Mixed Race Studies

Scholarly perspectives on the mixed race experience.

In Cuba since the 1960s, revolutionary ideology has emphasized a national unity that transcends race and discouraged racial identification. The average Afro-Cuban on the street today will often name being Cuban first, and black, mulatto, or white second. Cuba’s national racial identity is confounded by the fact that there is no accurate way to measure its demographics, especially when using the blurring mixed-race category of “mulatto,” which in Cuba is interchangeable with the term “mestizo,” a self-selected label easily applicable to more than half the island. While the National Office of Statistics stated in 2012 that Cuba is 36 percent nonwhite, Morales claims a more accurate figure is between 60 and 70 percent, largely because many Cubans suffer an internalized racism that makes them publicly deny blackness. I observed this subtle negation one night along the seaside Malecón when a roving guitarista approached the dark-skinned Afro-Cuban poet, hip-hop writer, and activist Carmen Gonzalez Chacon, and tried to flatter his way into 5 pesos by serenading the “beautiful mulatta.” She quickly corrected his misidentification.

Erik Gleibermann, “Where Hip Hop Fits in Cuba’s Anti-Racist Curriculum,” The Atlantic, August 1, 2016. http://www.theatlantic.com/education/archive/2016/08/where-hip-hop-fits-in-cubas-anti-racist-curriculum.

From Paranoid to Reparative: Narratives of Cultural Identification in the Social Sciences

Posted in Articles, Media Archive, Passing, Social Science on 2012-10-22 05:45Z by Steven

From Paranoid to Reparative: Narratives of Cultural Identification in the Social Sciences

Journal of Narrative Theory
Volume 42, Number 2, Summer 2012
pages 193-211
DOI: 10.1353/jnt.2012.0007

Ashley Barnwell, Ashworth Lecturer in Sociology
School of Social and Political Sciences
University of New South Wales, Sydney, Australia

This article tries to draw out the complexity with which people collate their cultural identities. It takes genealogy research as a case study. Looking specifically at an episode of the popular television program Who Do You Think You Are? starring John Hurt, the paper asks whether the concept of ‘cultural appropriation’ can fully capture the fluid, social, and often unconscious means by which people attempt to verify and position their life stories. It also uses the theory of Eve Kosofsky Sedgwick to think about how we attribute an author’s motive.

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Mixed Race Studies

From Paranoid to Reparative: Narratives of Cultural Identification in the Social Sciences

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