Mixed Race Studies

Haji, an Actress Featured in Cult Films by Russ Meyer, Dies at 67

The New York Times
2013-08-17

Daniel E. Slotnik

Haji [Barbarella Catton], a voluptuous actress who played one of three homicidal go-go dancers in Russ Meyer’s 1965 cult film “Faster, Pussycat! Kill! Kill!,” died on Aug. 9 in Southern California. She was 67.

Her death was confirmed by the dancer and actress Kitten Natividad, a friend, who said she did not know the cause. She said Haji had high blood pressure and heart problems in recent years and was taken to a hospital after falling ill at a restaurant in Newport Beach.

Haji, a brunette of Filipino and British descent, met Meyer, the celebrated B-movie director, in the mid-1960s while she worked in a strip club in California. He cast her as the lead in his biker movie “Motorpsycho” (1965) even though she had no acting experience…

Read the entire obituary here.

Southern Race Question

The Brooklyn Daily Eagle
Tuesday, 1893-07-25
page 2, column 5
Source: Brooklyn Public Library’s Brooklyn Collection
Transcribed by Steven F. Riley

The Views Expressed in a Richmond Religious Newspaper

How the Negro Is Taking Advantage of the Opportunities for Advancement—Some Singular Ideas as to the Future Outcome of Present Developments — Another Talker Suggests a Colored State.

Richmond, Va., July 25—A startling editorial appeared in the last issue of the Richmond Christian Advocate, the leading Methodist organ In the South, on the negro question, Written by Dr. J. J. Lafferty. Among other things it said:

“A Southern Methodist advocate has this incident: In a village of the cotton belt a big, burly blackr ode up to a store and said to the owner: ‘Let this man (pointing to a poor white laborer) have two dollars’ worth of goods and charge it to me.’ This transaction may fret the reader, but it has a wide significance.”

“The Northern people, during the war, were drawn to the plantation peasantry of the South. The lot of fat and fun loving negro, the happiest working class on earth, was, for years, pictured as a bitter bondage, the slave was represented as longing for freedom, and during the war praying through the nights for the coming of the national troops. Those moving though mistaken fancies and much more of the same sort, stirred the philanthropic heart of the cotton thread millionaires, and the rich army contractors turned virtuous. A great sum was sent South for the education of the negro. It expenditure. In the main, helped the negro. It was wisely directed that these donations should have a practical turn. What was the outcome? We find in nearly every Southern state the negro boys of the brighter sort in training schools.”

“In the meanwhile, the negro reported in the census is growing rapidly as a citizen, with a home and decent income, a thrifty member of society. Moreover, the Southern commonwealth began after the war to tax the white property holders heavily to educate the sons of the non tax paying negro.”

“The negro laborer received as much money for coarse work as the ex-soldier of Lee. The white man consumed more of his earnings in house rent, clothing and food, hence he could not spare his son at the school. He needed the boy at the plow to aid in bringing up the family. The negro boy first loomed in the free school to read and write, then he learned in these technical schools how to make fine shoes, buggies, saddles, etc.”

“The newspapers recently reported that the private secretary to Mr. Blount of Georgia, representing the United States in the Hawaiian Islands, would shortly marry the daughter of a rich Chinaman of Honolulu. This educated young gentleman and of social standing seeks an alliance with an ex-coolie—a pig eyed pagan. Who will dare say that the olive colored octoroons and quadroons, the bright mulattoes, the heiresses of wealthy-men of mixed blood, will not be sought in the next century by impecunious, thriftless and idle young men of the white race? The negro maidens are seen at certain colleges for women of high degree in the North. Whereunto will this grow?”

“Consider the future of the friendless and fatherless boy of the white race in the South. Can he pay $500 to attend the Stevens Institute in New York. Can he command money for board and raiment while a student at any state school with a small annex of tools and a shop? He hasn’t money enough to buy oven a railroad ticket to such a college.”

“The grandchildren of warlike men with historic names, who made the Southern army a synonym of dauntless courage, are drifting toward the helot class, and in the century dawning there will come to pass social conditions that would stir the corpses in the jackets of grey.

“No man has soon the harvest from the sowing after Appomattox. The statesmen among us robbed the ex-soldier of Lee to educate black competitors of his children. Then Northern millionaires, in hatred of the paroled citizens, have endowed colleges of tools and machines to equip the ex-slave to surpass and subjugate the sons of the confederate in the struggle for the best pay and position in the skilled trades. It is a condition and not a theory that confronts us. Thoughtful men do not contest the fact.”

Madison, Wis., July 25—At the Monona lake assembly yesterday, John Temple Graves of Georgia advanced some radical ideas regarding the negro race problem in his lecture entitled, “Uncle Tom’s’ New Cabin.” He said:

“The remedy Is to be found in a negro state planted in the heart of our own great republic, under the shadow of the flag, under the benediction of the government. Here let him, unmolested, work out his final destiny. In the region of Colorado, Now Mexico and Arizona is to be found on area of 150,000,000 acres upon which our whole negro population could find subsistence and yet not be so densely populated as I found Germany or Belgium. The government should lend them every aid in developing the country. Negroes alone should hold the offices and rule the country. Nor are they opposed to such action. Actual investigation has shown that numbers are ready to go even to Africa where they can have a state of their own.”

Wilder than her pet cheetah, the sex-mad Black Venus who outwitted the Nazis: Remarkable story of Josephine Baker as Rihanna is set to play legendary seductress in biopic

The Daily Mail
2013-08-22

Annabel Venning

Under scorching stage-lights, Josephine Baker stepped out in front of the audience entirely naked, but for a few strategically-placed flamingo-feathers.

Her male dance partner carried her upside down, her long, slender legs stretched out in the splits.

He set her down, and she began to dance. As the light played on her coffee-brown skin, her body seemed to become almost molten as she wound herself around her partner.

She was, she later recalled, lost in the eroticism of the moment, ‘intoxicated . . . driven by dark forces I didn’t recognise,’ as she writhed seductively before shuddering to a climactic halt.

For a few moments the Paris audience remained silent, as if stunned. Then they rose to their feet as one and erupted in ecstatic applause.

She was hailed as the ‘Black Venus’. Picasso dubbed her the ‘Nefertiti of now’. Author Ernest Hemingway called her ‘the most sensational woman anyone ever saw’.

It was the start of an extraordinary career.  Josephine Baker, the girl from the St Louis ghetto, rose to become one of the greatest divas ever, an icon of the Jazz Age, talented and glamorous, but also decadent and amoral.

Today, all that many people remember of her is that she danced naked except for her famous tutu made of (fake) bananas…

Read the entire article here.

Whites think race equality is nearer than blacks do, study finds

The Los Angeles Times
2013-08-22

Emily Alpert

Nearly half a century after Martin Luther King Jr. described his dream that someday people would be judged not by their race but by their character, whites think a colorblind society is much closer to reality than blacks, according to a new survey from the Pew Research Center.

The findings underscore the enduring chasm between the way white and black Americans perceive racism and its continued effects, as glaring gaps in wealth and education persist between the races…

…Whites are more likely to believe that racial equality is within reach because “the hideous things that have happened in our history — lynchings, cross burnings, the Ku Klux Klan marching people out of town — those things have tended to disappear,” said Jerome Rabow, professor emeritus of sociology at UCLA. Whites also point to laws against discrimination, he said.

But “when blacks talk about how they’re doing, it’s more about their daily lives,” Rabow said. Whites often miss the daily frustrations that blacks encounter, such as frequently being pulled over by police, or professors assuming they’re meeting with them because they did poorly on an exam, Rabow added…

…Large majorities of black and white respondents said they believed that their two groups got along well, Pew found. Yet Pew discovered that for both whites and blacks, the feeling of racial progress that followed the election of Barack Obama seems to have faded.

After Obama became president, higher shares of both groups of respondents said blacks were doing better than they were five years earlier. Since then, the numbers have dropped closer to previous levels, back down to 35% of whites and 26% of blacks, the Pew survey showed.

“That Obama effect is quickly dissipating,” said Eduardo Bonilla-Silva, professor of sociology at Duke University. “Having a black president doesn’t mean much for us in daily life.”…

Read the entire article here.

Imperfect Unions: Staging Miscegenation in U.S. Drama and Fiction [Fruscione review]

MELUS: Multi-Ethnic Literature of the United States
Volume 38, Issue 3 (September 2013)
pages 180-182
DOI: 10.1093/melus/mlt040

Joseph Fruscione, Adjunct Professor of Writing
George Washington University, Washington, D.C.

Imperfect Unions: Staging Miscegenation in U.S. Drama and Fiction. Diana Rebekkah Paulin. Minneapolis: University of Minnesota Press, 2012. 336 pages.

Between the Civil War (1861-65) and World War I (1914-18), writes Diana Rebekkah Paulin in Imperfect Unions: Staging Miscegenation in U.S. Drama and Fiction, “Americans … literally could not stop writing about—and talking about, and enacting—the union between black and white” in fiction and theater. Paulin asserts that such literary and dramatic works telescope how “racialized citizenship and national identity formation … coalesced” in this period (x). Positioning Imperfect Unions within evolving critical conversations about writing, race, and nation, Paulin outlines her book’s central focus and questions in the introduction:

Rather than remaining hidden, this great American fear [of black-white unions] was actually paraded and spectacularized in public sites. Rather than being relegated to the realm of the invisible, black-white relations were continually staged. Why, so to speak, all the drama? Why the consistent production—and from available historical evidence, the eager consumption by the masses—of something that deeply unsettled so many Americans? (xii)

Paulin explores and complicates these questions by analyzing works by Dion Boucicault (The Octoroon, 1859), Louisa May Alcott (“M. L.” and “My Contraband,” 1863), Bartley Campbell (The White Slave, 1882), William Dean Howells (An Imperative Duty)…

Read or purchase the review here.

Imperfect Unions: Staging Miscegenation in U.S. Drama and Fiction by Diana Rebekkah Paulin (Green-Rogers review)

Theatre Journal
Volume 65, Number 2, May 2013
pages 304-306
DOI: 10.1353/tj.2013.0048

Martine Kei Green-Rogers, Post Doctorate Fellow
University of Utah

Imperfect Unions: Staging Miscegenation in U.S. Drama and Fiction by Diana Paulin is a multidisciplinary examination of how fictionalized versions of miscegenation both obfuscated and unmasked aspects of the complex black/white binary that shaped racial histories in the United States during the nineteenth and twentieth centuries. By combining literary and historical approaches from the fields of theatre, performance studies, race and ethnic studies, American studies, and trans-hemispheric studies to works that were disseminated through the popular press and performance, Paulin illustrates the epistemological influence that stories of miscegenation had on the term “race” and the white versus black paradigm that created a racial divide in the United States.

Using a comparative approach, Paulin typically pairs a work of fiction with a drama in each chapter, organizing her materials chronologically. Thus, for example, the first chapter, “Under the Covers of Forbidden Desire: Interracial Unions as Surrogates,” examines Dion Boucicault’s The Octoroon (1859) alongside Louisa May Alcott’s “M.L.” and “My Contraband” (1863). Paulin begins with Boucicault’s play, she explains, because it offers “a representative sample of the common tropes and themes used in narratives about interracial unions: forbidden love, the tragic death of the mulatta, and the simultaneous appeal and repulsion of black blood” (5). Both The Octoroon and Alcott’s stories served as historical and sociological precedents, voicing the idea that children of miscegenistic unions would always lead tragic lives that often ended in violence—either self-inflicted, due to the emotional burden of their mixed-race heritage in a society defined by a racial binary, or at the hands of others, given the threat they posed to the black versus white paradigm. Paulin argues that although these “multivalent figures” call into question the logic of the binary paradigm, ultimately their tragic fates reinforce the dominant values of the larger historical and social context in which these characters were created (9).

Chapter 2, “Clear Definitions for an Anxious World: Late Nineteenth-Century Surrogacy,” discusses Bartley Campbell’s play The White Slave (1882) and William Dean Howells’s novel Imperative Duty (1892). Here, Paulin analyzes these two works in relation to the Chicago World’s Fair of 1893, finding that both literature and culture “marginalized blackness and glorified the past greatness of white society” (57). While Boucicault’s and Alcott’s works insinuate “democratic ideas” into their treatment of the tragic mulatta, Campbell’s play and Howells’s novel portray “unclassifiable person[s]” as objects of fear (61). Paulin explains that, in their works, such figures exceed the clearly defined boundaries of racial division and thus tap a growing fear that freed slaves would likewise exceed the boundaries of social divisions. She adds that this fear was especially trained on “intimate social spaces previously reserved for bourgeois whites, such as their parlors and bedrooms” (59). Paulin’s argument is intriguing because Campbell’s “unclassifiable” character is of European heritage (which is racially defined as “Other”) and of illegitimate birth, and within the world of the novel she is passed off as the daughter of an “octoroon.” As such an example illustrates, the fluidity of racial categories could be used paradoxically to reinforce societal structures that depended on a definitive line between “white” and everything else.

Chapter 3, “Staging the Unspoken Terror,” juxtaposes Charles Chesnutt’s novel The Marrow of Tradition (1901) with Thomas Dixon’s play The Clansman (1905), which the author adapted from his novel of the same name and which became the basis of D. W. Griffith’s 1915 film The Birth of a Nation. Although these works espouse drastically different views—€”Dixon’s play seeks the “reestablishment of white domination,” while Chesnutt’s novel critiques the “corruption and hypocrisy of southern white-supremacist ‘tradition’ and government” (106)— Paulin notes that both rely upon the assumption that women are responsible for maintaining racial purity. Both also address racial violence: if, in Dixon, it can be stopped if the threat of miscegenation is eradicated, in Chesnutt it is an inevitable consequence of white power.

Chapter 4, “The Remix: Afro-Indian Intimacies,” addresses an often ignored topic in the discourse of miscegenation because it exists outside of the black/white binary: the legal…

Counseling Single Mothers of Multiple Heritage Children: What Is the Difference?

The Family Journal
Volume 21, Issue 4 (October 2013)
pages 396-401
DOI: 10.1177/1066480713488527

Kristin Harris, MA
Sam Houston State University, Huntsville, Texas

Richard Henriksen, Ph.D., Associate Professor of Education
Sam Houston State University, Huntsville, Texas

Anthony J. Onwuegbuzie, Ph.D., Professor of Education
Sam Houston State University, Huntsville, Texas

An instrumental qualitative multiple case study design was conducted on 3 single mothers raising multiple heritage children concerning issues involved in being a single mother and attempting to juggle socializing their children among two different cultures. Using constant comparison analysis, themes were assigned by analyzing the single mothers’ interview responses to determine the advantages and disadvantages that single mothers might face while raising multiple heritage children. Results indicate an array of pertinent issues single mothers might face while attempting to juggle family and social issues pertaining to raising a multiple heritage child on their own. Recommendations for counselors working with single mothers of multiple heritage children are presented.

Read or purchase the article here.

Counseling Single-Parent Multiracial Families

The Family Journal
Volume 21, Issue 4 (October 2013)
pages 386-395
DOI: 10.1177/1066480713488526

Henry L. Harris, Associate Professor of Education
Department of Counseling
University of North Carolina, Charlotte

Single-parent families represent a growing segment of the family households in the United States today and while some literature has addressed racial differences, information focusing on single parents of multiracial children in the United States is virtually nonexistent. Single-parent multiracial families (SPMFs) must not only contend with societal challenges related to their single-parent status but also racial issues related to their multiracial children. This article will address some of the unique challenges encountered by SPMFs and offer suggestions to counselors and other mental health professionals working with this unique population.

Read or purchase the article here.

“A Universe of Many Worlds”: An Interview with Ruth Ozeki

MELUS: Multi-Ethnic Literature of the United States
Volume 38, Issue 3 (September 2013)
pages 160-171
DOI: 10.1093/melus/mlt028

Eleanor Ty, Professor of English and Film Studies
Wilfrid Laurier University, Waterloo, Ontario, Canada

That’s what it felt like when I was growing up, like I was a random fruit in a field of genetically identical potatoes.—Ruth Ozeki, All Over Creation (4)

Is death even possible in a universe of many worlds? —Ruth Ozeki, A Tale for the Time Being (400)

Immigrant and ethnic writing frequently addresses the dilemma of being caught between two worlds. More often than not, the protagonists in these works are torn between the desire to assimilate into American culture while negotiating with the original culture of their parents and the realization that their ethnic, racial, or religious difference is what makes them special as hyphenated subjects. For Ruth Ozeki, filmmaker and internationally acclaimed author of My Year of Meats (1998), being in between two cultures becomes a source of inspiration and strength. As the daughter of a Japanese mother and an American father, she feels that being outside of the mainstream can be an advantage. In an interview with Barbara Palmer, Ozeki said, outside “is the only place for a writer to be. Otherwise, you lose your perspective, your edge. You stop seeing things.”

In both My Year of Meats and her second novel, All Over Creation (2003), the protagonists are mixed-race Japanese Americans who do not quite fit the image of the “attractive, appetizing, and all-American” ideal woman represented in popular media (My 8). Jane Takagi-Little of My Year of Meats tries to explode this nostalgic “illusion of America” (9) by deliberately focusing on nonwhite, non-heterosexual, and nontraditional families when she gets a chance to direct a television show called My American Wife! for a Japanese audience. In All Over Creation, Yummy Fuller, who always had to play “Indian princess” in Liberty Falls Elementary School when she was growing up (7), runs away from her farming family…

Read or purchase the article here.

A Blunt Chief Justice Unafraid to Upset Brazil’s Status

The New York Times
2013-08-23

Simon Romero, Brazil Bureau Chief

BRASÍLIA — Brazil’s highest court has long viewed itself as a bastion of manners and formality. Justices call one another “Your Excellency,” dress in billowing robes and wrap each utterance in grandiloquence, as if little had changed from the era when marquises and dukes held sway from their vast plantations.

But when the chief justice, Joaquim Barbosa, strides into the court, the other 10 excellencies brace themselves for whatever may come next.

In one televised feud, Mr. Barbosa questioned another justice about whether he would even be on the court had he not been appointed by his cousin, a former president impeached in 1992. With another justice, Mr. Barbosa rebuked him over what the chief justice considered his condescending tone, telling him he was not his “capanga,” a term describing a hired thug.

In one of his most scathing comments, Mr. Barbosa, the high court’s first and only black justice, took on the entire legal system of Brazil — where it is still remarkably rare for politicians to ever spend time in prison, even after being convicted of crimes — contending that the mentality of judges was “conservative, pro-status-quo and pro-impunity.”

“I have a temperament that doesn’t adapt well to politics,” Mr. Barbosa, 58, said in a recent interview in his quarters here in the Supreme Federal Tribunal, a modernist landmark designed by the architect Oscar Niemeyer. “It’s because I speak my mind so much.”

His acknowledged lack of tact notwithstanding, he is the driving force behind a series of socially liberal and establishment-shaking rulings, turning Brazil’s highest court — and him in particular — into a newfound political power and the subject of popular fascination.

The court’s recent rulings include a unanimous decision upholding the University of Brasília’s admissions policies aimed at increasing the number of black and indigenous students, opening the way for one of the Western Hemisphere’s most sweeping affirmative action laws for higher education…

…In a country where a majority of people now define themselves as black or of mixed race — but where blacks remain remarkably rare in the highest echelons of political institutions and corporations — Mr. Barbosa’s trajectory and abrupt manner have elicited both widespread admiration and a fair amount of resistance.

As a teenager, Mr. Barbosa moved to the capital, Brasília, finding work as a janitor in a courtroom. Against the odds, he got into the University of Brasília, the only black student in its law program at the time. Wanting to see the world, he later won admission into Brazil’s diplomatic service, which promptly sent him to Helsinki, the Finnish capital on the shore of the Baltic Sea.

Sensing that he would not advance much in the diplomatic service, which he has called “one of the most discriminatory institutions of Brazil,” Mr. Barbosa opted for a career as a prosecutor. He alternated between legal investigations in Brazil and studies abroad, gaining fluency in English, French and German, and earning a doctorate in law at Pantheon-Assas University in Paris…

Read the entire article here.