Mixed Race Studies

Inscribing African descendant identity in nineteenth century Cuba: The transculturated literature of Juan Francisco Manzano and Gabriel de la Concepcion Valdes

Michigan State University
2010
260 pages
Publication Number: AAT 3435282
ISBN: 9781124337340

Matthew Joseph Pettway

Studies in Race Crossing: IV. Crosses of Chinese, Amerindians and Negroes, and their Bearing on Racial Relationships

Zeitschrift für Morphologie und Anthropologie
Volume 47, Number 3 (March 1956)
pages 233-315

R. Ruggles Gates
Department of Anthropology
Harvard University

With 36 figures on plates 24—32 and 7 figures and 41 tables in the text

This paper is one of the fruits of an expedition to Eastern Cuba in January and February, 1952. The names of many individuals who aided these investigations in various ways will be mentioned later in the course of this work. Authorities of the Universided de Oriente in Santiago de Cuba procured the indispensable cooperation of all the families in Santiago whose data are recorded here. I wish to thank all the individuals concerned for the friendly way in which they cooperated, permitting records and photographs, as well as blood specimens to be taken, and for the interest they showed in this work. I was also able to make a study of Indians and their descendants in Eastern Cuba, which has been published elsewhere (Gates 1954a).

Introduction

Many records of the results of various racial crosses have been made, some of which will be referred to later. These studies have been partly on the inheritance of characters which are from one point of view qualitative, such as skin color, eye-folds and hair characters, but the emphasis has frequently been on purely quantitative characters, based on anthropometric measurements. These results have previously been generally treated as a matter of population statistics, not based on individual pedigrees.

Trevor (1953) has carefully analyzed the inheritance results to be derived from the investigations of metrical characters in racial crossing. Selecting the nine investigations which are sufficiently extensive to yield results having statistical significance, he finds that in some cases the hybrid series are more variable, in others less variable than the populations which are chosen as more or less representative of the original parents. This mixed result is not surprising when one recognizes that the populations chosen as “parental” must differ more or less markedly from the actual ancestors of the hybrid populations. In fact, much difficulty was encountered in selecting populations as presumptively equivalent to the parents of the various crosses, since they had to be groups in which sufficient anthropometric measurements had been made. But notwithstanding the many…

Trans-American Modernisms: Racial Passing, Travel Writing, and Cultural Fantasies of Latin America

University of Southern California
August 2009
311 pages

Ruth Blandón

Dissertation Presented to the FACULTY OF THE GRADUATE SCHOOL UNIVERSITY OF SOUTHERN CALIFORNIA In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY (ENGLISH)

In my historical examination of the literary works of Nella Larsen, William Carlos Williams, Langston Hughes, James Weldon Johnson, Jessie Redmon Fauset, and Carl Van Vechten, I investigate U.S. modernists’ interest in Latin America and their attempts to establish trans-American connections. As they engage with and write about countries such as Brazil, Puerto Rico, the Dominican Republic, Cuba, Costa Rica, and Venezuela as utopian spaces, these writers often tend to relegate Latin America to the status of a useful trope, one that allows them to negotiate a variety of identitarian and sexual anxieties.

The domestic political landscape that informs the desire for migration to the Latin Americas—whether real or fantastical—in the early twentieth century leads to Johnson’s depiction of the savvy and ambitious titular character in his first and only novel, Autobiography of an Ex-Coloured Man, to Van Vechten’s, Larsen’s, and Fauset’s fantastical Brazil in their respective Nigger Heaven, Passing, and Plum Bun. Hughes’s translation of Cuban poet Nicolás Guillén’s poetry illustrates his straddling of national and color lines through the translation of language. These writers react to Jim Crow laws, one-drop rules, and color lines in their connections to and fantasies of the Latin Americas. What then of writers who make similar trans-American connections and constructions, but who write from a space of relative privilege, however resistant they are to that privilege? Consider William Carlos Williams, who negotiates the pressures of assimilation in the United States as he attempts to assert his Afro Puerto Rican and Anglo Dominican heritages. Although Williams is commonly recalled as an “all-American” poet, his works betray his constant attempts to harness three perpetually shifting and overlapping identities: that of a son of immigrants, of a first generation “American,” and of a son of the Americas.

The trans-American connections I reveal span the fantastical to the truly cross-cultural. In placing United States modernism and the Harlem Renaissance within a larger hemispheric context, I shift our sense of U.S. modernism in general, but also of the Harlem Renaissance’s place within U.S. modernism in particular.

Table of Contents

• Dedication
• Acknowledgments
• List of Figures
• Abstract
• Introduction
• Chapter One:
  • Reading, Misreading, and Language Passing in James Weldon Johnson’s The Autobiography of an Ex-Coloured Man and Along This Way
  • Blackness under the law
  • James Weldon Johnson’s Along This Way
  • The Autobiography of an Ex-Coloured Man
  • Conclusion
• Chapter Two:
  • Brazilian Schemes and Utopian Dreams in Nella Larsen’s Passing, Jessie Redmon Fauset’s Plum Bun, and Carl Van Vechten’s Nigger Heaven
  • Historical Context
  • From Liberia to Brazil—A Change of Venue
  • Carl Van Vechten’s Nigger Heaven
  • Jessie Fauset’s Plum Bun, “Home,” and Brazil
  • Larsen’s Passing and Brazil as Utopia/Dystopia
  • Conclusion: Utopia vs. Brazilian Reality
• Chapter Three:
  • All-American Me: William Carlos Williams’s Construction and Deconstruction of the Self
  • Cultural Context—Casta and Passing
  • Blurring Cultural Boundaries: “Only the whites of my eyes were affected.”
  • The Specter of Blackness: “I had visions of being lynched…”
  • In The American Grain: “I am—the brutal thing itself.”
  • Translation: “El que no a vista Sevilla, […] no a vista maravilla!”
  • Conclusion: “I’ll keep my way in spite of all.”
• Chapter Four:
  • “Look Homeward Angel Now”: Travel, Translation, and Langston Hughes’s Quest for Home
  • Langston Hughes in Mexico and Cuba—1907-1948: Mexico
  • Cuba
  • Langston Hughes and Nicolás Guillén in Spain
  • Translation, Analogy, and the “I”
  • Of Poetry, Jazz, Son, and Rumba
  • The Translations
  • Conclusion: Translating, Travel, and “Home”
• Bibliography

List of Figures

• Figure 1: James Weldon Johnson, photographed by Carl Van Vechten in 1932.
• Figure 2: “Les Demoiselles d’Avignon.” Pablo Picasso, 1907.
• Figure 3: “Noire et Blanche.” Man Ray, 1926.
• Figure 4: “Blues.” Archibald Motley, 1929.
• Figure 5: “An Idyll of the Deep South.” Aaron Douglas, 1934.
• Figure 6: Bessie Smith, photographed by Carl Van Vechten, 1936.
• Figure 7: Billie Holiday, photographed by Carl Van Vechten, 1949.
• Figure 8: The Williams Family
• Figure 9: “De Español y Mulata; Morisca.” [“From Spaniard and Mulatto, Morisca.”] Miguel Cabrera, 1763.
• Figure 10: “De Mestizo y d India; Coyote.”[“From Mestizo and Indian, Coyote.”] Miguel Cabrera, 1763.
• Figure 11: William Carlos Williams, circa 1903.
• Figure 12: Elena Hoheb Williams
• Figure 13: Langston Hughes
• Figure 14: Diego Rivera with Frida Kahlo, photographed by Carl Van Vechten, 1932.
• Figure 15: Nicolás Guillén

Read the entire dissertation here.

Ciphering Nations: Performing Identity in Brazil and the Caribbean
 
University of Minnesota
June 2011
197 pages

Naomi Pueo Wood, Assistant Professor of Spanish
The Colorado College, Colorado Springs, Colorado

A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY

This dissertation explores the interaction of theories of hybridity, mestizaje, mestiçagem and popular culture representations of national identity in Cuba, Brazil, and Puerto Rico throughout the 20th century. I examine a series of cultural products, including performance, film, and literature, and argue that using the four elements of Hip Hop culture—deejay, emcee, break, graffiti—as a lens for reading draws out the intra- American dialogues and foregrounds the Africanist aesthetic as it informs the formation of national identity in the Americas.

Hip Hop, rather than focus solely on its characteristic hybridity, calls attention to race and to a legacy of fighting racism. Instead of hiding behind miscegenation and aspirations of romanticized hybridity and mixing, it blatantly points out oppressions and introduces them into popular culture through its four components—thus reaching audiences through multiple modalities. Tropes of mestizaje or branqueamento—racial mixing/whitening—depoliticize blackness through official refusal to cite cultural contributions and emphasize instead a whitened blending. Hip Hop points blatantly to persistent social inequalities. Diverse and divergent in their political histories, the geographic and nationally bound sites that form the foci of this study are bound by their contentious relationships to the United States, an emphasis on the Africanist aesthetic, and a rich history of intertextual exchanges. Rather than look at individual nation formation and marginalized bodies’ performances of subversion, this study highlights the common tropes that link these nations and bodies and that privilege an alternative way of constructing history and understanding present day transnational bodies.

Table of Contents

• Acknowledgements
• Abstract
• Introduction: De-Ciphering
• Chapter 1: Ciphered Nations
• Chapter 2: Defining Nation from the Outside-In: Las Krudas and Célia Cruz
• Chapter 3: Brasileiras no Palco: Brazilian Women on Stage
• Chapter 4: Breaking Time: Sirena Selena and Fe en disfraz
• Conclusions: Re-Freaking
• Works Cited:

Read the entire dissertation here.

Measures of Equality: Social Science, Citizenship, and Race in Cuba, 1902-1940

University of North Carolina Press
November 2003
256 pages
6.125 x 9.25, 8 illus., notes, bibl., index
Paper ISBN  978-0-8078-5563-8

Alejandra Bronfman, Professor of History
University of British Columbia

In the years following Cuba’s independence, nationalists aimed to transcend racial categories in order to create a unified polity, yet racial and cultural heterogeneity posed continual challenges to these liberal notions of citizenship. Alejandra Bronfman traces the formation of Cuba’s multiracial legal and political order in the early Republic by exploring the responses of social scientists, such as Fernando Ortiz and Israel Castellanos, and black and mulatto activists, including Gustavo Urrutia and Nicolás Guillén, to the paradoxes of modern nationhood.

Law, science, and the social sciences—which, during this era, enjoyed growing status in Cuba as well as in many other countries—played central roles in producing knowledge and shaping social categories in postindependence Cuba. Anthropologists, criminologists, and eugenicists embarked on projects intended to employ the tools of science to rid Cuba of the last vestiges of a colonial past. Meanwhile, the legal arena created both new freedoms and new modes of repression. Black and mulatto intellectuals and activists, working to ensure that citizenship offered concrete advantages rather than empty promises, appropriated changing social scientific and legal categories and turned them to their own uses. In the midst of several decades of intermittent racial violence and expanding social and political mobilization by Cubans of African descent, debates among intellectuals and activists, state officials, and legislators transformed not only understandings of race, but also the terms of citizenship for all Cubans.

Freedom Papers: An Atlantic Odyssey in the Age of Emancipation

Harvard University Press
February 2012
288 pages
6-1/8 x 9-1/4 inches
17 halftones, 1 line illustration, 1 map
Hardcover ISBN 9780674047747

Rebecca J. Scott, Charles Gibson Distinguished University Professor of History and Professor of Law
University of Michigan

Jean M. Hébrard, Historian and Visiting Professor
École des Hautes Études en Sciences Sociales (Paris)
University of Michigan

Around 1785, a woman was taken from her home in Senegambia and sent to Saint-Domingue in the Caribbean. Those who enslaved her there named her Rosalie. Her later efforts to escape slavery were the beginning of a family’s quest, across five generations and three continents, for lives of dignity and equality. Freedom Papers sets the saga of Rosalie and her descendants against the background of three great antiracist struggles of the nineteenth century: the Haitian Revolution, the French Revolution of 1848, and the Civil War and Reconstruction in the United States.

Freed during the Haitian Revolution, Rosalie and her daughter Elisabeth fled to Cuba in 1803. A few years later, Elisabeth departed for New Orleans, where she married a carpenter, Jacques Tinchant. In the 1830s, with tension rising against free persons of color, they left for France. Subsequent generations of Tinchants fought in the Union Army, argued for equal rights at Louisiana’s state constitutional convention, and created a transatlantic tobacco network that turned their Creole past into a commercial asset. Yet the fragility of freedom and security became clear when, a century later, Rosalie’s great-great-granddaughter Marie-José was arrested by Nazi forces occupying Belgium.

Freedom Papers follows the Tinchants as each generation tries to use the power and legitimacy of documents to help secure freedom and respect. The strategies they used to overcome the constraints of slavery, war, and colonialism suggest the contours of the lives of people of color across the Atlantic world during this turbulent epoch.

Blacks, the white elite, and the politics of nation building: Inter and intraracial relationships in “Cecilia Valdes” and “O Mulato”

Tulane University
May 2006
274 pages
Publication Number: AAT 3275113
ISBN: 9780549253327

Geoffrey Scott Mitchell

A Dissertation Submitted on the Twenty-Sixth day of May 2006 to the Department of Spanish and Portugues in Partial Fulfillment of the Requirments of the Graduate School of Tulate University for the Degree of Doctor of Philosophy

This project is an examination of the novels O Mulato (Aluísio Azevedo, 1889) and Cecilia Valdés (Cirilo Villaverde, 1882) and their call for social reform and a re-examination of the place of blacks in the emerging republics of Brazil and Cuba. Both novels question and criticize social constructs of race while pressing for an improved treatment of both free and enslaved blacks.

This project provides an intellectual history of eighteenth and nineteenth century rac(ial)ist theories that exerted a pronounced influence on Azevedo and Villaverde. Specifically, this section examines physiognomy, phrenology, and craniometry in addition to sociological and anthropological approaches to racial hybridism, the evolutionary theories of Darwin and Spencer, and the geographical determinism of Buckle. Finally, the chapter provides a close reading of Comte’s positivism and its reception by the intelligentsia in Cuba and Brazil.

Azevedo’s O Mulato purports to discredit racial discrimination by white society and the destructive influence of the Catholic clergy in Brazil’s northern province of Maranhão during the 1870s by deploying the metaphor of an unsuccessful, interracial relationship involving a wealthy and educated mulatto and his white, aristocratic cousin. Although Azevedo endeavored to illustrate the problematic nature of racial discrimination and the social compartmentalization of blacks in Brazil—both relics of Portuguese colonialism—he nevertheless succumbed to the racialist ideologies of the nineteenth century and imbued his protagonist with stereotypical characteristics. Although blacks were rising socially via education and the military, Azevedo nevertheless envisioned a future, positivistic republic necessarily led by a white elite.

In Cecilia Valdés, Villaverde deploys an unsuccessful, interracial relationship involving a poor but beautiful, nearly-white mulatta and her aristocratic, half-brother as agents of the policy of whitening. As in O Mulato, the metaphor of an unsuccessful, interracial relationship reveals the difficulty in crossing racial and social castes and thus uniting different socio-economic sectors of the imagined community. Only one intraracial romance involving whites proves to be successful in the novel. This relationship serves as a metaphor indicating that only enlightened whites are capable of leading Cuba out of colonialism and into independence.

TABLE OF CONTENTS

• ACKNOWLEDGMENTS
• 1. INTRODUCTION: SEPARATE AND UNEQUAL
• 2. RACISM’S ROOTS: AN INTELLECTUAL HISTORY OF SELECT RACIALIST THEORIES OF THE NINETEENTH CENTURY
• 3. BLACK MEN, WHITE WOMEN, AND THE FORMATION OF THE POSITIVIST STATE: ALUISIO AZEVEDO AND O MULATO
• 4. FAILED RELATIONSHIPS, FRAGMENTED SOCIETIES: RACE, SEX, AND METAPHOR IN CECILIA VALDES
• 5. CONCLUSION: BLACKS, THE WHITE ELITE, AND PROJECTS FOR NATIONAL IDENTITY
• ENDNOTES
• BIBLIOGRAPHY

Purchase the dissertation here.

Studied in race crossing VI. The Indian remnants in Eastern Cuba

Genetica
Volume 27, Number 1 (1954)
pages 65-96
DOI: 10.1007/BF01664155

R. Ruggles Gates
Department of Anthropology
Harvard University

A preliminary account was given at the 30th International Americanist Congress, Cambridge, England, August, 1952. Received for publication July 27, 1953

This paper is in one aspect a study of the later stages of absorption of a race surviving in small numbers in a more numerous population of another race. In that respect it resembles the study of a small Negro element being partly absorbed into a Caucasian population in Canada (Gates 1953a). But in the present case the miscegenation of the Indians in Cuba has been first with the Spaniards and more recently with Negroes. It shows that the absorption of small numbers of one race in another requires many centuries before it is complete. The history of the Basques in Western France and Northern Spain shows that, even where the physical differences are of a very minor character, the differences in customs and in location will lead to the persistence of a race within a larger population for many millenia. The physical differences, where they exist, will persist indefinitely, long after the cultural differences have disappeared.

It has frequently been stated that the Indians of Cuba were exterminated by A.D. 1600, but this is not strictly true. Pichardo Moya (1945), who gives a full bibliography of Cuban history and archeology, quotes Morrell, who wrote before 1760, that traces of the last Indians still existed in the vicinity of Bayamo, Canéy and Jiguaní, possibly in Pinar del Río, around Alquízar, and certainly in Oriente. Pichardo…

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Marriage, Class and Colour in Nineteenth-Century Cuba

Cambridge University Press (available in the United States at University of Michigan Press here.)
August 1974
224 pages
216 x 140 mm
Paperback ISBN: 9780521098465

Verena Martinez-Alier (a.k.a. Verena Stolcke), Professor Emeritus of Social Anthropology
Universitat Autónoma de Barcelona

An analysis of marriage patterns in nineteenth-century Cuba, a society with a large black population the majority of which was held in slavery but which also included considerable numbers of freedmen. Dr Martinez-Alier uses as her main source of evidence the records in Havana of administrative and judicial proceedings of cases in which parents opposed a marriage, of cases involving elopement, and of cases of interracial marriage. Dr Martinez-Alier develops a model of the relation between sexual values and social inequality. She considers the importance of the value of virginity in supporting the hierarchy of Cuban society, based on ascription rather than achievement. As a consequence of the high evaluation of virginity, elopement was often a successful means of overcoming parental dissent to an unequal marriage. However, in cases of interracial elopement, the seduced coloured woman had little chance of redress through marriage. In this battle of the sexes and the races, the free coloured women and men played roles and acquired values which explain why matrifocality became characteristic of black free families.

Table of Contents

• Introduction
• Part I. Interracial Marriage:
  • 1. Intermarriage and family honour
  • 2. Intermarriage and politics
  • 3. Intermarriage and Catholic doctrine
  • 4. The white man’s view
  • 5. Colour as a symbol of social status
  • 6. Intraracial marriage
• Part II. Honour and Class:
  • 7. Elopement and seduction
  • 8. Conclusion: Some analytical comparisons.

Read the introduction here.

…Nineteenth-century Cuba cannot be treated as a historical and geographical isolate. Political factors outside Cuba were significant in shaping interracial marriage policy. The cultural tradition of Spain which during three centuries had espoused ‘purity of blood’ as the essential requisite of Spanishness must also be taken into consideration. Racism antedates slavery in the Americas and, as W. Jordan has proposed, the question would be to explain why African negroes (and not for instance the American Indians) were enslaved in the first place. To establish, therefore, a direct causal link between slavery as a highly exploitative system of production and racism would be too simple…

Social Status, Race, and the Timing of Marriage in Cuba’s First Constitutional Era, 1902-1940

Journal of Family History
Volume 36, Number 1 (December 2010)
pages 52-71
DOI: 10.1177/0363199010389546

Enid Lynette Logan, Associate Professor of Sociology
University of Minnesota, Minneapolis

This article examines the practice of marriage among whites, mestizos, blacks, Cubans, and Spaniards during the first constitutional era, focusing upon the reported ages of brides and grooms. The study consists of a quantitative examination of trends found in the records of 900 Catholic marriages celebrated in Havana during the opening decades of independence. The first major finding of the research is that according to most major indicators of status, age was negatively correlated with rank. Thus, contrary to the conclusions of studies conducted in many other contexts, those in the highest strata of society married younger. Furthermore, very significant differences were detected in the marital patterns of those identified as mixed-race and those labeled as black. This finding offers empirical weight to the notion that the early-mid twentieth-century Cuban racial structure would best be characterized as tripartite, rather than binary in nature.

Read or purchase the article here.