Mixed Race Studies

Looking at Okinawa: Race, Gender, Nation

2017 UC Berkeley Graduate Student Conference: On Belonging: Gender, Sexuality and Identity in Japan
University of California, Berkeley
Moffitt Undergraduate Library
340 (BCMN Commons Seminar Room)
Berkeley, California
2017-04-09, 10:00-16:00 PDT (Local Time)

Ishikawa Mao, Photographer

Wendy Matsumura, Assistant Professor of Professor
University of California, San Diego

Annmaria Shimabuku, Assistant Professor of East Asian Studies
New York University

This is a one-day event being held in order to create a dialogue on issues of race and gender in the study of Okinawa, and to contemplate the relationship between the study of Japan and the study of Okinawa.

We will initiate this dialogue with a lecture by photographer Ishikawa Mao, whose work explores the complex relationships of gender, race, and national identity in Okinawa and Japan. Her works have included including candid photographs of African American servicemen and their Okinawan and Japanese wives and girlfriends in Okinawa in the 1970s; and portraits of Japanese and Okinawan people with the national flag of Japan, interacting with it in various ways to demonstrate their complicated and often troubled relationship with the nation of Japan. Ishikawa is to give a slide show and talk about her work, focussing on her photographs of African American servicemen.

In the afternoon, we will hold a discussion between scholars, students, and members of the public, to be led by Professor Wendy Matsumura (UCSD) and Professor Annmaria Shimabuku (NYU), who, from the fields of cultural studies, sociology, and history, have been engaged in thinking about the role of Okinawan studies and its place in Japanese studies more generally. We will discuss what it means to study Okinawa in the American academy, and, drawing on Ishikawa’s work, we will examine the complicated role of race and gender in Japanese studies and Okinawan studies.

Sponsored by: Center for Japanese Studies (CJS), Townsend Center for the Humanities, Department of African American Studies, Asian American Studies, Department of Ethnic Studies, Department of Gender and Women’s Studies, Center for Race and Gender, and Department of East Asian Languages & Cultures

For more information, click here.

Definitive Hapa Japan Books To Launch In LA

Kaya Press
Los Angeles, California
2017-02-15

Kaya Press is thrilled to announce the official publication of Hapa Japan: History Vol. 1 and Hapa Japan: History Vol. 2 edited by Duncan Ryūken Williams.

Described by Ruth Ozeki as “essential reading for all citizens of our transcultural, transnational, boundless, borderless, beautifully mixed-up world,” these volumes bring together scholarship on the rich historical and contemporary experiences and representations of global Hapa Japanese…

Read the entire press release here.

Hapa Japan: History (Volume 2)

Kaya Press
2017-02-28
400 pages
Paperback ISBN: 9781885030542

Edited by:

Duncan Ryūken Williams, Associate Professor of Religion and East Asian Languages and Cultures
University of Southern California

The film Kiku and Isamu (1959) was one of the first cinematic depictions of mixed-race children in postwar Japan, telling the story of two protagonists facing abandonment by two different Black GI fathers and ostracism from Japanese society. Bringing together studies of the representations of the Hapa Japanese experience in culture, Hapa Japan: Identities & Representations (Volume 2) tackles everything from Japanese and American films like Kiku and Isamu to hybrid graphic novels featuring mixed-race characters. From Muslim Japanese-Pakistani children in a Tokyo public school to “Blasian” youth at the AmerAsian School close to a US military base in Okinawa, the Hapa experience is multiple, and its cultural representations accordingly are equally diverse. This anthology is the first publication to attempt to map this wide range of Hapa representations in film, art and society.

Petitioning subjects: miscegenation in Okinawa from 1945 to 1952 and the crisis of sovereignty

Inter-Asia Cultural Studies
Volume 11, Issue 3 (2010)
pages 355-374
DOI: 10.1080/14649373.2010.484172

Annmaria Shimabuku, Assistant Professor of Comparative Literature
University of California, Riverside

This paper tells a story about miscegenation between US military personnel and Okinawan women from 1945-1952, which includes sexual violence, the establishment of ‘entertainment districts,’ and the emergence of international marriage. Whereas this history has been mobilized by leftists as a truth-weapon in the struggle for political sovereignty from the US military, this paper takes an explicitly genealogical approach. Drawing on Foucault’s work on biopower, this paper shows how Okinawans were transformed into ‘petitioning subject’—subjects that negotiated the sexual exploitation of their bodies in tandem with the radically changing relationship between their bodies and the territory.

Read or purchase the article here.

Hapa Japan Conference

Center for Japanese Studies
Institute of East Asian Studies
University of California, Berkeley
2011-04-08 through 2011-04-09

• Introduction
• Agenda
• Registration
• Tickets: New Vision Award Recipient Jero, A Conversation & Mini-Concert

Introduction

Hapa is a Hawaiian term that is now widely used to describe someone of mixed racial or ethnic heritage. A New York Times article cites that just within the United States, one in seven marriages are now between people from different racial/ethnic backgrounds.

The Center for Japanese Studies, along with the Hapa Japan Database Project and All Nippon Airways, will host the Hapa Japan Conference on April 8th and 9th, featuring specialists in the study of mixed-race Japanese history, identity, and representation. Topics range from the history of mixed-race Japanese in the 1500s, part-Japanese communities in Australia, to the exploration of identity and representation through story-telling, films, and a photo-exhibit. For more information, please reference the conference agenda or contact cjs-events@berkeley.edu.