Mixed Race Studies

Scholarly perspectives on the mixed race experience.

One might imagine, that the children of such connections, would fare better, in the hands of their masters, than other slaves. The rule is quite the other way; and a very little reflection will satisfy the reader that such is the case. A man who will enslave his own blood, may not be safely relied on for magnanimity. Men do not love those who remind them of their sins—unless they have a mind to repent—and the mulatto child’s face is a standing accusation against him who is master and father to the child. What is still worse, perhaps, such a child is a constant offense to the wife. She hates its very presence, and when a slaveholding woman hates, she wants not means to give that hate telling effect. Women—white women, I mean—are idols at the south, not wives, for the slave women are preferred in many instances; and if these idols but nod, or lift a finger, woe to the poor victim: kicks, cuffs and stripes are sure to follow. Masters are frequently compelled to sell this class of their slaves, out of deference to the feelings of their white wives; and shocking and scandalous as it may seem for a man to sell his own blood to the traffickers in human flesh, it is often an act of humanity toward the slave-child to be thus removed from his merciless tormentors.

Frederick Douglass, My Bondage and My Freedom, (Auburn, New York: Miller, Orton & Mulligan, 1855). 40-41.

An Artist Discovers His Black Heritage Through Photography

Posted in Articles, Arts, Asian Diaspora, Biography, Family/Parenting, Media Archive, United States on 2022-01-05 17:18Z by Steven

An Artist Discovers His Black Heritage Through Photography

VICE
2016-02-11

Beckett Mufson, Staff Writer

ZUN LEE, *FATHER FIGURE*. IMAGES COURTESY BAS BERKHOUT

German-born photographer Zun Lee documents the special non-special moments of black family life.

In his late thirties, Zun Lee discovered that he was not the son of two Korean immigrants to Frankfurt, Germany, as he had believed for most of his life. He was the son of one Korean immigrant—his mother—and a black man he’s never met. He’s been struggling with this shift in identity ever since, most recently in the form of three documentary projects, Father Figure, Black Love Matters, and Fade Resistance. Each series examines an underrepresented facet of black culture, often actively fighting harmful stereotypes that Lee has encountered…

Read the entire article here.

Tags: Beckett Mufson, photography, VICE, Zun Lee

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Mixed Race Studies

An Artist Discovers His Black Heritage Through Photography

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