Mixed Race Studies

Scholarly perspectives on the mixed race experience.

“I’m not black,” Joyce said. “I’m multiracial.” Then she started telling me about her father, who happened to be Italian and was the sweetest man in the world; and her mother who happened to be part African and part French and part Native American and part something else. “Why should I have to choose between them?” she asked me. Her voice cracked, and I thought she was going to cry. “It’s not white people who are making me choose. Maybe it used to be that way, but now they’re willing to treat me like a person. No—it’s black people who always have to make everything racial. They’re the ones making me choose. They’re the ones who are telling me I can’t be who I am…”

“They, they, they. That was the problem with people like Joyce. They talked about the richness of their multicultural heritage and it sounded real good, until you noticed that they avoided black people. It wasn’t a matter of conscious choice, necessarily, just a matter of gravitational pull, the way integration always worked, a one-way street. The minority assimilated into the dominant culture, not the other way around. Only white culture could be neutral and objective. Only white culture could be nonracial, willing to adopt the occasion exotic into its ranks. Only white culture had individuals. And, we the half-breeds and college-degreed, take a survey of the situation and think to ourselves, Why should we get lumped in with the losers if we don’t have to? We become only so grateful to lose ourselves in the crowd, America’s happy, faceless marketplace; and we’re never so outraged as when a cabbie drives past us or the woman in the elevator clutches her purse, not so much because we’re bothered by the fact that such indignities are what less fortunate coloreds have to put up with every single day of their lives—although that’s what we tell ourselves—but because we’re wearing a Brooks Brothers suite and speak impeccable English and yet somehow have somehow been mistaken for an ordinary nigger.”

Barack Obama, Dreams from My Father: A Story of Race and Inheritance, (New York: Three Rivers Press, 1995), 99-100.

Sui Sin Far / Edith Maude Eaton: A Literary Biography

Posted in Asian Diaspora, Biography, Books, Canada, Caribbean/Latin America, Literary/Artistic Criticism, Media Archive, Monographs, United States, Women on 2012-01-30 03:10Z by Steven

Sui Sin Far / Edith Maude Eaton: A Literary Biography

University of Illinois Press
1995
288 pages
ISBN-10: 0252021134; ISBN-13: 978-0252021138

Annette White-Parks, Professor Emeritus of English
University of Wisconsin, LaCrosse

Foreword by Roger Daniels

Winner of the Association for Asian American Studies Outstanding Book Award in Cultural Studies.

This first full-length biography of the first published Asian North American fiction writer portrays both the woman and her times.

The eldest daughter of a Chinese mother and British father, Edith Maude Eaton was born in England in 1865. Her family moved to Quebec, where she was removed from school at age ten to help support her parents and twelve siblings. In the 1880s and 1890s she worked as a stenographer, journalist, and fiction writer in Montreal, often writing under the name Sui Sin Far (Water Lily). She lived briefly in Jamaica and then, from 1898 to 1912, in the United States. Her one book, Mrs. Spring Fragrance, has been out of print since 1914.

Today Sui Sin Far is being rediscovered as part of American literature and history. She presented portraits of turn-of-the-century Chinatowns, not in the mode of the “yellow peril” literature in vogue at the time but with an insider’s sympathy. She gave voice to Chinese American women and children, and she responded to the social divisions and discrimination that confronted her by experimenting with trickster characters and tools of irony, sharing the coping mechanisms used by other writers who struggled to overcome the marginalization to which their race, class, or gender consigned them in that era.

Table of Contents

Foreword by Roger Daniels
Preface
Introduction
1. A Bird on the Wing
2. Montreal: The Early Writings
3. Pacific Coast Chinatown Stories
4. Boston: The Mature Voice and Its Art
5. Mrs. Spring Fragrance
Conclusion
Bibliography
Index

Tags: Annette White-Parks, Edith Eaton, Edith Maude Eaton, Jamaica, Sui Sin Far, University of Illinois Press

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Sui Sin Far / Edith Maude Eaton: A Literary Biography

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