Scholarly perspectives on the mixed race experience.
Mestizaje is an ideology which believes that the fusion of various cultural traditions (including language, religion, food, music, etc.) in the Americas created a new and better mestizo race. This idea gained strength after the Mexican Revolution, and José Vasconcelos popularized it in his 1925 essay La Raza Cósmica (The Cosmic Race).
Dr. Albert C. Johnston, Negro physician in Keene, N. H., whose story of passing for white was told in the movie Lost Boundaries, was fired from his post as radiologist at Keene’s Elliott Community Hospital. Chester Kingsbury, hospital board president, said racial prejudice was not the reason for the dismissal, claimed that Dr. Johnston could not devote full time to the job. Dr. Johnston said he would not seek reinstatement, Dr. Johnston explained there was “no doubt whatsoever” that he was fired because of the film of his life. “They have been picking on me ever since my story came out (in 1949). I don’t give a darn for the job itself, but I’m concerned over the fact that I was fired because I’m a Negro,” he declared. The physician said he learned that the hospital was looking for a new radiologist soon after he let his children know their racial identity in 1947, added that “somebody began knifing me.”
Three years after the release of “Lost Boundaries,” Dr. [Albert] Johnston was fired from his job as a radiologist at Keene Community Hospital. The president of the hospital board told reporters “racial prejudice was not the reason for the dismissal,” but the doctor believed otherwise. “They have been picking on me ever since my story came out,” he told the press. “In spite of all that I have accomplished as a white man, I have, more or less, an empty life.” The Johnston family abandoned New Hampshire in 1966 and moved permanently to Honolulu, Hawaii. Dr. Johnston died in 1988 and Thyra Johnston in 1995. One of Albert Jr.’s original songs had been used in “Lost Boundaries,” and he became a successful composer.
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A Johnston family portrait. From left to right, standing: Albert Sr. and Albert Jr. From left to right, seated: Thyra, Paul, Ann and Donald.
How a UNH student inspired one of America’s first “race films” and why we’re still talking about it
Albert Johnston Jr. was 16 when he found out he was Black. His fair-skinned African American parents had been “passing” as white, they told him, since moving from Chicago to rural Gorham, New Hampshire, and later to Keene. His father had been the town’s country doctor with 2,500 white patients. He was an active member of the school board, the Masons and the Rotary. His mother Thyra was a two-time president of the Gorham Women’s Club and active in the Congregational Church.
Born in 1925, growing up skiing the White Mountains, Albert had only a single Black acquaintance in high school. In an era of widespread racial segregation and discrimination, he felt a seismic shift as he adapted from a dark-skinned Caucasian to a light-skinned Negro. Formerly gregarious, he drew inward. He attended and then dropped out of Dartmouth College. He enlisted and left the Navy, talked of suicide, battled with his parents, and spent time in a psychiatric ward.
Then Albert took a road trip. Decades before Ken Kesey and “Easy Rider,” with only a few dollars in their pockets, Albert and an old school chum named Walt hitch-hiked and hopped freight trains from New Hampshire to California. For Albert, it was a spiritual journey into the homes of his long-lost African American relatives and into the roots of Black culture. For Walt, who was white, it was a great adventure with a good friend. After odd jobs, a love affair and a stint at the University of California in Los Angeles, Albert found his way home. Renewed and focused, he enrolled in the well-regarded music program at the University of New Hampshire in Durham. And there in a UNH college lounge in front of 20 fellow students, Albert (Class of ’49) finally laid his burden down. During a seminar on the “race problem” in America, the topic turned to “cross-bred” people. He could offer some insight on that topic, Albert told his classmates, because he, himself, was a Negro. The room got very still, he later recalled, like the sudden silence after the climax of a concerto.
“Why not tell everybody?” Albert said. “Why carry a lie around all your life?”…
KEENE, N.H. — For 12 years, Dr. Albert Johnston and his wife had a secret–a secret they kept from friends, neighbors, even their children.
But in 1941, their secret came out–each was part black. The fair-skinned Johnstons had raised four children and built a life in Keene and Gorham, N.H., while passing as white.
The whole world knew their story 8 years later when it was presented, lightly fictionalized, in “Lost Boundaries,” in which Mel Ferrer (“El Greco,” “War and Peace“) made his film debut.
The doctor is now dead, but his family and members of the movie’s cast and crew reunited in Keene last week with a screening and small reception to celebrate a revolutionary film and friendships that withstood a revelation that was, in its time, shocking.
“That was the point of the story, the fact that something positive happened, that there wasn’t any problem as a result of it,” Albert Johnston Jr. recalled.
Albert Johnston, a Chicago native, and his blue-eyed wife, Thyra Baumann, born in New Orleans, had no thought of “passing” after their 1924 marriage when he was a premed student at the University of Chicago. But things changed when he tried to find work as an intern. Hospitals that accepted black interns were full, and others would not accept him because he was part black…
