, mechanics and other workers, wrote to friends left behind and extolled the virtues of their new home. That stirred pangs of fear among some residents, and a newspaper ran an editorial. More of these people might come, it said, and “since the Negro is a creature of imitation and not invention…they will degenerate…and [become] vicious…a nuisance and pest to society.”

The year was 1857, and the newcomers, from Louisiana, had settled near Coatzacoalcos, Mexico, about 50 miles inland from the Caribbean port of Veracruz. Their history, like much of the history of the African Diaspora, is virtually unknown.

Sidney Lemelle is working to change that…

…Another misperception is that the U.S. South was a strictly bipolar society of white masters and black slaves, he says. In antebellum Louisiana, a significant number of white planters, businessmen and government officials fathered mixed-race offspring, who became part of a stratum more privileged than slaves, other free blacks or poorer white residents, according to Lemelle. He is particularly intrigued by how race and racial identity issues were connected to property rights and ownership in Louisiana and Mexico in the 19th century. Building on the theories of UCLA legal scholar Cheryl Harris, he believes that “whiteness” was constructed by mixed-blood people and became the basis of racialized privilege; that “whiteness” was legitimized as a form of status property, which gave some individuals rights over others, even though both possessed African blood…

Read the entire article here.

The erasure of the Afro element of mestizaje in modern Mexico: the coding of visibly black mestizos according to a white aesthetic in and through the discourse on nation during the cultural phase of the Mexican Revolution, 1920-1968

University of British Columbia
September 2001
166 pages

Marco Polo Hernández Cuevas, Associate Professor of Spanish
North Carolina Central University

A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Faculty of Graduate Studies.

“The Erasure of the Essential Afro Element of Mestizaje in Modern Mexico: The Coding of Visibly Black Mestizos According to a White Aesthetic In and Through the Discourse on Nation During the Cultural Phase of the Mexican Revolution, 1920-1968″ examines how the Afro elements of Mexican mestizaje were erased from the ideal image of the Mexican mestizo and how the Afro ethnic contributions were plagiarized in modern Mexico. It explores part of the discourse on nation in the narrative produced by authors who subscribed to the belief that only white was beautiful, between 1920 and 1968, during a period herein identified as the “cultural phase of the Mexican Revolution.” It looks at the coding and distortion of the image of visibly black Mexicans in and through literature and film, and unveils how the Afro element “disappeared” from some of the most popular images, tastes in music, dance, song, food, and speech forms viewed as cultural texts that, by way of official intervention, were made “badges” of Mexican national identity.

The premise of this study is that the criollo elite and their allies, through government, disenfranchised Mexicans as a whole by institutionalizing a magic mirror—materialized in the narrative of nation—where mestizos can “see” only a partial reflection of themselves. The black African characteristics of Mexican mestizaje were totally removed from the ideal image of “Mexican-ness” disseminated in and out of the country. During this period, and in the material selected for study, wherever Afro-Mexicans—visibly Afro or not—are mentioned, they appear as “mestizos” oblivious of their African heritage and willingly moving toward becoming white.

The analysis adopts as critical foundation two essays: “Black Phobia and the White Aesthetic in Spanish American Literature,” by Richard L. Jackson; and “Mass Visual Productions,” by James Snead. In “Black Phobia…” Jackson explains that, to define “superior and inferior as well as the concept of beauty” according to how white a person is perceived to be, is a “tradition dramatized in Hispanic Literature from Lope de Rueda’s Eufemia (1576) to the present” (467). For Snead, “the coding of blacks in film, as in the wider society, involves a history of images and signs associating black skin color with servile behavior and marginal status” (142).

Read the entire thesis here.

Africans in Colonial Mexico: Absolutism, Christianity, and Afro-Creole Consciousness, 1570-1640

Indiana University Press
2005-02-02
288 pages
1 bibliog., 1 index, 6.125 x 9.25
Paper ISBN-13: 978-0-253-21775-2; ISBN: 0-253-21775-X

Herman L. Bennett, Professor of Latin American History
City Univerisity of New York

The African community in colonial Mexico under Spanish and Catholic rule.

In this study of the largest population of free and slave Africans in the New World, Herman L. Bennett has uncovered much new information about the lives of slave and free blacks, the ways that their lives were regulated by the government and the Church, the impact upon them of the Inquisition, their legal status in marriage, and their rights and obligations as Christian subjects.

Table of Contents

Acknowledgments
Introduction: Africans, Absolutism, and Archives
1. Soiled Gods and the Formation of a Slave Society
2. “The Grand Remedy”: Africans and Christian Conjugality
3. Policing Christians: Persons of African Descent before the Inquisition and Ecclesiastical Courts
4. Christian matrimony and the Boundaries of African Self-Fashioning
5. Between Property and Person: Jurisdictional Conflicts over Marriage
6. Creoles and Christian Narratives
Postscript
Glossary
Notes
Selected Bibliography
Index

Africanastudies: YouTube Channel

First Documentary Posted: 2008-03-27

Marco Polo Hernández Cuevas, Asssociate Professor of Spanish
North Carolina Central University

Reconstructs the involuntary planetary dispersion of African populations, with their millenary cultural capitals, between the 15th and 19th centuries; and analyses the africanization of the places of arrival through their ethnic contributions.

Reconstruye la dispersión planetaria involuntaria de poblaciones africanas, con sus capitales culturales milenarios, entre los siglos XV y XIX; y analiza la africanización, mediante sus aportaciones étnicas, de los lugares de llegada.

View all of the documentaries here.
Also visit the blog here.

Africa in Mexico: A Repudiated Heritage/África en México: una herencia repudiada

Edwin Mellen Press
2007
140 pages
ISBN10: 0-7734-5216-8; ISBN13: 978-0-7734-5216-9

Marco Polo Hernández Cuevas, Asssociate Professor of Spanish
North Carolina Central University

This study explores the African presence in Mexico and the impact it has had on the development of Mexican national identity over the past centuries. By analyzing Mexican miscegenation from a perspective identified as mestizaje positivo (positive miscegenation) where an equality exists among all ethnic heritages are equal forming the glue that binds together the new ethnicity, it reveals that Mexico’s African heritage is alive and well. In the end, the author calls for further examinations into the damage caused to the majority of the Mexican population by a Eurocentric mentality that marks them as inferior.

The Africanization of Mexico from the Sixteenth Century to the Present

Edwin Mellen Press
2010
212 pages
ISBN10: 0-7734-3781-9; ISBN13: 978-0-7734-3781-4

Marco Polo Hernández Cuevas, Asssociate Professor of Spanish
North Carolina Central University

This work is an Afrocentric analysis that subscribes to the notion that there is one human race of multiple ethnicities. It acknowledges Mexico’s African, Amerindian (herein after called First Nations), Asian, and European ethnic heritages. Contrary to the African-disappearance-by-miscegenation-hypothesis-turned-ideology, it introduces the theory of the widespread Africanization of Mexico from the sixteenth century onward.

Table of Contents

Acknowledgements
Foreword by Álvaro Ochoa Serrano
Introduction
1. African National Names as Denigrating, Obscene and Scatological Language in Mexican Spanish
2. The Colors of Mexican Racism
3. The Africans and Afrodescendants who Constructed Veracruz and the Jarocho Ethos 1521-1778
4. The African Sahelo-Sudanic Belt in the Birth of Mexican Vaqueros and Vaquero Culture in the Veracruz Lowlands
5. Tracing the Afro-Mexican Path: 1813-1910
6. Mexican Food is Soul Food: A Medicine for National Amnesia
7. The Africanness of Mexican Traditional Medicine
8. Memín Pinguín, Hermelinda Linda and Andanzas de Aniceto: The Dark Side of “Light-Reading”
Conclusions
Bibliography
Index

Pre-Hispanic Mesoamerican demography approximates the present-day ancestry of Mestizos throughout the territory of Mexico

American Journal of Physical Anthropology
Volume 139 Issue 3
Pages 284 – 294
Published Online: 2009-01-12

Rodrigo Rubi-Castellanos
Instituto de Investigación en Genética Molecular, Centro Universitario de la Ciénega, (CUCiénega-UdeG), Ocotlán, Jalisco, México

Gabriela Martínez-Cortés
Instituto de Investigación en Genética Molecular, Centro Universitario de la Ciénega, (CUCiénega-UdeG), Ocotlán, Jalisco, México

José Francisco Muñoz-Valle
Instituto de Investigación en Reumatología y del Sistema Músculo-Esquelético, Centro Universitario de Ciencias de la Salud (CUCS-UdeG), Guadalajara, Jalisco, México

Antonio González-Martín
Departamento de Zoología y Antropología Física, Universidad Complutense de Madrid (UCM), 28040 Madrid, Spain

Ricardo M. Cerda-Flores
Departamento de Genética de Poblaciones y Bioinformática, Centro de Investigación Biomédica del Noreste (CIBN-IMSS), Monterrey, Nuevo León, México

Manuel Anaya-Palafox
Laboratorio de Genética Forense, Instituto Jalisciense de Ciencias Forenses (IJCF), Tlaquepaque, Jalisco, México

Héctor Rangel-Villalobos
Instituto de Investigación en Genética Molecular, Centro Universitario de la Ciénega, (CUCiénega-UdeG), Ocotlán, Jalisco, México

Rodrigo Rubi-Castellanos and Héctor Rangel-Villalobos contributed equally to this work.

Over the last 500 years, admixture among Amerindians, Europeans, and Africans, principally, has come to shape the present-day gene pool of Mexicans, particularly Mestizos, who represent about 93% of the total Mexican population. In this work, we analyze the genetic data of 13 combined DNA index system-short tandem repeats (CODIS-STRs) in 1,984 unrelated Mestizos representing 10 population samples from different regions of Mexico, namely North, West, Central, and Southeast. The analysis of molecular variance (AMOVA) test demonstrated low but significant differentiation among Mestizos from different regions (F_ST = 0.34%; P = 0.0000). Although the spatial analysis of molecular variance (SAMOVA) predicted clustering Mestizo populations into four well-delimited groups, the main differentiation was observed between Northwest when compared with Central and Southeast regions. In addition, we included analysis of individuals of Amerindian (Purepechas), European (Huelva, Spain), and African (Fang) origin. Thus, STRUCTURE analysis was performed identifying three well-differentiated ancestral populations (k = 3). STRUCTURE results and admixture estimations by means of LEADMIX software in Mestizo populations demonstrated genetic heterogeneity or asymmetric admixture throughout Mexico, displaying an increasing North-to-South gradient of Amerindian ancestry, and vice versa regarding the European component. Interestingly, this distribution of Amerindian ancestry roughly reflects pre-Hispanic Native-population density, particularly toward the Mesoamerican area. The forensic, epidemiological, and evolutionary implications of these findings are discussed herein.