Mixed Race Studies

Impact of the forgotten black Europeans

Islington Tribune
London, United Kingdom
2022-05-12

Angela Cobbinah

Scholars, poets, writers, composers… a new book focuses on the wide influence of Africa abroad, writes Angela Cobbinah

ALESSANDRO de Medici, Duke of Florence, virtuoso 18th-century French violinist and composer Joseph Bologne and 1922 world light heavyweight boxing champion Battling Siki from France via Senegal are probably people we know little about, if at all.

They are part of a forgotten European past explored by Olivette Otele in her scholarly book, African Europeans, which travels through time to reveal how trade, war, slavery and colonialism resulted in a black presence in Europe from as far back as the third century.

This is where Otele, professor of the history and memory of slavery at Bristol University, kicks off, telling the story of St Maurice, Egyptian leader of a Roman legion who was famously executed for refusing to crush a Christian revolt in Gaul.

Celebrated as a martyr across Germany, he is clearly represented as an African in a statue at Magdeburg Cathedral and other church iconography.

Black saints and Madonnas appeared across Europe in the 12th and 13th centuries, perhaps Otele speculates, to symbolise the transformative power of the Catholic Church in converting those it considered heathen…

Read the entire review here.

Under the Sky of My Africa: Alexander Pushkin and Blackness

Northwestern University Press
May 2006
488 pages
6 1/8 x 9 1/4
Paper ISBN: ISBN 978-0-8101-1971-0

Edited by:

Catharine Theimer Nepomnyashchy (1951-2015), Ann Whitney Olin Professor of Russian Literature and Culture
Barnard College
Columbia University, New York, New York

Nicole Svobodny, Assistant Dean, College of Arts & Sciences; Senior Lecturer, International & Area Studies
Washington University in St. Louis, St. Louis, Missouri

Ludmilla A. Trigo

Foreword by:

Henry Louis Gates Jr., Alphonse Fletcher University Professor; Director of the Hutchins Center for African and African American Research
Harvard University

Roughly in the year 1705, a young African boy, acquired from the seraglio of the Turkish sultan, was transported to Russia as a gift to Peter the Great. This child, later known as Abram Petrovich Gannibal, was to become Peter’s godson and to live to a ripe old age, having attained the rank of general and the status of Russian nobility. More important, he was to become the great-grandfather of Russia’s greatest national poet, Alexander Pushkin. It is the contention of the editors of this book, borne out by the essays in the collection, that Pushkin’s African ancestry has played the role of a “wild card” of sorts as a formative element in Russian cultural mythology; and that the ways in which Gannibal’s legacy has been included in or excluded from Pushkin’s biography over the last two hundred years can serve as a shifting marker of Russia’s self-definition.

The first single volume in English on this rich topic, Under the Sky of My Africa addresses the wide variety of interests implicated in the question of Pushkin’s blackness-race studies, politics, American studies, music, mythopoetic criticism, mainstream Pushkin studies. In essays that are by turns biographical, iconographical, cultural, and sociological in focus, the authors-representing a broad range of disciplines and perspectives-take us from the complex attitudes toward race in Russia during Pushkin’s era to the surge of racism in late Soviet and post-Soviet contemporary Russia. In sum, Under the Sky of My Africa provides a wealth of basic material on the subject as well as a series of provocative readings and interpretations that will influence future considerations of Pushkin and race in Russian culture.

An Anthology of Interracial Literature: Black-White Contacts in the Old World and the New

New York University Press
2004-02-01
675 pages
Cloth ISBN: 9780814781432
Paperback ISBN: 9780814781449

Edited by

Werner Sollors, Henry B. and Anne M. Cabot Professor of English Literature and Professor of African and African American Studies
Harvard University

A white knight meets his half-black half-brother in battle. A black hero marries a white woman. A slave mother kills her child by a rapist-master. A white-looking person of partly African ancestry passes for white. A master and a slave change places for a single night. An interracial marriage turns sour. The birth of a child brings a crisis. Such are some of the story lines to be found within the pages of An Anthology of Interracial Literature.

This is the first anthology to explore the literary theme of black-white encounters, of love and family stories that cross—or are crossed by—what came to be considered racial boundaries. The anthology extends from Cleobolus’ ancient Greek riddle to tormented encounters in the modern United States, visiting along the way a German medieval chivalric romance, excerpts from Arabian Nights and Italian Renaissance novellas, scenes and plays from Spain, Denmark, England, and the United States, as well as essays, autobiographical sketches, and numerous poems. The authors of the selections include some of the great names of world literature interspersed with lesser-known writers. Themes of interracial love and family relations, passing, and the figure of the Mulatto are threaded through the volume.

An Anthology of Interracial Literature allows scholars, students, and general readers to grapple with the extraordinary diversity in world literature. As multi-racial identification becomes more widespread the ethnic and cultural roots of world literature takes on new meaning.

Contributors include: Hans Christian Andersen, Gwendolyn Brooks, Elizabeth Barrett Browning, Charles W. Chesnutt, Lydia Maria Child, Kate Chopin, Countee Cullen, Caroline Bond Day, Rita Dove, Alexandre Dumas, Olaudah Equiano, Langston Hughes, Victor Hugo, Charles Johnson, Adrienne Kennedy, Henry Wadsworth Longfellow, Guy de Maupassant, Claude McKay, Eugene O’Neill, Alexander Pushkin, and Jean Toomer.