Andrea Levy: In her own words

Posted in Audio, Autobiography, Interviews, Media Archive, United Kingdom on 2020-02-10 15:56Z by Steven

Andrea Levy: In her own words

BBC Radio 4
2020-02-08, 20:00Z
57 minutes

Produced by Melissa FitzGerald & Sarah O’Reilly

Andrea Levy, alongside friends and family, speaks candidly about her writing life and her impending death.

Profiling the life and work of Andrea Levy, the best-selling author of Small Island, who died in February 2019.

Speaking on condition that the recording would only be released after her death, Andrea Levy gave an in-depth interview to oral historian Sarah O’Reilly for the British Library’s Authors’ Lives project in 2014. Drawing on this recording, along with comments from friends, family and collaborators, this programme explores Levy’s changing attitude towards her history and her heritage and how it is intimately bound up with her writing.

Andrea Levy grew up in North London in the 1960s, the daughter of Jamaican immigrants. Her father Winston came to Britain in 1948 on the Empire Windrush, and her mother Amy arrived six months later. At home, Jamaica was never discussed. Levy recalls how her parents believed that, in order to get on in this country they should live quietly and not make a fuss, and the silence around race in the family home haunted her throughout her life: “I have dreams now where I sit down with my parents and we talk about the difficulty of being a black person in a white country. But at the time? No help whatsoever.”

A significant day arrived when she attended a racism awareness course in her workplace in the 1980s. Staff were asked to split into two groups. “I walked over to the white side of the room. But my fellow workers had other ideas and I found myself being beckoned over by people on the black side. I crossed the floor. It was a rude awakening. It sent me to bed for a week.”…

For more information, click here. Listen to the interview (00:56:42) here.

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Andrea Levy, my brilliant friend

Posted in Articles, Biography, Literary/Artistic Criticism, Media Archive, United Kingdom on 2020-02-07 16:02Z by Steven

Andrea Levy, my brilliant friend

The New Statesman
2020-02-05

Gary Younge

Remembering the novelist, one year after her death.

While Bill Mayblin, the novelist Andrea Levy’s widower, was gathering her things for the British Library archive, he came across a red Moleskine book containing a handwritten tale that he’d never seen before.

Entitled “Two”, it is a brief dialogue between two unnamed functionaries working for the Grim Reaper . They are discussing Andrea’s impending death. With a mixture of wry cynicism, callous ambivalence and bureaucratic nonchalance they ponder her admittance, as though standing at a water cooler in a celestial call centre.

I have someone for you.
Good. Male or female?
Female.
Childbirth?
Don’t be silly, we haven’t done childbirth in ages. It’s a bit rare you know.
Around here maybe but not in other parts.
Well, maybe so. But childbirth… no. Cancer.
Breast?
Of course.
I’m not going to have to hang about for ages am I? Only the last one took years.
It’s on. It’s off. Tries my patience.

As a close friend of Andrea’s, who talked with her a lot about the cancer she had and the death that was coming, I found the voices were recognisably hers. She lived with cancer for a decade – long enough for her to joke that she stopped telling people about it because some looked almost disappointed when they bumped into her and found her looking fine…

Read the entire article here.

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“I walked over to the white side of the room. It was, ironically, where I felt most at home – all my friends, my boyfriend, my flatmates, were white. But my fellow workers had other ideas and I found myself being beckoned over by people on the black side. With some hesitation I crossed the floor.”

Posted in Excerpts/Quotes on 2019-02-15 21:09Z by Steven

After studying textiles at Middlesex Polytechnic, [Andrea] Levy worked briefly as a designer, a dresser and a receptionist. But it was not until she was 26 that a racial awareness session with colleagues at an Islington sex education project gave her a “rude awakening”.

“We were asked to split into two groups, black and white.” Levy wrote. “I walked over to the white side of the room. It was, ironically, where I felt most at home – all my friends, my boyfriend, my flatmates, were white. But my fellow workers had other ideas and I found myself being beckoned over by people on the black side. With some hesitation I crossed the floor.”

As someone who was “scared” to call herself a black person, the experience was shocking enough to send her to bed for a week. But the writing course she had begun part-time came to her rescue, sending her back to explore the shame and denial that had marked her childhood and to rediscover her Jamaican roots.

Richard Lea, “Andrea Levy, chronicler of the Windrush generation, dies aged 62,” The Guardian, February 15, 2019. https://www.theguardian.com/books/2019/feb/15/andrea-levy-chronicler-of-the-windrush-generation-dies-aged-62.

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Andrea Levy, chronicler of the Windrush generation, dies aged 62

Posted in Articles, Biography, Caribbean/Latin America, Literary/Artistic Criticism, Media Archive, United Kingdom on 2019-02-15 20:49Z by Steven

Andrea Levy, chronicler of the Windrush generation, dies aged 62

The Guardian
2019-02-15

Richard Lea


Andrea Levy, in Edinburgh in 2010: ‘My heritage is Britain’s story too.’ Photograph: Murdo MacLeod/The Guardian

Award-winning author of Small Island and The Long Song had cancer

The writer Andrea Levy, who explored the experience of Jamaican British people in a series of novels over 20 years has died, aged 62, from cancer.

After starting to write as a hobby in her early 30s, Levy published three novels in the 1990s that brought her positive reviews and steady sales. But her fourth novel, Small Island, launched her into the literary big league, winning the 2004 Orange prize, the Whitbread book of the year and the Commonwealth Writers’ prize, selling more than 1m copies around the world and inspiring a 2009 BBC TV adaptation.

On Friday, authors including Candice Carty-Williams, Linda Grant and Malorie Blackman paid tribute, with Blackman remembering a “warm, funny and generous spirit.”…

…After studying textiles at Middlesex Polytechnic, Levy worked briefly as a designer, a dresser and a receptionist. But it was not until she was 26 that a racial awareness session with colleagues at an Islington sex education project gave her a “rude awakening”.

“We were asked to split into two groups, black and white.” Levy wrote. “I walked over to the white side of the room. It was, ironically, where I felt most at home – all my friends, my boyfriend, my flatmates, were white. But my fellow workers had other ideas and I found myself being beckoned over by people on the black side. With some hesitation I crossed the floor.”

As someone who was “scared” to call herself a black person, the experience was shocking enough to send her to bed for a week. But the writing course she had begun part-time came to her rescue, sending her back to explore the shame and denial that had marked her childhood and to rediscover her Jamaican roots…

Read the entire article here.

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Obituary: Andrea Levy

Posted in Articles, Biography, Caribbean/Latin America, Literary/Artistic Criticism, Media Archive, United Kingdom, Women on 2019-02-15 16:29Z by Steven

Obituary: Andrea Levy

BBC News
2019-02-15

Andrea Levy

Andrea Levy, who has died of cancer at the age of 62, told the stories of the Windrush generation with humour and compassion.

As Britain struggled to revive its post-war economy, invitations were extended to citizens of the Empire. “Come and make your lives in the Mother Country,” the advertisements said.

Levy’s books chart the experiences – and disappointments – of the first Caribbean immigrants and their children.

Her Jamaican father, Winston, was aboard the Empire Windrush, the first ship to dock at Tilbury in 1948.

The open arms which the 492 men expected were not forthcoming. Racism and rejection, small rooms and chilly receptions awaited instead.

Her writing could have been angry and preachy, but it wasn’t. It was witty, humane and often moving, and full of richly drawn characters.

She brought ignored and forgotten stories back to public consciousness. And she drew on her own mixed-race, working class experience to enrich her themes of family and displacement…

Read the entire article here.

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