Mixed Race Studies

We Are Owed.

Grieveland
2021-07-29
98 pages
6 x 0.21 x 9 inches
ISBN: 978-1-7353527-6-3

Ariana Brown

We Are Owed. is the debut poetry collection of Ariana Brown, exploring Black relationality in Mexican and Mexican American spaces. Through poems about the author’s childhood in Texas and a trip to Mexico as an adult, Brown interrogates the accepted origin stories of Mexican identity. We Are Owed asks the reader to develop a Black consciousness by rejecting U.S., Chicano, and Mexican nationalism and confronting anti-Black erasure and empire-building. As Brown searches for other Black kin in the same spaces through which she moves, her experiences of Blackness are placed in conversation with the histories of formerly enslaved Africans in Texas and Mexico. Esteban Dorantes, Gaspar Yanga, and the author’s Black family members and friends populate the book as a protective and guiding force, building the “we” evoked in the title and linking Brown to all other African-descended peoples living in what Saidiya Hartman calls “the afterlife of slavery.”

[Ariana] Brown’s poem “Inhale: The Ceremony” speaks to her relationship to her ancestors, a history that she said is often unacknowledged or disrespected. “I’m never racialized as Latina. I’m always racialized as black. My whole identity isn’t acknowledged [and] I’m assumed to be an outsider in almost every space I enter. That is a very isolating feeling,” she said.

Corinne Segal, “How poet Ariana Brown became the Afro-Latina role model she needed,” PBS NewsHour, February 8, 2016. http://www.pbs.org/newshour/poetry/how-poet-ariana-brown-became-the-afro-latina-role-model-she-needed/.

How poet Ariana Brown became the Afro-Latina role model she needed

Poetry
PBS NewsHour
2016-02-08

Corinne Segal, Online Arts Reporter/Producer

Poet Ariana Brown. Photo by Christopher Diaz

Poet Ariana Brown is the role model she needed.

Growing up in San Antonio, Brown said she struggled to find other representations of herself — an Afro-Latina woman from a working class family — both in her community and literature.

“I remember reading books and being so invested in the characters and the story, and then I would get to a certain line in the story where it would describe what the character looked like. And then I would realize, this book is not talking about me,” she said. “Part of my work is to always go back for little girl Ariana and figure out what it is she needed that she didn’t get.”

In high school, Brown picked up the autobiography of Malcolm X. He was “someone who was also working class, from a poor family, a family of color, who didn’t have access to opportunities, who came from a neighborhood where you weren’t expected to excel,” she said.

Reading about the way Malcolm X used language to command attention gave her a road map for her own future, she said…

…Brown’s poem “Inhale: The Ceremony” speaks to her relationship to her ancestors, a history that she said is often unacknowledged or disrespected. “I’m never racialized as Latina. I’m always racialized as black. My whole identity isn’t acknowledged [and] I’m assumed to be an outsider in almost every space I enter. That is a very isolating feeling,” she said…

Read the entire article here.

This poem perfectly captures feelings from a campus protest

Blavity
2015-12-26

Blavity Team

What’s it like to be conscious of being love[d] and being hated at the same time? This poet [Ariana Brown] eloquently explains her experience at a campus protest.