Mixed Race Studies

Anglo-Indian Identity, Knowledge, and Power: Western Ballroom Music in Lucknow

The Drama Review
Volume 48, Number 4 (Winter 2004)
Pages 167-182
DOI: 10.1162/1054204042442053

Dr. Bradley Shope, Assistant Professor of Music
Texas A&M Universtity, Corpus Christi

From the 1920s to the 1940s, Anglo-Indians relished Western popular music. For this marginalized group, this music was a way of promoting respectability. And though the music mimicked styles from America and Europe, its celebration was distinctly local.

Beginning in the first half of the 20th century, Western ballroom and dance music began to make its way into Lucknow in Uttar Pradesh, as well as other cities in North India. It was imported via gramophone disks, radio broadcasts, and sheet music coming from Europe and America. In the 1930s, an increasing number of dance halls, railway social institutes, auditoriums, and cafes were built to cater to a growing number of British and Americans in India, satisfying their nostalgia for the live performance of the foxtrot, the tango, the waltz, the rumba, big-band music, and Dixieland. Influenced by sound and broadcast technology, sheet music, instrument availability, the railway system, and convent schools teaching music, an appreciation for these styles of music was found in other communities. Especially involved were Portuguese Goans and Anglo-Indians, defined here as those of European and Indian descent who were born and raised in India. For these two groups, it served to assert their identities as distinct from other South Asians and highlighted that their taste for music reached beyond the geographical boundaries of India. Numerous types of media, institutions, and venues contributed to this vibrant Western music performance culture in Lucknow in the early 20th century. James Perry, an elderly Goan musician, and Mr. John Sebastian and Mr. Jonathan Taylor, two elderly Anglo-Indian ex-railway workers, were involved in its performance and appreciation. By drawing from multiple field interviews in North India conducted with these individuals between 1999 and 2001, and by describing the character of the performance culture, I will highlight the role of music in creating socioeconomic mobility and a distinct identity among Anglo-Indians in Lucknow, and address issues of power relations and colonialism with reference to the consumption of the music.

Just before and during World War II, Lucknow was considered a strategic military defense location because of the fear of bombing campaigns in Kolkata (formerly Calcutta) by the Japanese military. A large portion of the Allied Eastern Command was moved inland and established in Lucknow to counter…

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The Stain of White: Liaisons, Memories, and White Men as Relatives

Men and Masculinities
Volume 9, Number 2 (October 2006)
pages 131-151
DOI: 10.1177/1097184X06287764

Janaki Abraham, Assistant Professor Women Studies
Jawaharlal Neru University

During British colonial rule some matrilineal Thiyya women in North Kerala, India, had liaisons with British men. While the response of the caste (here, a Backward caste) to these liaisons shifted over time, in the late nineteenth and early twentieth century many women who had liaisons and their families were excommunicated. A “white connection” became a stain and kinship with the white man was denied or shrouded. This article looks at the ways in which both the liaisons and the denial of the white man as father or relative were located within practices of matrilineal kinship. Furthermore, this article seeks to understand how these liaisons are remembered today and how the presence of the white man as a relative is layered over by processes of forgetting and remembering.

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History and the (Un)making of Identifications in Literary Representations of Anglo-Indians and Goan Catholics

University of British Columbia
September 2000
465 pages

Marian Josephine Gracias

A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (Department of English)

This dissertation examines selected literature by and about Anglo-Indians (Eurasians) and Goan Catholics from India and the Indian diaspora, focusing on its preoccupation with the history of these communities as a site of contested identifications. Especially polemical are perceptions (due to communalist stereotypes or internalisation) of Anglo Indians and Goan Catholics as mimic or intermediary communities who ended up capitulating to British and/or Portuguese colonialist structures respectively. Larger issues for both communities in India and in the diaspora also involve questions of racial or cultural hybridity, and the slippage between religion and culture, particularly the linking of conversion to Christianity with colonisation, Westernisation, denationalisation, and non-Indianness.

I argue for a more layered understanding of the concepts of mimicry, hybridity, and resistance in relation to identifications from these communities. By choosing literature set in times of national crisis and historical change (in India, and in East Africa for the Goan diaspora), I have been attentive to the varying ways in which literary characters and narrators confront, project, or elide contradictions of proximity and difference in the production of racial, cultural, and national identity. The main literary texts in the discussion of Anglo- Indian identifications include John Masters’ “Bhowani Junction”, Manorama Mathai’s “Mulligatawny Soup”, Stephen Alter’s “Neglected Lives” and Allan Sealy’s “The Trotter-Nama”. In these texts, I have examined how the narrative opens up or circumscribes the agency and racial identifications of Anglo-Indian characters. As well, I make some references to Rudyard Kipling’s “Kim” and selected work by Ruskin Bond. The central literary texts in the discussion of Goan Catholic and diasporic identifications include Lambert Mascarenhas’ “Sorrowing Lies My Land”, Kiran Nagarkar’s “Ravan and Eddie”, João da Veiga Coutinho’s “A Kind of Absence: Life in the Shadow of History”, selected writing by damian lopes, and Peter Nazareth’s “In a Brown Mantle” and “The General is Up”. I also dwell in some detail on selected short stories by Lino Leitão, and Violet Dias Lannoy’s “Pears from the Willow Tree”. I examine the role of Anglo-Indian and Goan Catholic women literary characters, making the case that, for the most part, it is male characters who are given political and narrative complexity in terms of negotiating colonialism and nationalism, and that women characters, when central, are imaged as mediating grounds to advance or block access to male characters who are competing over nationalist and colonialist discourses about race and sexuality. An exception is the poetry of Eunice de Souza where there is critical reflection on the position of Goan Catholic women.

Where relevant, I draw from particular areas of cultural studies, postcolonial and feminist theories (including those dealing with psychoanalysis), and writings about Indian history and nationalism. Writings from these areas offer pertinent insights on ambivalence in the production of subjectivity, and on the construction of Indianness in relation to arguments on colonialism, gender, caste, class, secularism, and the religious right (especially the discourses of Hindutva). While the identifications and identity of Anglo-Indians and Goan Catholics appear in the genre of history, these communities are largely absent or peripheral in the area of literary analysis, cultural studies, and postcolonial theory pertaining to India. Therefore, I hope that a study of these communities will contribute to the discussion of religious and multiracial identifications that is increasingly relevant to the field of postcolonial and cultural studies.

Table of Contents

• Abstract
• Acknowledgements
• Prologue: Copy Cat Copy Cat?
• Chapter 1: “A Certain Way of Being There”
  • 1.1 Introduction
  • 1.2 Proximity and Distance: Colonialism and the Construction of Mimic Subjectivity
  • 1.3 Forms of Mimic Subjectivity and the Question of Subversion
  • 1.4 Nationalism, Colonialism, and the Construction of Indianness
• Chapter 2: Negotiating Classifications: Writing an Anglo-Indian History
  • 2.1 Introducing Mixed Race Classifications
  • 2.2 Anglo-Indians and the Discourse of Mixed Races under British Colonialism
  • 2.3 Scientific Racialism and Other Discourses of Mixed Races
  • 2.4 Conclusion: (Dis)placing Anglo-Indian Classifications and Affiliation
• Chapter 3: (By) Passing Stereotypes of Anglo-Indian Identifications in Literature
  • 3.1 Literary Antecedents: Representations of Mixed Race People
  • 3.2 “Species Loyally”: Anglo-Indian Identifications in John Masters’ Bhowani Junction
  • 3.3 Between Homes: Manorama Mathai’s Mulligatawny Soup
  • 3.4 Escaping from History: Stephen Alter’s Neglected Lives
  • 3.5 Interracial Relationships in Bhowani Junction, Mulligatawny Soup and Neglected Lives: Possibilities and Closures
• Chapter 4: Beyond Doom and Gloom: Allan Sealy’s The Trotter-Nama
  • 4.1 Introduction: Alternatives to Stereotypes of Anglo-Indian Identifications
  • 4.2 Contending with “The Grey Man’s Burden”: Allan Sealy’s The Trotter-Nama
• Chapter 5: Writing Identity in Goan History
  • 5.1 Claims in the Writing of Goan History.
  • 5.2 Early History of the Portuguese in India and Goa
  • 5.3 Mixing Trade, Religion, and Race
  • 5.4 Conversion to Christianity and the Practice of Religion Under British and Portuguese Colonialism
  • 5.5 Caste, Conversion, and National Identity in Portuguese Goa and British India
  • 5.6 Placing the Politics of Resistance to Portuguese Rule
  • 5.7 Claiming Goa: Liberation or Invasion?.
  • 5.8 The Impact of Language and Migration in the Construction of Goan Identity Today
  • 5.9 Colonial and Caste Effects in Locating Conversion to Christianity Within Communal and Secular Debates in Contemporary India
• Chapter 6: Identifications in Crisis: Goan Catholics in Literature
  • 6.1 The Question of Goan Identity
  • 6.2 Writing Against Colonialism: Lambert Mascarenhas’ Sorrowing Lies My Land, Lino Leitão’s “The Miracle” and “Armando Rodrigues”
  • 6.3 The Crisis of Leadership: Violet Dias Lannoy’s Pears from the Willow Tree and Lambert Mascarenhas’ A Greater Tragedy
  • 6.4 Interrogating Gender: The Poetry of Eunice de Souza
  • 6.5 Hindus and Catholics: Where Parallel Worlds of Difference Meet in the Horizon of Kiran Nagarkar’s Ravan and Eddie
• Chapter 7: “The Intimate Outsider”: History and Location in Literature from the Goan Catholic Diaspora
  • 7.1 Introductory Issues in Writing Diaspora
  • 7.2 The Search for a Theory of Goan History: João da Veiga Coutinho’s A Kind of Absence: Life in the Shadow of History.
  • 7.3 East African Goan Catholics: Narrating the Third That Walks Between Black and White in Peter Nazareth’s In a Brown Mantle and The General Is Up
  • 7.4 Intermediary Positions and Peter Nazareth’s Narrators
  • 7.5 Navigating Historical Legacies in damian lopes’ Writing
• Chapter 8: Epilogue: The Politics of Engagement
• Works Cited

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The Anglo-Indians: A Disorganized Marginal Group

Social Forces
Volume 14, Number 2 (December 1935)
pages 263-268

Paul Frederick Cressey, Professor of Sociology and Anthropology
Wheaton College, Newton, Massachusetts

FOUR centuries of European contact with India have left a biological residue of many thousand people of mixed European and Indian stock. Since 1911 this group has been officially designated by the government of India as the Anglo-Indian Community. Elsewhere in Asia racial hybrids of European and Oriental stock are commonly known as Eurasians. The Anglo-Indians are by far the largest group of such hybrids in Asia.

The distribution of the Anglo-Indians accurately reflects their history. They are concentrated in those areas where the maximum European contact has occurred. In the four largest port cities, Calcutta, Bombay, Madras, and Rangoon, live one-third of all the Anglo-Indians, while an additional one-third live in other parts of the provinces in which these cities are located. Anglo-Indians are predominantly city dwellers, and their life and problems have an urban setting. In 1931 the Anglo-Indian population of India and Burma was returned by the official census as 138,395. This represents an increase of 11.4 per cent during the preceding decade, and 12.1.9 per cent for the last fifty years. The increase in the total population of India in these same periods has been 10.1 per cent and 31.3 per cent respectively. There is a tendency for many persons of light complexion to return themselves as British, and some Indian Christians are enumerated as Anglo-Indians. The Census of India recognizes these errors and estimates the corrected total for Anglo-Indians to be approximately 165,000. In 1931 the sex ratio was 1,061 Anglo-Indian males for every 1,000 females.

Many European stocks are represented among these hybrids, including British, French, Dutch, and Portuguese. The term Anglo-Indian is thus something of a misnomer, but the largest single stock is British, and the group is predominantly British in its cultural affiliations. On the Indian side the stock is almost entirely of Hindu origin, only a very few persons being of Moslem descent.   There is no…

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Shades of Fraternity: Creolization and the Making of Citizenship in French India, 1790–1792

French Historical Studies
Volume 31, Number 4 (2008)
pages 581-607
DOI: 10.1215/00161071-2008-007

Adrian Carton
Centre for Cultural Research
University of Western Sydney, Australia

On October 16, 1790, a group of topas men wrote a petition to the Colonial Assembly at Pondichéry, protesting the decision of September that year to exclude them from the electoral list of active citizens on the basis of “race.” These propertied, free men of color demanded to have the same rights as Europeans and the métis. While historians of the French empire have long considered how mulatto and creole people in the French Caribbean negotiated the boundaries of citizenship after the Revolution, the debate that emerged in India offers a different view. This essay argues that the topas drew on precedents from other French colonies, as well as on the status of foreigners in France itself, to argue that domicile (ius solis) rather than bloodline (ius sanguinis) formed the basis of what it meant to be French. Hence skin color could not be a barrier to citizenship rights.

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Historicizing Hybridity and the Politics of Location: Three Early Colonial Indian Narratives

Journal of Intercultural Studies
Volume 28, Issue 1 (2007)
pages 143-155
DOI: 10.1080/07256860601082996

Adrian Carton
Centre for Cultural Research
University of Western Sydney, Australia

From White Mughals to Vikram Seth, novels, historical blockbusters and more nuanced anthropological and postcolonial critiques have exposed the fiction of fixed notions of “race” through sensitive understandings of the liminal space of the “inter-racial” relationship and the “mixed-race” experience. In an era where the textual and cultural production of hybridity has become a new form of cultural capital, articulations of racial “inbetween-ness” have also become somewhat universalised and romanticised. While acknowledging the radical potential of these new paradigms of transnational slippage and métissage as an affront to the old narratives of racial certainty, this article challenges the universalization of the term “mixed-race” in the context of colonial India, both ontologically and historically. By historicising cultural difference according to the social syntax that gives it meaning, it asks whether the term “mixed race” has political relevance in all colonial spaces and across time and culture or whether it needs to be interrogated as an historical product in itself. Finallly, this article turns to the politics of location in a global context to illustrate the limits of Homi Bhabha’s notion of the “third space” by moving beyond celebratory and static notions of the “mixed-race” experience.

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Children of Colonialism: Anglo-Indians in a Postcolonial World

Berg Publishers (an imprint of Macmillan)
October 2001
272 pages
5 1/2 x 8 1/4 inches
Hardcover ISBN: 978-1-85973-531-2, ISBN10: 1-85973-531-2
Paperback ISBN: 978-1-85973-632-6, ISBN10: 1-85973-632-7

Lionel Caplan, Emeritus Professor and Professorial Research Associate
School of Oriental and African Studies
University of London

Among the legacies of the colonial encounter are any number of contemporary ‘mixed-race’ populations, descendants of the offspring of sexual unions involving European men (colonial officials, traders, etc.) and local women. These groups invite serious scholarly attention because they not only challenge notions of a rigid divide between colonizer and colonized, but beg a host of questions about continuities and transformations in the postcolonial world.

This book concerns one such group, the Eurasians of India, or Anglo-Indians as they came to be designated. Caplan presents an historicized ethnography of their contemporary lives as these relate both to the colonial past and to conditions in the present. In particular, he forcefully shows that features which theorists associate with the postcolonial present—blurred boundaries, multiple identities, creolized cultures—have been part of the colonial past as well. Presenting a powerful argument against theoretically essentialized notions of culture, hybridity and postcoloniality, this book is a much-needed contribution to recent debates in cultural studies, literary theory, anthropology, sociology as well as historical studies of colonialism, ‘mixed-race’ populations and cosmopolitan identities.

Racial attitudes and the Anglo‐Indians perceptions of a community before and after independence

South Asia: Journal of South Asian Studies
Volume 6, Issue 2 (1983)
pages 34-45
DOI: 10.1080/00856408308723045

Coralie Younger
University of Sydney

The question of racial attitudes between the rulers and the ruled, and whites and non-whites has evoked attention from numerous authors. E. Said maintains that ‘the White man was always on the alert to keep the coloured at bay’ while Northrop Frye notes a “garrison mentality” whereby,

‘there is a need for the projection of an unbroken surface, an apparently flawless morale, to be presented not merely to the outside world where the subject races crowd but also to one’s companions’

As Ballhatchet has argued in Race, Sex and Classunder the Rajt ‘the preservation of social distance seemed essential to the maintenance of structures of power and authority.’ Given such attitudes, what was the place of those who were neither black nor white? What, in other words, were attitudes towards Anglo-Indians? British ideas of racial supremacy evolved during the nineteenth century and reached their apotheosis during the imperial heyday of the Victorian age with a belief in white superiority over the inferior coloured races. The British rigidly maintained a distance between themselves and those over whom they ruled. They frowned upon anyone who attempted to bridge the gap.

Anglo-Indians are a minority community in India of mixed European and Indian blood, claiming European descent through the male line. They are legally defined in the Indian Constitution and have concomitant educational and political rights. Economically they are a depressed community, placing little emphasis upon education. Their traditional neglect of education was a result of the paternalistic practice of the British, who gave them preference in upper-subordinate positions in government service regardless of educational attainments. However the reforms that followed the Montagu-Chelmsford Report of 1919 saw the end of reserved positions for Anglo-Indians and led to the Indianisation of all government departments.

Did the British maintain their distance from Anglo-Indians in quite the same way as they did in regard to Indians? In general it would seem that the British response was complex. Racial attitudes had sexual and class overtones. They were contemptuous of Anglo-Indians because of their “native’* blood. The British felt ashamed of Anglo-Indians because they were the products of sexual relations between themselves and Indian women…

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Domicile and Diaspora: Anglo-Indian Women and the Spatial Politics of Home

Wiley-Blackwell
August 2005
304 pages
Hardcover ISBN: 978-1-4051-0054-0
Papeback ISBN: 978-1-4051-0055-7
E-book ISBN: 978-1-4051-4130-7

Alison Blunt, Professor of Geography
Queen Mary, University of London

Domicile and Diaspora investigates geographies of home and identity for Anglo-Indian women in the 50 years before and after Indian independence in 1947.

• The first book to study the Anglo-Indian community past and present, in India, Britain and Australia.
• The first book by a geographer to focus on a community of mixed descent.
• Investigates geographies of home and identity for Anglo-Indian women in the 50 years before and after Indian independence in 1947.
• Draws on interviews and focus groups with over 150 Anglo-Indians, as well as archival research.
• Makes a distinctive contribution to debates about home, identity, hybridity, migration and diaspora.

Table of Contents

• List of Figures.
• Series Editors’ Preface.
• Acknowledgements.
• 1. Domicile and Diaspora: An Introduction.
• 2. At Home in British India: Imperial Domesticity and National Identity.
• 3. Home, Community and Nation: Domesticating Identity and Embodying Modernity.
• 4. Colonization and Settlement: Anglo-Indian Homelands.
• 5. Independence and Decolonization: Anglo-Indian Resettlement in Britain.
• 6. Mixed Descent, Migration and Multiculturalism: Anglo-Indians in Australia since 1947.
• 7. At Home in Independent India: Post-Imperial Domesticity and National Identity.
• 8. Domicile and Diaspora: Conclusions.
• Bibliography.
• Appendix 1 Archival Sources.
• Appendix 2 Interviews and Focus Groups.
• Index

Read chapter one here.

INDIGO – Laura Kina & Shelly Jyoti

Diana Lowenstein Fine Arts
2043 North Miami Avenue
Miami, Florida 33127
2011-05-14 through 2011-06-30

Opening Reception
2011-05-14, 14:00-21:00 EDT (Local Time)

Laura Kina, Associate Professor Art, Media and Design and Director Asian American Studies
DePaul University

Shelly Jyoti, Visual Artist, Fashion Designer, Poet, Researcher and Independent Curator

In the 19th century, Bengal was the world’s biggest producer of indigo but today, the deep blue color of indigo is synthetically created in a lab and is associated in the West with blue jeans more than its torrid colonial past. But indigo holds a sustained presence in the post-colonial identity of India. Employing fair trade embroidery artisans from women’s collectives in India and executing their works in indigo blue, Jyoti and Kina’s works draw upon India’s history, narratives of immigration and transnational economic interchanges. The artists decided to collaborate in 2008-2009, considering their mutual interest in textile history, pattern & decoration. They began by thinking about the intersections of their own ethnic and national positions in relation to fabrics. For this exhibition in particular, Jyoti’s Indigo Narratives utilize traditional embroidery and embellishments along with heritage symbols belonging to traveling ethnic communities who settled in coastal Gujarat while Kina’s Devon Avenue Sampler series focuses on a contemporary Desi/Jewish community in Chicago.  This exhibition includes new works in mediums such as hand-embroidery on khadi, acrylic on fabric, hand-stenciled Sanskrit calligraphy and textile embroidery on canvas.

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