Loving v. Virginia: Exploring biracial identity and reality in America 50 years after a landmark civil rights milestone

Posted in Articles, History, Law, Media Archive, United States on 2017-06-09 01:32Z by Steven

Loving v. Virginia: Exploring biracial identity and reality in America 50 years after a landmark civil rights milestone

The Conversation
2017-06-07

Caty Borum Chattoo , Director of the Center for Media & Social Impact,
American University School of Communication
American University, Washington, D.C.


Mildred and Richard Loving in 1965. AP Photo

Fifty years ago, on June 12, 1967, the U.S. Supreme Court handed down one of the most important civil rights decisions in American history, Loving v. Virginia. The landmark case ended the last of the country’s state laws banning interracial marriage – prohibitions described in the case’s oral arguments as “the most odious of the segregation laws and the slavery laws.”

This wasn’t simply the dramatic end to longstanding policy justified with biblical assertions about the separation of the races. In the most intimate human terms, the court’s decision marked the end of a difficult journey for Mildred and Richard Loving, the interracial couple at the heart of the case. In the years leading up to the Supreme Court decision, for the crime of being married as a woman of color and a white man, the Lovings faced harassment, a police invasion of their home and even jail time.

The Loving decision has both political and personal meaning to me, the mother of two biracial children and a documentary filmmaker and scholar whose work is grounded in social justice…

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Mixed: Documentary to Explore Interracial Families

Posted in Articles, Communications/Media Studies, Family/Parenting, United States on 2017-01-08 00:05Z by Steven

Mixed: Documentary to Explore Interracial Families

American University
Washington, D.C.
2016-12-15

Gregg Sangillo, Online Writer


School of Communication professors Leena Jayaswal (l) and Caty Borum Chattoo (r) are making a film about interracial families in the United States.

It took a while for documentary filmmakers Leena Jayaswal and Caty Borum Chattoo to realize that they were part of their own story. They’re both in interracial marriages with biracial children, and that’s the subject of their upcoming film, Mixed.

“Everybody kept telling us this film is about the two of you. And we said, ‘No, it’s not.’ But then somebody would say, ‘Why are you making this film?’” Jayaswal recalls.

The documentary is a travelogue—talking with people in Atlanta, Cleveland, Houston, and Los Angeles, among other places—but Jayaswal and Borum Chattoo are inextricably linked to the subject matter at hand.

“It’s a journey film about the two of us finding mixed-race stories across America,” says Jayaswal, an associate professor at American University’s School of Communication.

Throughout the process, they’ve discovered so much more about their country—and themselves. “We actually had all these questions. How does mixed-race identity develop? So we talked to a psychologist about that. What’s the media representation? So we talked to a bunch of Hollywood people. So we’re finding those answers,” says Borum Chattoo, an executive in residence at SOC…

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‘MIXED’ Values: Biraciality in Non-Post-Racial America

Posted in Articles, Communications/Media Studies, Media Archive, United States on 2016-10-08 02:26Z by Steven

‘MIXED’ Values: Biraciality in Non-Post-Racial America

Documentary Magazine
International Documentary Association
2016-09-23

Caty Borum Chattoo, Co-Director
Center for Media & Social Impact, Washington, D.C.


Filmmakers Caty Borum Chattoo (front left) and Leena Jayaswal (front right) with the first mixed-race couple in North Carolina after the Loving v. Virginia decision.

The comments—and the fetishizing perspectives—were naively unexpected: “What is he?” “Where is she from?” “Are they adopted?” “So exotic.”

These are just a few of the remarks I’ve experienced in my decade-long journey as a white mother who gave birth to two brown children—alternatively called biracial, mixed, mulatto, swirls, black, depending on the perspective and region of the country. The aesthetic input is fairly innocent. But other moments have teeth: white parents and teachers who confuse my brown daughter with the one other girl of color in the ballet class; endless discussions about how I am ill-equipped to care for my daughter’s beautiful biracial curls; and a pattern of events with my then-third-grade son that was impossible for me to understand until I finally picked up a book about unconscious bias that can plague boys of color in school.

Others have shared a full spectrum of unsolicited, strongly held opinions about how my children should identify themselves racially, and how I, their white mother, should impose identities for them: The one-drop rule means they’re black, or they don’t look black enough, or being mixed implies that they will be racially self-hating, confused or the opposite of “pure.” These micro-aggressions—actually not micro at all—have also blended with a steady stream of other moments that can be best explained as overt racism. Still, for the most part, life is good and still innocent for them…

…We hope MIXED will offer a new lens into race and the lives of the first generation of mixed-race kids and families to be counted in the US Census, which has only been possible for 16 years. And the backdrop of today has turned out to be particularly meaningful: In an era in which biracial children are trying to understand both racism and white privilege, how do we explain the socio-political construction of race to a child who identifies as more than one? So, what have we—a brown woman and a white woman working together on a film about race—learned so far along the way, in places like New York and Texas and North Carolina and Maryland and Virginia, against the backdrop of Ferguson and #BlackLivesMatter and the historic Obama presidency?…

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